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Robert Gordy (American/Louisiana, 1933–1986), modernist figural composition depicting a stylized crouching nude surrounded by brightly colored rounded forms. The figure is rendered in warm terracotta tones against a dark ground with turquoise, blue and violet accents. The simplified anatomy, exaggerated hands and feet, flattened pictorial space and strongly defined curvilinear forms are characteristic of Gordy's distinctive figurative vocabulary. 1901 / 3475 -
Robert Gordy (American/Louisiana, 1933–1986), modernist figural composition depicting a stylized crouching nude surrounded by brightly colored rounded forms. The figure is rendered in warm terracotta tones against a dark ground with turquoise, blue and violet accents. The simplified anatomy, exaggerated hands and feet, flattened pictorial space and strongly defined curvilinear forms are characteristic of Gordy's distinctive figurative vocabulary. 1902 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1903 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1904 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1905 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1906 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1907 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1908 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1909 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1910 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1911 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1912 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1913 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1914 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1915 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1916 / 3475 -
Charles Reinike III (American/Louisiana, b. 1947), Untitled Landscape, 1975. Watercolor on paper depicting an atmospheric mountainous landscape at sunset, rendered in fluid washes of blue, violet, green and ochre with a brilliant red-orange sun at the horizon. Condition: Artwork appears in generally good condition with strong colors. Currently framed without glass or protective glazing. Mat exhibits age-related toning/discoloration, and the frame shows scattered wear and finish loss. Reframing is recommended. Please refer to photographs for additional condition information. 1917 / 3475 -
Mid-century modern abstract carved stone sculpture depicting a highly stylized human figure. The work is composed of intersecting geometric and rounded forms suggesting a head, shoulders and elongated torso, with deeply carved linear details emphasizing its architectural, modernist character. The sculpture has an attractive naturally weathered surface with areas of darkened patina, staining and moss/lichen-like discoloration consistent with outdoor display. Mounted on a separate square stone base. 1918 / 3475 -
Mid-century modern abstract carved stone sculpture depicting a highly stylized human figure. The work is composed of intersecting geometric and rounded forms suggesting a head, shoulders and elongated torso, with deeply carved linear details emphasizing its architectural, modernist character. The sculpture has an attractive naturally weathered surface with areas of darkened patina, staining and moss/lichen-like discoloration consistent with outdoor display. Mounted on a separate square stone base. 1919 / 3475 -
Mid-century modern abstract carved stone sculpture depicting a highly stylized human figure. The work is composed of intersecting geometric and rounded forms suggesting a head, shoulders and elongated torso, with deeply carved linear details emphasizing its architectural, modernist character. The sculpture has an attractive naturally weathered surface with areas of darkened patina, staining and moss/lichen-like discoloration consistent with outdoor display. Mounted on a separate square stone base. 1920 / 3475 -
Mid-century modern abstract carved stone sculpture depicting a highly stylized human figure. The work is composed of intersecting geometric and rounded forms suggesting a head, shoulders and elongated torso, with deeply carved linear details emphasizing its architectural, modernist character. The sculpture has an attractive naturally weathered surface with areas of darkened patina, staining and moss/lichen-like discoloration consistent with outdoor display. Mounted on a separate square stone base. 1921 / 3475 -
Mid-century modern abstract carved stone sculpture depicting a highly stylized human figure. The work is composed of intersecting geometric and rounded forms suggesting a head, shoulders and elongated torso, with deeply carved linear details emphasizing its architectural, modernist character. The sculpture has an attractive naturally weathered surface with areas of darkened patina, staining and moss/lichen-like discoloration consistent with outdoor display. Mounted on a separate square stone base. 1922 / 3475 -
Mid-century modern abstract carved stone sculpture depicting a highly stylized human figure. The work is composed of intersecting geometric and rounded forms suggesting a head, shoulders and elongated torso, with deeply carved linear details emphasizing its architectural, modernist character. The sculpture has an attractive naturally weathered surface with areas of darkened patina, staining and moss/lichen-like discoloration consistent with outdoor display. Mounted on a separate square stone base. 1923 / 3475 -
Mid-century modern abstract carved stone sculpture depicting a highly stylized human figure. The work is composed of intersecting geometric and rounded forms suggesting a head, shoulders and elongated torso, with deeply carved linear details emphasizing its architectural, modernist character. The sculpture has an attractive naturally weathered surface with areas of darkened patina, staining and moss/lichen-like discoloration consistent with outdoor display. Mounted on a separate square stone base. 1924 / 3475 -
Mid-century modern abstract carved stone sculpture depicting a highly stylized human figure. The work is composed of intersecting geometric and rounded forms suggesting a head, shoulders and elongated torso, with deeply carved linear details emphasizing its architectural, modernist character. The sculpture has an attractive naturally weathered surface with areas of darkened patina, staining and moss/lichen-like discoloration consistent with outdoor display. Mounted on a separate square stone base. 1925 / 3475 -
Mid-century modern abstract carved stone sculpture depicting a highly stylized human figure. The work is composed of intersecting geometric and rounded forms suggesting a head, shoulders and elongated torso, with deeply carved linear details emphasizing its architectural, modernist character. The sculpture has an attractive naturally weathered surface with areas of darkened patina, staining and moss/lichen-like discoloration consistent with outdoor display. Mounted on a separate square stone base. 1926 / 3475 -
Mid-century modern abstract carved stone sculpture depicting a highly stylized human figure. The work is composed of intersecting geometric and rounded forms suggesting a head, shoulders and elongated torso, with deeply carved linear details emphasizing its architectural, modernist character. The sculpture has an attractive naturally weathered surface with areas of darkened patina, staining and moss/lichen-like discoloration consistent with outdoor display. Mounted on a separate square stone base. 1927 / 3475 -
Appraised at $6,000 Martin Payton (American/Louisiana, b. 1948), L’Amistad, executed 1983. Monumental abstract sculpture constructed from painted carbon steel, incorporating repurposed industrial elements including springs, chains and fabricated steel components. Payton is particularly known for transforming salvaged industrial steel into rhythmic, improvisational sculptural compositions influenced by African symbolism, African American history and jazz. Dimensions: 60 3/4 × 32 × 44 inches Medium: Painted carbon steel Executed: 1983 Sims Gallery, New Orleans, Louisiana Sunny Norman, New Orleans, Louisiana, acquired from the above in 1988 By descent to the present owner Payton studied at Xavier University and the Otis Art Institute and was a longtime professor at Southern University. His sculptures are represented in institutional collections including the New Orleans Museum of Art and the Amistad Research Center. 1928 / 3475 -
Appraised at $6,000 Martin Payton (American/Louisiana, b. 1948), L’Amistad, executed 1983. Monumental abstract sculpture constructed from painted carbon steel, incorporating repurposed industrial elements including springs, chains and fabricated steel components. Payton is particularly known for transforming salvaged industrial steel into rhythmic, improvisational sculptural compositions influenced by African symbolism, African American history and jazz. Dimensions: 60 3/4 × 32 × 44 inches Medium: Painted carbon steel Executed: 1983 Sims Gallery, New Orleans, Louisiana Sunny Norman, New Orleans, Louisiana, acquired from the above in 1988 By descent to the present owner Payton studied at Xavier University and the Otis Art Institute and was a longtime professor at Southern University. His sculptures are represented in institutional collections including the New Orleans Museum of Art and the Amistad Research Center. 1929 / 3475 -
Appraised at $6,000 Martin Payton (American/Louisiana, b. 1948), L’Amistad, executed 1983. Monumental abstract sculpture constructed from painted carbon steel, incorporating repurposed industrial elements including springs, chains and fabricated steel components. Payton is particularly known for transforming salvaged industrial steel into rhythmic, improvisational sculptural compositions influenced by African symbolism, African American history and jazz. Dimensions: 60 3/4 × 32 × 44 inches Medium: Painted carbon steel Executed: 1983 Sims Gallery, New Orleans, Louisiana Sunny Norman, New Orleans, Louisiana, acquired from the above in 1988 By descent to the present owner Payton studied at Xavier University and the Otis Art Institute and was a longtime professor at Southern University. His sculptures are represented in institutional collections including the New Orleans Museum of Art and the Amistad Research Center. 1930 / 3475 -
Appraised at $6,000 Martin Payton (American/Louisiana, b. 1948), L’Amistad, executed 1983. Monumental abstract sculpture constructed from painted carbon steel, incorporating repurposed industrial elements including springs, chains and fabricated steel components. Payton is particularly known for transforming salvaged industrial steel into rhythmic, improvisational sculptural compositions influenced by African symbolism, African American history and jazz. Dimensions: 60 3/4 × 32 × 44 inches Medium: Painted carbon steel Executed: 1983 Sims Gallery, New Orleans, Louisiana Sunny Norman, New Orleans, Louisiana, acquired from the above in 1988 By descent to the present owner Payton studied at Xavier University and the Otis Art Institute and was a longtime professor at Southern University. His sculptures are represented in institutional collections including the New Orleans Museum of Art and the Amistad Research Center. 1931 / 3475 -
Appraised at $6,000 Martin Payton (American/Louisiana, b. 1948), L’Amistad, executed 1983. Monumental abstract sculpture constructed from painted carbon steel, incorporating repurposed industrial elements including springs, chains and fabricated steel components. Payton is particularly known for transforming salvaged industrial steel into rhythmic, improvisational sculptural compositions influenced by African symbolism, African American history and jazz. Dimensions: 60 3/4 × 32 × 44 inches Medium: Painted carbon steel Executed: 1983 Sims Gallery, New Orleans, Louisiana Sunny Norman, New Orleans, Louisiana, acquired from the above in 1988 By descent to the present owner Payton studied at Xavier University and the Otis Art Institute and was a longtime professor at Southern University. His sculptures are represented in institutional collections including the New Orleans Museum of Art and the Amistad Research Center. 1932 / 3475 -
Appraised at $6,000 Martin Payton (American/Louisiana, b. 1948), L’Amistad, executed 1983. Monumental abstract sculpture constructed from painted carbon steel, incorporating repurposed industrial elements including springs, chains and fabricated steel components. Payton is particularly known for transforming salvaged industrial steel into rhythmic, improvisational sculptural compositions influenced by African symbolism, African American history and jazz. Dimensions: 60 3/4 × 32 × 44 inches Medium: Painted carbon steel Executed: 1983 Sims Gallery, New Orleans, Louisiana Sunny Norman, New Orleans, Louisiana, acquired from the above in 1988 By descent to the present owner Payton studied at Xavier University and the Otis Art Institute and was a longtime professor at Southern University. His sculptures are represented in institutional collections including the New Orleans Museum of Art and the Amistad Research Center. 1933 / 3475 -
Appraised at $6,000 Martin Payton (American/Louisiana, b. 1948), L’Amistad, executed 1983. Monumental abstract sculpture constructed from painted carbon steel, incorporating repurposed industrial elements including springs, chains and fabricated steel components. Payton is particularly known for transforming salvaged industrial steel into rhythmic, improvisational sculptural compositions influenced by African symbolism, African American history and jazz. Dimensions: 60 3/4 × 32 × 44 inches Medium: Painted carbon steel Executed: 1983 Sims Gallery, New Orleans, Louisiana Sunny Norman, New Orleans, Louisiana, acquired from the above in 1988 By descent to the present owner Payton studied at Xavier University and the Otis Art Institute and was a longtime professor at Southern University. His sculptures are represented in institutional collections including the New Orleans Museum of Art and the Amistad Research Center. 1934 / 3475 -
Appraised at $6,000 Martin Payton (American/Louisiana, b. 1948), L’Amistad, executed 1983. Monumental abstract sculpture constructed from painted carbon steel, incorporating repurposed industrial elements including springs, chains and fabricated steel components. Payton is particularly known for transforming salvaged industrial steel into rhythmic, improvisational sculptural compositions influenced by African symbolism, African American history and jazz. Dimensions: 60 3/4 × 32 × 44 inches Medium: Painted carbon steel Executed: 1983 Sims Gallery, New Orleans, Louisiana Sunny Norman, New Orleans, Louisiana, acquired from the above in 1988 By descent to the present owner Payton studied at Xavier University and the Otis Art Institute and was a longtime professor at Southern University. His sculptures are represented in institutional collections including the New Orleans Museum of Art and the Amistad Research Center. 1935 / 3475 -
Appraised at $6,000 Martin Payton (American/Louisiana, b. 1948), L’Amistad, executed 1983. Monumental abstract sculpture constructed from painted carbon steel, incorporating repurposed industrial elements including springs, chains and fabricated steel components. Payton is particularly known for transforming salvaged industrial steel into rhythmic, improvisational sculptural compositions influenced by African symbolism, African American history and jazz. Dimensions: 60 3/4 × 32 × 44 inches Medium: Painted carbon steel Executed: 1983 Sims Gallery, New Orleans, Louisiana Sunny Norman, New Orleans, Louisiana, acquired from the above in 1988 By descent to the present owner Payton studied at Xavier University and the Otis Art Institute and was a longtime professor at Southern University. His sculptures are represented in institutional collections including the New Orleans Museum of Art and the Amistad Research Center. 1936 / 3475 -
Appraised at $6,000 Martin Payton (American/Louisiana, b. 1948), L’Amistad, executed 1983. Monumental abstract sculpture constructed from painted carbon steel, incorporating repurposed industrial elements including springs, chains and fabricated steel components. Payton is particularly known for transforming salvaged industrial steel into rhythmic, improvisational sculptural compositions influenced by African symbolism, African American history and jazz. Dimensions: 60 3/4 × 32 × 44 inches Medium: Painted carbon steel Executed: 1983 Sims Gallery, New Orleans, Louisiana Sunny Norman, New Orleans, Louisiana, acquired from the above in 1988 By descent to the present owner Payton studied at Xavier University and the Otis Art Institute and was a longtime professor at Southern University. His sculptures are represented in institutional collections including the New Orleans Museum of Art and the Amistad Research Center. 1937 / 3475 -
Appraised at $6,000 Martin Payton (American/Louisiana, b. 1948), L’Amistad, executed 1983. Monumental abstract sculpture constructed from painted carbon steel, incorporating repurposed industrial elements including springs, chains and fabricated steel components. Payton is particularly known for transforming salvaged industrial steel into rhythmic, improvisational sculptural compositions influenced by African symbolism, African American history and jazz. Dimensions: 60 3/4 × 32 × 44 inches Medium: Painted carbon steel Executed: 1983 Sims Gallery, New Orleans, Louisiana Sunny Norman, New Orleans, Louisiana, acquired from the above in 1988 By descent to the present owner Payton studied at Xavier University and the Otis Art Institute and was a longtime professor at Southern University. His sculptures are represented in institutional collections including the New Orleans Museum of Art and the Amistad Research Center. 1938 / 3475 -
Appraised at $6,000 Martin Payton (American/Louisiana, b. 1948), L’Amistad, executed 1983. Monumental abstract sculpture constructed from painted carbon steel, incorporating repurposed industrial elements including springs, chains and fabricated steel components. Payton is particularly known for transforming salvaged industrial steel into rhythmic, improvisational sculptural compositions influenced by African symbolism, African American history and jazz. Dimensions: 60 3/4 × 32 × 44 inches Medium: Painted carbon steel Executed: 1983 Sims Gallery, New Orleans, Louisiana Sunny Norman, New Orleans, Louisiana, acquired from the above in 1988 By descent to the present owner Payton studied at Xavier University and the Otis Art Institute and was a longtime professor at Southern University. His sculptures are represented in institutional collections including the New Orleans Museum of Art and the Amistad Research Center. 1939 / 3475 -
Unknown American artist, 20th century, Man With Hat. Large figural sculpture depicting a stylized male bust wearing a broad-brimmed rounded hat. Constructed of metal with a rough cement-like surface finish, the work has a deliberately modeled, heavily textured appearance and simplified facial features. Inscribed “AP” lower left. At this point I would not describe “AP” as Artist’s Proof unless we can establish that from documentation; on a unique or fabricated sculpture it could also be initials or another marking. Medium: cement Dimensions: 31 1/2 × 16 × 20 inches Period: 20th century 1940 / 3475 -
Unknown American artist, 20th century, Man With Hat. Large figural sculpture depicting a stylized male bust wearing a broad-brimmed rounded hat. Constructed of metal with a rough cement-like surface finish, the work has a deliberately modeled, heavily textured appearance and simplified facial features. Inscribed “AP” lower left. At this point I would not describe “AP” as Artist’s Proof unless we can establish that from documentation; on a unique or fabricated sculpture it could also be initials or another marking. Medium: cement Dimensions: 31 1/2 × 16 × 20 inches Period: 20th century 1941 / 3475 -
Unknown American artist, 20th century, Man With Hat. Large figural sculpture depicting a stylized male bust wearing a broad-brimmed rounded hat. Constructed of metal with a rough cement-like surface finish, the work has a deliberately modeled, heavily textured appearance and simplified facial features. Inscribed “AP” lower left. At this point I would not describe “AP” as Artist’s Proof unless we can establish that from documentation; on a unique or fabricated sculpture it could also be initials or another marking. Medium: cement Dimensions: 31 1/2 × 16 × 20 inches Period: 20th century 1942 / 3475 -
Unknown American artist, 20th century, Man With Hat. Large figural sculpture depicting a stylized male bust wearing a broad-brimmed rounded hat. Constructed of metal with a rough cement-like surface finish, the work has a deliberately modeled, heavily textured appearance and simplified facial features. Inscribed “AP” lower left. At this point I would not describe “AP” as Artist’s Proof unless we can establish that from documentation; on a unique or fabricated sculpture it could also be initials or another marking. Medium: cement Dimensions: 31 1/2 × 16 × 20 inches Period: 20th century 1943 / 3475 -
Unknown American artist, 20th century, Man With Hat. Large figural sculpture depicting a stylized male bust wearing a broad-brimmed rounded hat. Constructed of metal with a rough cement-like surface finish, the work has a deliberately modeled, heavily textured appearance and simplified facial features. Inscribed “AP” lower left. At this point I would not describe “AP” as Artist’s Proof unless we can establish that from documentation; on a unique or fabricated sculpture it could also be initials or another marking. Medium: cement Dimensions: 31 1/2 × 16 × 20 inches Period: 20th century 1944 / 3475 -
Unknown American artist, 20th century, Man With Hat. Large figural sculpture depicting a stylized male bust wearing a broad-brimmed rounded hat. Constructed of metal with a rough cement-like surface finish, the work has a deliberately modeled, heavily textured appearance and simplified facial features. Inscribed “AP” lower left. At this point I would not describe “AP” as Artist’s Proof unless we can establish that from documentation; on a unique or fabricated sculpture it could also be initials or another marking. Medium: cement Dimensions: 31 1/2 × 16 × 20 inches Period: 20th century 1945 / 3475 -
Unknown American artist, 20th century, Man With Hat. Large figural sculpture depicting a stylized male bust wearing a broad-brimmed rounded hat. Constructed of metal with a rough cement-like surface finish, the work has a deliberately modeled, heavily textured appearance and simplified facial features. Inscribed “AP” lower left. At this point I would not describe “AP” as Artist’s Proof unless we can establish that from documentation; on a unique or fabricated sculpture it could also be initials or another marking. Medium: cement Dimensions: 31 1/2 × 16 × 20 inches Period: 20th century 1946 / 3475 -
Unknown American artist, 20th century, Man With Hat. Large figural sculpture depicting a stylized male bust wearing a broad-brimmed rounded hat. Constructed of metal with a rough cement-like surface finish, the work has a deliberately modeled, heavily textured appearance and simplified facial features. Inscribed “AP” lower left. At this point I would not describe “AP” as Artist’s Proof unless we can establish that from documentation; on a unique or fabricated sculpture it could also be initials or another marking. Medium: cement Dimensions: 31 1/2 × 16 × 20 inches Period: 20th century 1947 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1948 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1949 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1950 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1951 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1952 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1953 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1954 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1955 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1956 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1957 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1958 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1959 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1960 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1961 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1962 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1963 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1964 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1965 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1966 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1967 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1968 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1969 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1970 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1971 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1972 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1973 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1974 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1975 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1976 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1977 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1978 / 3475 -
Beautiful Whittemore-Sherrill Limited leather sofa, made in the USA. Upholstered in a soft ivory/cream leather with classic brass-tone nailhead trim along the sides and arms. Features three generously sized seat cushions, three plush back cushions, dark wood feet, and a timeless transitional design. This is a substantial, well-made sofa with the quality construction Whittemore-Sherrill is known for. The leather has normal signs of use, including some creasing, light discoloration, and wear consistent with a pre-owned leather sofa—please review photos closely for condition. 1979 / 3475
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