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Jack Youngerman (American, 1926–2020), Yellow Push, 1966. Color lithograph featuring Youngerman’s characteristic hard-edge organic abstraction in saturated yellow against a pale ground. Initialed and dated “JY 66” in pencil at lower right and numbered 24/90 in pencil at lower left. Sight: 33 1/4 x 24 1/2 inches. Presented under glass in a silver-tone metal frame. Overall discoloration/toning is visible, particularly along the sheet edges. Not examined out of frame; full margins reported. Provenance/Literature: A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, Alice Rae Yelen, New Orleans Museum of Art, 1987. (This piece was owned by Mrs. Sonny Norman) 1401 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1402 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1403 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1404 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1405 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1406 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1407 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1408 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1409 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1410 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1411 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1412 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1413 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1414 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1415 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1416 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1417 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1418 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1419 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1420 / 3475 -
John Tarrell Scott (American/Louisiana, 1940–2007), Letter to a Haitian Friend No. 1, 1980–81. Mixed media on canvas incorporating boldly colored abstract forms in red, green, orange, blue, black and white, with collaged elements. Signed and dated lower right; additionally titled and dated on verso. A particularly appealing early work by the important New Orleans artist and longtime Xavier University professor. Scott later received a MacArthur Fellowship in 1992, and his work explores African American and African diasporic culture through abstraction, rhythm, color and movement. Dimensions: 15 7/8 x 19 7/8 inches Medium: Mixed media on canvas Date: 1980–81 Signed: Lower right; titled and dated 1421 / 3475 -
Henry Casselli (American/Louisiana, b. 1946), Seated Figure, graphite on paper. Expressive figure study depicting a seated young man, rendered with Casselli’s characteristic economical and fluid draftsmanship. The sitter’s face is more fully articulated while the body and clothing are suggested through loose, gestural contour lines. Signed “Casselli” in pencil lower left. Presented under glass with matting in a dark molded frame. Casselli is a noted New Orleans artist recognized for his portraiture and figurative works. His drawings and paintings are represented in major public collections, including the Smithsonian National Portrait Gallery. Condition: Overall toning and discoloration to the paper with scattered foxing and staining consistent with age. Not examined out of frame. Please refer to photographs for condition. 1422 / 3475 -
Henry Casselli (American/Louisiana, b. 1946), Seated Figure, graphite on paper. Expressive figure study depicting a seated young man, rendered with Casselli’s characteristic economical and fluid draftsmanship. The sitter’s face is more fully articulated while the body and clothing are suggested through loose, gestural contour lines. Signed “Casselli” in pencil lower left. Presented under glass with matting in a dark molded frame. Casselli is a noted New Orleans artist recognized for his portraiture and figurative works. His drawings and paintings are represented in major public collections, including the Smithsonian National Portrait Gallery. Condition: Overall toning and discoloration to the paper with scattered foxing and staining consistent with age. Not examined out of frame. Please refer to photographs for condition. 1423 / 3475 -
Henry Casselli (American/Louisiana, b. 1946), Seated Figure, graphite on paper. Expressive figure study depicting a seated young man, rendered with Casselli’s characteristic economical and fluid draftsmanship. The sitter’s face is more fully articulated while the body and clothing are suggested through loose, gestural contour lines. Signed “Casselli” in pencil lower left. Presented under glass with matting in a dark molded frame. Casselli is a noted New Orleans artist recognized for his portraiture and figurative works. His drawings and paintings are represented in major public collections, including the Smithsonian National Portrait Gallery. Condition: Overall toning and discoloration to the paper with scattered foxing and staining consistent with age. Not examined out of frame. Please refer to photographs for condition. 1424 / 3475 -
Henry Casselli (American/Louisiana, b. 1946), Seated Figure, graphite on paper. Expressive figure study depicting a seated young man, rendered with Casselli’s characteristic economical and fluid draftsmanship. The sitter’s face is more fully articulated while the body and clothing are suggested through loose, gestural contour lines. Signed “Casselli” in pencil lower left. Presented under glass with matting in a dark molded frame. Casselli is a noted New Orleans artist recognized for his portraiture and figurative works. His drawings and paintings are represented in major public collections, including the Smithsonian National Portrait Gallery. Condition: Overall toning and discoloration to the paper with scattered foxing and staining consistent with age. Not examined out of frame. Please refer to photographs for condition. 1425 / 3475 -
Henry Casselli (American/Louisiana, b. 1946), Seated Figure, graphite on paper. Expressive figure study depicting a seated young man, rendered with Casselli’s characteristic economical and fluid draftsmanship. The sitter’s face is more fully articulated while the body and clothing are suggested through loose, gestural contour lines. Signed “Casselli” in pencil lower left. Presented under glass with matting in a dark molded frame. Casselli is a noted New Orleans artist recognized for his portraiture and figurative works. His drawings and paintings are represented in major public collections, including the Smithsonian National Portrait Gallery. Condition: Overall toning and discoloration to the paper with scattered foxing and staining consistent with age. Not examined out of frame. Please refer to photographs for condition. 1426 / 3475 -
Henry Casselli (American/Louisiana, b. 1946), Seated Figure, graphite on paper. Expressive figure study depicting a seated young man, rendered with Casselli’s characteristic economical and fluid draftsmanship. The sitter’s face is more fully articulated while the body and clothing are suggested through loose, gestural contour lines. Signed “Casselli” in pencil lower left. Presented under glass with matting in a dark molded frame. Casselli is a noted New Orleans artist recognized for his portraiture and figurative works. His drawings and paintings are represented in major public collections, including the Smithsonian National Portrait Gallery. Condition: Overall toning and discoloration to the paper with scattered foxing and staining consistent with age. Not examined out of frame. Please refer to photographs for condition. 1427 / 3475 -
Henry Casselli (American/Louisiana, b. 1946), Seated Figure, graphite on paper. Expressive figure study depicting a seated young man, rendered with Casselli’s characteristic economical and fluid draftsmanship. The sitter’s face is more fully articulated while the body and clothing are suggested through loose, gestural contour lines. Signed “Casselli” in pencil lower left. Presented under glass with matting in a dark molded frame. Casselli is a noted New Orleans artist recognized for his portraiture and figurative works. His drawings and paintings are represented in major public collections, including the Smithsonian National Portrait Gallery. Condition: Overall toning and discoloration to the paper with scattered foxing and staining consistent with age. Not examined out of frame. Please refer to photographs for condition. 1428 / 3475 -
Henry Casselli (American/Louisiana, b. 1946), Seated Figure, graphite on paper. Expressive figure study depicting a seated young man, rendered with Casselli’s characteristic economical and fluid draftsmanship. The sitter’s face is more fully articulated while the body and clothing are suggested through loose, gestural contour lines. Signed “Casselli” in pencil lower left. Presented under glass with matting in a dark molded frame. Casselli is a noted New Orleans artist recognized for his portraiture and figurative works. His drawings and paintings are represented in major public collections, including the Smithsonian National Portrait Gallery. Condition: Overall toning and discoloration to the paper with scattered foxing and staining consistent with age. Not examined out of frame. Please refer to photographs for condition. 1429 / 3475 -
Henry Casselli (American/Louisiana, b. 1946), Seated Figure, graphite on paper. Expressive figure study depicting a seated young man, rendered with Casselli’s characteristic economical and fluid draftsmanship. The sitter’s face is more fully articulated while the body and clothing are suggested through loose, gestural contour lines. Signed “Casselli” in pencil lower left. Presented under glass with matting in a dark molded frame. Casselli is a noted New Orleans artist recognized for his portraiture and figurative works. His drawings and paintings are represented in major public collections, including the Smithsonian National Portrait Gallery. Condition: Overall toning and discoloration to the paper with scattered foxing and staining consistent with age. Not examined out of frame. Please refer to photographs for condition. 1430 / 3475 -
Henry Casselli (American/Louisiana, b. 1946), Seated Figure, graphite on paper. Expressive figure study depicting a seated young man, rendered with Casselli’s characteristic economical and fluid draftsmanship. The sitter’s face is more fully articulated while the body and clothing are suggested through loose, gestural contour lines. Signed “Casselli” in pencil lower left. Presented under glass with matting in a dark molded frame. Casselli is a noted New Orleans artist recognized for his portraiture and figurative works. His drawings and paintings are represented in major public collections, including the Smithsonian National Portrait Gallery. Condition: Overall toning and discoloration to the paper with scattered foxing and staining consistent with age. Not examined out of frame. Please refer to photographs for condition. 1431 / 3475 -
Henry Casselli (American/Louisiana, b. 1946), Seated Figure, graphite on paper. Expressive figure study depicting a seated young man, rendered with Casselli’s characteristic economical and fluid draftsmanship. The sitter’s face is more fully articulated while the body and clothing are suggested through loose, gestural contour lines. Signed “Casselli” in pencil lower left. Presented under glass with matting in a dark molded frame. Casselli is a noted New Orleans artist recognized for his portraiture and figurative works. His drawings and paintings are represented in major public collections, including the Smithsonian National Portrait Gallery. Condition: Overall toning and discoloration to the paper with scattered foxing and staining consistent with age. Not examined out of frame. Please refer to photographs for condition. 1432 / 3475 -
Clarence John Laughlin (American/Louisiana, 1905–1985), Two Homes Along Country Roads with Trees. Gelatin silver print depicting a row of modest Louisiana country houses beneath a dramatic canopy of mature live oaks. Signed by Laughlin in the lower right margin and titled in the lower left margin, according to a prior appraisal. The photograph has slipped within the frame, presently obscuring portions of the signature and inscription. Medium: Gelatin silver print Dimensions: 16 1/4 x 20 1/4 inches Framed: Yes Condition: Photograph has shifted/slipped within the frame. Scattered foxing/spotting and discoloration are visible to the mat. Not examined out of frame. Signature and title information taken from prior appraisal. 1433 / 3475 -
Clarence John Laughlin (American/Louisiana, 1905–1985), Two Homes Along Country Roads with Trees. Gelatin silver print depicting a row of modest Louisiana country houses beneath a dramatic canopy of mature live oaks. Signed by Laughlin in the lower right margin and titled in the lower left margin, according to a prior appraisal. The photograph has slipped within the frame, presently obscuring portions of the signature and inscription. Medium: Gelatin silver print Dimensions: 16 1/4 x 20 1/4 inches Framed: Yes Condition: Photograph has shifted/slipped within the frame. Scattered foxing/spotting and discoloration are visible to the mat. Not examined out of frame. Signature and title information taken from prior appraisal. 1434 / 3475 -
Clarence John Laughlin (American/Louisiana, 1905–1985), Two Homes Along Country Roads with Trees. Gelatin silver print depicting a row of modest Louisiana country houses beneath a dramatic canopy of mature live oaks. Signed by Laughlin in the lower right margin and titled in the lower left margin, according to a prior appraisal. The photograph has slipped within the frame, presently obscuring portions of the signature and inscription. Medium: Gelatin silver print Dimensions: 16 1/4 x 20 1/4 inches Framed: Yes Condition: Photograph has shifted/slipped within the frame. Scattered foxing/spotting and discoloration are visible to the mat. Not examined out of frame. Signature and title information taken from prior appraisal. 1435 / 3475 -
Clarence John Laughlin (American/Louisiana, 1905–1985), Two Homes Along Country Roads with Trees. Gelatin silver print depicting a row of modest Louisiana country houses beneath a dramatic canopy of mature live oaks. Signed by Laughlin in the lower right margin and titled in the lower left margin, according to a prior appraisal. The photograph has slipped within the frame, presently obscuring portions of the signature and inscription. Medium: Gelatin silver print Dimensions: 16 1/4 x 20 1/4 inches Framed: Yes Condition: Photograph has shifted/slipped within the frame. Scattered foxing/spotting and discoloration are visible to the mat. Not examined out of frame. Signature and title information taken from prior appraisal. 1436 / 3475 -
Clarence John Laughlin (American/Louisiana, 1905–1985), Two Homes Along Country Roads with Trees. Gelatin silver print depicting a row of modest Louisiana country houses beneath a dramatic canopy of mature live oaks. Signed by Laughlin in the lower right margin and titled in the lower left margin, according to a prior appraisal. The photograph has slipped within the frame, presently obscuring portions of the signature and inscription. Medium: Gelatin silver print Dimensions: 16 1/4 x 20 1/4 inches Framed: Yes Condition: Photograph has shifted/slipped within the frame. Scattered foxing/spotting and discoloration are visible to the mat. Not examined out of frame. Signature and title information taken from prior appraisal. 1437 / 3475 -
Clarence John Laughlin (American/Louisiana, 1905–1985), Two Homes Along Country Roads with Trees. Gelatin silver print depicting a row of modest Louisiana country houses beneath a dramatic canopy of mature live oaks. Signed by Laughlin in the lower right margin and titled in the lower left margin, according to a prior appraisal. The photograph has slipped within the frame, presently obscuring portions of the signature and inscription. Medium: Gelatin silver print Dimensions: 16 1/4 x 20 1/4 inches Framed: Yes Condition: Photograph has shifted/slipped within the frame. Scattered foxing/spotting and discoloration are visible to the mat. Not examined out of frame. Signature and title information taken from prior appraisal. 1438 / 3475 -
Clarence John Laughlin (American/Louisiana, 1905–1985), Two Homes Along Country Roads with Trees. Gelatin silver print depicting a row of modest Louisiana country houses beneath a dramatic canopy of mature live oaks. Signed by Laughlin in the lower right margin and titled in the lower left margin, according to a prior appraisal. The photograph has slipped within the frame, presently obscuring portions of the signature and inscription. Medium: Gelatin silver print Dimensions: 16 1/4 x 20 1/4 inches Framed: Yes Condition: Photograph has shifted/slipped within the frame. Scattered foxing/spotting and discoloration are visible to the mat. Not examined out of frame. Signature and title information taken from prior appraisal. 1439 / 3475 -
Clarence John Laughlin (American/Louisiana, 1905–1985), Two Homes Along Country Roads with Trees. Gelatin silver print depicting a row of modest Louisiana country houses beneath a dramatic canopy of mature live oaks. Signed by Laughlin in the lower right margin and titled in the lower left margin, according to a prior appraisal. The photograph has slipped within the frame, presently obscuring portions of the signature and inscription. Medium: Gelatin silver print Dimensions: 16 1/4 x 20 1/4 inches Framed: Yes Condition: Photograph has shifted/slipped within the frame. Scattered foxing/spotting and discoloration are visible to the mat. Not examined out of frame. Signature and title information taken from prior appraisal. 1440 / 3475 -
Clarence John Laughlin (American/Louisiana, 1905–1985), Two Homes Along Country Roads with Trees. Gelatin silver print depicting a row of modest Louisiana country houses beneath a dramatic canopy of mature live oaks. Signed by Laughlin in the lower right margin and titled in the lower left margin, according to a prior appraisal. The photograph has slipped within the frame, presently obscuring portions of the signature and inscription. Medium: Gelatin silver print Dimensions: 16 1/4 x 20 1/4 inches Framed: Yes Condition: Photograph has shifted/slipped within the frame. Scattered foxing/spotting and discoloration are visible to the mat. Not examined out of frame. Signature and title information taken from prior appraisal. 1441 / 3475 -
Clarence John Laughlin (American/Louisiana, 1905–1985), Two Homes Along Country Roads with Trees. Gelatin silver print depicting a row of modest Louisiana country houses beneath a dramatic canopy of mature live oaks. Signed by Laughlin in the lower right margin and titled in the lower left margin, according to a prior appraisal. The photograph has slipped within the frame, presently obscuring portions of the signature and inscription. Medium: Gelatin silver print Dimensions: 16 1/4 x 20 1/4 inches Framed: Yes Condition: Photograph has shifted/slipped within the frame. Scattered foxing/spotting and discoloration are visible to the mat. Not examined out of frame. Signature and title information taken from prior appraisal. 1442 / 3475 -
Clarence John Laughlin (American/Louisiana, 1905–1985), Two Homes Along Country Roads with Trees. Gelatin silver print depicting a row of modest Louisiana country houses beneath a dramatic canopy of mature live oaks. Signed by Laughlin in the lower right margin and titled in the lower left margin, according to a prior appraisal. The photograph has slipped within the frame, presently obscuring portions of the signature and inscription. Medium: Gelatin silver print Dimensions: 16 1/4 x 20 1/4 inches Framed: Yes Condition: Photograph has shifted/slipped within the frame. Scattered foxing/spotting and discoloration are visible to the mat. Not examined out of frame. Signature and title information taken from prior appraisal. 1443 / 3475 -
Clarence John Laughlin (American/Louisiana, 1905–1985), Two Homes Along Country Roads with Trees. Gelatin silver print depicting a row of modest Louisiana country houses beneath a dramatic canopy of mature live oaks. Signed by Laughlin in the lower right margin and titled in the lower left margin, according to a prior appraisal. The photograph has slipped within the frame, presently obscuring portions of the signature and inscription. Medium: Gelatin silver print Dimensions: 16 1/4 x 20 1/4 inches Framed: Yes Condition: Photograph has shifted/slipped within the frame. Scattered foxing/spotting and discoloration are visible to the mat. Not examined out of frame. Signature and title information taken from prior appraisal. 1444 / 3475 -
Henry Casselli (American/Louisiana, b. 1946) Three Angel Studies / Original Holiday Cards. Ink/pen and graphite on paper, original works on holiday cards written to Mrs. Norman. Each signed “Casselli” Accompanied by a personally handwritten holiday card signed by Henry Casselli and family Provenance: Estate of Sonny Norman, New Orleans, Louisiana A charming and highly personal group of three original drawings depicting young children dressed as angels, each executed in Henry Casselli’s loose, expressive figurative style and signed “Casselli.” 1445 / 3475 -
Henry Casselli (American/Louisiana, b. 1946) Three Angel Studies / Original Holiday Cards. Ink/pen and graphite on paper, original works on holiday cards written to Mrs. Norman. Each signed “Casselli” Accompanied by a personally handwritten holiday card signed by Henry Casselli and family Provenance: Estate of Sonny Norman, New Orleans, Louisiana A charming and highly personal group of three original drawings depicting young children dressed as angels, each executed in Henry Casselli’s loose, expressive figurative style and signed “Casselli.” 1446 / 3475 -
Henry Casselli (American/Louisiana, b. 1946) Three Angel Studies / Original Holiday Cards. Ink/pen and graphite on paper, original works on holiday cards written to Mrs. Norman. Each signed “Casselli” Accompanied by a personally handwritten holiday card signed by Henry Casselli and family Provenance: Estate of Sonny Norman, New Orleans, Louisiana A charming and highly personal group of three original drawings depicting young children dressed as angels, each executed in Henry Casselli’s loose, expressive figurative style and signed “Casselli.” 1447 / 3475 -
Henry Casselli (American/Louisiana, b. 1946) Three Angel Studies / Original Holiday Cards. Ink/pen and graphite on paper, original works on holiday cards written to Mrs. Norman. Each signed “Casselli” Accompanied by a personally handwritten holiday card signed by Henry Casselli and family Provenance: Estate of Sonny Norman, New Orleans, Louisiana A charming and highly personal group of three original drawings depicting young children dressed as angels, each executed in Henry Casselli’s loose, expressive figurative style and signed “Casselli.” 1448 / 3475 -
Henry Casselli (American/Louisiana, b. 1946) Three Angel Studies / Original Holiday Cards. Ink/pen and graphite on paper, original works on holiday cards written to Mrs. Norman. Each signed “Casselli” Accompanied by a personally handwritten holiday card signed by Henry Casselli and family Provenance: Estate of Sonny Norman, New Orleans, Louisiana A charming and highly personal group of three original drawings depicting young children dressed as angels, each executed in Henry Casselli’s loose, expressive figurative style and signed “Casselli.” 1449 / 3475 -
Henry Casselli (American/Louisiana, b. 1946) Three Angel Studies / Original Holiday Cards. Ink/pen and graphite on paper, original works on holiday cards written to Mrs. Norman. Each signed “Casselli” Accompanied by a personally handwritten holiday card signed by Henry Casselli and family Provenance: Estate of Sonny Norman, New Orleans, Louisiana A charming and highly personal group of three original drawings depicting young children dressed as angels, each executed in Henry Casselli’s loose, expressive figurative style and signed “Casselli.” 1450 / 3475 -
Henry Casselli (American/Louisiana, b. 1946) Three Angel Studies / Original Holiday Cards. Ink/pen and graphite on paper, original works on holiday cards written to Mrs. Norman. Each signed “Casselli” Accompanied by a personally handwritten holiday card signed by Henry Casselli and family Provenance: Estate of Sonny Norman, New Orleans, Louisiana A charming and highly personal group of three original drawings depicting young children dressed as angels, each executed in Henry Casselli’s loose, expressive figurative style and signed “Casselli.” 1451 / 3475 -
Henry Casselli (American/Louisiana, b. 1946) Three Angel Studies / Original Holiday Cards. Ink/pen and graphite on paper, original works on holiday cards written to Mrs. Norman. Each signed “Casselli” Accompanied by a personally handwritten holiday card signed by Henry Casselli and family Provenance: Estate of Sonny Norman, New Orleans, Louisiana A charming and highly personal group of three original drawings depicting young children dressed as angels, each executed in Henry Casselli’s loose, expressive figurative style and signed “Casselli.” 1452 / 3475 -
Henry Casselli (American/Louisiana, b. 1946) Three Angel Studies / Original Holiday Cards. Ink/pen and graphite on paper, original works on holiday cards written to Mrs. Norman. Each signed “Casselli” Accompanied by a personally handwritten holiday card signed by Henry Casselli and family Provenance: Estate of Sonny Norman, New Orleans, Louisiana A charming and highly personal group of three original drawings depicting young children dressed as angels, each executed in Henry Casselli’s loose, expressive figurative style and signed “Casselli.” 1453 / 3475 -
Henry Casselli (American/Louisiana, b. 1946) Three Angel Studies / Original Holiday Cards. Ink/pen and graphite on paper, original works on holiday cards written to Mrs. Norman. Each signed “Casselli” Accompanied by a personally handwritten holiday card signed by Henry Casselli and family Provenance: Estate of Sonny Norman, New Orleans, Louisiana A charming and highly personal group of three original drawings depicting young children dressed as angels, each executed in Henry Casselli’s loose, expressive figurative style and signed “Casselli.” 1454 / 3475 -
Henry Casselli (American/Louisiana, b. 1946) Three Angel Studies / Original Holiday Cards. Ink/pen and graphite on paper, original works on holiday cards written to Mrs. Norman. Each signed “Casselli” Accompanied by a personally handwritten holiday card signed by Henry Casselli and family Provenance: Estate of Sonny Norman, New Orleans, Louisiana A charming and highly personal group of three original drawings depicting young children dressed as angels, each executed in Henry Casselli’s loose, expressive figurative style and signed “Casselli.” 1455 / 3475 -
Henry Casselli (American/Louisiana, b. 1946) Three Angel Studies / Original Holiday Cards. Ink/pen and graphite on paper, original works on holiday cards written to Mrs. Norman. Each signed “Casselli” Accompanied by a personally handwritten holiday card signed by Henry Casselli and family Provenance: Estate of Sonny Norman, New Orleans, Louisiana A charming and highly personal group of three original drawings depicting young children dressed as angels, each executed in Henry Casselli’s loose, expressive figurative style and signed “Casselli.” 1456 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1457 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1458 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1459 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1460 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1461 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1462 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1463 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1464 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1465 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1466 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1467 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1468 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1469 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1470 / 3475 -
Giuseppe Armani “White Hawk” porcelain sculpture depicting a realistically modeled hawk with wings fully outstretched, perched on a rocky naturalistic base. Hand-painted with detailed feathering and mounted on a wood base with Armani plaque. Retains original Giuseppe Armani hang tag. Designed for Florence Sculture d’Arte, Italy. Approx. Dimensions: 21 1/2” H x 22” W x 7 1/2” D 1471 / 3475 -
Chinese polychrome porcelain plaque depicting an elderly bearded scholar or immortal carrying flowering branches and a double-gourd vessel, rendered in delicate famille rose enamels. The upper portion bears a vertical Chinese calligraphic inscription with red seal mark. Mounted in a substantial dark hardwood frame with a pierced and carved lower panel featuring scrolling foliate and bird motifs. Likely 20th century, executed in the manner of traditional Chinese porcelain-panel painting. Condition: Small hairline crack visible across the porcelain plaque, along with minor age-related wear to the frame. Please refer to photographs for condition. 1472 / 3475 -
Chinese polychrome porcelain plaque depicting an elderly bearded scholar or immortal carrying flowering branches and a double-gourd vessel, rendered in delicate famille rose enamels. The upper portion bears a vertical Chinese calligraphic inscription with red seal mark. Mounted in a substantial dark hardwood frame with a pierced and carved lower panel featuring scrolling foliate and bird motifs. Likely 20th century, executed in the manner of traditional Chinese porcelain-panel painting. Condition: Small hairline crack visible across the porcelain plaque, along with minor age-related wear to the frame. Please refer to photographs for condition. 1473 / 3475 -
Chinese polychrome porcelain plaque depicting an elderly bearded scholar or immortal carrying flowering branches and a double-gourd vessel, rendered in delicate famille rose enamels. The upper portion bears a vertical Chinese calligraphic inscription with red seal mark. Mounted in a substantial dark hardwood frame with a pierced and carved lower panel featuring scrolling foliate and bird motifs. Likely 20th century, executed in the manner of traditional Chinese porcelain-panel painting. Condition: Small hairline crack visible across the porcelain plaque, along with minor age-related wear to the frame. Please refer to photographs for condition. 1474 / 3475 -
Chinese polychrome porcelain plaque depicting an elderly bearded scholar or immortal carrying flowering branches and a double-gourd vessel, rendered in delicate famille rose enamels. The upper portion bears a vertical Chinese calligraphic inscription with red seal mark. Mounted in a substantial dark hardwood frame with a pierced and carved lower panel featuring scrolling foliate and bird motifs. Likely 20th century, executed in the manner of traditional Chinese porcelain-panel painting. Condition: Small hairline crack visible across the porcelain plaque, along with minor age-related wear to the frame. Please refer to photographs for condition. 1475 / 3475 -
Chinese polychrome porcelain plaque depicting an elderly bearded scholar or immortal carrying flowering branches and a double-gourd vessel, rendered in delicate famille rose enamels. The upper portion bears a vertical Chinese calligraphic inscription with red seal mark. Mounted in a substantial dark hardwood frame with a pierced and carved lower panel featuring scrolling foliate and bird motifs. Likely 20th century, executed in the manner of traditional Chinese porcelain-panel painting. Condition: Small hairline crack visible across the porcelain plaque, along with minor age-related wear to the frame. Please refer to photographs for condition. 1476 / 3475 -
Chinese polychrome porcelain plaque depicting an elderly bearded scholar or immortal carrying flowering branches and a double-gourd vessel, rendered in delicate famille rose enamels. The upper portion bears a vertical Chinese calligraphic inscription with red seal mark. Mounted in a substantial dark hardwood frame with a pierced and carved lower panel featuring scrolling foliate and bird motifs. Likely 20th century, executed in the manner of traditional Chinese porcelain-panel painting. Condition: Small hairline crack visible across the porcelain plaque, along with minor age-related wear to the frame. Please refer to photographs for condition. 1477 / 3475 -
Howard Norton Cook (American, 1901–1980), Paris Street, 1930. Wood engraving depicting a dramatic Parisian streetscape with figures beneath towering European architecture, executed with Cook’s characteristic strong contrasts and sharply defined architectural forms. Signed in pencil in the lower right margin. Catalogue raisonné: Duffy 136. The Smithsonian American Art Museum holds an example of Paris Street. Image/Sight: approximately 6 3/4 x 4 1/2 inches Framed: approximately 14 3/4 x 11 3/4 inches 1478 / 3475 -
Howard Norton Cook (American, 1901–1980), Paris Street, 1930. Wood engraving depicting a dramatic Parisian streetscape with figures beneath towering European architecture, executed with Cook’s characteristic strong contrasts and sharply defined architectural forms. Signed in pencil in the lower right margin. Catalogue raisonné: Duffy 136. The Smithsonian American Art Museum holds an example of Paris Street. Image/Sight: approximately 6 3/4 x 4 1/2 inches Framed: approximately 14 3/4 x 11 3/4 inches 1479 / 3475 -
Howard Norton Cook (American, 1901–1980), Paris Street, 1930. Wood engraving depicting a dramatic Parisian streetscape with figures beneath towering European architecture, executed with Cook’s characteristic strong contrasts and sharply defined architectural forms. Signed in pencil in the lower right margin. Catalogue raisonné: Duffy 136. The Smithsonian American Art Museum holds an example of Paris Street. Image/Sight: approximately 6 3/4 x 4 1/2 inches Framed: approximately 14 3/4 x 11 3/4 inches 1480 / 3475 -
Howard Norton Cook (American, 1901–1980), Paris Street, 1930. Wood engraving depicting a dramatic Parisian streetscape with figures beneath towering European architecture, executed with Cook’s characteristic strong contrasts and sharply defined architectural forms. Signed in pencil in the lower right margin. Catalogue raisonné: Duffy 136. The Smithsonian American Art Museum holds an example of Paris Street. Image/Sight: approximately 6 3/4 x 4 1/2 inches Framed: approximately 14 3/4 x 11 3/4 inches 1481 / 3475 -
Howard Norton Cook (American, 1901–1980), Paris Street, 1930. Wood engraving depicting a dramatic Parisian streetscape with figures beneath towering European architecture, executed with Cook’s characteristic strong contrasts and sharply defined architectural forms. Signed in pencil in the lower right margin. Catalogue raisonné: Duffy 136. The Smithsonian American Art Museum holds an example of Paris Street. Image/Sight: approximately 6 3/4 x 4 1/2 inches Framed: approximately 14 3/4 x 11 3/4 inches 1482 / 3475 -
Howard Norton Cook (American, 1901–1980), Paris Street, 1930. Wood engraving depicting a dramatic Parisian streetscape with figures beneath towering European architecture, executed with Cook’s characteristic strong contrasts and sharply defined architectural forms. Signed in pencil in the lower right margin. Catalogue raisonné: Duffy 136. The Smithsonian American Art Museum holds an example of Paris Street. Image/Sight: approximately 6 3/4 x 4 1/2 inches Framed: approximately 14 3/4 x 11 3/4 inches 1483 / 3475 -
Howard Norton Cook (American, 1901–1980), Paris Street, 1930. Wood engraving depicting a dramatic Parisian streetscape with figures beneath towering European architecture, executed with Cook’s characteristic strong contrasts and sharply defined architectural forms. Signed in pencil in the lower right margin. Catalogue raisonné: Duffy 136. The Smithsonian American Art Museum holds an example of Paris Street. Image/Sight: approximately 6 3/4 x 4 1/2 inches Framed: approximately 14 3/4 x 11 3/4 inches 1484 / 3475 -
Howard Norton Cook (American, 1901–1980), Paris Street, 1930. Wood engraving depicting a dramatic Parisian streetscape with figures beneath towering European architecture, executed with Cook’s characteristic strong contrasts and sharply defined architectural forms. Signed in pencil in the lower right margin. Catalogue raisonné: Duffy 136. The Smithsonian American Art Museum holds an example of Paris Street. Image/Sight: approximately 6 3/4 x 4 1/2 inches Framed: approximately 14 3/4 x 11 3/4 inches 1485 / 3475 -
Howard Norton Cook (American, 1901–1980), Paris Street, 1930. Wood engraving depicting a dramatic Parisian streetscape with figures beneath towering European architecture, executed with Cook’s characteristic strong contrasts and sharply defined architectural forms. Signed in pencil in the lower right margin. Catalogue raisonné: Duffy 136. The Smithsonian American Art Museum holds an example of Paris Street. Image/Sight: approximately 6 3/4 x 4 1/2 inches Framed: approximately 14 3/4 x 11 3/4 inches 1486 / 3475 -
Howard Norton Cook (American, 1901–1980), Paris Street, 1930. Wood engraving depicting a dramatic Parisian streetscape with figures beneath towering European architecture, executed with Cook’s characteristic strong contrasts and sharply defined architectural forms. Signed in pencil in the lower right margin. Catalogue raisonné: Duffy 136. The Smithsonian American Art Museum holds an example of Paris Street. Image/Sight: approximately 6 3/4 x 4 1/2 inches Framed: approximately 14 3/4 x 11 3/4 inches 1487 / 3475 -
Howard Norton Cook (American, 1901–1980), Paris Street, 1930. Wood engraving depicting a dramatic Parisian streetscape with figures beneath towering European architecture, executed with Cook’s characteristic strong contrasts and sharply defined architectural forms. Signed in pencil in the lower right margin. Catalogue raisonné: Duffy 136. The Smithsonian American Art Museum holds an example of Paris Street. Image/Sight: approximately 6 3/4 x 4 1/2 inches Framed: approximately 14 3/4 x 11 3/4 inches 1488 / 3475 -
Rufino Tamayo (Mexican, 1899–1991), Poesía del Vuelo (Poetry of Flight), 1958. Original color lithograph depicting an abstract composition of bird-like forms in flight, rendered in muted rose, ochre, blue-gray and black. Signed in pencil by Tamayo lower right and numbered 38/100 lower left. Printed on Arches paper. This work is recorded as Pereda 49 in the catalogue raisonné. Other documented impressions confirm an edition of 100; Swann identifies Atelier Patris, Paris, as printer and Cent Bibliophiles de France et d’Amérique, Paris, as publisher. Medium: Color lithograph Date: 1958 Edition: 38/100 Sight: 17 3/4 x 23 1/2 inches Condition: Strong colors with overall toning/discoloration to the paper. Framed and not examined out of frame. Otherwise appears in good condition. Appraised at $2200 1489 / 3475 -
Rufino Tamayo (Mexican, 1899–1991), Poesía del Vuelo (Poetry of Flight), 1958. Original color lithograph depicting an abstract composition of bird-like forms in flight, rendered in muted rose, ochre, blue-gray and black. Signed in pencil by Tamayo lower right and numbered 38/100 lower left. Printed on Arches paper. This work is recorded as Pereda 49 in the catalogue raisonné. Other documented impressions confirm an edition of 100; Swann identifies Atelier Patris, Paris, as printer and Cent Bibliophiles de France et d’Amérique, Paris, as publisher. Medium: Color lithograph Date: 1958 Edition: 38/100 Sight: 17 3/4 x 23 1/2 inches Condition: Strong colors with overall toning/discoloration to the paper. Framed and not examined out of frame. Otherwise appears in good condition. Appraised at $2200 1490 / 3475 -
Rufino Tamayo (Mexican, 1899–1991), Poesía del Vuelo (Poetry of Flight), 1958. Original color lithograph depicting an abstract composition of bird-like forms in flight, rendered in muted rose, ochre, blue-gray and black. Signed in pencil by Tamayo lower right and numbered 38/100 lower left. Printed on Arches paper. This work is recorded as Pereda 49 in the catalogue raisonné. Other documented impressions confirm an edition of 100; Swann identifies Atelier Patris, Paris, as printer and Cent Bibliophiles de France et d’Amérique, Paris, as publisher. Medium: Color lithograph Date: 1958 Edition: 38/100 Sight: 17 3/4 x 23 1/2 inches Condition: Strong colors with overall toning/discoloration to the paper. Framed and not examined out of frame. Otherwise appears in good condition. Appraised at $2200 1491 / 3475 -
Rufino Tamayo (Mexican, 1899–1991), Poesía del Vuelo (Poetry of Flight), 1958. Original color lithograph depicting an abstract composition of bird-like forms in flight, rendered in muted rose, ochre, blue-gray and black. Signed in pencil by Tamayo lower right and numbered 38/100 lower left. Printed on Arches paper. This work is recorded as Pereda 49 in the catalogue raisonné. Other documented impressions confirm an edition of 100; Swann identifies Atelier Patris, Paris, as printer and Cent Bibliophiles de France et d’Amérique, Paris, as publisher. Medium: Color lithograph Date: 1958 Edition: 38/100 Sight: 17 3/4 x 23 1/2 inches Condition: Strong colors with overall toning/discoloration to the paper. Framed and not examined out of frame. Otherwise appears in good condition. Appraised at $2200 1492 / 3475 -
Rufino Tamayo (Mexican, 1899–1991), Poesía del Vuelo (Poetry of Flight), 1958. Original color lithograph depicting an abstract composition of bird-like forms in flight, rendered in muted rose, ochre, blue-gray and black. Signed in pencil by Tamayo lower right and numbered 38/100 lower left. Printed on Arches paper. This work is recorded as Pereda 49 in the catalogue raisonné. Other documented impressions confirm an edition of 100; Swann identifies Atelier Patris, Paris, as printer and Cent Bibliophiles de France et d’Amérique, Paris, as publisher. Medium: Color lithograph Date: 1958 Edition: 38/100 Sight: 17 3/4 x 23 1/2 inches Condition: Strong colors with overall toning/discoloration to the paper. Framed and not examined out of frame. Otherwise appears in good condition. Appraised at $2200 1493 / 3475 -
Rufino Tamayo (Mexican, 1899–1991), Poesía del Vuelo (Poetry of Flight), 1958. Original color lithograph depicting an abstract composition of bird-like forms in flight, rendered in muted rose, ochre, blue-gray and black. Signed in pencil by Tamayo lower right and numbered 38/100 lower left. Printed on Arches paper. This work is recorded as Pereda 49 in the catalogue raisonné. Other documented impressions confirm an edition of 100; Swann identifies Atelier Patris, Paris, as printer and Cent Bibliophiles de France et d’Amérique, Paris, as publisher. Medium: Color lithograph Date: 1958 Edition: 38/100 Sight: 17 3/4 x 23 1/2 inches Condition: Strong colors with overall toning/discoloration to the paper. Framed and not examined out of frame. Otherwise appears in good condition. Appraised at $2200 1494 / 3475 -
Rufino Tamayo (Mexican, 1899–1991), Poesía del Vuelo (Poetry of Flight), 1958. Original color lithograph depicting an abstract composition of bird-like forms in flight, rendered in muted rose, ochre, blue-gray and black. Signed in pencil by Tamayo lower right and numbered 38/100 lower left. Printed on Arches paper. This work is recorded as Pereda 49 in the catalogue raisonné. Other documented impressions confirm an edition of 100; Swann identifies Atelier Patris, Paris, as printer and Cent Bibliophiles de France et d’Amérique, Paris, as publisher. Medium: Color lithograph Date: 1958 Edition: 38/100 Sight: 17 3/4 x 23 1/2 inches Condition: Strong colors with overall toning/discoloration to the paper. Framed and not examined out of frame. Otherwise appears in good condition. Appraised at $2200 1495 / 3475 -
Rufino Tamayo (Mexican, 1899–1991), Poesía del Vuelo (Poetry of Flight), 1958. Original color lithograph depicting an abstract composition of bird-like forms in flight, rendered in muted rose, ochre, blue-gray and black. Signed in pencil by Tamayo lower right and numbered 38/100 lower left. Printed on Arches paper. This work is recorded as Pereda 49 in the catalogue raisonné. Other documented impressions confirm an edition of 100; Swann identifies Atelier Patris, Paris, as printer and Cent Bibliophiles de France et d’Amérique, Paris, as publisher. Medium: Color lithograph Date: 1958 Edition: 38/100 Sight: 17 3/4 x 23 1/2 inches Condition: Strong colors with overall toning/discoloration to the paper. Framed and not examined out of frame. Otherwise appears in good condition. Appraised at $2200 1496 / 3475 -
Rufino Tamayo (Mexican, 1899–1991), Poesía del Vuelo (Poetry of Flight), 1958. Original color lithograph depicting an abstract composition of bird-like forms in flight, rendered in muted rose, ochre, blue-gray and black. Signed in pencil by Tamayo lower right and numbered 38/100 lower left. Printed on Arches paper. This work is recorded as Pereda 49 in the catalogue raisonné. Other documented impressions confirm an edition of 100; Swann identifies Atelier Patris, Paris, as printer and Cent Bibliophiles de France et d’Amérique, Paris, as publisher. Medium: Color lithograph Date: 1958 Edition: 38/100 Sight: 17 3/4 x 23 1/2 inches Condition: Strong colors with overall toning/discoloration to the paper. Framed and not examined out of frame. Otherwise appears in good condition. Appraised at $2200 1497 / 3475 -
Rufino Tamayo (Mexican, 1899–1991), Poesía del Vuelo (Poetry of Flight), 1958. Original color lithograph depicting an abstract composition of bird-like forms in flight, rendered in muted rose, ochre, blue-gray and black. Signed in pencil by Tamayo lower right and numbered 38/100 lower left. Printed on Arches paper. This work is recorded as Pereda 49 in the catalogue raisonné. Other documented impressions confirm an edition of 100; Swann identifies Atelier Patris, Paris, as printer and Cent Bibliophiles de France et d’Amérique, Paris, as publisher. Medium: Color lithograph Date: 1958 Edition: 38/100 Sight: 17 3/4 x 23 1/2 inches Condition: Strong colors with overall toning/discoloration to the paper. Framed and not examined out of frame. Otherwise appears in good condition. Appraised at $2200 1498 / 3475 -
Rufino Tamayo (Mexican, 1899–1991), Poesía del Vuelo (Poetry of Flight), 1958. Original color lithograph depicting an abstract composition of bird-like forms in flight, rendered in muted rose, ochre, blue-gray and black. Signed in pencil by Tamayo lower right and numbered 38/100 lower left. Printed on Arches paper. This work is recorded as Pereda 49 in the catalogue raisonné. Other documented impressions confirm an edition of 100; Swann identifies Atelier Patris, Paris, as printer and Cent Bibliophiles de France et d’Amérique, Paris, as publisher. Medium: Color lithograph Date: 1958 Edition: 38/100 Sight: 17 3/4 x 23 1/2 inches Condition: Strong colors with overall toning/discoloration to the paper. Framed and not examined out of frame. Otherwise appears in good condition. Appraised at $2200 1499 / 3475 -
Rufino Tamayo (Mexican, 1899–1991), Poesía del Vuelo (Poetry of Flight), 1958. Original color lithograph depicting an abstract composition of bird-like forms in flight, rendered in muted rose, ochre, blue-gray and black. Signed in pencil by Tamayo lower right and numbered 38/100 lower left. Printed on Arches paper. This work is recorded as Pereda 49 in the catalogue raisonné. Other documented impressions confirm an edition of 100; Swann identifies Atelier Patris, Paris, as printer and Cent Bibliophiles de France et d’Amérique, Paris, as publisher. Medium: Color lithograph Date: 1958 Edition: 38/100 Sight: 17 3/4 x 23 1/2 inches Condition: Strong colors with overall toning/discoloration to the paper. Framed and not examined out of frame. Otherwise appears in good condition. Appraised at $2200 1500 / 3475
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