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Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1111 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1112 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1113 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1114 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1115 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1116 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1117 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1118 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1119 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1120 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1121 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1122 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1123 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1124 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1125 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1126 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1127 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1128 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1129 / 3475 -
Salvador Dalí (Spanish, 1904–1989), Chevalier en Tournoi, 1979. Etching with pochoir colors, measuring approximately 16 × 33 inches. ?Signed “To Sonny” This painting and majority in this estate were owned by Mrs. Sonny Norman. This was most likely in the Sonny exhibit at Noma in the 90’s. Signed in pencil at the lower right, numbered 52/150 at the lower left, and inscribed “To Sunny and Roussel” in pen along the lower margin. Documented and illustrated in Alice Rae Yelen’s A Kaleidoscope of Art: The Sunny and Roussel Norman Collection, New Orleans Museum of Art, 1987, page 69. Previously framed and not removed for full examination. Colors remain vibrant. Water damage and mold are visible along the bottom-left edge of the mat; whether the print itself is affected is unknown. Professional condition assessment and conservation are recommended. 1130 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1131 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1132 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1133 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1134 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1135 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1136 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1137 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1138 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1139 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1140 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1141 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1142 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1143 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1144 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1145 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1146 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1147 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1148 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1149 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1150 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1151 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1152 / 3475 -
Morris Henry Hobbs (American/Louisiana, 1892–1967), Nineteen Portraits. Complete arrangement of 19 miniature figural and nude portrait etchings, each individually signed and titled in the lower margin. Each etching measures approximately 2 × 1¼ inches. Displayed together under glass in a silver-tone frame measuring approximately 16 × 24 inches. Not removed from the frame for complete examination. All prints exhibit light foxing, with several showing slight discoloration. Frame and mat show normal age and display wear *The glass on this piece has a scuff mark on the top left hand corner. 1153 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1154 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1155 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1156 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1157 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1158 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1159 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1160 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1161 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1162 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1163 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1164 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1165 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1166 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1167 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1168 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1169 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1170 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1171 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1172 / 3475 -
Maurice Utrillo (French, 1883–1955), Montmartre (Paris Capitale), 1955. Color lithograph depicting a view toward Sacré-Cœur in Montmartre. Signed in ink in the lower-right margin and additionally signed within the printed image. Sight measures approximately 14¾ × 11¾ inches. Presented under glass with a wide mat and slender gold-tone frame. Not removed from the frame for examination of the complete sheet. Overall discoloration with scattered light foxing and minor surface abrasions. Frame and mat show normal age and display wear. 1173 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1187 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1188 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1189 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1190 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1191 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1192 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1193 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1194 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1195 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1196 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1197 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1198 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1199 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), untitled abstract monoprint. Signed “Chas. H. Reinike” in the lower-right corner and numbered 1/15 in the lower-left corner. The work measures approximately 26 × 17¼ inches sight and is presented under glass with layered matting in a silver-tone frame. The composition features subdued lavender, gray, yellow, and red tones with loosely suggested figural forms. Not removed from the frame for complete examination. Visible age-related toning and discoloration; frame and mat show surface wear. This piece was valued at $5,000 1200 / 3475
Photos 1101 - 1200 of 3475
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