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Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1801 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1802 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1803 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1804 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1805 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1806 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1807 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1808 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1809 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1810 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1811 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1812 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1813 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1814 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1815 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1816 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1817 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1818 / 3475 -
Royal Worcester fine bone china dinner service in the Imari pattern, featuring cobalt blue, iron-red, green and gilt floral decoration with shaped gilt rims. Includes 12 dinner plates, 11 salad plates, a large serving platter, and two covered sauce/gravy boats with matching underplates. The covered serving pieces feature shell-form handles and finials with gilt accents. Marked Royal Worcester Fine Bone China, England, with © 1964 Royal Worcester marks. 1819 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1820 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1821 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1822 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1823 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1824 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1825 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1826 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1827 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1828 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1829 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1830 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1831 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1832 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1833 / 3475 -
Charles Henry Reinike (American/Louisiana, 1906–1983), Bayou, circa 1960–70. Watercolor on rag paper mounted on illustration board. Large, atmospheric Louisiana bayou composition rendered in layered shades of blue, gray, black and muted green, with heavily worked textural passages and vertical forms suggesting trees and reflections on the water. Signed lower right. Presented in a period silver-tone frame with linen liner. Sight: 38 3/4 x 21 1/2 inches. Condition: Overall good condition with age-related wear. Several scattered surface marks and scratches are present, as pictured. 1834 / 3475 -
Mid-century modern hand-built ceramic relief plaque featuring an abstract figural composition with elongated human forms intertwined with raised, curvilinear and spiral elements. The irregular slab-form plaque is decorated with restrained blue and green pigments against the natural warm earthenware body, creating a distinctly modernist composition. Mounted against a textured linen backing and presented in a simple wood frame. The work appears to date to approximately the 1950s–1970s. 1835 / 3475 -
Mid-century modern hand-built ceramic relief plaque featuring an abstract figural composition with elongated human forms intertwined with raised, curvilinear and spiral elements. The irregular slab-form plaque is decorated with restrained blue and green pigments against the natural warm earthenware body, creating a distinctly modernist composition. Mounted against a textured linen backing and presented in a simple wood frame. The work appears to date to approximately the 1950s–1970s. 1836 / 3475 -
Mid-century modern hand-built ceramic relief plaque featuring an abstract figural composition with elongated human forms intertwined with raised, curvilinear and spiral elements. The irregular slab-form plaque is decorated with restrained blue and green pigments against the natural warm earthenware body, creating a distinctly modernist composition. Mounted against a textured linen backing and presented in a simple wood frame. The work appears to date to approximately the 1950s–1970s. 1837 / 3475 -
Mid-century modern hand-built ceramic relief plaque featuring an abstract figural composition with elongated human forms intertwined with raised, curvilinear and spiral elements. The irregular slab-form plaque is decorated with restrained blue and green pigments against the natural warm earthenware body, creating a distinctly modernist composition. Mounted against a textured linen backing and presented in a simple wood frame. The work appears to date to approximately the 1950s–1970s. 1838 / 3475 -
Charles Willard Moore (American/California, 1925–1993), Wonderwall, New Orleans, 1984. Pen, ink and watercolor on paper depicting Moore's fantastical architectural design for the Wonderwall at the 1984 Louisiana World Exposition in New Orleans. The composition features the Wonderwall's whimsical postmodern architecture populated by oversized pelicans and colorful alligators, reflecting the theatrical character of the World's Fair installation. Moore was a leading American postmodern architect and served as a consultant on the Wonderwall project; contemporary documentation describes the structure as a major feature of the 1984 exposition. 1839 / 3475 -
Charles Willard Moore (American/California, 1925–1993), Wonderwall, New Orleans, 1984. Pen, ink and watercolor on paper depicting Moore's fantastical architectural design for the Wonderwall at the 1984 Louisiana World Exposition in New Orleans. The composition features the Wonderwall's whimsical postmodern architecture populated by oversized pelicans and colorful alligators, reflecting the theatrical character of the World's Fair installation. Moore was a leading American postmodern architect and served as a consultant on the Wonderwall project; contemporary documentation describes the structure as a major feature of the 1984 exposition. 1840 / 3475 -
Charles Willard Moore (American/California, 1925–1993), Wonderwall, New Orleans, 1984. Pen, ink and watercolor on paper depicting Moore's fantastical architectural design for the Wonderwall at the 1984 Louisiana World Exposition in New Orleans. The composition features the Wonderwall's whimsical postmodern architecture populated by oversized pelicans and colorful alligators, reflecting the theatrical character of the World's Fair installation. Moore was a leading American postmodern architect and served as a consultant on the Wonderwall project; contemporary documentation describes the structure as a major feature of the 1984 exposition. 1841 / 3475 -
Charles Willard Moore (American/California, 1925–1993), Wonderwall, New Orleans, 1984. Pen, ink and watercolor on paper depicting Moore's fantastical architectural design for the Wonderwall at the 1984 Louisiana World Exposition in New Orleans. The composition features the Wonderwall's whimsical postmodern architecture populated by oversized pelicans and colorful alligators, reflecting the theatrical character of the World's Fair installation. Moore was a leading American postmodern architect and served as a consultant on the Wonderwall project; contemporary documentation describes the structure as a major feature of the 1984 exposition. 1842 / 3475 -
Charles Willard Moore (American/California, 1925–1993), Wonderwall, New Orleans, 1984. Pen, ink and watercolor on paper depicting Moore's fantastical architectural design for the Wonderwall at the 1984 Louisiana World Exposition in New Orleans. The composition features the Wonderwall's whimsical postmodern architecture populated by oversized pelicans and colorful alligators, reflecting the theatrical character of the World's Fair installation. Moore was a leading American postmodern architect and served as a consultant on the Wonderwall project; contemporary documentation describes the structure as a major feature of the 1984 exposition. 1843 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1844 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1845 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1846 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1847 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1848 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1849 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1850 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1851 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1852 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1853 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1854 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1855 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1856 / 3475 -
Jacques Villon (French, 1875–1963), Cubist Figure, composition dated 1914, color lithograph executed in 1962 by master lithographer Henri Deschamps after Villon's original composition. Striking Cubist figural composition constructed from angular geometric planes in deep green, ochre, orange, brown and blue-black. The image bears the printed inscription “Jacques Villon 1914” lower right and “H. Deschamps Lith. 1962” lower left. Signed “Jacques Villon” in pencil lower right and numbered 104/175 in pencil lower left. Presented under glass with matting in a gilt and dark-finished frame. Villon was a major French Cubist painter and printmaker and the elder brother of Marcel Duchamp. Henri Deschamps worked extensively as a lithographic printer and interpreter of modern artists; documented Villon editions from this period were published in Paris by Louis Carré. Approx. Dimensioms: 32” x 19” 1857 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1858 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1859 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1860 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1861 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1862 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1863 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1864 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1865 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1866 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1867 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1868 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1869 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1870 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1871 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1872 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1873 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1874 / 3475 -
Three miniature stoneware vases by Swedish ceramic artist Berndt Friberg for Gustavsberg. Each features a distinct hand-thrown form with finely textured glazes in graduated green, ochre and brown tones. Signed/marked on the undersides. Approx. Dimensions: 2”–4” H. Please see photos for markings, condition and details. 1875 / 3475 -
*see condition- small hole on canvas. Ronald Ergo (Belgian, 1936–2024), City Scene, oil on canvas. European urban streetscape executed with expressive painterly handling and the distinctive graphic sensibility associated with Ergo's work. Condition: Appears in generally good condition with the exception of the small pinhole in the center of the painting. Framed as shown. Signed lower left. Medium: Oil on canvas Dimensions: 20 1/4 x 16 inches Ronald Ergo was born in Watervliet, Belgium, in 1936 and worked as a painter, draftsman, graphic artist, typographer, printer and publisher. His work is represented in Belgian public collections, including print collections in Brussels and Antwerp. 1876 / 3475 -
*see condition- small hole on canvas. Ronald Ergo (Belgian, 1936–2024), City Scene, oil on canvas. European urban streetscape executed with expressive painterly handling and the distinctive graphic sensibility associated with Ergo's work. Condition: Appears in generally good condition with the exception of the small pinhole in the center of the painting. Framed as shown. Signed lower left. Medium: Oil on canvas Dimensions: 20 1/4 x 16 inches Ronald Ergo was born in Watervliet, Belgium, in 1936 and worked as a painter, draftsman, graphic artist, typographer, printer and publisher. His work is represented in Belgian public collections, including print collections in Brussels and Antwerp. 1877 / 3475 -
*see condition- small hole on canvas. Ronald Ergo (Belgian, 1936–2024), City Scene, oil on canvas. European urban streetscape executed with expressive painterly handling and the distinctive graphic sensibility associated with Ergo's work. Condition: Appears in generally good condition with the exception of the small pinhole in the center of the painting. Framed as shown. Signed lower left. Medium: Oil on canvas Dimensions: 20 1/4 x 16 inches Ronald Ergo was born in Watervliet, Belgium, in 1936 and worked as a painter, draftsman, graphic artist, typographer, printer and publisher. His work is represented in Belgian public collections, including print collections in Brussels and Antwerp. 1878 / 3475 -
*see condition- small hole on canvas. Ronald Ergo (Belgian, 1936–2024), City Scene, oil on canvas. European urban streetscape executed with expressive painterly handling and the distinctive graphic sensibility associated with Ergo's work. Condition: Appears in generally good condition with the exception of the small pinhole in the center of the painting. Framed as shown. Signed lower left. Medium: Oil on canvas Dimensions: 20 1/4 x 16 inches Ronald Ergo was born in Watervliet, Belgium, in 1936 and worked as a painter, draftsman, graphic artist, typographer, printer and publisher. His work is represented in Belgian public collections, including print collections in Brussels and Antwerp. 1879 / 3475 -
*see condition- small hole on canvas. Ronald Ergo (Belgian, 1936–2024), City Scene, oil on canvas. European urban streetscape executed with expressive painterly handling and the distinctive graphic sensibility associated with Ergo's work. Condition: Appears in generally good condition with the exception of the small pinhole in the center of the painting. Framed as shown. Signed lower left. Medium: Oil on canvas Dimensions: 20 1/4 x 16 inches Ronald Ergo was born in Watervliet, Belgium, in 1936 and worked as a painter, draftsman, graphic artist, typographer, printer and publisher. His work is represented in Belgian public collections, including print collections in Brussels and Antwerp. 1880 / 3475 -
*see condition- small hole on canvas. Ronald Ergo (Belgian, 1936–2024), City Scene, oil on canvas. European urban streetscape executed with expressive painterly handling and the distinctive graphic sensibility associated with Ergo's work. Condition: Appears in generally good condition with the exception of the small pinhole in the center of the painting. Framed as shown. Signed lower left. Medium: Oil on canvas Dimensions: 20 1/4 x 16 inches Ronald Ergo was born in Watervliet, Belgium, in 1936 and worked as a painter, draftsman, graphic artist, typographer, printer and publisher. His work is represented in Belgian public collections, including print collections in Brussels and Antwerp. 1881 / 3475 -
*see condition- small hole on canvas. Ronald Ergo (Belgian, 1936–2024), City Scene, oil on canvas. European urban streetscape executed with expressive painterly handling and the distinctive graphic sensibility associated with Ergo's work. Condition: Appears in generally good condition with the exception of the small pinhole in the center of the painting. Framed as shown. Signed lower left. Medium: Oil on canvas Dimensions: 20 1/4 x 16 inches Ronald Ergo was born in Watervliet, Belgium, in 1936 and worked as a painter, draftsman, graphic artist, typographer, printer and publisher. His work is represented in Belgian public collections, including print collections in Brussels and Antwerp. 1882 / 3475 -
*see condition- small hole on canvas. Ronald Ergo (Belgian, 1936–2024), City Scene, oil on canvas. European urban streetscape executed with expressive painterly handling and the distinctive graphic sensibility associated with Ergo's work. Condition: Appears in generally good condition with the exception of the small pinhole in the center of the painting. Framed as shown. Signed lower left. Medium: Oil on canvas Dimensions: 20 1/4 x 16 inches Ronald Ergo was born in Watervliet, Belgium, in 1936 and worked as a painter, draftsman, graphic artist, typographer, printer and publisher. His work is represented in Belgian public collections, including print collections in Brussels and Antwerp. 1883 / 3475 -
*see condition- small hole on canvas. Ronald Ergo (Belgian, 1936–2024), City Scene, oil on canvas. European urban streetscape executed with expressive painterly handling and the distinctive graphic sensibility associated with Ergo's work. Condition: Appears in generally good condition with the exception of the small pinhole in the center of the painting. Framed as shown. Signed lower left. Medium: Oil on canvas Dimensions: 20 1/4 x 16 inches Ronald Ergo was born in Watervliet, Belgium, in 1936 and worked as a painter, draftsman, graphic artist, typographer, printer and publisher. His work is represented in Belgian public collections, including print collections in Brussels and Antwerp. 1884 / 3475 -
*see condition- small hole on canvas. Ronald Ergo (Belgian, 1936–2024), City Scene, oil on canvas. European urban streetscape executed with expressive painterly handling and the distinctive graphic sensibility associated with Ergo's work. Condition: Appears in generally good condition with the exception of the small pinhole in the center of the painting. Framed as shown. Signed lower left. Medium: Oil on canvas Dimensions: 20 1/4 x 16 inches Ronald Ergo was born in Watervliet, Belgium, in 1936 and worked as a painter, draftsman, graphic artist, typographer, printer and publisher. His work is represented in Belgian public collections, including print collections in Brussels and Antwerp. 1885 / 3475 -
*see condition- small hole on canvas. Ronald Ergo (Belgian, 1936–2024), City Scene, oil on canvas. European urban streetscape executed with expressive painterly handling and the distinctive graphic sensibility associated with Ergo's work. Condition: Appears in generally good condition with the exception of the small pinhole in the center of the painting. Framed as shown. Signed lower left. Medium: Oil on canvas Dimensions: 20 1/4 x 16 inches Ronald Ergo was born in Watervliet, Belgium, in 1936 and worked as a painter, draftsman, graphic artist, typographer, printer and publisher. His work is represented in Belgian public collections, including print collections in Brussels and Antwerp. 1886 / 3475 -
*see condition- small hole on canvas. Ronald Ergo (Belgian, 1936–2024), City Scene, oil on canvas. European urban streetscape executed with expressive painterly handling and the distinctive graphic sensibility associated with Ergo's work. Condition: Appears in generally good condition with the exception of the small pinhole in the center of the painting. Framed as shown. Signed lower left. Medium: Oil on canvas Dimensions: 20 1/4 x 16 inches Ronald Ergo was born in Watervliet, Belgium, in 1936 and worked as a painter, draftsman, graphic artist, typographer, printer and publisher. His work is represented in Belgian public collections, including print collections in Brussels and Antwerp. 1887 / 3475 -
Robert Gordy (American/Louisiana, 1933–1986), modernist figural composition depicting a stylized crouching nude surrounded by brightly colored rounded forms. The figure is rendered in warm terracotta tones against a dark ground with turquoise, blue and violet accents. The simplified anatomy, exaggerated hands and feet, flattened pictorial space and strongly defined curvilinear forms are characteristic of Gordy's distinctive figurative vocabulary. 1896 / 3475 -
Robert Gordy (American/Louisiana, 1933–1986), modernist figural composition depicting a stylized crouching nude surrounded by brightly colored rounded forms. The figure is rendered in warm terracotta tones against a dark ground with turquoise, blue and violet accents. The simplified anatomy, exaggerated hands and feet, flattened pictorial space and strongly defined curvilinear forms are characteristic of Gordy's distinctive figurative vocabulary. 1897 / 3475 -
Robert Gordy (American/Louisiana, 1933–1986), modernist figural composition depicting a stylized crouching nude surrounded by brightly colored rounded forms. The figure is rendered in warm terracotta tones against a dark ground with turquoise, blue and violet accents. The simplified anatomy, exaggerated hands and feet, flattened pictorial space and strongly defined curvilinear forms are characteristic of Gordy's distinctive figurative vocabulary. 1898 / 3475 -
Robert Gordy (American/Louisiana, 1933–1986), modernist figural composition depicting a stylized crouching nude surrounded by brightly colored rounded forms. The figure is rendered in warm terracotta tones against a dark ground with turquoise, blue and violet accents. The simplified anatomy, exaggerated hands and feet, flattened pictorial space and strongly defined curvilinear forms are characteristic of Gordy's distinctive figurative vocabulary. 1899 / 3475 -
Robert Gordy (American/Louisiana, 1933–1986), modernist figural composition depicting a stylized crouching nude surrounded by brightly colored rounded forms. The figure is rendered in warm terracotta tones against a dark ground with turquoise, blue and violet accents. The simplified anatomy, exaggerated hands and feet, flattened pictorial space and strongly defined curvilinear forms are characteristic of Gordy's distinctive figurative vocabulary. 1900 / 3475
Photos 1801 - 1900 of 3475
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