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This Antique 1890 United States Silver Dollar is in nice condition for age with plenty of detail remaining on both sides with most of the wear concentrated along the outer edges of face. The actual side of this coin shows considerable wear. A fine investment coin sure to only raise in value. 1003 / 2223 sold -
This Antique 1890 United States Silver Dollar is in nice condition for age with plenty of detail remaining on both sides with most of the wear concentrated along the outer edges of face. The actual side of this coin shows considerable wear. A fine investment coin sure to only raise in value. 1004 / 2223 sold -
This Antique 1890 United States Silver Dollar is in nice condition for age with plenty of detail remaining on both sides with most of the wear concentrated along the outer edges of face. The actual side of this coin shows considerable wear. A fine investment coin sure to only raise in value. 1005 / 2223 sold -
This Antique 1890 United States Silver Dollar is in nice condition for age with plenty of detail remaining on both sides with most of the wear concentrated along the outer edges of face. The actual side of this coin shows considerable wear. A fine investment coin sure to only raise in value. 1006 / 2223 sold -
This Antique 1890 United States Silver Dollar is in nice condition for age with plenty of detail remaining on both sides with most of the wear concentrated along the outer edges of face. The actual side of this coin shows considerable wear. A fine investment coin sure to only raise in value. 1007 / 2223 sold -
This Antique 1890 United States Silver Dollar is in nice condition for age with plenty of detail remaining on both sides with most of the wear concentrated along the outer edges of face. The actual side of this coin shows considerable wear. A fine investment coin sure to only raise in value. 1008 / 2223 sold -
This Antique 1890 United States Silver Dollar is in nice condition for age with plenty of detail remaining on both sides with most of the wear concentrated along the outer edges of face. The actual side of this coin shows considerable wear. A fine investment coin sure to only raise in value. 1009 / 2223 sold -
This Antique 1890 United States Silver Dollar is in nice condition for age with plenty of detail remaining on both sides with most of the wear concentrated along the outer edges of face. The actual side of this coin shows considerable wear. A fine investment coin sure to only raise in value. 1010 / 2223 sold -
This hard to find book showcases a wide collection of Keith Haring's works, from the beginning to the very end. Onky available to those who attended the 1997 Whitney exhibition. Installations, sculptures and also his paintings on buildings and other objects grace the pages of this large format book. A definite for every FINE Art Collector. Describes Keiths life through letters and stories from friends, photos, and many beautiful full color works by the artist. Bright and bold, just like his life. 1079 / 2223 sold -
This hard to find book showcases a wide collection of Keith Haring's works, from the beginning to the very end. Onky available to those who attended the 1997 Whitney exhibition. Installations, sculptures and also his paintings on buildings and other objects grace the pages of this large format book. A definite for every FINE Art Collector. Describes Keiths life through letters and stories from friends, photos, and many beautiful full color works by the artist. Bright and bold, just like his life. 1080 / 2223 sold -
This hard to find book showcases a wide collection of Keith Haring's works, from the beginning to the very end. Onky available to those who attended the 1997 Whitney exhibition. Installations, sculptures and also his paintings on buildings and other objects grace the pages of this large format book. A definite for every FINE Art Collector. Describes Keiths life through letters and stories from friends, photos, and many beautiful full color works by the artist. Bright and bold, just like his life. 1081 / 2223 sold -
This hard to find book showcases a wide collection of Keith Haring's works, from the beginning to the very end. Onky available to those who attended the 1997 Whitney exhibition. Installations, sculptures and also his paintings on buildings and other objects grace the pages of this large format book. A definite for every FINE Art Collector. Describes Keiths life through letters and stories from friends, photos, and many beautiful full color works by the artist. Bright and bold, just like his life. 1082 / 2223 sold -
This hard to find book showcases a wide collection of Keith Haring's works, from the beginning to the very end. Onky available to those who attended the 1997 Whitney exhibition. Installations, sculptures and also his paintings on buildings and other objects grace the pages of this large format book. A definite for every FINE Art Collector. Describes Keiths life through letters and stories from friends, photos, and many beautiful full color works by the artist. Bright and bold, just like his life. 1083 / 2223 sold -
This hard to find book showcases a wide collection of Keith Haring's works, from the beginning to the very end. Onky available to those who attended the 1997 Whitney exhibition. Installations, sculptures and also his paintings on buildings and other objects grace the pages of this large format book. A definite for every FINE Art Collector. Describes Keiths life through letters and stories from friends, photos, and many beautiful full color works by the artist. Bright and bold, just like his life. 1084 / 2223 sold -
This hard to find book showcases a wide collection of Keith Haring's works, from the beginning to the very end. Onky available to those who attended the 1997 Whitney exhibition. Installations, sculptures and also his paintings on buildings and other objects grace the pages of this large format book. A definite for every FINE Art Collector. Describes Keiths life through letters and stories from friends, photos, and many beautiful full color works by the artist. Bright and bold, just like his life. 1085 / 2223 sold -
This hard to find book showcases a wide collection of Keith Haring's works, from the beginning to the very end. Onky available to those who attended the 1997 Whitney exhibition. Installations, sculptures and also his paintings on buildings and other objects grace the pages of this large format book. A definite for every FINE Art Collector. Describes Keiths life through letters and stories from friends, photos, and many beautiful full color works by the artist. Bright and bold, just like his life. 1086 / 2223 sold -
This hard to find book showcases a wide collection of Keith Haring's works, from the beginning to the very end. Onky available to those who attended the 1997 Whitney exhibition. Installations, sculptures and also his paintings on buildings and other objects grace the pages of this large format book. A definite for every FINE Art Collector. Describes Keiths life through letters and stories from friends, photos, and many beautiful full color works by the artist. Bright and bold, just like his life. 1087 / 2223 sold -
This hard to find book showcases a wide collection of Keith Haring's works, from the beginning to the very end. Onky available to those who attended the 1997 Whitney exhibition. Installations, sculptures and also his paintings on buildings and other objects grace the pages of this large format book. A definite for every FINE Art Collector. Describes Keiths life through letters and stories from friends, photos, and many beautiful full color works by the artist. Bright and bold, just like his life. 1088 / 2223 sold -
This hard to find book showcases a wide collection of Keith Haring's works, from the beginning to the very end. Onky available to those who attended the 1997 Whitney exhibition. Installations, sculptures and also his paintings on buildings and other objects grace the pages of this large format book. A definite for every FINE Art Collector. Describes Keiths life through letters and stories from friends, photos, and many beautiful full color works by the artist. Bright and bold, just like his life. 1089 / 2223 sold -
Beginning with a consideration of traditional connoisseurship and ancient myths about the origins of drawing, Deanna Petherbridge examines the polarities of open-ended sketches and highly finished presentation drawings that constitute a drawing continuum: graphic parameters within which artists continue to experiment. She examines the `economy' of drawing, that is, its materials and techniques and qualities of line and mark, and she analyses strategies of making, composing, inventing and development through revealing juxtapositions of historical and contemporary images. The teaching of drawing across the centuries in academies has led to the production of drawing and anatomical manuals and complex theories about copying, hierarchies of genres, the centrality of the expressive body and responses to nature. Such issues even become the subject matter of graphic images or are incorporated into drawings of the act of drawing. The manner in which satire, sexuality or play are encoded in line and mark and generate compositional strategies reveals the thinking of Petherbridge as a teacher, concerned for many years to understand the hows and whys of making and visual thinking. The book is both a much-needed history of practice and a rich resource for anyone interested in drawing. 1090 / 2223 -
Beginning with a consideration of traditional connoisseurship and ancient myths about the origins of drawing, Deanna Petherbridge examines the polarities of open-ended sketches and highly finished presentation drawings that constitute a drawing continuum: graphic parameters within which artists continue to experiment. She examines the `economy' of drawing, that is, its materials and techniques and qualities of line and mark, and she analyses strategies of making, composing, inventing and development through revealing juxtapositions of historical and contemporary images. The teaching of drawing across the centuries in academies has led to the production of drawing and anatomical manuals and complex theories about copying, hierarchies of genres, the centrality of the expressive body and responses to nature. Such issues even become the subject matter of graphic images or are incorporated into drawings of the act of drawing. The manner in which satire, sexuality or play are encoded in line and mark and generate compositional strategies reveals the thinking of Petherbridge as a teacher, concerned for many years to understand the hows and whys of making and visual thinking. The book is both a much-needed history of practice and a rich resource for anyone interested in drawing. 1091 / 2223 -
Beginning with a consideration of traditional connoisseurship and ancient myths about the origins of drawing, Deanna Petherbridge examines the polarities of open-ended sketches and highly finished presentation drawings that constitute a drawing continuum: graphic parameters within which artists continue to experiment. She examines the `economy' of drawing, that is, its materials and techniques and qualities of line and mark, and she analyses strategies of making, composing, inventing and development through revealing juxtapositions of historical and contemporary images. The teaching of drawing across the centuries in academies has led to the production of drawing and anatomical manuals and complex theories about copying, hierarchies of genres, the centrality of the expressive body and responses to nature. Such issues even become the subject matter of graphic images or are incorporated into drawings of the act of drawing. The manner in which satire, sexuality or play are encoded in line and mark and generate compositional strategies reveals the thinking of Petherbridge as a teacher, concerned for many years to understand the hows and whys of making and visual thinking. The book is both a much-needed history of practice and a rich resource for anyone interested in drawing. 1092 / 2223 -
Beginning with a consideration of traditional connoisseurship and ancient myths about the origins of drawing, Deanna Petherbridge examines the polarities of open-ended sketches and highly finished presentation drawings that constitute a drawing continuum: graphic parameters within which artists continue to experiment. She examines the `economy' of drawing, that is, its materials and techniques and qualities of line and mark, and she analyses strategies of making, composing, inventing and development through revealing juxtapositions of historical and contemporary images. The teaching of drawing across the centuries in academies has led to the production of drawing and anatomical manuals and complex theories about copying, hierarchies of genres, the centrality of the expressive body and responses to nature. Such issues even become the subject matter of graphic images or are incorporated into drawings of the act of drawing. The manner in which satire, sexuality or play are encoded in line and mark and generate compositional strategies reveals the thinking of Petherbridge as a teacher, concerned for many years to understand the hows and whys of making and visual thinking. The book is both a much-needed history of practice and a rich resource for anyone interested in drawing. 1093 / 2223 -
Beginning with a consideration of traditional connoisseurship and ancient myths about the origins of drawing, Deanna Petherbridge examines the polarities of open-ended sketches and highly finished presentation drawings that constitute a drawing continuum: graphic parameters within which artists continue to experiment. She examines the `economy' of drawing, that is, its materials and techniques and qualities of line and mark, and she analyses strategies of making, composing, inventing and development through revealing juxtapositions of historical and contemporary images. The teaching of drawing across the centuries in academies has led to the production of drawing and anatomical manuals and complex theories about copying, hierarchies of genres, the centrality of the expressive body and responses to nature. Such issues even become the subject matter of graphic images or are incorporated into drawings of the act of drawing. The manner in which satire, sexuality or play are encoded in line and mark and generate compositional strategies reveals the thinking of Petherbridge as a teacher, concerned for many years to understand the hows and whys of making and visual thinking. The book is both a much-needed history of practice and a rich resource for anyone interested in drawing. 1094 / 2223 -
Beginning with a consideration of traditional connoisseurship and ancient myths about the origins of drawing, Deanna Petherbridge examines the polarities of open-ended sketches and highly finished presentation drawings that constitute a drawing continuum: graphic parameters within which artists continue to experiment. She examines the `economy' of drawing, that is, its materials and techniques and qualities of line and mark, and she analyses strategies of making, composing, inventing and development through revealing juxtapositions of historical and contemporary images. The teaching of drawing across the centuries in academies has led to the production of drawing and anatomical manuals and complex theories about copying, hierarchies of genres, the centrality of the expressive body and responses to nature. Such issues even become the subject matter of graphic images or are incorporated into drawings of the act of drawing. The manner in which satire, sexuality or play are encoded in line and mark and generate compositional strategies reveals the thinking of Petherbridge as a teacher, concerned for many years to understand the hows and whys of making and visual thinking. The book is both a much-needed history of practice and a rich resource for anyone interested in drawing. 1095 / 2223 -
Beginning with a consideration of traditional connoisseurship and ancient myths about the origins of drawing, Deanna Petherbridge examines the polarities of open-ended sketches and highly finished presentation drawings that constitute a drawing continuum: graphic parameters within which artists continue to experiment. She examines the `economy' of drawing, that is, its materials and techniques and qualities of line and mark, and she analyses strategies of making, composing, inventing and development through revealing juxtapositions of historical and contemporary images. The teaching of drawing across the centuries in academies has led to the production of drawing and anatomical manuals and complex theories about copying, hierarchies of genres, the centrality of the expressive body and responses to nature. Such issues even become the subject matter of graphic images or are incorporated into drawings of the act of drawing. The manner in which satire, sexuality or play are encoded in line and mark and generate compositional strategies reveals the thinking of Petherbridge as a teacher, concerned for many years to understand the hows and whys of making and visual thinking. The book is both a much-needed history of practice and a rich resource for anyone interested in drawing. 1096 / 2223
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