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Colorado
Fort Collins

Ms. Museum Estate Sales

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Liston and Barbara Leyendecker Estate Collection Auction #2 in Fort Collins

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Sale Details
250 Online Auction Items

This appears to be Handmade abstract dog stool with a shoe scrapper. Origin is unknown but definitely Asian influenced. Possibly an abstract Foo Dog.

701 / 2223
This appears to be Handmade abstract dog stool with a shoe scrapper. Origin is unknown but definitely Asian influenced. Possibly an abstract Foo Dog.

702 / 2223
Mexican Folk Art Excerpt: Cartonería or papier-mâché sculptures are a traditional handcraft in Mexico. The papier-mâché works are also called "carton piedra" (rock cardboard) for the rigidness of the final product.[1] These sculptures today are generally made for certain yearly celebrations, especially for the Burning of Judas during Holy Week and various decorative items for Day of the Dead. However, they also include piñatas, mojigangas, masks, dolls and more made for various other occasions. There is also a significant market for collectors as well. Papier-mâché was introduced into Mexico during the colonial period, originally to make items for church. Since then, the craft has developed, especially in central Mexico. In the 20th century, the creation of works by Mexico City artisans Pedro Linares and Carmen Caballo Sevilla were recognized as works of art with patrons such as Diego Rivera. The craft has become less popular with more recent generations, but various government and cultural institutions work to preserve it.

703 / 2223
Mexican Folk Art Excerpt: Cartonería or papier-mâché sculptures are a traditional handcraft in Mexico. The papier-mâché works are also called "carton piedra" (rock cardboard) for the rigidness of the final product.[1] These sculptures today are generally made for certain yearly celebrations, especially for the Burning of Judas during Holy Week and various decorative items for Day of the Dead. However, they also include piñatas, mojigangas, masks, dolls and more made for various other occasions. There is also a significant market for collectors as well. Papier-mâché was introduced into Mexico during the colonial period, originally to make items for church. Since then, the craft has developed, especially in central Mexico. In the 20th century, the creation of works by Mexico City artisans Pedro Linares and Carmen Caballo Sevilla were recognized as works of art with patrons such as Diego Rivera. The craft has become less popular with more recent generations, but various government and cultural institutions work to preserve it.

704 / 2223
Mexican Folk Art Excerpt: Cartonería or papier-mâché sculptures are a traditional handcraft in Mexico. The papier-mâché works are also called "carton piedra" (rock cardboard) for the rigidness of the final product.[1] These sculptures today are generally made for certain yearly celebrations, especially for the Burning of Judas during Holy Week and various decorative items for Day of the Dead. However, they also include piñatas, mojigangas, masks, dolls and more made for various other occasions. There is also a significant market for collectors as well. Papier-mâché was introduced into Mexico during the colonial period, originally to make items for church. Since then, the craft has developed, especially in central Mexico. In the 20th century, the creation of works by Mexico City artisans Pedro Linares and Carmen Caballo Sevilla were recognized as works of art with patrons such as Diego Rivera. The craft has become less popular with more recent generations, but various government and cultural institutions work to preserve it.

705 / 2223
Mexican Folk Art Excerpt: Cartonería or papier-mâché sculptures are a traditional handcraft in Mexico. The papier-mâché works are also called "carton piedra" (rock cardboard) for the rigidness of the final product.[1] These sculptures today are generally made for certain yearly celebrations, especially for the Burning of Judas during Holy Week and various decorative items for Day of the Dead. However, they also include piñatas, mojigangas, masks, dolls and more made for various other occasions. There is also a significant market for collectors as well. Papier-mâché was introduced into Mexico during the colonial period, originally to make items for church. Since then, the craft has developed, especially in central Mexico. In the 20th century, the creation of works by Mexico City artisans Pedro Linares and Carmen Caballo Sevilla were recognized as works of art with patrons such as Diego Rivera. The craft has become less popular with more recent generations, but various government and cultural institutions work to preserve it.

706 / 2223
Mexican Folk Art Excerpt: Cartonería or papier-mâché sculptures are a traditional handcraft in Mexico. The papier-mâché works are also called "carton piedra" (rock cardboard) for the rigidness of the final product.[1] These sculptures today are generally made for certain yearly celebrations, especially for the Burning of Judas during Holy Week and various decorative items for Day of the Dead. However, they also include piñatas, mojigangas, masks, dolls and more made for various other occasions. There is also a significant market for collectors as well. Papier-mâché was introduced into Mexico during the colonial period, originally to make items for church. Since then, the craft has developed, especially in central Mexico. In the 20th century, the creation of works by Mexico City artisans Pedro Linares and Carmen Caballo Sevilla were recognized as works of art with patrons such as Diego Rivera. The craft has become less popular with more recent generations, but various government and cultural institutions work to preserve it.

707 / 2223
Mexican Folk Art Excerpt: Cartonería or papier-mâché sculptures are a traditional handcraft in Mexico. The papier-mâché works are also called "carton piedra" (rock cardboard) for the rigidness of the final product.[1] These sculptures today are generally made for certain yearly celebrations, especially for the Burning of Judas during Holy Week and various decorative items for Day of the Dead. However, they also include piñatas, mojigangas, masks, dolls and more made for various other occasions. There is also a significant market for collectors as well. Papier-mâché was introduced into Mexico during the colonial period, originally to make items for church. Since then, the craft has developed, especially in central Mexico. In the 20th century, the creation of works by Mexico City artisans Pedro Linares and Carmen Caballo Sevilla were recognized as works of art with patrons such as Diego Rivera. The craft has become less popular with more recent generations, but various government and cultural institutions work to preserve it.

708 / 2223
Mexican Folk Art Excerpt: Cartonería or papier-mâché sculptures are a traditional handcraft in Mexico. The papier-mâché works are also called "carton piedra" (rock cardboard) for the rigidness of the final product.[1] These sculptures today are generally made for certain yearly celebrations, especially for the Burning of Judas during Holy Week and various decorative items for Day of the Dead. However, they also include piñatas, mojigangas, masks, dolls and more made for various other occasions. There is also a significant market for collectors as well. Papier-mâché was introduced into Mexico during the colonial period, originally to make items for church. Since then, the craft has developed, especially in central Mexico. In the 20th century, the creation of works by Mexico City artisans Pedro Linares and Carmen Caballo Sevilla were recognized as works of art with patrons such as Diego Rivera. The craft has become less popular with more recent generations, but various government and cultural institutions work to preserve it.

709 / 2223
Mexican Folk Art Excerpt: Cartonería or papier-mâché sculptures are a traditional handcraft in Mexico. The papier-mâché works are also called "carton piedra" (rock cardboard) for the rigidness of the final product.[1] These sculptures today are generally made for certain yearly celebrations, especially for the Burning of Judas during Holy Week and various decorative items for Day of the Dead. However, they also include piñatas, mojigangas, masks, dolls and more made for various other occasions. There is also a significant market for collectors as well. Papier-mâché was introduced into Mexico during the colonial period, originally to make items for church. Since then, the craft has developed, especially in central Mexico. In the 20th century, the creation of works by Mexico City artisans Pedro Linares and Carmen Caballo Sevilla were recognized as works of art with patrons such as Diego Rivera. The craft has become less popular with more recent generations, but various government and cultural institutions work to preserve it.

710 / 2223
Mexican Folk Art Excerpt: Cartonería or papier-mâché sculptures are a traditional handcraft in Mexico. The papier-mâché works are also called "carton piedra" (rock cardboard) for the rigidness of the final product.[1] These sculptures today are generally made for certain yearly celebrations, especially for the Burning of Judas during Holy Week and various decorative items for Day of the Dead. However, they also include piñatas, mojigangas, masks, dolls and more made for various other occasions. There is also a significant market for collectors as well. Papier-mâché was introduced into Mexico during the colonial period, originally to make items for church. Since then, the craft has developed, especially in central Mexico. In the 20th century, the creation of works by Mexico City artisans Pedro Linares and Carmen Caballo Sevilla were recognized as works of art with patrons such as Diego Rivera. The craft has become less popular with more recent generations, but various government and cultural institutions work to preserve it.

711 / 2223
Unsigned piece of Barbara's work

712 / 2223
Unsigned piece of Barbara's work

713 / 2223
Unsigned piece of Barbara's work

714 / 2223
Unsigned piece of Barbara's work

715 / 2223
Unsigned piece of Barbara's work

716 / 2223
Unsigned piece of Barbara's work

717 / 2223
Unsigned piece of Barbara's work

718 / 2223
Marked Hong Kong

719 / 2223 sold
Marked Hong Kong

720 / 2223 sold
Marked Hong Kong

721 / 2223 sold
Marked Hong Kong

722 / 2223 sold
Marked Hong Kong

723 / 2223 sold
Marked Hong Kong

724 / 2223 sold
Marked Hong Kong

725 / 2223 sold
Marked Hong Kong

726 / 2223 sold
Signed

727 / 2223
Signed

728 / 2223
Signed

729 / 2223
Signed

730 / 2223
Signed

731 / 2223
Signed

732 / 2223
13" × 19"

733 / 2223
13" × 19"

734 / 2223
13" × 19"

735 / 2223
13" × 19"

736 / 2223
13" × 19"

737 / 2223
13" × 19"

738 / 2223
Very delicate.

739 / 2223 sold
Very delicate.

740 / 2223 sold
Very delicate.

741 / 2223 sold
Very delicate.

742 / 2223 sold
Very delicate.

743 / 2223 sold
Very delicate.

744 / 2223 sold
Very delicate.

745 / 2223 sold
Very delicate.

746 / 2223 sold
Very delicate.

747 / 2223 sold
Very delicate.

748 / 2223 sold
Very delicate.

749 / 2223 sold
Very delicate.

750 / 2223 sold
Very delicate.

751 / 2223 sold
Very delicate.

752 / 2223 sold
Very delicate.

753 / 2223 sold
Very delicate.

754 / 2223 sold
Very delicate.

755 / 2223 sold
Very delicate.

756 / 2223 sold
Very delicate.

757 / 2223 sold
Excerpt: Baluch rugs are also known as Baluchi or Beluchi. These rugs are hand-knotted by the nomads of Baluch. Baluch or Baluchistan is the area between the borders of Iran, Pakistan, and Afghanistan-- this is why Baluch rugs are said to be a mixture of three different regions. They are the kind of rug when sold in every region. Where they're sold, however, gives them their label. If a Baluch is sold in Iran, it's a Persian rug. If a Baluch is sold in Afghanistan, it's known as a Herat product. Despite the mixture of regional influences, it's considered that the Baluch nomads now live in Pakistan while a small fraction lives in some regions of India closer to Pakistan. These rugs were originally made as prayer rugs, area carpets for serving food and sometimes as animal covers or furnishings.

758 / 2223 sold
Excerpt: Baluch rugs are also known as Baluchi or Beluchi. These rugs are hand-knotted by the nomads of Baluch. Baluch or Baluchistan is the area between the borders of Iran, Pakistan, and Afghanistan-- this is why Baluch rugs are said to be a mixture of three different regions. They are the kind of rug when sold in every region. Where they're sold, however, gives them their label. If a Baluch is sold in Iran, it's a Persian rug. If a Baluch is sold in Afghanistan, it's known as a Herat product. Despite the mixture of regional influences, it's considered that the Baluch nomads now live in Pakistan while a small fraction lives in some regions of India closer to Pakistan. These rugs were originally made as prayer rugs, area carpets for serving food and sometimes as animal covers or furnishings.

759 / 2223 sold
Excerpt: Baluch rugs are also known as Baluchi or Beluchi. These rugs are hand-knotted by the nomads of Baluch. Baluch or Baluchistan is the area between the borders of Iran, Pakistan, and Afghanistan-- this is why Baluch rugs are said to be a mixture of three different regions. They are the kind of rug when sold in every region. Where they're sold, however, gives them their label. If a Baluch is sold in Iran, it's a Persian rug. If a Baluch is sold in Afghanistan, it's known as a Herat product. Despite the mixture of regional influences, it's considered that the Baluch nomads now live in Pakistan while a small fraction lives in some regions of India closer to Pakistan. These rugs were originally made as prayer rugs, area carpets for serving food and sometimes as animal covers or furnishings.

760 / 2223 sold
Excerpt: Baluch rugs are also known as Baluchi or Beluchi. These rugs are hand-knotted by the nomads of Baluch. Baluch or Baluchistan is the area between the borders of Iran, Pakistan, and Afghanistan-- this is why Baluch rugs are said to be a mixture of three different regions. They are the kind of rug when sold in every region. Where they're sold, however, gives them their label. If a Baluch is sold in Iran, it's a Persian rug. If a Baluch is sold in Afghanistan, it's known as a Herat product. Despite the mixture of regional influences, it's considered that the Baluch nomads now live in Pakistan while a small fraction lives in some regions of India closer to Pakistan. These rugs were originally made as prayer rugs, area carpets for serving food and sometimes as animal covers or furnishings.

761 / 2223 sold
Excerpt: Baluch rugs are also known as Baluchi or Beluchi. These rugs are hand-knotted by the nomads of Baluch. Baluch or Baluchistan is the area between the borders of Iran, Pakistan, and Afghanistan-- this is why Baluch rugs are said to be a mixture of three different regions. They are the kind of rug when sold in every region. Where they're sold, however, gives them their label. If a Baluch is sold in Iran, it's a Persian rug. If a Baluch is sold in Afghanistan, it's known as a Herat product. Despite the mixture of regional influences, it's considered that the Baluch nomads now live in Pakistan while a small fraction lives in some regions of India closer to Pakistan. These rugs were originally made as prayer rugs, area carpets for serving food and sometimes as animal covers or furnishings.

762 / 2223 sold
Excerpt: Baluch rugs are also known as Baluchi or Beluchi. These rugs are hand-knotted by the nomads of Baluch. Baluch or Baluchistan is the area between the borders of Iran, Pakistan, and Afghanistan-- this is why Baluch rugs are said to be a mixture of three different regions. They are the kind of rug when sold in every region. Where they're sold, however, gives them their label. If a Baluch is sold in Iran, it's a Persian rug. If a Baluch is sold in Afghanistan, it's known as a Herat product. Despite the mixture of regional influences, it's considered that the Baluch nomads now live in Pakistan while a small fraction lives in some regions of India closer to Pakistan. These rugs were originally made as prayer rugs, area carpets for serving food and sometimes as animal covers or furnishings.

763 / 2223 sold
Excerpt: Baluch rugs are also known as Baluchi or Beluchi. These rugs are hand-knotted by the nomads of Baluch. Baluch or Baluchistan is the area between the borders of Iran, Pakistan, and Afghanistan-- this is why Baluch rugs are said to be a mixture of three different regions. They are the kind of rug when sold in every region. Where they're sold, however, gives them their label. If a Baluch is sold in Iran, it's a Persian rug. If a Baluch is sold in Afghanistan, it's known as a Herat product. Despite the mixture of regional influences, it's considered that the Baluch nomads now live in Pakistan while a small fraction lives in some regions of India closer to Pakistan. These rugs were originally made as prayer rugs, area carpets for serving food and sometimes as animal covers or furnishings.

764 / 2223 sold
Excerpt: Baluch rugs are also known as Baluchi or Beluchi. These rugs are hand-knotted by the nomads of Baluch. Baluch or Baluchistan is the area between the borders of Iran, Pakistan, and Afghanistan-- this is why Baluch rugs are said to be a mixture of three different regions. They are the kind of rug when sold in every region. Where they're sold, however, gives them their label. If a Baluch is sold in Iran, it's a Persian rug. If a Baluch is sold in Afghanistan, it's known as a Herat product. Despite the mixture of regional influences, it's considered that the Baluch nomads now live in Pakistan while a small fraction lives in some regions of India closer to Pakistan. These rugs were originally made as prayer rugs, area carpets for serving food and sometimes as animal covers or furnishings.

765 / 2223 sold
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

766 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

767 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

768 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

769 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

770 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

771 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

772 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

773 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

774 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

775 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

776 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

777 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

778 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

779 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

780 / 2223
Thin soft leather. Excerpt: In Berber-speaking Tuareg society women decorate the leather saddlebags used to carry salt during migrations across the desert. They work the goatskin with impressed, stitched, or excised motifs, and attach tassels and fringe that shake with the camel’s movement for added visual impact.

781 / 2223
Has some surface scratches.

782 / 2223 sold
Has some surface scratches.

783 / 2223 sold
Has some surface scratches.

784 / 2223 sold
Has some surface scratches.

785 / 2223 sold
Has some surface scratches.

786 / 2223 sold
Has some surface scratches.

787 / 2223 sold
Has some surface scratches.

788 / 2223 sold
Has some surface scratches.

789 / 2223 sold
Has some surface scratches.

790 / 2223 sold
Has some surface scratches.

791 / 2223 sold
Has some surface scratches.

792 / 2223 sold
Has some surface scratches.

793 / 2223 sold
Has some surface scratches.

794 / 2223 sold
Has a piece that has broken off but can be repaired. The pull know on the door section also needs repair.

795 / 2223 sold
Has a piece that has broken off but can be repaired. The pull know on the door section also needs repair.

796 / 2223 sold
Has a piece that has broken off but can be repaired. The pull know on the door section also needs repair.

797 / 2223 sold
Has a piece that has broken off but can be repaired. The pull know on the door section also needs repair.

798 / 2223 sold
Has a piece that has broken off but can be repaired. The pull know on the door section also needs repair.

799 / 2223 sold
Has a piece that has broken off but can be repaired. The pull know on the door section also needs repair.

800 / 2223 sold

Photos 701 - 800 of 2223

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