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Vintage U.S. military MX-991/U right-angle utility flashlight manufactured by G.T. Price Products, Inc., Los Angeles, California. Classic olive-drab military design featuring a 90-degree flashlight head, ribbed body, sliding on/off switch, metal belt clip and lanyard loop. The bottom cap opens to reveal the integrated spare bulb/filter storage compartment, a characteristic feature of the MX-991/U military flashlight. Clearly molded on the body: U.S. MX-991/U G.T. Price Products, Inc. Los Angeles, CA 90053 The MX-991/U pattern became an iconic U.S. military flashlight and is strongly associated with the Vietnam War era and later U.S. military service. This G.T. Price example makes a great companion piece to Vietnam-era uniforms, helmets, field gear and militaria displays. Condition: Good vintage condition with age-appropriate surface wear, scratches, grime and oxidation to the metal belt clip. Battery compartment appears clean from the photographs with no obvious heavy battery corrosion. Operational status has not been tested. Please review photos for exact condition. Not tested 601 / 811 -
Vintage U.S. military MX-991/U right-angle utility flashlight manufactured by G.T. Price Products, Inc., Los Angeles, California. Classic olive-drab military design featuring a 90-degree flashlight head, ribbed body, sliding on/off switch, metal belt clip and lanyard loop. The bottom cap opens to reveal the integrated spare bulb/filter storage compartment, a characteristic feature of the MX-991/U military flashlight. Clearly molded on the body: U.S. MX-991/U G.T. Price Products, Inc. Los Angeles, CA 90053 The MX-991/U pattern became an iconic U.S. military flashlight and is strongly associated with the Vietnam War era and later U.S. military service. This G.T. Price example makes a great companion piece to Vietnam-era uniforms, helmets, field gear and militaria displays. Condition: Good vintage condition with age-appropriate surface wear, scratches, grime and oxidation to the metal belt clip. Battery compartment appears clean from the photographs with no obvious heavy battery corrosion. Operational status has not been tested. Please review photos for exact condition. Not tested 602 / 811 -
Vintage U.S. military MX-991/U right-angle utility flashlight manufactured by G.T. Price Products, Inc., Los Angeles, California. Classic olive-drab military design featuring a 90-degree flashlight head, ribbed body, sliding on/off switch, metal belt clip and lanyard loop. The bottom cap opens to reveal the integrated spare bulb/filter storage compartment, a characteristic feature of the MX-991/U military flashlight. Clearly molded on the body: U.S. MX-991/U G.T. Price Products, Inc. Los Angeles, CA 90053 The MX-991/U pattern became an iconic U.S. military flashlight and is strongly associated with the Vietnam War era and later U.S. military service. This G.T. Price example makes a great companion piece to Vietnam-era uniforms, helmets, field gear and militaria displays. Condition: Good vintage condition with age-appropriate surface wear, scratches, grime and oxidation to the metal belt clip. Battery compartment appears clean from the photographs with no obvious heavy battery corrosion. Operational status has not been tested. Please review photos for exact condition. Not tested 603 / 811 -
An exceptional and entirely fresh-to-the-market 19th-century Tonalist landscape by the celebrated Pennsylvania artist Christopher High Shearer (1846–1926). This original oil on canvas captures a moody, highly atmospheric winter scene at dusk or dawn. The composition features a line of silhouetted trees against a glowing horizon, a dramatic, low-cloud winter sky, and birds in flight over a snow-dusted marsh or field. It is signed C.H. Shearer in the lower left quadrant with the artist's characteristic trailing underline. Condition and Structural Preservation: This painting boasts an outstanding state of physical preservation that is highly coveted by fine art collectors. The original, late 19th-century linen canvas is entirely untouched and remains unlined, retaining its original tension on the authentic wooden stretcher bars complete with original corner keys. The reverse of the stretcher bar retains a partial, authentic 19th-century artist colormen supply stencil stamp reading in part "...SON, DEALER IN... paintings and Artists' Canvasses," confirming its late-1800s to early-1900s origin and material authenticity. The canvas shows a rich, natural patination on the reverse consistent with its age, with no visible signs of puncture, patches, or canvas repairs.FramingThe painting is housed in a substantial, ornate vintage gilt wood frame featuring elaborate carved detailing and rich, deep reddish undertones in the recesses. To protect the integrity of the antique piece, the original stretcher chassis is mounted safely via metal turning buttons into a thick, modern custom hardwood protective liner frame, ensuring that no nails or fasteners have penetrated the historic stretcher wood. The front of the frame shows damage along with soldier border. This is to the frame only, does not impact the art itself. About the Artist: Born in Reading, Pennsylvania, Christopher High Shearer was a pivotal figure in 19th-century American landscape painting. After studying abroad in the renowned art capitals of Düsseldorf and Munich, Germany, he returned to Pennsylvania to produce large-scale, atmospheric landscapes that blended romanticism with the emerging Tonalist style. Shearer exhibited at the Pennsylvania Academy of the Fine Arts and the historic 1876 U.S. Centennial Exhibition. He was a foundational figure in the establishment of the Reading Public Museum, where he dedicated much of his career serving as the chief art curator. His works are held in major public and private collections of American art. 604 / 811 -
An exceptional and entirely fresh-to-the-market 19th-century Tonalist landscape by the celebrated Pennsylvania artist Christopher High Shearer (1846–1926). This original oil on canvas captures a moody, highly atmospheric winter scene at dusk or dawn. The composition features a line of silhouetted trees against a glowing horizon, a dramatic, low-cloud winter sky, and birds in flight over a snow-dusted marsh or field. It is signed C.H. Shearer in the lower left quadrant with the artist's characteristic trailing underline. Condition and Structural Preservation: This painting boasts an outstanding state of physical preservation that is highly coveted by fine art collectors. The original, late 19th-century linen canvas is entirely untouched and remains unlined, retaining its original tension on the authentic wooden stretcher bars complete with original corner keys. The reverse of the stretcher bar retains a partial, authentic 19th-century artist colormen supply stencil stamp reading in part "...SON, DEALER IN... paintings and Artists' Canvasses," confirming its late-1800s to early-1900s origin and material authenticity. The canvas shows a rich, natural patination on the reverse consistent with its age, with no visible signs of puncture, patches, or canvas repairs.FramingThe painting is housed in a substantial, ornate vintage gilt wood frame featuring elaborate carved detailing and rich, deep reddish undertones in the recesses. To protect the integrity of the antique piece, the original stretcher chassis is mounted safely via metal turning buttons into a thick, modern custom hardwood protective liner frame, ensuring that no nails or fasteners have penetrated the historic stretcher wood. The front of the frame shows damage along with soldier border. This is to the frame only, does not impact the art itself. About the Artist: Born in Reading, Pennsylvania, Christopher High Shearer was a pivotal figure in 19th-century American landscape painting. After studying abroad in the renowned art capitals of Düsseldorf and Munich, Germany, he returned to Pennsylvania to produce large-scale, atmospheric landscapes that blended romanticism with the emerging Tonalist style. Shearer exhibited at the Pennsylvania Academy of the Fine Arts and the historic 1876 U.S. Centennial Exhibition. He was a foundational figure in the establishment of the Reading Public Museum, where he dedicated much of his career serving as the chief art curator. His works are held in major public and private collections of American art. 605 / 811 -
An exceptional and entirely fresh-to-the-market 19th-century Tonalist landscape by the celebrated Pennsylvania artist Christopher High Shearer (1846–1926). This original oil on canvas captures a moody, highly atmospheric winter scene at dusk or dawn. The composition features a line of silhouetted trees against a glowing horizon, a dramatic, low-cloud winter sky, and birds in flight over a snow-dusted marsh or field. It is signed C.H. Shearer in the lower left quadrant with the artist's characteristic trailing underline. Condition and Structural Preservation: This painting boasts an outstanding state of physical preservation that is highly coveted by fine art collectors. The original, late 19th-century linen canvas is entirely untouched and remains unlined, retaining its original tension on the authentic wooden stretcher bars complete with original corner keys. The reverse of the stretcher bar retains a partial, authentic 19th-century artist colormen supply stencil stamp reading in part "...SON, DEALER IN... paintings and Artists' Canvasses," confirming its late-1800s to early-1900s origin and material authenticity. The canvas shows a rich, natural patination on the reverse consistent with its age, with no visible signs of puncture, patches, or canvas repairs.FramingThe painting is housed in a substantial, ornate vintage gilt wood frame featuring elaborate carved detailing and rich, deep reddish undertones in the recesses. To protect the integrity of the antique piece, the original stretcher chassis is mounted safely via metal turning buttons into a thick, modern custom hardwood protective liner frame, ensuring that no nails or fasteners have penetrated the historic stretcher wood. The front of the frame shows damage along with soldier border. This is to the frame only, does not impact the art itself. About the Artist: Born in Reading, Pennsylvania, Christopher High Shearer was a pivotal figure in 19th-century American landscape painting. After studying abroad in the renowned art capitals of Düsseldorf and Munich, Germany, he returned to Pennsylvania to produce large-scale, atmospheric landscapes that blended romanticism with the emerging Tonalist style. Shearer exhibited at the Pennsylvania Academy of the Fine Arts and the historic 1876 U.S. Centennial Exhibition. He was a foundational figure in the establishment of the Reading Public Museum, where he dedicated much of his career serving as the chief art curator. His works are held in major public and private collections of American art. 606 / 811 -
An exceptional and entirely fresh-to-the-market 19th-century Tonalist landscape by the celebrated Pennsylvania artist Christopher High Shearer (1846–1926). This original oil on canvas captures a moody, highly atmospheric winter scene at dusk or dawn. The composition features a line of silhouetted trees against a glowing horizon, a dramatic, low-cloud winter sky, and birds in flight over a snow-dusted marsh or field. It is signed C.H. Shearer in the lower left quadrant with the artist's characteristic trailing underline. Condition and Structural Preservation: This painting boasts an outstanding state of physical preservation that is highly coveted by fine art collectors. The original, late 19th-century linen canvas is entirely untouched and remains unlined, retaining its original tension on the authentic wooden stretcher bars complete with original corner keys. The reverse of the stretcher bar retains a partial, authentic 19th-century artist colormen supply stencil stamp reading in part "...SON, DEALER IN... paintings and Artists' Canvasses," confirming its late-1800s to early-1900s origin and material authenticity. The canvas shows a rich, natural patination on the reverse consistent with its age, with no visible signs of puncture, patches, or canvas repairs.FramingThe painting is housed in a substantial, ornate vintage gilt wood frame featuring elaborate carved detailing and rich, deep reddish undertones in the recesses. To protect the integrity of the antique piece, the original stretcher chassis is mounted safely via metal turning buttons into a thick, modern custom hardwood protective liner frame, ensuring that no nails or fasteners have penetrated the historic stretcher wood. The front of the frame shows damage along with soldier border. This is to the frame only, does not impact the art itself. About the Artist: Born in Reading, Pennsylvania, Christopher High Shearer was a pivotal figure in 19th-century American landscape painting. After studying abroad in the renowned art capitals of Düsseldorf and Munich, Germany, he returned to Pennsylvania to produce large-scale, atmospheric landscapes that blended romanticism with the emerging Tonalist style. Shearer exhibited at the Pennsylvania Academy of the Fine Arts and the historic 1876 U.S. Centennial Exhibition. He was a foundational figure in the establishment of the Reading Public Museum, where he dedicated much of his career serving as the chief art curator. His works are held in major public and private collections of American art. 607 / 811 -
An exceptional and entirely fresh-to-the-market 19th-century Tonalist landscape by the celebrated Pennsylvania artist Christopher High Shearer (1846–1926). This original oil on canvas captures a moody, highly atmospheric winter scene at dusk or dawn. The composition features a line of silhouetted trees against a glowing horizon, a dramatic, low-cloud winter sky, and birds in flight over a snow-dusted marsh or field. It is signed C.H. Shearer in the lower left quadrant with the artist's characteristic trailing underline. Condition and Structural Preservation: This painting boasts an outstanding state of physical preservation that is highly coveted by fine art collectors. The original, late 19th-century linen canvas is entirely untouched and remains unlined, retaining its original tension on the authentic wooden stretcher bars complete with original corner keys. The reverse of the stretcher bar retains a partial, authentic 19th-century artist colormen supply stencil stamp reading in part "...SON, DEALER IN... paintings and Artists' Canvasses," confirming its late-1800s to early-1900s origin and material authenticity. The canvas shows a rich, natural patination on the reverse consistent with its age, with no visible signs of puncture, patches, or canvas repairs.FramingThe painting is housed in a substantial, ornate vintage gilt wood frame featuring elaborate carved detailing and rich, deep reddish undertones in the recesses. To protect the integrity of the antique piece, the original stretcher chassis is mounted safely via metal turning buttons into a thick, modern custom hardwood protective liner frame, ensuring that no nails or fasteners have penetrated the historic stretcher wood. The front of the frame shows damage along with soldier border. This is to the frame only, does not impact the art itself. About the Artist: Born in Reading, Pennsylvania, Christopher High Shearer was a pivotal figure in 19th-century American landscape painting. After studying abroad in the renowned art capitals of Düsseldorf and Munich, Germany, he returned to Pennsylvania to produce large-scale, atmospheric landscapes that blended romanticism with the emerging Tonalist style. Shearer exhibited at the Pennsylvania Academy of the Fine Arts and the historic 1876 U.S. Centennial Exhibition. He was a foundational figure in the establishment of the Reading Public Museum, where he dedicated much of his career serving as the chief art curator. His works are held in major public and private collections of American art. 608 / 811 -
An exceptional and entirely fresh-to-the-market 19th-century Tonalist landscape by the celebrated Pennsylvania artist Christopher High Shearer (1846–1926). This original oil on canvas captures a moody, highly atmospheric winter scene at dusk or dawn. The composition features a line of silhouetted trees against a glowing horizon, a dramatic, low-cloud winter sky, and birds in flight over a snow-dusted marsh or field. It is signed C.H. Shearer in the lower left quadrant with the artist's characteristic trailing underline. Condition and Structural Preservation: This painting boasts an outstanding state of physical preservation that is highly coveted by fine art collectors. The original, late 19th-century linen canvas is entirely untouched and remains unlined, retaining its original tension on the authentic wooden stretcher bars complete with original corner keys. The reverse of the stretcher bar retains a partial, authentic 19th-century artist colormen supply stencil stamp reading in part "...SON, DEALER IN... paintings and Artists' Canvasses," confirming its late-1800s to early-1900s origin and material authenticity. The canvas shows a rich, natural patination on the reverse consistent with its age, with no visible signs of puncture, patches, or canvas repairs.FramingThe painting is housed in a substantial, ornate vintage gilt wood frame featuring elaborate carved detailing and rich, deep reddish undertones in the recesses. To protect the integrity of the antique piece, the original stretcher chassis is mounted safely via metal turning buttons into a thick, modern custom hardwood protective liner frame, ensuring that no nails or fasteners have penetrated the historic stretcher wood. The front of the frame shows damage along with soldier border. This is to the frame only, does not impact the art itself. About the Artist: Born in Reading, Pennsylvania, Christopher High Shearer was a pivotal figure in 19th-century American landscape painting. After studying abroad in the renowned art capitals of Düsseldorf and Munich, Germany, he returned to Pennsylvania to produce large-scale, atmospheric landscapes that blended romanticism with the emerging Tonalist style. Shearer exhibited at the Pennsylvania Academy of the Fine Arts and the historic 1876 U.S. Centennial Exhibition. He was a foundational figure in the establishment of the Reading Public Museum, where he dedicated much of his career serving as the chief art curator. His works are held in major public and private collections of American art. 609 / 811 -
An exceptional and entirely fresh-to-the-market 19th-century Tonalist landscape by the celebrated Pennsylvania artist Christopher High Shearer (1846–1926). This original oil on canvas captures a moody, highly atmospheric winter scene at dusk or dawn. The composition features a line of silhouetted trees against a glowing horizon, a dramatic, low-cloud winter sky, and birds in flight over a snow-dusted marsh or field. It is signed C.H. Shearer in the lower left quadrant with the artist's characteristic trailing underline. Condition and Structural Preservation: This painting boasts an outstanding state of physical preservation that is highly coveted by fine art collectors. The original, late 19th-century linen canvas is entirely untouched and remains unlined, retaining its original tension on the authentic wooden stretcher bars complete with original corner keys. The reverse of the stretcher bar retains a partial, authentic 19th-century artist colormen supply stencil stamp reading in part "...SON, DEALER IN... paintings and Artists' Canvasses," confirming its late-1800s to early-1900s origin and material authenticity. The canvas shows a rich, natural patination on the reverse consistent with its age, with no visible signs of puncture, patches, or canvas repairs.FramingThe painting is housed in a substantial, ornate vintage gilt wood frame featuring elaborate carved detailing and rich, deep reddish undertones in the recesses. To protect the integrity of the antique piece, the original stretcher chassis is mounted safely via metal turning buttons into a thick, modern custom hardwood protective liner frame, ensuring that no nails or fasteners have penetrated the historic stretcher wood. The front of the frame shows damage along with soldier border. This is to the frame only, does not impact the art itself. About the Artist: Born in Reading, Pennsylvania, Christopher High Shearer was a pivotal figure in 19th-century American landscape painting. After studying abroad in the renowned art capitals of Düsseldorf and Munich, Germany, he returned to Pennsylvania to produce large-scale, atmospheric landscapes that blended romanticism with the emerging Tonalist style. Shearer exhibited at the Pennsylvania Academy of the Fine Arts and the historic 1876 U.S. Centennial Exhibition. He was a foundational figure in the establishment of the Reading Public Museum, where he dedicated much of his career serving as the chief art curator. His works are held in major public and private collections of American art. 610 / 811 -
An exceptional and entirely fresh-to-the-market 19th-century Tonalist landscape by the celebrated Pennsylvania artist Christopher High Shearer (1846–1926). This original oil on canvas captures a moody, highly atmospheric winter scene at dusk or dawn. The composition features a line of silhouetted trees against a glowing horizon, a dramatic, low-cloud winter sky, and birds in flight over a snow-dusted marsh or field. It is signed C.H. Shearer in the lower left quadrant with the artist's characteristic trailing underline. Condition and Structural Preservation: This painting boasts an outstanding state of physical preservation that is highly coveted by fine art collectors. The original, late 19th-century linen canvas is entirely untouched and remains unlined, retaining its original tension on the authentic wooden stretcher bars complete with original corner keys. The reverse of the stretcher bar retains a partial, authentic 19th-century artist colormen supply stencil stamp reading in part "...SON, DEALER IN... paintings and Artists' Canvasses," confirming its late-1800s to early-1900s origin and material authenticity. The canvas shows a rich, natural patination on the reverse consistent with its age, with no visible signs of puncture, patches, or canvas repairs.FramingThe painting is housed in a substantial, ornate vintage gilt wood frame featuring elaborate carved detailing and rich, deep reddish undertones in the recesses. To protect the integrity of the antique piece, the original stretcher chassis is mounted safely via metal turning buttons into a thick, modern custom hardwood protective liner frame, ensuring that no nails or fasteners have penetrated the historic stretcher wood. The front of the frame shows damage along with soldier border. This is to the frame only, does not impact the art itself. About the Artist: Born in Reading, Pennsylvania, Christopher High Shearer was a pivotal figure in 19th-century American landscape painting. After studying abroad in the renowned art capitals of Düsseldorf and Munich, Germany, he returned to Pennsylvania to produce large-scale, atmospheric landscapes that blended romanticism with the emerging Tonalist style. Shearer exhibited at the Pennsylvania Academy of the Fine Arts and the historic 1876 U.S. Centennial Exhibition. He was a foundational figure in the establishment of the Reading Public Museum, where he dedicated much of his career serving as the chief art curator. His works are held in major public and private collections of American art. 611 / 811 -
An exceptional and entirely fresh-to-the-market 19th-century Tonalist landscape by the celebrated Pennsylvania artist Christopher High Shearer (1846–1926). This original oil on canvas captures a moody, highly atmospheric winter scene at dusk or dawn. The composition features a line of silhouetted trees against a glowing horizon, a dramatic, low-cloud winter sky, and birds in flight over a snow-dusted marsh or field. It is signed C.H. Shearer in the lower left quadrant with the artist's characteristic trailing underline. Condition and Structural Preservation: This painting boasts an outstanding state of physical preservation that is highly coveted by fine art collectors. The original, late 19th-century linen canvas is entirely untouched and remains unlined, retaining its original tension on the authentic wooden stretcher bars complete with original corner keys. The reverse of the stretcher bar retains a partial, authentic 19th-century artist colormen supply stencil stamp reading in part "...SON, DEALER IN... paintings and Artists' Canvasses," confirming its late-1800s to early-1900s origin and material authenticity. The canvas shows a rich, natural patination on the reverse consistent with its age, with no visible signs of puncture, patches, or canvas repairs.FramingThe painting is housed in a substantial, ornate vintage gilt wood frame featuring elaborate carved detailing and rich, deep reddish undertones in the recesses. To protect the integrity of the antique piece, the original stretcher chassis is mounted safely via metal turning buttons into a thick, modern custom hardwood protective liner frame, ensuring that no nails or fasteners have penetrated the historic stretcher wood. The front of the frame shows damage along with soldier border. This is to the frame only, does not impact the art itself. About the Artist: Born in Reading, Pennsylvania, Christopher High Shearer was a pivotal figure in 19th-century American landscape painting. After studying abroad in the renowned art capitals of Düsseldorf and Munich, Germany, he returned to Pennsylvania to produce large-scale, atmospheric landscapes that blended romanticism with the emerging Tonalist style. Shearer exhibited at the Pennsylvania Academy of the Fine Arts and the historic 1876 U.S. Centennial Exhibition. He was a foundational figure in the establishment of the Reading Public Museum, where he dedicated much of his career serving as the chief art curator. His works are held in major public and private collections of American art. 612 / 811 -
An exceptional and entirely fresh-to-the-market 19th-century Tonalist landscape by the celebrated Pennsylvania artist Christopher High Shearer (1846–1926). This original oil on canvas captures a moody, highly atmospheric winter scene at dusk or dawn. The composition features a line of silhouetted trees against a glowing horizon, a dramatic, low-cloud winter sky, and birds in flight over a snow-dusted marsh or field. It is signed C.H. Shearer in the lower left quadrant with the artist's characteristic trailing underline. Condition and Structural Preservation: This painting boasts an outstanding state of physical preservation that is highly coveted by fine art collectors. The original, late 19th-century linen canvas is entirely untouched and remains unlined, retaining its original tension on the authentic wooden stretcher bars complete with original corner keys. The reverse of the stretcher bar retains a partial, authentic 19th-century artist colormen supply stencil stamp reading in part "...SON, DEALER IN... paintings and Artists' Canvasses," confirming its late-1800s to early-1900s origin and material authenticity. The canvas shows a rich, natural patination on the reverse consistent with its age, with no visible signs of puncture, patches, or canvas repairs.FramingThe painting is housed in a substantial, ornate vintage gilt wood frame featuring elaborate carved detailing and rich, deep reddish undertones in the recesses. To protect the integrity of the antique piece, the original stretcher chassis is mounted safely via metal turning buttons into a thick, modern custom hardwood protective liner frame, ensuring that no nails or fasteners have penetrated the historic stretcher wood. The front of the frame shows damage along with soldier border. This is to the frame only, does not impact the art itself. About the Artist: Born in Reading, Pennsylvania, Christopher High Shearer was a pivotal figure in 19th-century American landscape painting. After studying abroad in the renowned art capitals of Düsseldorf and Munich, Germany, he returned to Pennsylvania to produce large-scale, atmospheric landscapes that blended romanticism with the emerging Tonalist style. Shearer exhibited at the Pennsylvania Academy of the Fine Arts and the historic 1876 U.S. Centennial Exhibition. He was a foundational figure in the establishment of the Reading Public Museum, where he dedicated much of his career serving as the chief art curator. His works are held in major public and private collections of American art. 613 / 811 -
An exceptional and entirely fresh-to-the-market 19th-century Tonalist landscape by the celebrated Pennsylvania artist Christopher High Shearer (1846–1926). This original oil on canvas captures a moody, highly atmospheric winter scene at dusk or dawn. The composition features a line of silhouetted trees against a glowing horizon, a dramatic, low-cloud winter sky, and birds in flight over a snow-dusted marsh or field. It is signed C.H. Shearer in the lower left quadrant with the artist's characteristic trailing underline. Condition and Structural Preservation: This painting boasts an outstanding state of physical preservation that is highly coveted by fine art collectors. The original, late 19th-century linen canvas is entirely untouched and remains unlined, retaining its original tension on the authentic wooden stretcher bars complete with original corner keys. The reverse of the stretcher bar retains a partial, authentic 19th-century artist colormen supply stencil stamp reading in part "...SON, DEALER IN... paintings and Artists' Canvasses," confirming its late-1800s to early-1900s origin and material authenticity. The canvas shows a rich, natural patination on the reverse consistent with its age, with no visible signs of puncture, patches, or canvas repairs.FramingThe painting is housed in a substantial, ornate vintage gilt wood frame featuring elaborate carved detailing and rich, deep reddish undertones in the recesses. To protect the integrity of the antique piece, the original stretcher chassis is mounted safely via metal turning buttons into a thick, modern custom hardwood protective liner frame, ensuring that no nails or fasteners have penetrated the historic stretcher wood. The front of the frame shows damage along with soldier border. This is to the frame only, does not impact the art itself. About the Artist: Born in Reading, Pennsylvania, Christopher High Shearer was a pivotal figure in 19th-century American landscape painting. After studying abroad in the renowned art capitals of Düsseldorf and Munich, Germany, he returned to Pennsylvania to produce large-scale, atmospheric landscapes that blended romanticism with the emerging Tonalist style. Shearer exhibited at the Pennsylvania Academy of the Fine Arts and the historic 1876 U.S. Centennial Exhibition. He was a foundational figure in the establishment of the Reading Public Museum, where he dedicated much of his career serving as the chief art curator. His works are held in major public and private collections of American art. 614 / 811 -
Charming vintage hand-embroidered commemorative sampler dated 1953, created in celebration of the coronation of Queen Elizabeth II, which took place June 2, 1953. The textile features a large central “ER” royal cypher, crown, 1953 date, Tudor rose and traditional British floral emblems, including a Scottish thistle, surrounded by colorful embroidered foliage and decorative scrollwork. Presented under glass in a simple vintage white frame. A great piece of British royal memorabilia and an appealing example of mid-century commemorative needlework. Condition: Vintage condition with age-related toning, discoloration and minor spotting to the fabric. Frame shows wear and scuffing. Please review photo for overall condition. 615 / 811 -
Charming vintage hand-embroidered commemorative sampler dated 1953, created in celebration of the coronation of Queen Elizabeth II, which took place June 2, 1953. The textile features a large central “ER” royal cypher, crown, 1953 date, Tudor rose and traditional British floral emblems, including a Scottish thistle, surrounded by colorful embroidered foliage and decorative scrollwork. Presented under glass in a simple vintage white frame. A great piece of British royal memorabilia and an appealing example of mid-century commemorative needlework. Condition: Vintage condition with age-related toning, discoloration and minor spotting to the fabric. Frame shows wear and scuffing. Please review photo for overall condition. 616 / 811 -
Charming vintage hand-embroidered commemorative sampler dated 1953, created in celebration of the coronation of Queen Elizabeth II, which took place June 2, 1953. The textile features a large central “ER” royal cypher, crown, 1953 date, Tudor rose and traditional British floral emblems, including a Scottish thistle, surrounded by colorful embroidered foliage and decorative scrollwork. Presented under glass in a simple vintage white frame. A great piece of British royal memorabilia and an appealing example of mid-century commemorative needlework. Condition: Vintage condition with age-related toning, discoloration and minor spotting to the fabric. Frame shows wear and scuffing. Please review photo for overall condition. 617 / 811 -
Charming vintage hand-embroidered commemorative sampler dated 1953, created in celebration of the coronation of Queen Elizabeth II, which took place June 2, 1953. The textile features a large central “ER” royal cypher, crown, 1953 date, Tudor rose and traditional British floral emblems, including a Scottish thistle, surrounded by colorful embroidered foliage and decorative scrollwork. Presented under glass in a simple vintage white frame. A great piece of British royal memorabilia and an appealing example of mid-century commemorative needlework. Condition: Vintage condition with age-related toning, discoloration and minor spotting to the fabric. Frame shows wear and scuffing. Please review photo for overall condition. 618 / 811 -
Charming vintage hand-embroidered commemorative sampler dated 1953, created in celebration of the coronation of Queen Elizabeth II, which took place June 2, 1953. The textile features a large central “ER” royal cypher, crown, 1953 date, Tudor rose and traditional British floral emblems, including a Scottish thistle, surrounded by colorful embroidered foliage and decorative scrollwork. Presented under glass in a simple vintage white frame. A great piece of British royal memorabilia and an appealing example of mid-century commemorative needlework. Condition: Vintage condition with age-related toning, discoloration and minor spotting to the fabric. Frame shows wear and scuffing. Please review photo for overall condition. 619 / 811 -
Charming vintage hand-embroidered commemorative sampler dated 1953, created in celebration of the coronation of Queen Elizabeth II, which took place June 2, 1953. The textile features a large central “ER” royal cypher, crown, 1953 date, Tudor rose and traditional British floral emblems, including a Scottish thistle, surrounded by colorful embroidered foliage and decorative scrollwork. Presented under glass in a simple vintage white frame. A great piece of British royal memorabilia and an appealing example of mid-century commemorative needlework. Condition: Vintage condition with age-related toning, discoloration and minor spotting to the fabric. Frame shows wear and scuffing. Please review photo for overall condition. 620 / 811 -
Charming vintage hand-embroidered commemorative sampler dated 1953, created in celebration of the coronation of Queen Elizabeth II, which took place June 2, 1953. The textile features a large central “ER” royal cypher, crown, 1953 date, Tudor rose and traditional British floral emblems, including a Scottish thistle, surrounded by colorful embroidered foliage and decorative scrollwork. Presented under glass in a simple vintage white frame. A great piece of British royal memorabilia and an appealing example of mid-century commemorative needlework. Condition: Vintage condition with age-related toning, discoloration and minor spotting to the fabric. Frame shows wear and scuffing. Please review photo for overall condition. 621 / 811 -
Charming vintage hand-embroidered commemorative sampler dated 1953, created in celebration of the coronation of Queen Elizabeth II, which took place June 2, 1953. The textile features a large central “ER” royal cypher, crown, 1953 date, Tudor rose and traditional British floral emblems, including a Scottish thistle, surrounded by colorful embroidered foliage and decorative scrollwork. Presented under glass in a simple vintage white frame. A great piece of British royal memorabilia and an appealing example of mid-century commemorative needlework. Condition: Vintage condition with age-related toning, discoloration and minor spotting to the fabric. Frame shows wear and scuffing. Please review photo for overall condition. 622 / 811 -
Item DescriptionArtist: Samuel Chamberlain (American, 1895–1975).Title: A Stable Court in Essex Date of Creation: 1928 Medium: Original drypoint etching on paper. Edition Size: From the limited edition of 100 impressions plus 6 artist proofs (Catalog reference: Chamberlain 70). Signatures & Inscriptions: Hand-signed in pencil by the artist in the lower-right margin ("Samuel Chamberlain"). Features a rare personal gift dedication by the artist in the lower-left margin reading: "To Franklin S. Slayton — S.C."Subject Matter: A finely detailed, atmospheric architectural study capturing the rustic, timber-framed facades of an old European stable courtyard. The piece demonstrates Chamberlain's masterly control of perspective, depth, and the rich, velvety line work characteristic of the drypoint medium. Framing & Condition: Professionally matted and housed in a classic gilded/black wood frame under glass. The visible image area presents in clean condition with strong contrast and crisp plate lines. 623 / 811 -
Item DescriptionArtist: Samuel Chamberlain (American, 1895–1975).Title: A Stable Court in Essex Date of Creation: 1928 Medium: Original drypoint etching on paper. Edition Size: From the limited edition of 100 impressions plus 6 artist proofs (Catalog reference: Chamberlain 70). Signatures & Inscriptions: Hand-signed in pencil by the artist in the lower-right margin ("Samuel Chamberlain"). Features a rare personal gift dedication by the artist in the lower-left margin reading: "To Franklin S. Slayton — S.C."Subject Matter: A finely detailed, atmospheric architectural study capturing the rustic, timber-framed facades of an old European stable courtyard. The piece demonstrates Chamberlain's masterly control of perspective, depth, and the rich, velvety line work characteristic of the drypoint medium. Framing & Condition: Professionally matted and housed in a classic gilded/black wood frame under glass. The visible image area presents in clean condition with strong contrast and crisp plate lines. 624 / 811 -
Item DescriptionArtist: Samuel Chamberlain (American, 1895–1975).Title: A Stable Court in Essex Date of Creation: 1928 Medium: Original drypoint etching on paper. Edition Size: From the limited edition of 100 impressions plus 6 artist proofs (Catalog reference: Chamberlain 70). Signatures & Inscriptions: Hand-signed in pencil by the artist in the lower-right margin ("Samuel Chamberlain"). Features a rare personal gift dedication by the artist in the lower-left margin reading: "To Franklin S. Slayton — S.C."Subject Matter: A finely detailed, atmospheric architectural study capturing the rustic, timber-framed facades of an old European stable courtyard. The piece demonstrates Chamberlain's masterly control of perspective, depth, and the rich, velvety line work characteristic of the drypoint medium. Framing & Condition: Professionally matted and housed in a classic gilded/black wood frame under glass. The visible image area presents in clean condition with strong contrast and crisp plate lines. 625 / 811 -
Item DescriptionArtist: Samuel Chamberlain (American, 1895–1975).Title: A Stable Court in Essex Date of Creation: 1928 Medium: Original drypoint etching on paper. Edition Size: From the limited edition of 100 impressions plus 6 artist proofs (Catalog reference: Chamberlain 70). Signatures & Inscriptions: Hand-signed in pencil by the artist in the lower-right margin ("Samuel Chamberlain"). Features a rare personal gift dedication by the artist in the lower-left margin reading: "To Franklin S. Slayton — S.C."Subject Matter: A finely detailed, atmospheric architectural study capturing the rustic, timber-framed facades of an old European stable courtyard. The piece demonstrates Chamberlain's masterly control of perspective, depth, and the rich, velvety line work characteristic of the drypoint medium. Framing & Condition: Professionally matted and housed in a classic gilded/black wood frame under glass. The visible image area presents in clean condition with strong contrast and crisp plate lines. 626 / 811 -
Item DescriptionArtist: Samuel Chamberlain (American, 1895–1975).Title: A Stable Court in Essex Date of Creation: 1928 Medium: Original drypoint etching on paper. Edition Size: From the limited edition of 100 impressions plus 6 artist proofs (Catalog reference: Chamberlain 70). Signatures & Inscriptions: Hand-signed in pencil by the artist in the lower-right margin ("Samuel Chamberlain"). Features a rare personal gift dedication by the artist in the lower-left margin reading: "To Franklin S. Slayton — S.C."Subject Matter: A finely detailed, atmospheric architectural study capturing the rustic, timber-framed facades of an old European stable courtyard. The piece demonstrates Chamberlain's masterly control of perspective, depth, and the rich, velvety line work characteristic of the drypoint medium. Framing & Condition: Professionally matted and housed in a classic gilded/black wood frame under glass. The visible image area presents in clean condition with strong contrast and crisp plate lines. 627 / 811 -
Item DescriptionArtist: Samuel Chamberlain (American, 1895–1975).Title: A Stable Court in Essex Date of Creation: 1928 Medium: Original drypoint etching on paper. Edition Size: From the limited edition of 100 impressions plus 6 artist proofs (Catalog reference: Chamberlain 70). Signatures & Inscriptions: Hand-signed in pencil by the artist in the lower-right margin ("Samuel Chamberlain"). Features a rare personal gift dedication by the artist in the lower-left margin reading: "To Franklin S. Slayton — S.C."Subject Matter: A finely detailed, atmospheric architectural study capturing the rustic, timber-framed facades of an old European stable courtyard. The piece demonstrates Chamberlain's masterly control of perspective, depth, and the rich, velvety line work characteristic of the drypoint medium. Framing & Condition: Professionally matted and housed in a classic gilded/black wood frame under glass. The visible image area presents in clean condition with strong contrast and crisp plate lines. 628 / 811 -
Item DescriptionArtist: Samuel Chamberlain (American, 1895–1975).Title: A Stable Court in Essex Date of Creation: 1928 Medium: Original drypoint etching on paper. Edition Size: From the limited edition of 100 impressions plus 6 artist proofs (Catalog reference: Chamberlain 70). Signatures & Inscriptions: Hand-signed in pencil by the artist in the lower-right margin ("Samuel Chamberlain"). Features a rare personal gift dedication by the artist in the lower-left margin reading: "To Franklin S. Slayton — S.C."Subject Matter: A finely detailed, atmospheric architectural study capturing the rustic, timber-framed facades of an old European stable courtyard. The piece demonstrates Chamberlain's masterly control of perspective, depth, and the rich, velvety line work characteristic of the drypoint medium. Framing & Condition: Professionally matted and housed in a classic gilded/black wood frame under glass. The visible image area presents in clean condition with strong contrast and crisp plate lines. 629 / 811 -
Item DescriptionArtist: Samuel Chamberlain (American, 1895–1975).Title: A Stable Court in Essex Date of Creation: 1928 Medium: Original drypoint etching on paper. Edition Size: From the limited edition of 100 impressions plus 6 artist proofs (Catalog reference: Chamberlain 70). Signatures & Inscriptions: Hand-signed in pencil by the artist in the lower-right margin ("Samuel Chamberlain"). Features a rare personal gift dedication by the artist in the lower-left margin reading: "To Franklin S. Slayton — S.C."Subject Matter: A finely detailed, atmospheric architectural study capturing the rustic, timber-framed facades of an old European stable courtyard. The piece demonstrates Chamberlain's masterly control of perspective, depth, and the rich, velvety line work characteristic of the drypoint medium. Framing & Condition: Professionally matted and housed in a classic gilded/black wood frame under glass. The visible image area presents in clean condition with strong contrast and crisp plate lines. 630 / 811 -
This is a vintage mid-century reproduction print of Lionel Barrymore's maritime artwork titled "Point Magu" (Point Mugu). Published by Brown & Bigelow (featuring their distinct "B&B U.S.A." copyright hallmark in the lower-left corner), this piece was created using their proprietary Talio-Crome photo-gravure process to beautifully replicate the texture and fine lines of a hand-pressed copper etching. The piece comes beautifully matted and housed in a clean black frame, ready to hang. A fantastic piece of mid-century Hollywood memorabilia perfect for any nautical, maritime, or vintage art collection. 631 / 811 -
This is a vintage mid-century reproduction print of Lionel Barrymore's maritime artwork titled "Point Magu" (Point Mugu). Published by Brown & Bigelow (featuring their distinct "B&B U.S.A." copyright hallmark in the lower-left corner), this piece was created using their proprietary Talio-Crome photo-gravure process to beautifully replicate the texture and fine lines of a hand-pressed copper etching. The piece comes beautifully matted and housed in a clean black frame, ready to hang. A fantastic piece of mid-century Hollywood memorabilia perfect for any nautical, maritime, or vintage art collection. 632 / 811 -
This is a vintage mid-century reproduction print of Lionel Barrymore's maritime artwork titled "Point Magu" (Point Mugu). Published by Brown & Bigelow (featuring their distinct "B&B U.S.A." copyright hallmark in the lower-left corner), this piece was created using their proprietary Talio-Crome photo-gravure process to beautifully replicate the texture and fine lines of a hand-pressed copper etching. The piece comes beautifully matted and housed in a clean black frame, ready to hang. A fantastic piece of mid-century Hollywood memorabilia perfect for any nautical, maritime, or vintage art collection. 633 / 811 -
This is a vintage mid-century reproduction print of Lionel Barrymore's maritime artwork titled "Point Magu" (Point Mugu). Published by Brown & Bigelow (featuring their distinct "B&B U.S.A." copyright hallmark in the lower-left corner), this piece was created using their proprietary Talio-Crome photo-gravure process to beautifully replicate the texture and fine lines of a hand-pressed copper etching. The piece comes beautifully matted and housed in a clean black frame, ready to hang. A fantastic piece of mid-century Hollywood memorabilia perfect for any nautical, maritime, or vintage art collection. 634 / 811 -
This is a vintage mid-century reproduction print of Lionel Barrymore's maritime artwork titled "Point Magu" (Point Mugu). Published by Brown & Bigelow (featuring their distinct "B&B U.S.A." copyright hallmark in the lower-left corner), this piece was created using their proprietary Talio-Crome photo-gravure process to beautifully replicate the texture and fine lines of a hand-pressed copper etching. The piece comes beautifully matted and housed in a clean black frame, ready to hang. A fantastic piece of mid-century Hollywood memorabilia perfect for any nautical, maritime, or vintage art collection. 635 / 811 -
This is a vintage mid-century reproduction print of Lionel Barrymore's maritime artwork titled "Point Magu" (Point Mugu). Published by Brown & Bigelow (featuring their distinct "B&B U.S.A." copyright hallmark in the lower-left corner), this piece was created using their proprietary Talio-Crome photo-gravure process to beautifully replicate the texture and fine lines of a hand-pressed copper etching. The piece comes beautifully matted and housed in a clean black frame, ready to hang. A fantastic piece of mid-century Hollywood memorabilia perfect for any nautical, maritime, or vintage art collection. 636 / 811 -
This is a vintage mid-century reproduction print of Lionel Barrymore's maritime artwork titled "Point Magu" (Point Mugu). Published by Brown & Bigelow (featuring their distinct "B&B U.S.A." copyright hallmark in the lower-left corner), this piece was created using their proprietary Talio-Crome photo-gravure process to beautifully replicate the texture and fine lines of a hand-pressed copper etching. The piece comes beautifully matted and housed in a clean black frame, ready to hang. A fantastic piece of mid-century Hollywood memorabilia perfect for any nautical, maritime, or vintage art collection. 637 / 811 -
This is a vintage mid-century reproduction print of Lionel Barrymore's maritime artwork titled "Point Magu" (Point Mugu). Published by Brown & Bigelow (featuring their distinct "B&B U.S.A." copyright hallmark in the lower-left corner), this piece was created using their proprietary Talio-Crome photo-gravure process to beautifully replicate the texture and fine lines of a hand-pressed copper etching. The piece comes beautifully matted and housed in a clean black frame, ready to hang. A fantastic piece of mid-century Hollywood memorabilia perfect for any nautical, maritime, or vintage art collection. 638 / 811 -
This is a striking, original limited-edition end-grain wood engraving titled "Rosettes" by the celebrated American printmaker Stefan Martin (1936–1994). Hand-numbered 152/250 and hand-signed in pencil by the artist, this masterpiece showcases Martin’s legendary white-line technique, beautifully capturing a rustic landscape of rosette thistles, shore stones, and wild grass. Stefan Martin's graphic works are held in elite institutions like the Metropolitan Museum of Art and the Smithsonian. Professionally matted and housed in a modern black gallery frame, this authentic piece is in excellent condition and ready to hang. A premier find for serious fine art print and mid-century Americana collectors! 639 / 811 -
This is a striking, original limited-edition end-grain wood engraving titled "Rosettes" by the celebrated American printmaker Stefan Martin (1936–1994). Hand-numbered 152/250 and hand-signed in pencil by the artist, this masterpiece showcases Martin’s legendary white-line technique, beautifully capturing a rustic landscape of rosette thistles, shore stones, and wild grass. Stefan Martin's graphic works are held in elite institutions like the Metropolitan Museum of Art and the Smithsonian. Professionally matted and housed in a modern black gallery frame, this authentic piece is in excellent condition and ready to hang. A premier find for serious fine art print and mid-century Americana collectors! 640 / 811 -
This is a striking, original limited-edition end-grain wood engraving titled "Rosettes" by the celebrated American printmaker Stefan Martin (1936–1994). Hand-numbered 152/250 and hand-signed in pencil by the artist, this masterpiece showcases Martin’s legendary white-line technique, beautifully capturing a rustic landscape of rosette thistles, shore stones, and wild grass. Stefan Martin's graphic works are held in elite institutions like the Metropolitan Museum of Art and the Smithsonian. Professionally matted and housed in a modern black gallery frame, this authentic piece is in excellent condition and ready to hang. A premier find for serious fine art print and mid-century Americana collectors! 641 / 811 -
This is a striking, original limited-edition end-grain wood engraving titled "Rosettes" by the celebrated American printmaker Stefan Martin (1936–1994). Hand-numbered 152/250 and hand-signed in pencil by the artist, this masterpiece showcases Martin’s legendary white-line technique, beautifully capturing a rustic landscape of rosette thistles, shore stones, and wild grass. Stefan Martin's graphic works are held in elite institutions like the Metropolitan Museum of Art and the Smithsonian. Professionally matted and housed in a modern black gallery frame, this authentic piece is in excellent condition and ready to hang. A premier find for serious fine art print and mid-century Americana collectors! 642 / 811 -
This is a striking, original limited-edition end-grain wood engraving titled "Rosettes" by the celebrated American printmaker Stefan Martin (1936–1994). Hand-numbered 152/250 and hand-signed in pencil by the artist, this masterpiece showcases Martin’s legendary white-line technique, beautifully capturing a rustic landscape of rosette thistles, shore stones, and wild grass. Stefan Martin's graphic works are held in elite institutions like the Metropolitan Museum of Art and the Smithsonian. Professionally matted and housed in a modern black gallery frame, this authentic piece is in excellent condition and ready to hang. A premier find for serious fine art print and mid-century Americana collectors! 643 / 811 -
This is a striking, original limited-edition end-grain wood engraving titled "Rosettes" by the celebrated American printmaker Stefan Martin (1936–1994). Hand-numbered 152/250 and hand-signed in pencil by the artist, this masterpiece showcases Martin’s legendary white-line technique, beautifully capturing a rustic landscape of rosette thistles, shore stones, and wild grass. Stefan Martin's graphic works are held in elite institutions like the Metropolitan Museum of Art and the Smithsonian. Professionally matted and housed in a modern black gallery frame, this authentic piece is in excellent condition and ready to hang. A premier find for serious fine art print and mid-century Americana collectors! 644 / 811 -
This is a striking, original limited-edition end-grain wood engraving titled "Rosettes" by the celebrated American printmaker Stefan Martin (1936–1994). Hand-numbered 152/250 and hand-signed in pencil by the artist, this masterpiece showcases Martin’s legendary white-line technique, beautifully capturing a rustic landscape of rosette thistles, shore stones, and wild grass. Stefan Martin's graphic works are held in elite institutions like the Metropolitan Museum of Art and the Smithsonian. Professionally matted and housed in a modern black gallery frame, this authentic piece is in excellent condition and ready to hang. A premier find for serious fine art print and mid-century Americana collectors! 645 / 811 -
This is a striking, original limited-edition end-grain wood engraving titled "Rosettes" by the celebrated American printmaker Stefan Martin (1936–1994). Hand-numbered 152/250 and hand-signed in pencil by the artist, this masterpiece showcases Martin’s legendary white-line technique, beautifully capturing a rustic landscape of rosette thistles, shore stones, and wild grass. Stefan Martin's graphic works are held in elite institutions like the Metropolitan Museum of Art and the Smithsonian. Professionally matted and housed in a modern black gallery frame, this authentic piece is in excellent condition and ready to hang. A premier find for serious fine art print and mid-century Americana collectors! 646 / 811 -
An authentic, highly collectible 1802 antique etching and mezzotint print from Volume 3 of the historic series Liber Veritatis ("Book of Truth"). Originally drawn by the French Baroque landscape master Claude Lorrain, this plate (Plate No. 14) was engraved by the celebrated master of mezzotint, Richard Earlom, and published in London on January 20, 1802, by J. & J. Boydell. The plate reads "From the Original Drawing in the Collection of R. P. Knight, Esq." and beautifully replicates Lorrain's atmospheric classical style using rich sepia-toned ink. This piece is housed in an elite, multi-tiered custom gold-gilt gallery frame. A museum-worthy addition for discerning collectors of 18th- and 19th-century Old Master prints. 647 / 811 -
An authentic, highly collectible 1802 antique etching and mezzotint print from Volume 3 of the historic series Liber Veritatis ("Book of Truth"). Originally drawn by the French Baroque landscape master Claude Lorrain, this plate (Plate No. 14) was engraved by the celebrated master of mezzotint, Richard Earlom, and published in London on January 20, 1802, by J. & J. Boydell. The plate reads "From the Original Drawing in the Collection of R. P. Knight, Esq." and beautifully replicates Lorrain's atmospheric classical style using rich sepia-toned ink. This piece is housed in an elite, multi-tiered custom gold-gilt gallery frame. A museum-worthy addition for discerning collectors of 18th- and 19th-century Old Master prints. 648 / 811 -
An authentic, highly collectible 1802 antique etching and mezzotint print from Volume 3 of the historic series Liber Veritatis ("Book of Truth"). Originally drawn by the French Baroque landscape master Claude Lorrain, this plate (Plate No. 14) was engraved by the celebrated master of mezzotint, Richard Earlom, and published in London on January 20, 1802, by J. & J. Boydell. The plate reads "From the Original Drawing in the Collection of R. P. Knight, Esq." and beautifully replicates Lorrain's atmospheric classical style using rich sepia-toned ink. This piece is housed in an elite, multi-tiered custom gold-gilt gallery frame. A museum-worthy addition for discerning collectors of 18th- and 19th-century Old Master prints. 649 / 811 -
An authentic, highly collectible 1802 antique etching and mezzotint print from Volume 3 of the historic series Liber Veritatis ("Book of Truth"). Originally drawn by the French Baroque landscape master Claude Lorrain, this plate (Plate No. 14) was engraved by the celebrated master of mezzotint, Richard Earlom, and published in London on January 20, 1802, by J. & J. Boydell. The plate reads "From the Original Drawing in the Collection of R. P. Knight, Esq." and beautifully replicates Lorrain's atmospheric classical style using rich sepia-toned ink. This piece is housed in an elite, multi-tiered custom gold-gilt gallery frame. A museum-worthy addition for discerning collectors of 18th- and 19th-century Old Master prints. 650 / 811 -
An authentic, highly collectible 1802 antique etching and mezzotint print from Volume 3 of the historic series Liber Veritatis ("Book of Truth"). Originally drawn by the French Baroque landscape master Claude Lorrain, this plate (Plate No. 14) was engraved by the celebrated master of mezzotint, Richard Earlom, and published in London on January 20, 1802, by J. & J. Boydell. The plate reads "From the Original Drawing in the Collection of R. P. Knight, Esq." and beautifully replicates Lorrain's atmospheric classical style using rich sepia-toned ink. This piece is housed in an elite, multi-tiered custom gold-gilt gallery frame. A museum-worthy addition for discerning collectors of 18th- and 19th-century Old Master prints. 651 / 811 -
An authentic, highly collectible 1802 antique etching and mezzotint print from Volume 3 of the historic series Liber Veritatis ("Book of Truth"). Originally drawn by the French Baroque landscape master Claude Lorrain, this plate (Plate No. 14) was engraved by the celebrated master of mezzotint, Richard Earlom, and published in London on January 20, 1802, by J. & J. Boydell. The plate reads "From the Original Drawing in the Collection of R. P. Knight, Esq." and beautifully replicates Lorrain's atmospheric classical style using rich sepia-toned ink. This piece is housed in an elite, multi-tiered custom gold-gilt gallery frame. A museum-worthy addition for discerning collectors of 18th- and 19th-century Old Master prints. 652 / 811 -
An authentic, highly collectible 1802 antique etching and mezzotint print from Volume 3 of the historic series Liber Veritatis ("Book of Truth"). Originally drawn by the French Baroque landscape master Claude Lorrain, this plate (Plate No. 14) was engraved by the celebrated master of mezzotint, Richard Earlom, and published in London on January 20, 1802, by J. & J. Boydell. The plate reads "From the Original Drawing in the Collection of R. P. Knight, Esq." and beautifully replicates Lorrain's atmospheric classical style using rich sepia-toned ink. This piece is housed in an elite, multi-tiered custom gold-gilt gallery frame. A museum-worthy addition for discerning collectors of 18th- and 19th-century Old Master prints. 653 / 811 -
An authentic, beautifully preserved circa 1860 Victorian hand-colored steel engraving by famed English illustrator John Leech (1817–1864). Titled "Mr. Sponge is introduced to 'Ercles'", this whimsical plate originates from Robert Smith Surtees' celebrated satirical novel, Mr. Sponge's Sporting Tour. The engraving bears Leech's signature "JL" monogram in the plate line. The back features its original guarantee label from the historic London antiquarian dealer Harold T. Storey of Cecil Court. Housed in an elegant mahogany wood frame with a custom mat, this genuine 19th-century equestrian piece is in excellent antique condition and ready for display. A premier find for collectors of classic British sporting art and satire. 654 / 811 -
An authentic, beautifully preserved circa 1860 Victorian hand-colored steel engraving by famed English illustrator John Leech (1817–1864). Titled "Mr. Sponge is introduced to 'Ercles'", this whimsical plate originates from Robert Smith Surtees' celebrated satirical novel, Mr. Sponge's Sporting Tour. The engraving bears Leech's signature "JL" monogram in the plate line. The back features its original guarantee label from the historic London antiquarian dealer Harold T. Storey of Cecil Court. Housed in an elegant mahogany wood frame with a custom mat, this genuine 19th-century equestrian piece is in excellent antique condition and ready for display. A premier find for collectors of classic British sporting art and satire. 655 / 811 -
An authentic, beautifully preserved circa 1860 Victorian hand-colored steel engraving by famed English illustrator John Leech (1817–1864). Titled "Mr. Sponge is introduced to 'Ercles'", this whimsical plate originates from Robert Smith Surtees' celebrated satirical novel, Mr. Sponge's Sporting Tour. The engraving bears Leech's signature "JL" monogram in the plate line. The back features its original guarantee label from the historic London antiquarian dealer Harold T. Storey of Cecil Court. Housed in an elegant mahogany wood frame with a custom mat, this genuine 19th-century equestrian piece is in excellent antique condition and ready for display. A premier find for collectors of classic British sporting art and satire. 656 / 811 -
An authentic, beautifully preserved circa 1860 Victorian hand-colored steel engraving by famed English illustrator John Leech (1817–1864). Titled "Mr. Sponge is introduced to 'Ercles'", this whimsical plate originates from Robert Smith Surtees' celebrated satirical novel, Mr. Sponge's Sporting Tour. The engraving bears Leech's signature "JL" monogram in the plate line. The back features its original guarantee label from the historic London antiquarian dealer Harold T. Storey of Cecil Court. Housed in an elegant mahogany wood frame with a custom mat, this genuine 19th-century equestrian piece is in excellent antique condition and ready for display. A premier find for collectors of classic British sporting art and satire. 657 / 811 -
An authentic, beautifully preserved circa 1860 Victorian hand-colored steel engraving by famed English illustrator John Leech (1817–1864). Titled "Mr. Sponge is introduced to 'Ercles'", this whimsical plate originates from Robert Smith Surtees' celebrated satirical novel, Mr. Sponge's Sporting Tour. The engraving bears Leech's signature "JL" monogram in the plate line. The back features its original guarantee label from the historic London antiquarian dealer Harold T. Storey of Cecil Court. Housed in an elegant mahogany wood frame with a custom mat, this genuine 19th-century equestrian piece is in excellent antique condition and ready for display. A premier find for collectors of classic British sporting art and satire. 658 / 811 -
An authentic, beautifully preserved circa 1860 Victorian hand-colored steel engraving by famed English illustrator John Leech (1817–1864). Titled "Mr. Sponge is introduced to 'Ercles'", this whimsical plate originates from Robert Smith Surtees' celebrated satirical novel, Mr. Sponge's Sporting Tour. The engraving bears Leech's signature "JL" monogram in the plate line. The back features its original guarantee label from the historic London antiquarian dealer Harold T. Storey of Cecil Court. Housed in an elegant mahogany wood frame with a custom mat, this genuine 19th-century equestrian piece is in excellent antique condition and ready for display. A premier find for collectors of classic British sporting art and satire. 659 / 811 -
An authentic, beautifully preserved circa 1860 Victorian hand-colored steel engraving by famed English illustrator John Leech (1817–1864). Titled "Mr. Sponge is introduced to 'Ercles'", this whimsical plate originates from Robert Smith Surtees' celebrated satirical novel, Mr. Sponge's Sporting Tour. The engraving bears Leech's signature "JL" monogram in the plate line. The back features its original guarantee label from the historic London antiquarian dealer Harold T. Storey of Cecil Court. Housed in an elegant mahogany wood frame with a custom mat, this genuine 19th-century equestrian piece is in excellent antique condition and ready for display. A premier find for collectors of classic British sporting art and satire. 660 / 811 -
An authentic, beautifully preserved circa 1860 Victorian hand-colored steel engraving by famed English illustrator John Leech (1817–1864). Titled "Mr. Sponge is introduced to 'Ercles'", this whimsical plate originates from Robert Smith Surtees' celebrated satirical novel, Mr. Sponge's Sporting Tour. The engraving bears Leech's signature "JL" monogram in the plate line. The back features its original guarantee label from the historic London antiquarian dealer Harold T. Storey of Cecil Court. Housed in an elegant mahogany wood frame with a custom mat, this genuine 19th-century equestrian piece is in excellent antique condition and ready for display. A premier find for collectors of classic British sporting art and satire. 661 / 811 -
An authentic, highly collectible circa 1828 British sporting print after the premier equestrian master John Frederick Herring Sr. (1795–1865). Titled "Mameluke," this fine hand-colored steel engraving was executed by master printmaker J. Westley to commemorate Mameluke’s legendary victory in the 1827 Epsom Derby. The plate line reads: "Engraved by J. Westley from a Painting by J.F. Herring." The artwork boasts gorgeous hand-applied watercolor washes and sits in an exquisite mahogany wood gallery frame with an elegant double-matted design. Excellent antique condition, crisp engraving lines, and entirely free of foxing or water damage. A classic piece of authentic 19th-century British horse racing history. 662 / 811 -
An authentic, highly collectible circa 1828 British sporting print after the premier equestrian master John Frederick Herring Sr. (1795–1865). Titled "Mameluke," this fine hand-colored steel engraving was executed by master printmaker J. Westley to commemorate Mameluke’s legendary victory in the 1827 Epsom Derby. The plate line reads: "Engraved by J. Westley from a Painting by J.F. Herring." The artwork boasts gorgeous hand-applied watercolor washes and sits in an exquisite mahogany wood gallery frame with an elegant double-matted design. Excellent antique condition, crisp engraving lines, and entirely free of foxing or water damage. A classic piece of authentic 19th-century British horse racing history. 663 / 811 -
An authentic, highly collectible circa 1828 British sporting print after the premier equestrian master John Frederick Herring Sr. (1795–1865). Titled "Mameluke," this fine hand-colored steel engraving was executed by master printmaker J. Westley to commemorate Mameluke’s legendary victory in the 1827 Epsom Derby. The plate line reads: "Engraved by J. Westley from a Painting by J.F. Herring." The artwork boasts gorgeous hand-applied watercolor washes and sits in an exquisite mahogany wood gallery frame with an elegant double-matted design. Excellent antique condition, crisp engraving lines, and entirely free of foxing or water damage. A classic piece of authentic 19th-century British horse racing history. 664 / 811 -
An authentic, highly collectible circa 1828 British sporting print after the premier equestrian master John Frederick Herring Sr. (1795–1865). Titled "Mameluke," this fine hand-colored steel engraving was executed by master printmaker J. Westley to commemorate Mameluke’s legendary victory in the 1827 Epsom Derby. The plate line reads: "Engraved by J. Westley from a Painting by J.F. Herring." The artwork boasts gorgeous hand-applied watercolor washes and sits in an exquisite mahogany wood gallery frame with an elegant double-matted design. Excellent antique condition, crisp engraving lines, and entirely free of foxing or water damage. A classic piece of authentic 19th-century British horse racing history. 665 / 811 -
An authentic, highly collectible circa 1828 British sporting print after the premier equestrian master John Frederick Herring Sr. (1795–1865). Titled "Mameluke," this fine hand-colored steel engraving was executed by master printmaker J. Westley to commemorate Mameluke’s legendary victory in the 1827 Epsom Derby. The plate line reads: "Engraved by J. Westley from a Painting by J.F. Herring." The artwork boasts gorgeous hand-applied watercolor washes and sits in an exquisite mahogany wood gallery frame with an elegant double-matted design. Excellent antique condition, crisp engraving lines, and entirely free of foxing or water damage. A classic piece of authentic 19th-century British horse racing history. 666 / 811 -
An authentic, highly collectible circa 1828 British sporting print after the premier equestrian master John Frederick Herring Sr. (1795–1865). Titled "Mameluke," this fine hand-colored steel engraving was executed by master printmaker J. Westley to commemorate Mameluke’s legendary victory in the 1827 Epsom Derby. The plate line reads: "Engraved by J. Westley from a Painting by J.F. Herring." The artwork boasts gorgeous hand-applied watercolor washes and sits in an exquisite mahogany wood gallery frame with an elegant double-matted design. Excellent antique condition, crisp engraving lines, and entirely free of foxing or water damage. A classic piece of authentic 19th-century British horse racing history. 667 / 811 -
An authentic, highly collectible circa 1828 British sporting print after the premier equestrian master John Frederick Herring Sr. (1795–1865). Titled "Mameluke," this fine hand-colored steel engraving was executed by master printmaker J. Westley to commemorate Mameluke’s legendary victory in the 1827 Epsom Derby. The plate line reads: "Engraved by J. Westley from a Painting by J.F. Herring." The artwork boasts gorgeous hand-applied watercolor washes and sits in an exquisite mahogany wood gallery frame with an elegant double-matted design. Excellent antique condition, crisp engraving lines, and entirely free of foxing or water damage. A classic piece of authentic 19th-century British horse racing history. 668 / 811 -
An authentic, highly collectible circa 1828 British sporting print after the premier equestrian master John Frederick Herring Sr. (1795–1865). Titled "Mameluke," this fine hand-colored steel engraving was executed by master printmaker J. Westley to commemorate Mameluke’s legendary victory in the 1827 Epsom Derby. The plate line reads: "Engraved by J. Westley from a Painting by J.F. Herring." The artwork boasts gorgeous hand-applied watercolor washes and sits in an exquisite mahogany wood gallery frame with an elegant double-matted design. Excellent antique condition, crisp engraving lines, and entirely free of foxing or water damage. A classic piece of authentic 19th-century British horse racing history. 669 / 811 -
An authentic, highly collectible circa 1828 British sporting print after the premier equestrian master John Frederick Herring Sr. (1795–1865). Titled "Mameluke," this fine hand-colored steel engraving was executed by master printmaker J. Westley to commemorate Mameluke’s legendary victory in the 1827 Epsom Derby. The plate line reads: "Engraved by J. Westley from a Painting by J.F. Herring." The artwork boasts gorgeous hand-applied watercolor washes and sits in an exquisite mahogany wood gallery frame with an elegant double-matted design. Excellent antique condition, crisp engraving lines, and entirely free of foxing or water damage. A classic piece of authentic 19th-century British horse racing history. 670 / 811 -
An authentic, highly collectible circa 1828 British sporting print after the premier equestrian master John Frederick Herring Sr. (1795–1865). Titled "Mameluke," this fine hand-colored steel engraving was executed by master printmaker J. Westley to commemorate Mameluke’s legendary victory in the 1827 Epsom Derby. The plate line reads: "Engraved by J. Westley from a Painting by J.F. Herring." The artwork boasts gorgeous hand-applied watercolor washes and sits in an exquisite mahogany wood gallery frame with an elegant double-matted design. Excellent antique condition, crisp engraving lines, and entirely free of foxing or water damage. A classic piece of authentic 19th-century British horse racing history. 671 / 811 -
An authentic, original 1873 hand-colored lithograph by the historic American printmakers Currier & Ives. Titled "The Celebrated Trotting Mare HUNTRESS beating Dutchman's 3 mile time," this iconic harness racing print was drawn by Currier & Ives' premier equestrian artist, John Cameron (signed "J. Cameron Del." in the plate). The print beautifully details the record-breaking September 23, 1872 race at Prospect Fair Grounds, Long Island, with a finish time of 7:21¼. The lower margin retains its crisp original publication text and the 125 Nassau St. New York address. Professionally matted and housed in a gorgeous, high-end gold gilt wood gallery frame measuring 21.5" x 17.5". The print shows minor, character-rich age toning and one dark foxing dot in the upper center margin, but remains a spectacular, museum-grade piece of 19th-century American sporting history. 672 / 811 -
An authentic, original 1873 hand-colored lithograph by the historic American printmakers Currier & Ives. Titled "The Celebrated Trotting Mare HUNTRESS beating Dutchman's 3 mile time," this iconic harness racing print was drawn by Currier & Ives' premier equestrian artist, John Cameron (signed "J. Cameron Del." in the plate). The print beautifully details the record-breaking September 23, 1872 race at Prospect Fair Grounds, Long Island, with a finish time of 7:21¼. The lower margin retains its crisp original publication text and the 125 Nassau St. New York address. Professionally matted and housed in a gorgeous, high-end gold gilt wood gallery frame measuring 21.5" x 17.5". The print shows minor, character-rich age toning and one dark foxing dot in the upper center margin, but remains a spectacular, museum-grade piece of 19th-century American sporting history. 673 / 811 -
An authentic, original 1873 hand-colored lithograph by the historic American printmakers Currier & Ives. Titled "The Celebrated Trotting Mare HUNTRESS beating Dutchman's 3 mile time," this iconic harness racing print was drawn by Currier & Ives' premier equestrian artist, John Cameron (signed "J. Cameron Del." in the plate). The print beautifully details the record-breaking September 23, 1872 race at Prospect Fair Grounds, Long Island, with a finish time of 7:21¼. The lower margin retains its crisp original publication text and the 125 Nassau St. New York address. Professionally matted and housed in a gorgeous, high-end gold gilt wood gallery frame measuring 21.5" x 17.5". The print shows minor, character-rich age toning and one dark foxing dot in the upper center margin, but remains a spectacular, museum-grade piece of 19th-century American sporting history. 674 / 811 -
An authentic, original 1873 hand-colored lithograph by the historic American printmakers Currier & Ives. Titled "The Celebrated Trotting Mare HUNTRESS beating Dutchman's 3 mile time," this iconic harness racing print was drawn by Currier & Ives' premier equestrian artist, John Cameron (signed "J. Cameron Del." in the plate). The print beautifully details the record-breaking September 23, 1872 race at Prospect Fair Grounds, Long Island, with a finish time of 7:21¼. The lower margin retains its crisp original publication text and the 125 Nassau St. New York address. Professionally matted and housed in a gorgeous, high-end gold gilt wood gallery frame measuring 21.5" x 17.5". The print shows minor, character-rich age toning and one dark foxing dot in the upper center margin, but remains a spectacular, museum-grade piece of 19th-century American sporting history. 675 / 811 -
An authentic, original 1873 hand-colored lithograph by the historic American printmakers Currier & Ives. Titled "The Celebrated Trotting Mare HUNTRESS beating Dutchman's 3 mile time," this iconic harness racing print was drawn by Currier & Ives' premier equestrian artist, John Cameron (signed "J. Cameron Del." in the plate). The print beautifully details the record-breaking September 23, 1872 race at Prospect Fair Grounds, Long Island, with a finish time of 7:21¼. The lower margin retains its crisp original publication text and the 125 Nassau St. New York address. Professionally matted and housed in a gorgeous, high-end gold gilt wood gallery frame measuring 21.5" x 17.5". The print shows minor, character-rich age toning and one dark foxing dot in the upper center margin, but remains a spectacular, museum-grade piece of 19th-century American sporting history. 676 / 811 -
An authentic, original 1873 hand-colored lithograph by the historic American printmakers Currier & Ives. Titled "The Celebrated Trotting Mare HUNTRESS beating Dutchman's 3 mile time," this iconic harness racing print was drawn by Currier & Ives' premier equestrian artist, John Cameron (signed "J. Cameron Del." in the plate). The print beautifully details the record-breaking September 23, 1872 race at Prospect Fair Grounds, Long Island, with a finish time of 7:21¼. The lower margin retains its crisp original publication text and the 125 Nassau St. New York address. Professionally matted and housed in a gorgeous, high-end gold gilt wood gallery frame measuring 21.5" x 17.5". The print shows minor, character-rich age toning and one dark foxing dot in the upper center margin, but remains a spectacular, museum-grade piece of 19th-century American sporting history. 677 / 811 -
An authentic, original 1873 hand-colored lithograph by the historic American printmakers Currier & Ives. Titled "The Celebrated Trotting Mare HUNTRESS beating Dutchman's 3 mile time," this iconic harness racing print was drawn by Currier & Ives' premier equestrian artist, John Cameron (signed "J. Cameron Del." in the plate). The print beautifully details the record-breaking September 23, 1872 race at Prospect Fair Grounds, Long Island, with a finish time of 7:21¼. The lower margin retains its crisp original publication text and the 125 Nassau St. New York address. Professionally matted and housed in a gorgeous, high-end gold gilt wood gallery frame measuring 21.5" x 17.5". The print shows minor, character-rich age toning and one dark foxing dot in the upper center margin, but remains a spectacular, museum-grade piece of 19th-century American sporting history. 678 / 811 -
An authentic, original 1873 hand-colored lithograph by the historic American printmakers Currier & Ives. Titled "The Celebrated Trotting Mare HUNTRESS beating Dutchman's 3 mile time," this iconic harness racing print was drawn by Currier & Ives' premier equestrian artist, John Cameron (signed "J. Cameron Del." in the plate). The print beautifully details the record-breaking September 23, 1872 race at Prospect Fair Grounds, Long Island, with a finish time of 7:21¼. The lower margin retains its crisp original publication text and the 125 Nassau St. New York address. Professionally matted and housed in a gorgeous, high-end gold gilt wood gallery frame measuring 21.5" x 17.5". The print shows minor, character-rich age toning and one dark foxing dot in the upper center margin, but remains a spectacular, museum-grade piece of 19th-century American sporting history. 679 / 811 -
An authentic, original 1873 hand-colored lithograph by the historic American printmakers Currier & Ives. Titled "The Celebrated Trotting Mare HUNTRESS beating Dutchman's 3 mile time," this iconic harness racing print was drawn by Currier & Ives' premier equestrian artist, John Cameron (signed "J. Cameron Del." in the plate). The print beautifully details the record-breaking September 23, 1872 race at Prospect Fair Grounds, Long Island, with a finish time of 7:21¼. The lower margin retains its crisp original publication text and the 125 Nassau St. New York address. Professionally matted and housed in a gorgeous, high-end gold gilt wood gallery frame measuring 21.5" x 17.5". The print shows minor, character-rich age toning and one dark foxing dot in the upper center margin, but remains a spectacular, museum-grade piece of 19th-century American sporting history. 680 / 811 -
An authentic, original 1873 hand-colored lithograph by the historic American printmakers Currier & Ives. Titled "The Celebrated Trotting Mare HUNTRESS beating Dutchman's 3 mile time," this iconic harness racing print was drawn by Currier & Ives' premier equestrian artist, John Cameron (signed "J. Cameron Del." in the plate). The print beautifully details the record-breaking September 23, 1872 race at Prospect Fair Grounds, Long Island, with a finish time of 7:21¼. The lower margin retains its crisp original publication text and the 125 Nassau St. New York address. Professionally matted and housed in a gorgeous, high-end gold gilt wood gallery frame measuring 21.5" x 17.5". The print shows minor, character-rich age toning and one dark foxing dot in the upper center margin, but remains a spectacular, museum-grade piece of 19th-century American sporting history. 681 / 811 -
Up for auction is a beautifully framed vintage landscape print titled "Liber Veritatis No. 113", originally drawn by the legendary French Baroque master Claude Lorrain (Claude Gellée) and engraved by Richard Earlom. This sepia-toned plate beautifully mimics the ink wash and pen lines of the classic 1775 original published by John Boydell in London. The reverse features an authentic mid-century gallery label from Rudolf Lesch Fine Arts, Inc. of New York City (cataloged under "Lorrain Views", No. 156), dating this specific presentation to the mid-20th century.Condition & Features:Artwork Title: Liber Veritatis Plate No. 113 (Pastoral Landscape with Figures and Cattle)Framing: Housed in a substantial, high-quality mid-century ornate giltwood/composite frame with an elegant woven fabric mat liner.Inscriptions (As Printed): "Claude le Lorrain delin.t", "R. Earlom fecit.", "Published Sept. 1st 1775 by John Boydell", and "From the Original Drawing in the Collection of the Duke of Devonshire." Measurements: Outer frame dimensions measure approximately 17" W x 13" H (Visible image sight size is approx. 14" W x 9.5" H). Condition: Artwork appears crisp and beautifully preserved under glass. The frame shows minor authentic vintage wear, edge distressing, and minor backing paper tearing consistent with age, giving it fantastic antique character.Perfect addition to a gallery wall, traditional study, or European-inspired interior design. 682 / 811 -
Up for auction is a beautifully framed vintage landscape print titled "Liber Veritatis No. 113", originally drawn by the legendary French Baroque master Claude Lorrain (Claude Gellée) and engraved by Richard Earlom. This sepia-toned plate beautifully mimics the ink wash and pen lines of the classic 1775 original published by John Boydell in London. The reverse features an authentic mid-century gallery label from Rudolf Lesch Fine Arts, Inc. of New York City (cataloged under "Lorrain Views", No. 156), dating this specific presentation to the mid-20th century.Condition & Features:Artwork Title: Liber Veritatis Plate No. 113 (Pastoral Landscape with Figures and Cattle)Framing: Housed in a substantial, high-quality mid-century ornate giltwood/composite frame with an elegant woven fabric mat liner.Inscriptions (As Printed): "Claude le Lorrain delin.t", "R. Earlom fecit.", "Published Sept. 1st 1775 by John Boydell", and "From the Original Drawing in the Collection of the Duke of Devonshire." Measurements: Outer frame dimensions measure approximately 17" W x 13" H (Visible image sight size is approx. 14" W x 9.5" H). Condition: Artwork appears crisp and beautifully preserved under glass. The frame shows minor authentic vintage wear, edge distressing, and minor backing paper tearing consistent with age, giving it fantastic antique character.Perfect addition to a gallery wall, traditional study, or European-inspired interior design. 683 / 811 -
Up for auction is a beautifully framed vintage landscape print titled "Liber Veritatis No. 113", originally drawn by the legendary French Baroque master Claude Lorrain (Claude Gellée) and engraved by Richard Earlom. This sepia-toned plate beautifully mimics the ink wash and pen lines of the classic 1775 original published by John Boydell in London. The reverse features an authentic mid-century gallery label from Rudolf Lesch Fine Arts, Inc. of New York City (cataloged under "Lorrain Views", No. 156), dating this specific presentation to the mid-20th century.Condition & Features:Artwork Title: Liber Veritatis Plate No. 113 (Pastoral Landscape with Figures and Cattle)Framing: Housed in a substantial, high-quality mid-century ornate giltwood/composite frame with an elegant woven fabric mat liner.Inscriptions (As Printed): "Claude le Lorrain delin.t", "R. Earlom fecit.", "Published Sept. 1st 1775 by John Boydell", and "From the Original Drawing in the Collection of the Duke of Devonshire." Measurements: Outer frame dimensions measure approximately 17" W x 13" H (Visible image sight size is approx. 14" W x 9.5" H). Condition: Artwork appears crisp and beautifully preserved under glass. The frame shows minor authentic vintage wear, edge distressing, and minor backing paper tearing consistent with age, giving it fantastic antique character.Perfect addition to a gallery wall, traditional study, or European-inspired interior design. 684 / 811 -
Up for auction is a beautifully framed vintage landscape print titled "Liber Veritatis No. 113", originally drawn by the legendary French Baroque master Claude Lorrain (Claude Gellée) and engraved by Richard Earlom. This sepia-toned plate beautifully mimics the ink wash and pen lines of the classic 1775 original published by John Boydell in London. The reverse features an authentic mid-century gallery label from Rudolf Lesch Fine Arts, Inc. of New York City (cataloged under "Lorrain Views", No. 156), dating this specific presentation to the mid-20th century.Condition & Features:Artwork Title: Liber Veritatis Plate No. 113 (Pastoral Landscape with Figures and Cattle)Framing: Housed in a substantial, high-quality mid-century ornate giltwood/composite frame with an elegant woven fabric mat liner.Inscriptions (As Printed): "Claude le Lorrain delin.t", "R. Earlom fecit.", "Published Sept. 1st 1775 by John Boydell", and "From the Original Drawing in the Collection of the Duke of Devonshire." Measurements: Outer frame dimensions measure approximately 17" W x 13" H (Visible image sight size is approx. 14" W x 9.5" H). Condition: Artwork appears crisp and beautifully preserved under glass. The frame shows minor authentic vintage wear, edge distressing, and minor backing paper tearing consistent with age, giving it fantastic antique character.Perfect addition to a gallery wall, traditional study, or European-inspired interior design. 685 / 811 -
Up for auction is a beautifully framed vintage landscape print titled "Liber Veritatis No. 113", originally drawn by the legendary French Baroque master Claude Lorrain (Claude Gellée) and engraved by Richard Earlom. This sepia-toned plate beautifully mimics the ink wash and pen lines of the classic 1775 original published by John Boydell in London. The reverse features an authentic mid-century gallery label from Rudolf Lesch Fine Arts, Inc. of New York City (cataloged under "Lorrain Views", No. 156), dating this specific presentation to the mid-20th century.Condition & Features:Artwork Title: Liber Veritatis Plate No. 113 (Pastoral Landscape with Figures and Cattle)Framing: Housed in a substantial, high-quality mid-century ornate giltwood/composite frame with an elegant woven fabric mat liner.Inscriptions (As Printed): "Claude le Lorrain delin.t", "R. Earlom fecit.", "Published Sept. 1st 1775 by John Boydell", and "From the Original Drawing in the Collection of the Duke of Devonshire." Measurements: Outer frame dimensions measure approximately 17" W x 13" H (Visible image sight size is approx. 14" W x 9.5" H). Condition: Artwork appears crisp and beautifully preserved under glass. The frame shows minor authentic vintage wear, edge distressing, and minor backing paper tearing consistent with age, giving it fantastic antique character.Perfect addition to a gallery wall, traditional study, or European-inspired interior design. 686 / 811 -
Up for auction is a beautifully framed vintage landscape print titled "Liber Veritatis No. 113", originally drawn by the legendary French Baroque master Claude Lorrain (Claude Gellée) and engraved by Richard Earlom. This sepia-toned plate beautifully mimics the ink wash and pen lines of the classic 1775 original published by John Boydell in London. The reverse features an authentic mid-century gallery label from Rudolf Lesch Fine Arts, Inc. of New York City (cataloged under "Lorrain Views", No. 156), dating this specific presentation to the mid-20th century.Condition & Features:Artwork Title: Liber Veritatis Plate No. 113 (Pastoral Landscape with Figures and Cattle)Framing: Housed in a substantial, high-quality mid-century ornate giltwood/composite frame with an elegant woven fabric mat liner.Inscriptions (As Printed): "Claude le Lorrain delin.t", "R. Earlom fecit.", "Published Sept. 1st 1775 by John Boydell", and "From the Original Drawing in the Collection of the Duke of Devonshire." Measurements: Outer frame dimensions measure approximately 17" W x 13" H (Visible image sight size is approx. 14" W x 9.5" H). Condition: Artwork appears crisp and beautifully preserved under glass. The frame shows minor authentic vintage wear, edge distressing, and minor backing paper tearing consistent with age, giving it fantastic antique character.Perfect addition to a gallery wall, traditional study, or European-inspired interior design. 687 / 811 -
Up for auction is a beautifully framed vintage landscape print titled "Liber Veritatis No. 113", originally drawn by the legendary French Baroque master Claude Lorrain (Claude Gellée) and engraved by Richard Earlom. This sepia-toned plate beautifully mimics the ink wash and pen lines of the classic 1775 original published by John Boydell in London. The reverse features an authentic mid-century gallery label from Rudolf Lesch Fine Arts, Inc. of New York City (cataloged under "Lorrain Views", No. 156), dating this specific presentation to the mid-20th century.Condition & Features:Artwork Title: Liber Veritatis Plate No. 113 (Pastoral Landscape with Figures and Cattle)Framing: Housed in a substantial, high-quality mid-century ornate giltwood/composite frame with an elegant woven fabric mat liner.Inscriptions (As Printed): "Claude le Lorrain delin.t", "R. Earlom fecit.", "Published Sept. 1st 1775 by John Boydell", and "From the Original Drawing in the Collection of the Duke of Devonshire." Measurements: Outer frame dimensions measure approximately 17" W x 13" H (Visible image sight size is approx. 14" W x 9.5" H). Condition: Artwork appears crisp and beautifully preserved under glass. The frame shows minor authentic vintage wear, edge distressing, and minor backing paper tearing consistent with age, giving it fantastic antique character.Perfect addition to a gallery wall, traditional study, or European-inspired interior design. 688 / 811 -
Up for auction is a beautifully framed vintage landscape print titled "Liber Veritatis No. 113", originally drawn by the legendary French Baroque master Claude Lorrain (Claude Gellée) and engraved by Richard Earlom. This sepia-toned plate beautifully mimics the ink wash and pen lines of the classic 1775 original published by John Boydell in London. The reverse features an authentic mid-century gallery label from Rudolf Lesch Fine Arts, Inc. of New York City (cataloged under "Lorrain Views", No. 156), dating this specific presentation to the mid-20th century.Condition & Features:Artwork Title: Liber Veritatis Plate No. 113 (Pastoral Landscape with Figures and Cattle)Framing: Housed in a substantial, high-quality mid-century ornate giltwood/composite frame with an elegant woven fabric mat liner.Inscriptions (As Printed): "Claude le Lorrain delin.t", "R. Earlom fecit.", "Published Sept. 1st 1775 by John Boydell", and "From the Original Drawing in the Collection of the Duke of Devonshire." Measurements: Outer frame dimensions measure approximately 17" W x 13" H (Visible image sight size is approx. 14" W x 9.5" H). Condition: Artwork appears crisp and beautifully preserved under glass. The frame shows minor authentic vintage wear, edge distressing, and minor backing paper tearing consistent with age, giving it fantastic antique character.Perfect addition to a gallery wall, traditional study, or European-inspired interior design. 689 / 811 -
Up for auction is a beautifully framed vintage landscape print titled "Liber Veritatis No. 113", originally drawn by the legendary French Baroque master Claude Lorrain (Claude Gellée) and engraved by Richard Earlom. This sepia-toned plate beautifully mimics the ink wash and pen lines of the classic 1775 original published by John Boydell in London. The reverse features an authentic mid-century gallery label from Rudolf Lesch Fine Arts, Inc. of New York City (cataloged under "Lorrain Views", No. 156), dating this specific presentation to the mid-20th century.Condition & Features:Artwork Title: Liber Veritatis Plate No. 113 (Pastoral Landscape with Figures and Cattle)Framing: Housed in a substantial, high-quality mid-century ornate giltwood/composite frame with an elegant woven fabric mat liner.Inscriptions (As Printed): "Claude le Lorrain delin.t", "R. Earlom fecit.", "Published Sept. 1st 1775 by John Boydell", and "From the Original Drawing in the Collection of the Duke of Devonshire." Measurements: Outer frame dimensions measure approximately 17" W x 13" H (Visible image sight size is approx. 14" W x 9.5" H). Condition: Artwork appears crisp and beautifully preserved under glass. The frame shows minor authentic vintage wear, edge distressing, and minor backing paper tearing consistent with age, giving it fantastic antique character.Perfect addition to a gallery wall, traditional study, or European-inspired interior design. 690 / 811 -
Up for auction is a beautifully framed vintage landscape print titled "Liber Veritatis No. 113", originally drawn by the legendary French Baroque master Claude Lorrain (Claude Gellée) and engraved by Richard Earlom. This sepia-toned plate beautifully mimics the ink wash and pen lines of the classic 1775 original published by John Boydell in London. The reverse features an authentic mid-century gallery label from Rudolf Lesch Fine Arts, Inc. of New York City (cataloged under "Lorrain Views", No. 156), dating this specific presentation to the mid-20th century.Condition & Features:Artwork Title: Liber Veritatis Plate No. 113 (Pastoral Landscape with Figures and Cattle)Framing: Housed in a substantial, high-quality mid-century ornate giltwood/composite frame with an elegant woven fabric mat liner.Inscriptions (As Printed): "Claude le Lorrain delin.t", "R. Earlom fecit.", "Published Sept. 1st 1775 by John Boydell", and "From the Original Drawing in the Collection of the Duke of Devonshire." Measurements: Outer frame dimensions measure approximately 17" W x 13" H (Visible image sight size is approx. 14" W x 9.5" H). Condition: Artwork appears crisp and beautifully preserved under glass. The frame shows minor authentic vintage wear, edge distressing, and minor backing paper tearing consistent with age, giving it fantastic antique character.Perfect addition to a gallery wall, traditional study, or European-inspired interior design. 691 / 811 -
Up for auction is a beautifully framed vintage landscape print titled "Liber Veritatis No. 113", originally drawn by the legendary French Baroque master Claude Lorrain (Claude Gellée) and engraved by Richard Earlom. This sepia-toned plate beautifully mimics the ink wash and pen lines of the classic 1775 original published by John Boydell in London. The reverse features an authentic mid-century gallery label from Rudolf Lesch Fine Arts, Inc. of New York City (cataloged under "Lorrain Views", No. 156), dating this specific presentation to the mid-20th century.Condition & Features:Artwork Title: Liber Veritatis Plate No. 113 (Pastoral Landscape with Figures and Cattle)Framing: Housed in a substantial, high-quality mid-century ornate giltwood/composite frame with an elegant woven fabric mat liner.Inscriptions (As Printed): "Claude le Lorrain delin.t", "R. Earlom fecit.", "Published Sept. 1st 1775 by John Boydell", and "From the Original Drawing in the Collection of the Duke of Devonshire." Measurements: Outer frame dimensions measure approximately 17" W x 13" H (Visible image sight size is approx. 14" W x 9.5" H). Condition: Artwork appears crisp and beautifully preserved under glass. The frame shows minor authentic vintage wear, edge distressing, and minor backing paper tearing consistent with age, giving it fantastic antique character.Perfect addition to a gallery wall, traditional study, or European-inspired interior design. 692 / 811 -
Up for auction is a magnificent 19th-century antique French hand-colored lithograph from the popular series "La Vie Parisienne" (Parisian Life). This beautifully detailed print captures the fashion, energy, and elegance of mid-1800s high society enjoying an evening at a prominent Parisian public ballroom or pleasure garden. The work is beautifully hand-tinted with soft greens, blues, and yellows, highlighting the expansive crinoline dresses, bonnets, and formal evening top hats characteristic of the era. Production Details: Series Title: La Vie Parisienne Artist: After Eugène-Charles-François Guérard (French, 1821–1866) Lithographers: Claude Régnier and Joseph BettannierPrinter: Imprimerie Lemercier, Paris (an elite 19th-century workshop) Medium: Fine hand-colored lithograph on woven paperEra: Circa 1840–1860 (Second French Empire / Victorian Era) Condition & Presentation:Framing: Professionally presented with a generous off-white multi-layered mat inside a stained natural wood frame under protective glass.Inscriptions: Clear margins bear the original stone-printed text credits: "Régnier et Bettannier d'après Guérard", "Imp. Lemercier à Paris", and the stylized series title "La Vie Parisienne" in an ornate lower cartouche. Condition: The print is structurally sound with rich, crisp ink work. The paper shows an authentic light patina, minor surface aging, and minimal tone spots that enhance its antique lineage. The frame is structurally tight and ready to hang. 693 / 811 -
Up for auction is a magnificent 19th-century antique French hand-colored lithograph from the popular series "La Vie Parisienne" (Parisian Life). This beautifully detailed print captures the fashion, energy, and elegance of mid-1800s high society enjoying an evening at a prominent Parisian public ballroom or pleasure garden. The work is beautifully hand-tinted with soft greens, blues, and yellows, highlighting the expansive crinoline dresses, bonnets, and formal evening top hats characteristic of the era. Production Details: Series Title: La Vie Parisienne Artist: After Eugène-Charles-François Guérard (French, 1821–1866) Lithographers: Claude Régnier and Joseph BettannierPrinter: Imprimerie Lemercier, Paris (an elite 19th-century workshop) Medium: Fine hand-colored lithograph on woven paperEra: Circa 1840–1860 (Second French Empire / Victorian Era) Condition & Presentation:Framing: Professionally presented with a generous off-white multi-layered mat inside a stained natural wood frame under protective glass.Inscriptions: Clear margins bear the original stone-printed text credits: "Régnier et Bettannier d'après Guérard", "Imp. Lemercier à Paris", and the stylized series title "La Vie Parisienne" in an ornate lower cartouche. Condition: The print is structurally sound with rich, crisp ink work. The paper shows an authentic light patina, minor surface aging, and minimal tone spots that enhance its antique lineage. The frame is structurally tight and ready to hang. 694 / 811 -
Up for auction is a magnificent 19th-century antique French hand-colored lithograph from the popular series "La Vie Parisienne" (Parisian Life). This beautifully detailed print captures the fashion, energy, and elegance of mid-1800s high society enjoying an evening at a prominent Parisian public ballroom or pleasure garden. The work is beautifully hand-tinted with soft greens, blues, and yellows, highlighting the expansive crinoline dresses, bonnets, and formal evening top hats characteristic of the era. Production Details: Series Title: La Vie Parisienne Artist: After Eugène-Charles-François Guérard (French, 1821–1866) Lithographers: Claude Régnier and Joseph BettannierPrinter: Imprimerie Lemercier, Paris (an elite 19th-century workshop) Medium: Fine hand-colored lithograph on woven paperEra: Circa 1840–1860 (Second French Empire / Victorian Era) Condition & Presentation:Framing: Professionally presented with a generous off-white multi-layered mat inside a stained natural wood frame under protective glass.Inscriptions: Clear margins bear the original stone-printed text credits: "Régnier et Bettannier d'après Guérard", "Imp. Lemercier à Paris", and the stylized series title "La Vie Parisienne" in an ornate lower cartouche. Condition: The print is structurally sound with rich, crisp ink work. The paper shows an authentic light patina, minor surface aging, and minimal tone spots that enhance its antique lineage. The frame is structurally tight and ready to hang. 695 / 811 -
Up for auction is a magnificent 19th-century antique French hand-colored lithograph from the popular series "La Vie Parisienne" (Parisian Life). This beautifully detailed print captures the fashion, energy, and elegance of mid-1800s high society enjoying an evening at a prominent Parisian public ballroom or pleasure garden. The work is beautifully hand-tinted with soft greens, blues, and yellows, highlighting the expansive crinoline dresses, bonnets, and formal evening top hats characteristic of the era. Production Details: Series Title: La Vie Parisienne Artist: After Eugène-Charles-François Guérard (French, 1821–1866) Lithographers: Claude Régnier and Joseph BettannierPrinter: Imprimerie Lemercier, Paris (an elite 19th-century workshop) Medium: Fine hand-colored lithograph on woven paperEra: Circa 1840–1860 (Second French Empire / Victorian Era) Condition & Presentation:Framing: Professionally presented with a generous off-white multi-layered mat inside a stained natural wood frame under protective glass.Inscriptions: Clear margins bear the original stone-printed text credits: "Régnier et Bettannier d'après Guérard", "Imp. Lemercier à Paris", and the stylized series title "La Vie Parisienne" in an ornate lower cartouche. Condition: The print is structurally sound with rich, crisp ink work. The paper shows an authentic light patina, minor surface aging, and minimal tone spots that enhance its antique lineage. The frame is structurally tight and ready to hang. 696 / 811 -
Up for auction is a magnificent 19th-century antique French hand-colored lithograph from the popular series "La Vie Parisienne" (Parisian Life). This beautifully detailed print captures the fashion, energy, and elegance of mid-1800s high society enjoying an evening at a prominent Parisian public ballroom or pleasure garden. The work is beautifully hand-tinted with soft greens, blues, and yellows, highlighting the expansive crinoline dresses, bonnets, and formal evening top hats characteristic of the era. Production Details: Series Title: La Vie Parisienne Artist: After Eugène-Charles-François Guérard (French, 1821–1866) Lithographers: Claude Régnier and Joseph BettannierPrinter: Imprimerie Lemercier, Paris (an elite 19th-century workshop) Medium: Fine hand-colored lithograph on woven paperEra: Circa 1840–1860 (Second French Empire / Victorian Era) Condition & Presentation:Framing: Professionally presented with a generous off-white multi-layered mat inside a stained natural wood frame under protective glass.Inscriptions: Clear margins bear the original stone-printed text credits: "Régnier et Bettannier d'après Guérard", "Imp. Lemercier à Paris", and the stylized series title "La Vie Parisienne" in an ornate lower cartouche. Condition: The print is structurally sound with rich, crisp ink work. The paper shows an authentic light patina, minor surface aging, and minimal tone spots that enhance its antique lineage. The frame is structurally tight and ready to hang. 697 / 811 -
Up for auction is a magnificent 19th-century antique French hand-colored lithograph from the popular series "La Vie Parisienne" (Parisian Life). This beautifully detailed print captures the fashion, energy, and elegance of mid-1800s high society enjoying an evening at a prominent Parisian public ballroom or pleasure garden. The work is beautifully hand-tinted with soft greens, blues, and yellows, highlighting the expansive crinoline dresses, bonnets, and formal evening top hats characteristic of the era. Production Details: Series Title: La Vie Parisienne Artist: After Eugène-Charles-François Guérard (French, 1821–1866) Lithographers: Claude Régnier and Joseph BettannierPrinter: Imprimerie Lemercier, Paris (an elite 19th-century workshop) Medium: Fine hand-colored lithograph on woven paperEra: Circa 1840–1860 (Second French Empire / Victorian Era) Condition & Presentation:Framing: Professionally presented with a generous off-white multi-layered mat inside a stained natural wood frame under protective glass.Inscriptions: Clear margins bear the original stone-printed text credits: "Régnier et Bettannier d'après Guérard", "Imp. Lemercier à Paris", and the stylized series title "La Vie Parisienne" in an ornate lower cartouche. Condition: The print is structurally sound with rich, crisp ink work. The paper shows an authentic light patina, minor surface aging, and minimal tone spots that enhance its antique lineage. The frame is structurally tight and ready to hang. 698 / 811 -
Up for auction is a magnificent 19th-century antique French hand-colored lithograph from the popular series "La Vie Parisienne" (Parisian Life). This beautifully detailed print captures the fashion, energy, and elegance of mid-1800s high society enjoying an evening at a prominent Parisian public ballroom or pleasure garden. The work is beautifully hand-tinted with soft greens, blues, and yellows, highlighting the expansive crinoline dresses, bonnets, and formal evening top hats characteristic of the era. Production Details: Series Title: La Vie Parisienne Artist: After Eugène-Charles-François Guérard (French, 1821–1866) Lithographers: Claude Régnier and Joseph BettannierPrinter: Imprimerie Lemercier, Paris (an elite 19th-century workshop) Medium: Fine hand-colored lithograph on woven paperEra: Circa 1840–1860 (Second French Empire / Victorian Era) Condition & Presentation:Framing: Professionally presented with a generous off-white multi-layered mat inside a stained natural wood frame under protective glass.Inscriptions: Clear margins bear the original stone-printed text credits: "Régnier et Bettannier d'après Guérard", "Imp. Lemercier à Paris", and the stylized series title "La Vie Parisienne" in an ornate lower cartouche. Condition: The print is structurally sound with rich, crisp ink work. The paper shows an authentic light patina, minor surface aging, and minimal tone spots that enhance its antique lineage. The frame is structurally tight and ready to hang. 699 / 811 -
Up for auction is a magnificent 19th-century antique French hand-colored lithograph from the popular series "La Vie Parisienne" (Parisian Life). This beautifully detailed print captures the fashion, energy, and elegance of mid-1800s high society enjoying an evening at a prominent Parisian public ballroom or pleasure garden. The work is beautifully hand-tinted with soft greens, blues, and yellows, highlighting the expansive crinoline dresses, bonnets, and formal evening top hats characteristic of the era. Production Details: Series Title: La Vie Parisienne Artist: After Eugène-Charles-François Guérard (French, 1821–1866) Lithographers: Claude Régnier and Joseph BettannierPrinter: Imprimerie Lemercier, Paris (an elite 19th-century workshop) Medium: Fine hand-colored lithograph on woven paperEra: Circa 1840–1860 (Second French Empire / Victorian Era) Condition & Presentation:Framing: Professionally presented with a generous off-white multi-layered mat inside a stained natural wood frame under protective glass.Inscriptions: Clear margins bear the original stone-printed text credits: "Régnier et Bettannier d'après Guérard", "Imp. Lemercier à Paris", and the stylized series title "La Vie Parisienne" in an ornate lower cartouche. Condition: The print is structurally sound with rich, crisp ink work. The paper shows an authentic light patina, minor surface aging, and minimal tone spots that enhance its antique lineage. The frame is structurally tight and ready to hang. 700 / 811
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