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Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 301 / 811 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 302 / 811 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 303 / 811 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 304 / 811 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 305 / 811 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 306 / 811 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 307 / 811 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 308 / 811 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 309 / 811 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 310 / 811 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 311 / 811 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 312 / 811 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 313 / 811 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 314 / 811 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 315 / 811 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 316 / 811 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 317 / 811 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 318 / 811 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 319 / 811 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 320 / 811 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 321 / 811 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 322 / 811 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 323 / 811 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 324 / 811 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 325 / 811 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 326 / 811 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 327 / 811 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 328 / 811 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 329 / 811 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 330 / 811 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 331 / 811 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 332 / 811 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 333 / 811 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 334 / 811 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 335 / 811 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 336 / 811 -
Impressive vintage cast-metal eagle sculpture depicting a bald eagle with wings fully spread, perched dramatically atop a rocky outcrop. The eagle has finely modeled feathering throughout the wings and body, with a warm bronze/brass-toned finish and darker antiqued detailing. The substantial molded base has a dark, stone-like finish and is hollow underneath. Two visible fasteners inside the base appear to secure the sculpture. The exact metal composition is unconfirmed from photographs; it may be brass, bronze-finished spelter/pot metal, or another cast alloy. A striking decorative piece well suited to an office, library, lodge, patriotic collection, or mantel display. Condition: Vintage pre-owned condition with age-related surface wear, patina, oxidation/discoloration, and dust/soiling, particularly to the underside and base. Please review photographs carefully for condition. No maker’s mark or signature is visible in the supplied photographs. 339 / 811 -
Impressive vintage cast-metal eagle sculpture depicting a bald eagle with wings fully spread, perched dramatically atop a rocky outcrop. The eagle has finely modeled feathering throughout the wings and body, with a warm bronze/brass-toned finish and darker antiqued detailing. The substantial molded base has a dark, stone-like finish and is hollow underneath. Two visible fasteners inside the base appear to secure the sculpture. The exact metal composition is unconfirmed from photographs; it may be brass, bronze-finished spelter/pot metal, or another cast alloy. A striking decorative piece well suited to an office, library, lodge, patriotic collection, or mantel display. Condition: Vintage pre-owned condition with age-related surface wear, patina, oxidation/discoloration, and dust/soiling, particularly to the underside and base. Please review photographs carefully for condition. No maker’s mark or signature is visible in the supplied photographs. 340 / 811 -
Impressive vintage cast-metal eagle sculpture depicting a bald eagle with wings fully spread, perched dramatically atop a rocky outcrop. The eagle has finely modeled feathering throughout the wings and body, with a warm bronze/brass-toned finish and darker antiqued detailing. The substantial molded base has a dark, stone-like finish and is hollow underneath. Two visible fasteners inside the base appear to secure the sculpture. The exact metal composition is unconfirmed from photographs; it may be brass, bronze-finished spelter/pot metal, or another cast alloy. A striking decorative piece well suited to an office, library, lodge, patriotic collection, or mantel display. Condition: Vintage pre-owned condition with age-related surface wear, patina, oxidation/discoloration, and dust/soiling, particularly to the underside and base. Please review photographs carefully for condition. No maker’s mark or signature is visible in the supplied photographs. 341 / 811 -
Impressive vintage cast-metal eagle sculpture depicting a bald eagle with wings fully spread, perched dramatically atop a rocky outcrop. The eagle has finely modeled feathering throughout the wings and body, with a warm bronze/brass-toned finish and darker antiqued detailing. The substantial molded base has a dark, stone-like finish and is hollow underneath. Two visible fasteners inside the base appear to secure the sculpture. The exact metal composition is unconfirmed from photographs; it may be brass, bronze-finished spelter/pot metal, or another cast alloy. A striking decorative piece well suited to an office, library, lodge, patriotic collection, or mantel display. Condition: Vintage pre-owned condition with age-related surface wear, patina, oxidation/discoloration, and dust/soiling, particularly to the underside and base. Please review photographs carefully for condition. No maker’s mark or signature is visible in the supplied photographs. 342 / 811 -
Impressive vintage cast-metal eagle sculpture depicting a bald eagle with wings fully spread, perched dramatically atop a rocky outcrop. The eagle has finely modeled feathering throughout the wings and body, with a warm bronze/brass-toned finish and darker antiqued detailing. The substantial molded base has a dark, stone-like finish and is hollow underneath. Two visible fasteners inside the base appear to secure the sculpture. The exact metal composition is unconfirmed from photographs; it may be brass, bronze-finished spelter/pot metal, or another cast alloy. A striking decorative piece well suited to an office, library, lodge, patriotic collection, or mantel display. Condition: Vintage pre-owned condition with age-related surface wear, patina, oxidation/discoloration, and dust/soiling, particularly to the underside and base. Please review photographs carefully for condition. No maker’s mark or signature is visible in the supplied photographs. 343 / 811 -
Impressive vintage cast-metal eagle sculpture depicting a bald eagle with wings fully spread, perched dramatically atop a rocky outcrop. The eagle has finely modeled feathering throughout the wings and body, with a warm bronze/brass-toned finish and darker antiqued detailing. The substantial molded base has a dark, stone-like finish and is hollow underneath. Two visible fasteners inside the base appear to secure the sculpture. The exact metal composition is unconfirmed from photographs; it may be brass, bronze-finished spelter/pot metal, or another cast alloy. A striking decorative piece well suited to an office, library, lodge, patriotic collection, or mantel display. Condition: Vintage pre-owned condition with age-related surface wear, patina, oxidation/discoloration, and dust/soiling, particularly to the underside and base. Please review photographs carefully for condition. No maker’s mark or signature is visible in the supplied photographs. 344 / 811 -
Impressive vintage cast-metal eagle sculpture depicting a bald eagle with wings fully spread, perched dramatically atop a rocky outcrop. The eagle has finely modeled feathering throughout the wings and body, with a warm bronze/brass-toned finish and darker antiqued detailing. The substantial molded base has a dark, stone-like finish and is hollow underneath. Two visible fasteners inside the base appear to secure the sculpture. The exact metal composition is unconfirmed from photographs; it may be brass, bronze-finished spelter/pot metal, or another cast alloy. A striking decorative piece well suited to an office, library, lodge, patriotic collection, or mantel display. Condition: Vintage pre-owned condition with age-related surface wear, patina, oxidation/discoloration, and dust/soiling, particularly to the underside and base. Please review photographs carefully for condition. No maker’s mark or signature is visible in the supplied photographs. 345 / 811 -
Striking hand-blown art glass sculpture of a bald eagle captured in flight with its wings dramatically raised and talons extended. The piece features a mottled dark amber/brown body, cream and clear glass head, amber hooked beak, clear outstretched wings, and individually applied glass talons. The eagle is integrated into a substantial clear glass base, giving the sculpture considerable visual presence. The variations in coloration, applied elements, and shaping are characteristic of individually worked decorative art glass rather than molded glass. The underside has a polished/ground base with visible surface wear. No etched signature, label, or maker’s mark is visible in the supplied photographs. Because no maker can presently be confirmed, it should be cataloged as an unidentified hand-blown/art glass eagle rather than attributed to Murano or another specific glassmaker. Condition: Overall good displayed condition. There is noticeable scratching and shelf wear to the underside of the base, along with minor surface wear consistent with age and display. The delicate applied talons, wing tips, beak and other extremities should be inspected carefully for tiny chips or repairs before sale. See photographs. 361 / 811 -
Striking hand-blown art glass sculpture of a bald eagle captured in flight with its wings dramatically raised and talons extended. The piece features a mottled dark amber/brown body, cream and clear glass head, amber hooked beak, clear outstretched wings, and individually applied glass talons. The eagle is integrated into a substantial clear glass base, giving the sculpture considerable visual presence. The variations in coloration, applied elements, and shaping are characteristic of individually worked decorative art glass rather than molded glass. The underside has a polished/ground base with visible surface wear. No etched signature, label, or maker’s mark is visible in the supplied photographs. Because no maker can presently be confirmed, it should be cataloged as an unidentified hand-blown/art glass eagle rather than attributed to Murano or another specific glassmaker. Condition: Overall good displayed condition. There is noticeable scratching and shelf wear to the underside of the base, along with minor surface wear consistent with age and display. The delicate applied talons, wing tips, beak and other extremities should be inspected carefully for tiny chips or repairs before sale. See photographs. 362 / 811 -
Striking hand-blown art glass sculpture of a bald eagle captured in flight with its wings dramatically raised and talons extended. The piece features a mottled dark amber/brown body, cream and clear glass head, amber hooked beak, clear outstretched wings, and individually applied glass talons. The eagle is integrated into a substantial clear glass base, giving the sculpture considerable visual presence. The variations in coloration, applied elements, and shaping are characteristic of individually worked decorative art glass rather than molded glass. The underside has a polished/ground base with visible surface wear. No etched signature, label, or maker’s mark is visible in the supplied photographs. Because no maker can presently be confirmed, it should be cataloged as an unidentified hand-blown/art glass eagle rather than attributed to Murano or another specific glassmaker. Condition: Overall good displayed condition. There is noticeable scratching and shelf wear to the underside of the base, along with minor surface wear consistent with age and display. The delicate applied talons, wing tips, beak and other extremities should be inspected carefully for tiny chips or repairs before sale. See photographs. 363 / 811 -
Striking hand-blown art glass sculpture of a bald eagle captured in flight with its wings dramatically raised and talons extended. The piece features a mottled dark amber/brown body, cream and clear glass head, amber hooked beak, clear outstretched wings, and individually applied glass talons. The eagle is integrated into a substantial clear glass base, giving the sculpture considerable visual presence. The variations in coloration, applied elements, and shaping are characteristic of individually worked decorative art glass rather than molded glass. The underside has a polished/ground base with visible surface wear. No etched signature, label, or maker’s mark is visible in the supplied photographs. Because no maker can presently be confirmed, it should be cataloged as an unidentified hand-blown/art glass eagle rather than attributed to Murano or another specific glassmaker. Condition: Overall good displayed condition. There is noticeable scratching and shelf wear to the underside of the base, along with minor surface wear consistent with age and display. The delicate applied talons, wing tips, beak and other extremities should be inspected carefully for tiny chips or repairs before sale. See photographs. 364 / 811 -
Striking hand-blown art glass sculpture of a bald eagle captured in flight with its wings dramatically raised and talons extended. The piece features a mottled dark amber/brown body, cream and clear glass head, amber hooked beak, clear outstretched wings, and individually applied glass talons. The eagle is integrated into a substantial clear glass base, giving the sculpture considerable visual presence. The variations in coloration, applied elements, and shaping are characteristic of individually worked decorative art glass rather than molded glass. The underside has a polished/ground base with visible surface wear. No etched signature, label, or maker’s mark is visible in the supplied photographs. Because no maker can presently be confirmed, it should be cataloged as an unidentified hand-blown/art glass eagle rather than attributed to Murano or another specific glassmaker. Condition: Overall good displayed condition. There is noticeable scratching and shelf wear to the underside of the base, along with minor surface wear consistent with age and display. The delicate applied talons, wing tips, beak and other extremities should be inspected carefully for tiny chips or repairs before sale. See photographs. 365 / 811 -
Striking hand-blown art glass sculpture of a bald eagle captured in flight with its wings dramatically raised and talons extended. The piece features a mottled dark amber/brown body, cream and clear glass head, amber hooked beak, clear outstretched wings, and individually applied glass talons. The eagle is integrated into a substantial clear glass base, giving the sculpture considerable visual presence. The variations in coloration, applied elements, and shaping are characteristic of individually worked decorative art glass rather than molded glass. The underside has a polished/ground base with visible surface wear. No etched signature, label, or maker’s mark is visible in the supplied photographs. Because no maker can presently be confirmed, it should be cataloged as an unidentified hand-blown/art glass eagle rather than attributed to Murano or another specific glassmaker. Condition: Overall good displayed condition. There is noticeable scratching and shelf wear to the underside of the base, along with minor surface wear consistent with age and display. The delicate applied talons, wing tips, beak and other extremities should be inspected carefully for tiny chips or repairs before sale. See photographs. 366 / 811 -
Striking hand-blown art glass sculpture of a bald eagle captured in flight with its wings dramatically raised and talons extended. The piece features a mottled dark amber/brown body, cream and clear glass head, amber hooked beak, clear outstretched wings, and individually applied glass talons. The eagle is integrated into a substantial clear glass base, giving the sculpture considerable visual presence. The variations in coloration, applied elements, and shaping are characteristic of individually worked decorative art glass rather than molded glass. The underside has a polished/ground base with visible surface wear. No etched signature, label, or maker’s mark is visible in the supplied photographs. Because no maker can presently be confirmed, it should be cataloged as an unidentified hand-blown/art glass eagle rather than attributed to Murano or another specific glassmaker. Condition: Overall good displayed condition. There is noticeable scratching and shelf wear to the underside of the base, along with minor surface wear consistent with age and display. The delicate applied talons, wing tips, beak and other extremities should be inspected carefully for tiny chips or repairs before sale. See photographs. 367 / 811 -
Striking hand-blown art glass sculpture of a bald eagle captured in flight with its wings dramatically raised and talons extended. The piece features a mottled dark amber/brown body, cream and clear glass head, amber hooked beak, clear outstretched wings, and individually applied glass talons. The eagle is integrated into a substantial clear glass base, giving the sculpture considerable visual presence. The variations in coloration, applied elements, and shaping are characteristic of individually worked decorative art glass rather than molded glass. The underside has a polished/ground base with visible surface wear. No etched signature, label, or maker’s mark is visible in the supplied photographs. Because no maker can presently be confirmed, it should be cataloged as an unidentified hand-blown/art glass eagle rather than attributed to Murano or another specific glassmaker. Condition: Overall good displayed condition. There is noticeable scratching and shelf wear to the underside of the base, along with minor surface wear consistent with age and display. The delicate applied talons, wing tips, beak and other extremities should be inspected carefully for tiny chips or repairs before sale. See photographs. 368 / 811 -
Striking hand-blown art glass sculpture of a bald eagle captured in flight with its wings dramatically raised and talons extended. The piece features a mottled dark amber/brown body, cream and clear glass head, amber hooked beak, clear outstretched wings, and individually applied glass talons. The eagle is integrated into a substantial clear glass base, giving the sculpture considerable visual presence. The variations in coloration, applied elements, and shaping are characteristic of individually worked decorative art glass rather than molded glass. The underside has a polished/ground base with visible surface wear. No etched signature, label, or maker’s mark is visible in the supplied photographs. Because no maker can presently be confirmed, it should be cataloged as an unidentified hand-blown/art glass eagle rather than attributed to Murano or another specific glassmaker. Condition: Overall good displayed condition. There is noticeable scratching and shelf wear to the underside of the base, along with minor surface wear consistent with age and display. The delicate applied talons, wing tips, beak and other extremities should be inspected carefully for tiny chips or repairs before sale. See photographs. 369 / 811 -
Striking hand-blown art glass sculpture of a bald eagle captured in flight with its wings dramatically raised and talons extended. The piece features a mottled dark amber/brown body, cream and clear glass head, amber hooked beak, clear outstretched wings, and individually applied glass talons. The eagle is integrated into a substantial clear glass base, giving the sculpture considerable visual presence. The variations in coloration, applied elements, and shaping are characteristic of individually worked decorative art glass rather than molded glass. The underside has a polished/ground base with visible surface wear. No etched signature, label, or maker’s mark is visible in the supplied photographs. Because no maker can presently be confirmed, it should be cataloged as an unidentified hand-blown/art glass eagle rather than attributed to Murano or another specific glassmaker. Condition: Overall good displayed condition. There is noticeable scratching and shelf wear to the underside of the base, along with minor surface wear consistent with age and display. The delicate applied talons, wing tips, beak and other extremities should be inspected carefully for tiny chips or repairs before sale. See photographs. 370 / 811 -
Brand & Model: Arhaus Custom Upholstered Accent ChairFabric Pattern: Oaks Pacific (Premium Watercolor Tree/Botanical Motif)Color Palette: Muted Gold, Sage Green, Slate Gray, and Off-White / CreamBring a touch of nature-inspired luxury into your home with this beautiful Arhaus accent chair. Featuring the highly sought-after "Oaks Pacific" custom performance fabric, the watercolor tree pattern offers a stunning, sophisticated neutral look that pairs effortlessly with modern, rustic, or transitional decor.Built with Arhaus’s signature high-quality craftsmanship, this chair features exceptional cushion support, durable structured arms, and a clean silhouette perfect for a living room, bedroom corner, or home office. Condition: Excellent pre-owned condition with clean fabric, strong structural integrity, and no major signs of wear. Small red mark which appears to have been done my a small child. Comes from smoke free home. The home did have two cocker spaniels dogs. This chair retails for $2200 new! 371 / 811 -
Brand & Model: Arhaus Custom Upholstered Accent ChairFabric Pattern: Oaks Pacific (Premium Watercolor Tree/Botanical Motif)Color Palette: Muted Gold, Sage Green, Slate Gray, and Off-White / CreamBring a touch of nature-inspired luxury into your home with this beautiful Arhaus accent chair. Featuring the highly sought-after "Oaks Pacific" custom performance fabric, the watercolor tree pattern offers a stunning, sophisticated neutral look that pairs effortlessly with modern, rustic, or transitional decor.Built with Arhaus’s signature high-quality craftsmanship, this chair features exceptional cushion support, durable structured arms, and a clean silhouette perfect for a living room, bedroom corner, or home office. Condition: Excellent pre-owned condition with clean fabric, strong structural integrity, and no major signs of wear. Small red mark which appears to have been done my a small child. Comes from smoke free home. The home did have two cocker spaniels dogs. This chair retails for $2200 new! 372 / 811 -
Brand & Model: Arhaus Custom Upholstered Accent ChairFabric Pattern: Oaks Pacific (Premium Watercolor Tree/Botanical Motif)Color Palette: Muted Gold, Sage Green, Slate Gray, and Off-White / CreamBring a touch of nature-inspired luxury into your home with this beautiful Arhaus accent chair. Featuring the highly sought-after "Oaks Pacific" custom performance fabric, the watercolor tree pattern offers a stunning, sophisticated neutral look that pairs effortlessly with modern, rustic, or transitional decor.Built with Arhaus’s signature high-quality craftsmanship, this chair features exceptional cushion support, durable structured arms, and a clean silhouette perfect for a living room, bedroom corner, or home office. Condition: Excellent pre-owned condition with clean fabric, strong structural integrity, and no major signs of wear. Small red mark which appears to have been done my a small child. Comes from smoke free home. The home did have two cocker spaniels dogs. This chair retails for $2200 new! 373 / 811 -
Brand & Model: Arhaus Custom Upholstered Accent ChairFabric Pattern: Oaks Pacific (Premium Watercolor Tree/Botanical Motif)Color Palette: Muted Gold, Sage Green, Slate Gray, and Off-White / CreamBring a touch of nature-inspired luxury into your home with this beautiful Arhaus accent chair. Featuring the highly sought-after "Oaks Pacific" custom performance fabric, the watercolor tree pattern offers a stunning, sophisticated neutral look that pairs effortlessly with modern, rustic, or transitional decor.Built with Arhaus’s signature high-quality craftsmanship, this chair features exceptional cushion support, durable structured arms, and a clean silhouette perfect for a living room, bedroom corner, or home office. Condition: Excellent pre-owned condition with clean fabric, strong structural integrity, and no major signs of wear. Small red mark which appears to have been done my a small child. Comes from smoke free home. The home did have two cocker spaniels dogs. This chair retails for $2200 new! 374 / 811 -
Brand & Model: Arhaus Custom Upholstered Accent ChairFabric Pattern: Oaks Pacific (Premium Watercolor Tree/Botanical Motif)Color Palette: Muted Gold, Sage Green, Slate Gray, and Off-White / CreamBring a touch of nature-inspired luxury into your home with this beautiful Arhaus accent chair. Featuring the highly sought-after "Oaks Pacific" custom performance fabric, the watercolor tree pattern offers a stunning, sophisticated neutral look that pairs effortlessly with modern, rustic, or transitional decor.Built with Arhaus’s signature high-quality craftsmanship, this chair features exceptional cushion support, durable structured arms, and a clean silhouette perfect for a living room, bedroom corner, or home office. Condition: Excellent pre-owned condition with clean fabric, strong structural integrity, and no major signs of wear. Small red mark which appears to have been done my a small child. Comes from smoke free home. The home did have two cocker spaniels dogs. This chair retails for $2200 new! 375 / 811 -
Brand & Model: Arhaus Custom Upholstered Accent ChairFabric Pattern: Oaks Pacific (Premium Watercolor Tree/Botanical Motif)Color Palette: Muted Gold, Sage Green, Slate Gray, and Off-White / CreamBring a touch of nature-inspired luxury into your home with this beautiful Arhaus accent chair. Featuring the highly sought-after "Oaks Pacific" custom performance fabric, the watercolor tree pattern offers a stunning, sophisticated neutral look that pairs effortlessly with modern, rustic, or transitional decor.Built with Arhaus’s signature high-quality craftsmanship, this chair features exceptional cushion support, durable structured arms, and a clean silhouette perfect for a living room, bedroom corner, or home office. Condition: Excellent pre-owned condition with clean fabric, strong structural integrity, and no major signs of wear. Small red mark which appears to have been done my a small child. Comes from smoke free home. The home did have two cocker spaniels dogs. This chair retails for $2200 new! 376 / 811 -
Brand & Model: Arhaus Custom Upholstered Accent ChairFabric Pattern: Oaks Pacific (Premium Watercolor Tree/Botanical Motif)Color Palette: Muted Gold, Sage Green, Slate Gray, and Off-White / CreamBring a touch of nature-inspired luxury into your home with this beautiful Arhaus accent chair. Featuring the highly sought-after "Oaks Pacific" custom performance fabric, the watercolor tree pattern offers a stunning, sophisticated neutral look that pairs effortlessly with modern, rustic, or transitional decor.Built with Arhaus’s signature high-quality craftsmanship, this chair features exceptional cushion support, durable structured arms, and a clean silhouette perfect for a living room, bedroom corner, or home office. Condition: Excellent pre-owned condition with clean fabric, strong structural integrity, and no major signs of wear. Small red mark which appears to have been done my a small child. Comes from smoke free home. The home did have two cocker spaniels dogs. This chair retails for $2200 new! 377 / 811 -
Brand & Model: Arhaus Custom Upholstered Accent ChairFabric Pattern: Oaks Pacific (Premium Watercolor Tree/Botanical Motif)Color Palette: Muted Gold, Sage Green, Slate Gray, and Off-White / CreamBring a touch of nature-inspired luxury into your home with this beautiful Arhaus accent chair. Featuring the highly sought-after "Oaks Pacific" custom performance fabric, the watercolor tree pattern offers a stunning, sophisticated neutral look that pairs effortlessly with modern, rustic, or transitional decor.Built with Arhaus’s signature high-quality craftsmanship, this chair features exceptional cushion support, durable structured arms, and a clean silhouette perfect for a living room, bedroom corner, or home office. Condition: Excellent pre-owned condition with clean fabric, strong structural integrity, and no major signs of wear. Small red mark which appears to have been done my a small child. Comes from smoke free home. The home did have two cocker spaniels dogs. This chair retails for $2200 new! 378 / 811 -
Brand & Model: Arhaus Custom Upholstered Accent ChairFabric Pattern: Oaks Pacific (Premium Watercolor Tree/Botanical Motif)Color Palette: Muted Gold, Sage Green, Slate Gray, and Off-White / CreamBring a touch of nature-inspired luxury into your home with this beautiful Arhaus accent chair. Featuring the highly sought-after "Oaks Pacific" custom performance fabric, the watercolor tree pattern offers a stunning, sophisticated neutral look that pairs effortlessly with modern, rustic, or transitional decor.Built with Arhaus’s signature high-quality craftsmanship, this chair features exceptional cushion support, durable structured arms, and a clean silhouette perfect for a living room, bedroom corner, or home office. Condition: Excellent pre-owned condition with clean fabric, strong structural integrity, and no major signs of wear. Small red mark which appears to have been done my a small child. Comes from smoke free home. The home did have two cocker spaniels dogs. This chair retails for $2200 new! 379 / 811 -
Upgrade your living space or entertainment area with this stunning, high-end Arhaus Baumann Media Console. Renowned for its exceptional craftsmanship, this heavy, statement-making piece effortlessly blends rugged industrial design with a warm, rustic farmhouse aesthetic. Key FeaturesPremium Construction: Handcrafted from beautiful, durable solid oak with unique natural wood grain patterns and variations throughout. Industrial Accents: Features heavy-duty, antiqued black iron sliding barn-door hardware on a prominent top track. Versatile Storage: Outfitted with a rolling wooden panel door that glides smoothly across the front, allowing you to elegantly conceal or showcase your electronics, books, or decor. The left side includes sturdy open shelving, while the right features enclosed shelving behind the door.Multifunctional Design: Perfect as a living room TV stand, a dining room sideboard/buffet, a home office credenza, or an entryway accent console. ConditionGreat pre-owned condition with excellent structural integrity. Light cosmetic surface marks consistent with minor, normal use. The wood possesses an intentionally distressed, rustic factory finish that beautifully hides any minor everyday wear. 380 / 811 -
Upgrade your living space or entertainment area with this stunning, high-end Arhaus Baumann Media Console. Renowned for its exceptional craftsmanship, this heavy, statement-making piece effortlessly blends rugged industrial design with a warm, rustic farmhouse aesthetic. Key FeaturesPremium Construction: Handcrafted from beautiful, durable solid oak with unique natural wood grain patterns and variations throughout. Industrial Accents: Features heavy-duty, antiqued black iron sliding barn-door hardware on a prominent top track. Versatile Storage: Outfitted with a rolling wooden panel door that glides smoothly across the front, allowing you to elegantly conceal or showcase your electronics, books, or decor. The left side includes sturdy open shelving, while the right features enclosed shelving behind the door.Multifunctional Design: Perfect as a living room TV stand, a dining room sideboard/buffet, a home office credenza, or an entryway accent console. ConditionGreat pre-owned condition with excellent structural integrity. Light cosmetic surface marks consistent with minor, normal use. The wood possesses an intentionally distressed, rustic factory finish that beautifully hides any minor everyday wear. 381 / 811 -
Upgrade your living space or entertainment area with this stunning, high-end Arhaus Baumann Media Console. Renowned for its exceptional craftsmanship, this heavy, statement-making piece effortlessly blends rugged industrial design with a warm, rustic farmhouse aesthetic. Key FeaturesPremium Construction: Handcrafted from beautiful, durable solid oak with unique natural wood grain patterns and variations throughout. Industrial Accents: Features heavy-duty, antiqued black iron sliding barn-door hardware on a prominent top track. Versatile Storage: Outfitted with a rolling wooden panel door that glides smoothly across the front, allowing you to elegantly conceal or showcase your electronics, books, or decor. The left side includes sturdy open shelving, while the right features enclosed shelving behind the door.Multifunctional Design: Perfect as a living room TV stand, a dining room sideboard/buffet, a home office credenza, or an entryway accent console. ConditionGreat pre-owned condition with excellent structural integrity. Light cosmetic surface marks consistent with minor, normal use. The wood possesses an intentionally distressed, rustic factory finish that beautifully hides any minor everyday wear. 382 / 811 -
Upgrade your living space or entertainment area with this stunning, high-end Arhaus Baumann Media Console. Renowned for its exceptional craftsmanship, this heavy, statement-making piece effortlessly blends rugged industrial design with a warm, rustic farmhouse aesthetic. Key FeaturesPremium Construction: Handcrafted from beautiful, durable solid oak with unique natural wood grain patterns and variations throughout. Industrial Accents: Features heavy-duty, antiqued black iron sliding barn-door hardware on a prominent top track. Versatile Storage: Outfitted with a rolling wooden panel door that glides smoothly across the front, allowing you to elegantly conceal or showcase your electronics, books, or decor. The left side includes sturdy open shelving, while the right features enclosed shelving behind the door.Multifunctional Design: Perfect as a living room TV stand, a dining room sideboard/buffet, a home office credenza, or an entryway accent console. ConditionGreat pre-owned condition with excellent structural integrity. Light cosmetic surface marks consistent with minor, normal use. The wood possesses an intentionally distressed, rustic factory finish that beautifully hides any minor everyday wear. 383 / 811 -
Upgrade your living space or entertainment area with this stunning, high-end Arhaus Baumann Media Console. Renowned for its exceptional craftsmanship, this heavy, statement-making piece effortlessly blends rugged industrial design with a warm, rustic farmhouse aesthetic. Key FeaturesPremium Construction: Handcrafted from beautiful, durable solid oak with unique natural wood grain patterns and variations throughout. Industrial Accents: Features heavy-duty, antiqued black iron sliding barn-door hardware on a prominent top track. Versatile Storage: Outfitted with a rolling wooden panel door that glides smoothly across the front, allowing you to elegantly conceal or showcase your electronics, books, or decor. The left side includes sturdy open shelving, while the right features enclosed shelving behind the door.Multifunctional Design: Perfect as a living room TV stand, a dining room sideboard/buffet, a home office credenza, or an entryway accent console. ConditionGreat pre-owned condition with excellent structural integrity. Light cosmetic surface marks consistent with minor, normal use. The wood possesses an intentionally distressed, rustic factory finish that beautifully hides any minor everyday wear. 384 / 811 -
Upgrade your living space or entertainment area with this stunning, high-end Arhaus Baumann Media Console. Renowned for its exceptional craftsmanship, this heavy, statement-making piece effortlessly blends rugged industrial design with a warm, rustic farmhouse aesthetic. Key FeaturesPremium Construction: Handcrafted from beautiful, durable solid oak with unique natural wood grain patterns and variations throughout. Industrial Accents: Features heavy-duty, antiqued black iron sliding barn-door hardware on a prominent top track. Versatile Storage: Outfitted with a rolling wooden panel door that glides smoothly across the front, allowing you to elegantly conceal or showcase your electronics, books, or decor. The left side includes sturdy open shelving, while the right features enclosed shelving behind the door.Multifunctional Design: Perfect as a living room TV stand, a dining room sideboard/buffet, a home office credenza, or an entryway accent console. ConditionGreat pre-owned condition with excellent structural integrity. Light cosmetic surface marks consistent with minor, normal use. The wood possesses an intentionally distressed, rustic factory finish that beautifully hides any minor everyday wear. 385 / 811 -
Upgrade your living space or entertainment area with this stunning, high-end Arhaus Baumann Media Console. Renowned for its exceptional craftsmanship, this heavy, statement-making piece effortlessly blends rugged industrial design with a warm, rustic farmhouse aesthetic. Key FeaturesPremium Construction: Handcrafted from beautiful, durable solid oak with unique natural wood grain patterns and variations throughout. Industrial Accents: Features heavy-duty, antiqued black iron sliding barn-door hardware on a prominent top track. Versatile Storage: Outfitted with a rolling wooden panel door that glides smoothly across the front, allowing you to elegantly conceal or showcase your electronics, books, or decor. The left side includes sturdy open shelving, while the right features enclosed shelving behind the door.Multifunctional Design: Perfect as a living room TV stand, a dining room sideboard/buffet, a home office credenza, or an entryway accent console. ConditionGreat pre-owned condition with excellent structural integrity. Light cosmetic surface marks consistent with minor, normal use. The wood possesses an intentionally distressed, rustic factory finish that beautifully hides any minor everyday wear. 386 / 811 -
Upgrade your living space or entertainment area with this stunning, high-end Arhaus Baumann Media Console. Renowned for its exceptional craftsmanship, this heavy, statement-making piece effortlessly blends rugged industrial design with a warm, rustic farmhouse aesthetic. Key FeaturesPremium Construction: Handcrafted from beautiful, durable solid oak with unique natural wood grain patterns and variations throughout. Industrial Accents: Features heavy-duty, antiqued black iron sliding barn-door hardware on a prominent top track. Versatile Storage: Outfitted with a rolling wooden panel door that glides smoothly across the front, allowing you to elegantly conceal or showcase your electronics, books, or decor. The left side includes sturdy open shelving, while the right features enclosed shelving behind the door.Multifunctional Design: Perfect as a living room TV stand, a dining room sideboard/buffet, a home office credenza, or an entryway accent console. ConditionGreat pre-owned condition with excellent structural integrity. Light cosmetic surface marks consistent with minor, normal use. The wood possesses an intentionally distressed, rustic factory finish that beautifully hides any minor everyday wear. 387 / 811 -
Upgrade your living space or entertainment area with this stunning, high-end Arhaus Baumann Media Console. Renowned for its exceptional craftsmanship, this heavy, statement-making piece effortlessly blends rugged industrial design with a warm, rustic farmhouse aesthetic. Key FeaturesPremium Construction: Handcrafted from beautiful, durable solid oak with unique natural wood grain patterns and variations throughout. Industrial Accents: Features heavy-duty, antiqued black iron sliding barn-door hardware on a prominent top track. Versatile Storage: Outfitted with a rolling wooden panel door that glides smoothly across the front, allowing you to elegantly conceal or showcase your electronics, books, or decor. The left side includes sturdy open shelving, while the right features enclosed shelving behind the door.Multifunctional Design: Perfect as a living room TV stand, a dining room sideboard/buffet, a home office credenza, or an entryway accent console. ConditionGreat pre-owned condition with excellent structural integrity. Light cosmetic surface marks consistent with minor, normal use. The wood possesses an intentionally distressed, rustic factory finish that beautifully hides any minor everyday wear. 388 / 811 -
Design Details: The Mechanism: It features a solid cast-iron trestle base equipped with exposed gears and a dual-crank wheel system. One crank controls the overall height adjustment, while the half-moon geared brackets at the top let you tilt or completely flatten the wooden work surface.The Top: It is paired with a thick, distressed solid wood tabletop framed with clean mitered edges. Excellent condition Was over $2500 new! 389 / 811 -
Design Details: The Mechanism: It features a solid cast-iron trestle base equipped with exposed gears and a dual-crank wheel system. One crank controls the overall height adjustment, while the half-moon geared brackets at the top let you tilt or completely flatten the wooden work surface.The Top: It is paired with a thick, distressed solid wood tabletop framed with clean mitered edges. Excellent condition Was over $2500 new! 390 / 811 -
Design Details: The Mechanism: It features a solid cast-iron trestle base equipped with exposed gears and a dual-crank wheel system. One crank controls the overall height adjustment, while the half-moon geared brackets at the top let you tilt or completely flatten the wooden work surface.The Top: It is paired with a thick, distressed solid wood tabletop framed with clean mitered edges. Excellent condition Was over $2500 new! 391 / 811 -
Design Details: The Mechanism: It features a solid cast-iron trestle base equipped with exposed gears and a dual-crank wheel system. One crank controls the overall height adjustment, while the half-moon geared brackets at the top let you tilt or completely flatten the wooden work surface.The Top: It is paired with a thick, distressed solid wood tabletop framed with clean mitered edges. Excellent condition Was over $2500 new! 392 / 811 -
Design Details: The Mechanism: It features a solid cast-iron trestle base equipped with exposed gears and a dual-crank wheel system. One crank controls the overall height adjustment, while the half-moon geared brackets at the top let you tilt or completely flatten the wooden work surface.The Top: It is paired with a thick, distressed solid wood tabletop framed with clean mitered edges. Excellent condition Was over $2500 new! 393 / 811
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