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Estate Sales
Colorado
Fort Collins

Ms. Museum Estate Sales

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Liston and Barbara Leyendecker Estate Collection Auction #2 in Fort Collins

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Sale Details
250 Online Auction Items

Wallet appears unused. Very nice condition!

1601 / 2223 sold
Wallet appears unused. Very nice condition!

1602 / 2223 sold
Wallet appears unused. Very nice condition!

1603 / 2223 sold
Wallet appears unused. Very nice condition!

1604 / 2223 sold
Wallet appears unused. Very nice condition!

1605 / 2223 sold
Sweet little bag. Nice and clean.

1606 / 2223 sold
Sweet little bag. Nice and clean.

1607 / 2223 sold
Sweet little bag. Nice and clean.

1608 / 2223 sold
Sweet little bag. Nice and clean.

1609 / 2223 sold
Sweet little bag. Nice and clean.

1610 / 2223 sold
Sweet little bag. Nice and clean.

1611 / 2223 sold
Nice and clean

1612 / 2223 sold
Nice and clean

1613 / 2223 sold
Nice and clean

1614 / 2223 sold
Nice and clean

1615 / 2223 sold
Nice and clean

1616 / 2223 sold
Nice and clean

1617 / 2223 sold
Nice and clean

1618 / 2223 sold
Nice and clean

1619 / 2223 sold
Perfect for the Holidays and beyond. The coat is beautiful condition and ready to wear.

1620 / 2223 sold
Perfect for the Holidays and beyond. The coat is beautiful condition and ready to wear.

1621 / 2223 sold
Perfect for the Holidays and beyond. The coat is beautiful condition and ready to wear.

1622 / 2223 sold
Perfect for the Holidays and beyond. The coat is beautiful condition and ready to wear.

1623 / 2223 sold
Perfect for the Holidays and beyond. The coat is beautiful condition and ready to wear.

1624 / 2223 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1625 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1626 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1627 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1628 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1629 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1630 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1631 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1632 / 2223
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1633 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1634 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1635 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1636 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1637 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1638 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1639 / 2223 sold
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1640 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1641 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1642 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1643 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1644 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1645 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1646 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1647 / 2223
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1648 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1649 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1650 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1651 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1652 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1653 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1654 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1655 / 2223 sold
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1656 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1657 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1658 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1659 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1660 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1661 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1662 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1663 / 2223
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1664 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1665 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1666 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1667 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1668 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1669 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1670 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1671 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1672 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1673 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1674 / 2223 sold
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1675 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1676 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1677 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1678 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1679 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1680 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1681 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1682 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1683 / 2223
Titled and signed on backside.

1684 / 2223 sold
Titled and signed on backside.

1685 / 2223 sold
Titled and signed on backside.

1686 / 2223 sold
Titled and signed on backside.

1687 / 2223 sold
Titled and signed on backside.

1688 / 2223 sold
Titled and signed on backside.

1689 / 2223 sold
Titled and signed on backside.

1690 / 2223 sold
Titled and signed on backside.

1691 / 2223 sold
Titled and signed on backside.

1692 / 2223 sold
Titled and signed on backside.

1693 / 2223 sold
10" Ã— 10" Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1694 / 2223 sold
10" Ã— 10" Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1695 / 2223 sold
10" Ã— 10" Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1696 / 2223 sold
10" Ã— 10" Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1697 / 2223 sold
10" Ã— 10" Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1698 / 2223 sold
10" Ã— 10" Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1699 / 2223 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1700 / 2223

Photos 1601 - 1700 of 2223

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