Register Sign In List a Sale

EstateSales.org

Find Sales
Estate Sales & Auctions Near You
Shop
Online Sales & Auctions
Hire
An Estate Sale Company or Auctioneer

Search EstateSales.org

Find Estate Sales
Shop Online Sales & Auctions
Hire A Company
List A Sale
Cart (0)

Account

Register Sign In

Estate Sales
Colorado
Fort Collins

Ms. Museum Estate Sales

Follow company

Liston and Barbara Leyendecker Estate Collection Auction #2 in Fort Collins

Follow sale Following sale

Online bidding closed

Sale Details
250 Online Auction Items

Wallet appears unused. Very nice condition!

1601 / 2223 sold
Wallet appears unused. Very nice condition!

1602 / 2223 sold
Wallet appears unused. Very nice condition!

1603 / 2223 sold
Wallet appears unused. Very nice condition!

1604 / 2223 sold
Wallet appears unused. Very nice condition!

1605 / 2223 sold
Sweet little bag. Nice and clean.

1606 / 2223 sold
Sweet little bag. Nice and clean.

1607 / 2223 sold
Sweet little bag. Nice and clean.

1608 / 2223 sold
Sweet little bag. Nice and clean.

1609 / 2223 sold
Sweet little bag. Nice and clean.

1610 / 2223 sold
Sweet little bag. Nice and clean.

1611 / 2223 sold
Nice and clean

1612 / 2223 sold
Nice and clean

1613 / 2223 sold
Nice and clean

1614 / 2223 sold
Nice and clean

1615 / 2223 sold
Nice and clean

1616 / 2223 sold
Nice and clean

1617 / 2223 sold
Nice and clean

1618 / 2223 sold
Nice and clean

1619 / 2223 sold
Perfect for the Holidays and beyond. The coat is beautiful condition and ready to wear.

1620 / 2223 sold
Perfect for the Holidays and beyond. The coat is beautiful condition and ready to wear.

1621 / 2223 sold
Perfect for the Holidays and beyond. The coat is beautiful condition and ready to wear.

1622 / 2223 sold
Perfect for the Holidays and beyond. The coat is beautiful condition and ready to wear.

1623 / 2223 sold
Perfect for the Holidays and beyond. The coat is beautiful condition and ready to wear.

1624 / 2223 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1625 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1626 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1627 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1628 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1629 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1630 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1631 / 2223
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1632 / 2223
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1633 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1634 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1635 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1636 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1637 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1638 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1639 / 2223 sold
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1640 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1641 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1642 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1643 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1644 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1645 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1646 / 2223
â˜†Monoprintâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1647 / 2223
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1648 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1649 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1650 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1651 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1652 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1653 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1654 / 2223 sold
â˜†Medium: Crayon de Archeâ˜† Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1655 / 2223 sold
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1656 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1657 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1658 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1659 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1660 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1661 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1662 / 2223
Excerpt about Bill's Work: The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1663 / 2223
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1664 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1665 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1666 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1667 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1668 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1669 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1670 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1671 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1672 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1673 / 2223 sold
Titled on backside. After further research, the name and date are from the original owner of the original owner of the painting not the artist. Excerpt Bio: Born in Whiting Kansas in 1885 Willard Page had an affinity for drawing and painting which he enthusiastically pursued during his childhood and school days. Difficult and limited economic opportunity in the early 1900s in Kansas led Willard to dream of a way to follow his still coalescing dreams. An opportunity to join a traveling branch of the social and artistic edification group of the Redpath-Horner Lyceum and Chautauqua circuit was an opportunity not to be missed by the young creative and well read artist. As part of his new found troupe he toured the Midwest and west, giving dramatic readings, often combining the talks with the rapid execution of pastel and chalk drawings. These earned him billing as a lightning artist, one who could draw as fast as he could talk. This introduced an aspect of showmanship to his presentations and helped forge his distinctive style of artwork. When Willard met Ethel Iles through a friend in Boulder a romantic and creative partnership was formed which lasted throughout their life together. On the tours, Ethel an accomplished pianist would accompany Willard as he lectured and sketched. Due in some part to the increased accessibility and popularity of radio, disputes about the format and message of the Chautauqua series and the economy in general the circuit became a less favorable option for the newly married couple. Leaving the curcuit Willard and Ethel struck out on their own and moved to Boulder Colorado where they had become enamored of the mountains and unspoilt scenery. These majestic vistas inspired Willardâ€™s work and needing an income Willard began painting series of miniature landscapes depicting the beautiful and rugged surroundings. He sold his paintings to tourists by the side of the road, through gift shops and galleries and to ranchers and residents in the region living and working out of a modified truck/studio built on a 1920s Dodge chassis. When time permitted Willard produced series in larger multiple sizes formats and more significantly, epic landscapes of great clarity and skill,drawing upon all of the work he had done in his miniatures. Willard working in the camper/studio circa 1926 courtesy of Carolyn Oâ€™Bagy Davis willardpageartist.com Over the years as his wifeâ€™s health was affected by worsening arthritis they took road trips through New Mexico, Arizona and California to escape the winter weather. His work began to encompass the Southwestern landscape but he could still paint mountain scenes from memory and by request for eager patrons. Thanks to Carolyn Oâ€™Bagy Davis willardpageartist.com for insights and information related to biography page.

1674 / 2223 sold
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1675 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1676 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1677 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1678 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1679 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1680 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1681 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1682 / 2223
The B. Amundson Story B. Amundson specializes in large multimedia constructions and colored pencil drawings. His work reflects an interest in the mauve and grey areas between bad taste and the acceptable middle class aesthetic and explores differences between the two, particularly as reflected through such American staples as the subdivision, the chain restaurant, interstate travel, and the vacation experience with its ubiquitous industry of curio production.

1683 / 2223
Titled and signed on backside.

1684 / 2223 sold
Titled and signed on backside.

1685 / 2223 sold
Titled and signed on backside.

1686 / 2223 sold
Titled and signed on backside.

1687 / 2223 sold
Titled and signed on backside.

1688 / 2223 sold
Titled and signed on backside.

1689 / 2223 sold
Titled and signed on backside.

1690 / 2223 sold
Titled and signed on backside.

1691 / 2223 sold
Titled and signed on backside.

1692 / 2223 sold
Titled and signed on backside.

1693 / 2223 sold
10" Ã— 10" Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1694 / 2223 sold
10" Ã— 10" Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1695 / 2223 sold
10" Ã— 10" Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1696 / 2223 sold
10" Ã— 10" Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1697 / 2223 sold
10" Ã— 10" Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1698 / 2223 sold
10" Ã— 10" Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1699 / 2223 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection.

1700 / 2223

Photos 1601 - 1700 of 2223

Per page:

Prev Page Next Page

Return to Sale Details

Follow Ms. Museum Estate Sales

Craigslist Code

Please note that Craigslist has stopped allowing external images as well as most html tags in their "for sale" listings. Your template will still have a full link to your sale and your sale photo gallery.

Preview your Craigslist template

Go to Craigslist and find your city.
Under For Sale, click on the Garage Sale category.
Click on the Post link in the upper right corner of the page.
Choose the Garage Sale category and then select your area. Craigslist doesn't have an Estate Sale category and this is the closest match.
Add the title of your sale and the location.
Add your email address and keep it anonymous to prevent spam.
Copy & Paste the html code below into the Posting Description text box.
Click Continue to add photos and publish your sale. You will receive a confirmation email from Craigslist to verify the sale. Activate your sale by clicking the link in your email and your done!
Craigslist allows you to re-post your ad every 48 hours. Re-post any sooner and your ad may be subject to removal.

EstateSales.org

EstateSales.org on Facebook EstateSales.org on Twitter EstateSales.org on Instagram EstateSales.org on Pinterest Contact EstateSales.org

EstateSales.org is a leading website for advertising estate sales & hosting online estate auctions in the United States, with over 1,000,000 registered members and estate sales from over 4,000 estate sale companies and auctioneers. Our nationwide directory of estate sale companies helps people find estate liquidators near their area.

What Is an Estate Sale?
Advertise an Estate Sale
Estate Sale Companies
Estate Sale Blog
Estate Sale Company Blog
Found It On EstateSales.org

About
Sign In
Register
Newsletter Signup
Contact
Help

© 2009-Present EstateSales.org, All rights reserved.

Terms & Conditions Privacy Policy DMCA & Copyright Policy

Create an account

Tell us what you'd like to do:

BuyBrowse, shop, and bid on items SellAdvertise your estate sale or auction company

Have an existing account? Sign In

Get estate sales near you sent to your inbox.

No ThanksRemind me later