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Liston and Barbara Leyendecker Collection Estate Auction LAST SALE!!!

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Sale Details
139 Online Auction Items

Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, TeotihuacÃ¡n, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time.

801 / 1103 sold
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, TeotihuacÃ¡n, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time.

802 / 1103 sold
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, TeotihuacÃ¡n, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time.

803 / 1103 sold
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, TeotihuacÃ¡n, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time.

804 / 1103 sold
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, TeotihuacÃ¡n, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time.

805 / 1103 sold
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, TeotihuacÃ¡n, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time.

806 / 1103 sold
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, TeotihuacÃ¡n, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time.

807 / 1103 sold
Excerpt: Carol Summers (December 26, 1925 â€“ October 27, 2016) was an American printmaker, known for creating works by woodcut process. Summers created his prints through a process he developed in the 1950s that became known in as the "Carol Summers technique": soaking large blocks of wood in ink, he placed them in patterns on one side of a piece of paper in order to, as one reviewer described his work, "give beautiful, blurry, shapes to the other side. The results are simple, decorative and uniquely vibrant." Summers's work is part of the permanent collection of the Art Institute of Chicago, the Brooklyn Museum,[1] the Museum of Modern Art in New York City and the National Gallery of Art in Washington, DC In addition to his art, Summers had a career as a teacher, serving as an instructor at Hunter College, the Brooklyn Museum School, Pratt Graphics Center, and Columbia University.

808 / 1103 sold
Excerpt: Carol Summers (December 26, 1925 â€“ October 27, 2016) was an American printmaker, known for creating works by woodcut process. Summers created his prints through a process he developed in the 1950s that became known in as the "Carol Summers technique": soaking large blocks of wood in ink, he placed them in patterns on one side of a piece of paper in order to, as one reviewer described his work, "give beautiful, blurry, shapes to the other side. The results are simple, decorative and uniquely vibrant." Summers's work is part of the permanent collection of the Art Institute of Chicago, the Brooklyn Museum,[1] the Museum of Modern Art in New York City and the National Gallery of Art in Washington, DC In addition to his art, Summers had a career as a teacher, serving as an instructor at Hunter College, the Brooklyn Museum School, Pratt Graphics Center, and Columbia University.

809 / 1103 sold
Excerpt: Carol Summers (December 26, 1925 â€“ October 27, 2016) was an American printmaker, known for creating works by woodcut process. Summers created his prints through a process he developed in the 1950s that became known in as the "Carol Summers technique": soaking large blocks of wood in ink, he placed them in patterns on one side of a piece of paper in order to, as one reviewer described his work, "give beautiful, blurry, shapes to the other side. The results are simple, decorative and uniquely vibrant." Summers's work is part of the permanent collection of the Art Institute of Chicago, the Brooklyn Museum,[1] the Museum of Modern Art in New York City and the National Gallery of Art in Washington, DC In addition to his art, Summers had a career as a teacher, serving as an instructor at Hunter College, the Brooklyn Museum School, Pratt Graphics Center, and Columbia University.

810 / 1103 sold
Excerpt: Carol Summers (December 26, 1925 â€“ October 27, 2016) was an American printmaker, known for creating works by woodcut process. Summers created his prints through a process he developed in the 1950s that became known in as the "Carol Summers technique": soaking large blocks of wood in ink, he placed them in patterns on one side of a piece of paper in order to, as one reviewer described his work, "give beautiful, blurry, shapes to the other side. The results are simple, decorative and uniquely vibrant." Summers's work is part of the permanent collection of the Art Institute of Chicago, the Brooklyn Museum,[1] the Museum of Modern Art in New York City and the National Gallery of Art in Washington, DC In addition to his art, Summers had a career as a teacher, serving as an instructor at Hunter College, the Brooklyn Museum School, Pratt Graphics Center, and Columbia University.

811 / 1103 sold
Excerpt: Carol Summers (December 26, 1925 â€“ October 27, 2016) was an American printmaker, known for creating works by woodcut process. Summers created his prints through a process he developed in the 1950s that became known in as the "Carol Summers technique": soaking large blocks of wood in ink, he placed them in patterns on one side of a piece of paper in order to, as one reviewer described his work, "give beautiful, blurry, shapes to the other side. The results are simple, decorative and uniquely vibrant." Summers's work is part of the permanent collection of the Art Institute of Chicago, the Brooklyn Museum,[1] the Museum of Modern Art in New York City and the National Gallery of Art in Washington, DC In addition to his art, Summers had a career as a teacher, serving as an instructor at Hunter College, the Brooklyn Museum School, Pratt Graphics Center, and Columbia University.

812 / 1103 sold
Excerpt: Carol Summers (December 26, 1925 â€“ October 27, 2016) was an American printmaker, known for creating works by woodcut process. Summers created his prints through a process he developed in the 1950s that became known in as the "Carol Summers technique": soaking large blocks of wood in ink, he placed them in patterns on one side of a piece of paper in order to, as one reviewer described his work, "give beautiful, blurry, shapes to the other side. The results are simple, decorative and uniquely vibrant." Summers's work is part of the permanent collection of the Art Institute of Chicago, the Brooklyn Museum,[1] the Museum of Modern Art in New York City and the National Gallery of Art in Washington, DC In addition to his art, Summers had a career as a teacher, serving as an instructor at Hunter College, the Brooklyn Museum School, Pratt Graphics Center, and Columbia University.

813 / 1103 sold
Excerpt: Carol Summers (December 26, 1925 â€“ October 27, 2016) was an American printmaker, known for creating works by woodcut process. Summers created his prints through a process he developed in the 1950s that became known in as the "Carol Summers technique": soaking large blocks of wood in ink, he placed them in patterns on one side of a piece of paper in order to, as one reviewer described his work, "give beautiful, blurry, shapes to the other side. The results are simple, decorative and uniquely vibrant." Summers's work is part of the permanent collection of the Art Institute of Chicago, the Brooklyn Museum,[1] the Museum of Modern Art in New York City and the National Gallery of Art in Washington, DC In addition to his art, Summers had a career as a teacher, serving as an instructor at Hunter College, the Brooklyn Museum School, Pratt Graphics Center, and Columbia University.

814 / 1103 sold
Excerpt: Carol Summers (December 26, 1925 â€“ October 27, 2016) was an American printmaker, known for creating works by woodcut process. Summers created his prints through a process he developed in the 1950s that became known in as the "Carol Summers technique": soaking large blocks of wood in ink, he placed them in patterns on one side of a piece of paper in order to, as one reviewer described his work, "give beautiful, blurry, shapes to the other side. The results are simple, decorative and uniquely vibrant." Summers's work is part of the permanent collection of the Art Institute of Chicago, the Brooklyn Museum,[1] the Museum of Modern Art in New York City and the National Gallery of Art in Washington, DC In addition to his art, Summers had a career as a teacher, serving as an instructor at Hunter College, the Brooklyn Museum School, Pratt Graphics Center, and Columbia University.

815 / 1103 sold
Excerpt: Carol Summers (December 26, 1925 â€“ October 27, 2016) was an American printmaker, known for creating works by woodcut process. Summers created his prints through a process he developed in the 1950s that became known in as the "Carol Summers technique": soaking large blocks of wood in ink, he placed them in patterns on one side of a piece of paper in order to, as one reviewer described his work, "give beautiful, blurry, shapes to the other side. The results are simple, decorative and uniquely vibrant." Summers's work is part of the permanent collection of the Art Institute of Chicago, the Brooklyn Museum,[1] the Museum of Modern Art in New York City and the National Gallery of Art in Washington, DC In addition to his art, Summers had a career as a teacher, serving as an instructor at Hunter College, the Brooklyn Museum School, Pratt Graphics Center, and Columbia University.

816 / 1103 sold
Excerpt: Carol Summers (December 26, 1925 â€“ October 27, 2016) was an American printmaker, known for creating works by woodcut process. Summers created his prints through a process he developed in the 1950s that became known in as the "Carol Summers technique": soaking large blocks of wood in ink, he placed them in patterns on one side of a piece of paper in order to, as one reviewer described his work, "give beautiful, blurry, shapes to the other side. The results are simple, decorative and uniquely vibrant." Summers's work is part of the permanent collection of the Art Institute of Chicago, the Brooklyn Museum,[1] the Museum of Modern Art in New York City and the National Gallery of Art in Washington, DC In addition to his art, Summers had a career as a teacher, serving as an instructor at Hunter College, the Brooklyn Museum School, Pratt Graphics Center, and Columbia University.

817 / 1103 sold
NambÃ© was founded as NambÃ© Mills in 1951 by Pauline Cable in Pojoaque. The company's foundry was moved to Santa Fe following a fire in 1976. A few years later, it was bought by the Hillenbrand family. Until about 10 years ago, NambÃ©'s signature aluminum alloy products were manufactured in New Mexico.

818 / 1103 sold
NambÃ© was founded as NambÃ© Mills in 1951 by Pauline Cable in Pojoaque. The company's foundry was moved to Santa Fe following a fire in 1976. A few years later, it was bought by the Hillenbrand family. Until about 10 years ago, NambÃ©'s signature aluminum alloy products were manufactured in New Mexico.

819 / 1103 sold
NambÃ© was founded as NambÃ© Mills in 1951 by Pauline Cable in Pojoaque. The company's foundry was moved to Santa Fe following a fire in 1976. A few years later, it was bought by the Hillenbrand family. Until about 10 years ago, NambÃ©'s signature aluminum alloy products were manufactured in New Mexico.

820 / 1103 sold
NambÃ© was founded as NambÃ© Mills in 1951 by Pauline Cable in Pojoaque. The company's foundry was moved to Santa Fe following a fire in 1976. A few years later, it was bought by the Hillenbrand family. Until about 10 years ago, NambÃ©'s signature aluminum alloy products were manufactured in New Mexico.

821 / 1103 sold
NambÃ© was founded as NambÃ© Mills in 1951 by Pauline Cable in Pojoaque. The company's foundry was moved to Santa Fe following a fire in 1976. A few years later, it was bought by the Hillenbrand family. Until about 10 years ago, NambÃ©'s signature aluminum alloy products were manufactured in New Mexico.

822 / 1103 sold
NambÃ© was founded as NambÃ© Mills in 1951 by Pauline Cable in Pojoaque. The company's foundry was moved to Santa Fe following a fire in 1976. A few years later, it was bought by the Hillenbrand family. Until about 10 years ago, NambÃ©'s signature aluminum alloy products were manufactured in New Mexico.

823 / 1103 sold
NambÃ© was founded as NambÃ© Mills in 1951 by Pauline Cable in Pojoaque. The company's foundry was moved to Santa Fe following a fire in 1976. A few years later, it was bought by the Hillenbrand family. Until about 10 years ago, NambÃ©'s signature aluminum alloy products were manufactured in New Mexico.

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The W.S. Blackinton company operated in Meriden, CT, what follows is a brief history of the company: This piece was made by the W & S Blackinton Co. from Meriden, CT . The Blackinton brothers founded this company in 1865. They specialized in gold jewelry. The firm was sold to the Elmore Silver Co. in 1938. At this time, silver plate holloware was introduced into production.

835 / 1103 sold
The W.S. Blackinton company operated in Meriden, CT, what follows is a brief history of the company: This piece was made by the W & S Blackinton Co. from Meriden, CT . The Blackinton brothers founded this company in 1865. They specialized in gold jewelry. The firm was sold to the Elmore Silver Co. in 1938. At this time, silver plate holloware was introduced into production.

836 / 1103 sold
The W.S. Blackinton company operated in Meriden, CT, what follows is a brief history of the company: This piece was made by the W & S Blackinton Co. from Meriden, CT . The Blackinton brothers founded this company in 1865. They specialized in gold jewelry. The firm was sold to the Elmore Silver Co. in 1938. At this time, silver plate holloware was introduced into production.

837 / 1103 sold
The W.S. Blackinton company operated in Meriden, CT, what follows is a brief history of the company: This piece was made by the W & S Blackinton Co. from Meriden, CT . The Blackinton brothers founded this company in 1865. They specialized in gold jewelry. The firm was sold to the Elmore Silver Co. in 1938. At this time, silver plate holloware was introduced into production.

838 / 1103 sold
The W.S. Blackinton company operated in Meriden, CT, what follows is a brief history of the company: This piece was made by the W & S Blackinton Co. from Meriden, CT . The Blackinton brothers founded this company in 1865. They specialized in gold jewelry. The firm was sold to the Elmore Silver Co. in 1938. At this time, silver plate holloware was introduced into production.

839 / 1103 sold
The W.S. Blackinton company operated in Meriden, CT, what follows is a brief history of the company: This piece was made by the W & S Blackinton Co. from Meriden, CT . The Blackinton brothers founded this company in 1865. They specialized in gold jewelry. The firm was sold to the Elmore Silver Co. in 1938. At this time, silver plate holloware was introduced into production.

840 / 1103 sold
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853 / 1103 sold
This lot features a stylish Vintage leather Suitcase with the original silky soft interior intact. Although it does not have the original key, the Suitcase still has lots of life left. Measures 18" x 13" x 6".

854 / 1103 sold
This lot features a stylish Vintage leather Suitcase with the original silky soft interior intact. Although it does not have the original key, the Suitcase still has lots of life left. Measures 18" x 13" x 6".

855 / 1103 sold
This lot features a stylish Vintage leather Suitcase with the original silky soft interior intact. Although it does not have the original key, the Suitcase still has lots of life left. Measures 18" x 13" x 6".

856 / 1103 sold
This lot features a stylish Vintage leather Suitcase with the original silky soft interior intact. Although it does not have the original key, the Suitcase still has lots of life left. Measures 18" x 13" x 6".

857 / 1103 sold
This lot features a stylish Vintage leather Suitcase with the original silky soft interior intact. Although it does not have the original key, the Suitcase still has lots of life left. Measures 18" x 13" x 6".

858 / 1103 sold
This lot features a stylish Vintage leather Suitcase with the original silky soft interior intact. Although it does not have the original key, the Suitcase still has lots of life left. Measures 18" x 13" x 6".

859 / 1103 sold
This lot features a stylish Vintage leather Suitcase with the original silky soft interior intact. Although it does not have the original key, the Suitcase still has lots of life left. Measures 18" x 13" x 6".

860 / 1103 sold
This lot features a stylish Vintage leather Suitcase with the original silky soft interior intact. Although it does not have the original key, the Suitcase still has lots of life left. Measures 18" x 13" x 6".

861 / 1103 sold
This lot features a stylish Vintage leather Suitcase with the original silky soft interior intact. Although it does not have the original key, the Suitcase still has lots of life left. Measures 18" x 13" x 6".

862 / 1103 sold
Colorado Artist & Poet *****Dan G.- this is the Artist that you have been collecting!*****

863 / 1103 sold
Colorado Artist & Poet *****Dan G.- this is the Artist that you have been collecting!*****

864 / 1103 sold
Colorado Artist & Poet *****Dan G.- this is the Artist that you have been collecting!*****

865 / 1103 sold
Colorado Artist & Poet *****Dan G.- this is the Artist that you have been collecting!*****

866 / 1103 sold
Colorado Artist & Poet *****Dan G.- this is the Artist that you have been collecting!*****

867 / 1103 sold
Colorado Artist & Poet *****Dan G.- this is the Artist that you have been collecting!*****

868 / 1103 sold
Colorado Artist & Poet *****Dan G.- this is the Artist that you have been collecting!*****

869 / 1103 sold
Colorado Artist & Poet *****Dan G.- this is the Artist that you have been collecting!*****

870 / 1103 sold
Colorado Artist & Poet *****Dan G.- this is the Artist that you have been collecting!*****

871 / 1103 sold
Excerpt: Robert Hunter Middleton (May 6, 1898 â€“ August 3, 1985) was an American book designer, painter, and type designer. Born in Glasgow, Scotland he came to Chicago in 1908 where he studied at the School of the Art Institute. He joined the design department of the Ludlow Typograph Company in 1923 and served as director of the department of typeface design from 1933â€“71. In 1944 he began operating a private press, The Cherryburn Press. He died in Chicago.

872 / 1103 sold
Excerpt: Robert Hunter Middleton (May 6, 1898 â€“ August 3, 1985) was an American book designer, painter, and type designer. Born in Glasgow, Scotland he came to Chicago in 1908 where he studied at the School of the Art Institute. He joined the design department of the Ludlow Typograph Company in 1923 and served as director of the department of typeface design from 1933â€“71. In 1944 he began operating a private press, The Cherryburn Press. He died in Chicago.

873 / 1103 sold
Excerpt: Robert Hunter Middleton (May 6, 1898 â€“ August 3, 1985) was an American book designer, painter, and type designer. Born in Glasgow, Scotland he came to Chicago in 1908 where he studied at the School of the Art Institute. He joined the design department of the Ludlow Typograph Company in 1923 and served as director of the department of typeface design from 1933â€“71. In 1944 he began operating a private press, The Cherryburn Press. He died in Chicago.

874 / 1103 sold
Excerpt: Robert Hunter Middleton (May 6, 1898 â€“ August 3, 1985) was an American book designer, painter, and type designer. Born in Glasgow, Scotland he came to Chicago in 1908 where he studied at the School of the Art Institute. He joined the design department of the Ludlow Typograph Company in 1923 and served as director of the department of typeface design from 1933â€“71. In 1944 he began operating a private press, The Cherryburn Press. He died in Chicago.

875 / 1103 sold
Excerpt: Robert Hunter Middleton (May 6, 1898 â€“ August 3, 1985) was an American book designer, painter, and type designer. Born in Glasgow, Scotland he came to Chicago in 1908 where he studied at the School of the Art Institute. He joined the design department of the Ludlow Typograph Company in 1923 and served as director of the department of typeface design from 1933â€“71. In 1944 he began operating a private press, The Cherryburn Press. He died in Chicago.

876 / 1103 sold
Excerpt: Robert Hunter Middleton (May 6, 1898 â€“ August 3, 1985) was an American book designer, painter, and type designer. Born in Glasgow, Scotland he came to Chicago in 1908 where he studied at the School of the Art Institute. He joined the design department of the Ludlow Typograph Company in 1923 and served as director of the department of typeface design from 1933â€“71. In 1944 he began operating a private press, The Cherryburn Press. He died in Chicago.

877 / 1103 sold
It appears to be an Original Pastel by John Excerpt about John: ART REVIEW Review: Performance on Paper Dances Into the Denver Art Museum MICHAEL PAGLIA AUGUST 3, 2016 6:45AM This summer, the Denver Art Museum is presenting several exhibits devoted to dance; DAM curators are mounting shows within their specialties that somehow touch on that topic. Though it might seem like a stretch for Darrin Alfred, the curator of architecture, design and graphics, to come up with something relevant â€” the categories covered by his department are defined by their static quality, while dance is all about movement â€” heâ€™s done just that with the clever Performance on Paper: The Posters of Phil Risbeck and John Sorbie. Dance is just one of several areas of the performing arts featured in these works; still, there are enough dance posters here to provide a connection to the overarching theme. But this show also has an interesting connection to another topic: Western art. Alfred has mounted it in a space in the Western American art galleries on level two of the Hamilton Building; he explains that he made this call because Risbeck and Sorbie are Western artists, as they were/are based in Fort Collins. (Sorbie, who died in 1995, founded the graphic-arts department at Colorado State University in 1958; Risbeck joined the faculty in the â€™60s and still teaches there.) Working separately over the decades, the two created remarkable collections of posters announcing upcoming films, plays, concerts and, of course, dance performances on the campus. Though itâ€™s hard to make specific stylistic observations about either designer, both use the juxtaposition of eye-catching representational imagery and blocks of text.

878 / 1103 sold
It appears to be an Original Pastel by John Excerpt about John: ART REVIEW Review: Performance on Paper Dances Into the Denver Art Museum MICHAEL PAGLIA AUGUST 3, 2016 6:45AM This summer, the Denver Art Museum is presenting several exhibits devoted to dance; DAM curators are mounting shows within their specialties that somehow touch on that topic. Though it might seem like a stretch for Darrin Alfred, the curator of architecture, design and graphics, to come up with something relevant â€” the categories covered by his department are defined by their static quality, while dance is all about movement â€” heâ€™s done just that with the clever Performance on Paper: The Posters of Phil Risbeck and John Sorbie. Dance is just one of several areas of the performing arts featured in these works; still, there are enough dance posters here to provide a connection to the overarching theme. But this show also has an interesting connection to another topic: Western art. Alfred has mounted it in a space in the Western American art galleries on level two of the Hamilton Building; he explains that he made this call because Risbeck and Sorbie are Western artists, as they were/are based in Fort Collins. (Sorbie, who died in 1995, founded the graphic-arts department at Colorado State University in 1958; Risbeck joined the faculty in the â€™60s and still teaches there.) Working separately over the decades, the two created remarkable collections of posters announcing upcoming films, plays, concerts and, of course, dance performances on the campus. Though itâ€™s hard to make specific stylistic observations about either designer, both use the juxtaposition of eye-catching representational imagery and blocks of text.

879 / 1103 sold
It appears to be an Original Pastel by John Excerpt about John: ART REVIEW Review: Performance on Paper Dances Into the Denver Art Museum MICHAEL PAGLIA AUGUST 3, 2016 6:45AM This summer, the Denver Art Museum is presenting several exhibits devoted to dance; DAM curators are mounting shows within their specialties that somehow touch on that topic. Though it might seem like a stretch for Darrin Alfred, the curator of architecture, design and graphics, to come up with something relevant â€” the categories covered by his department are defined by their static quality, while dance is all about movement â€” heâ€™s done just that with the clever Performance on Paper: The Posters of Phil Risbeck and John Sorbie. Dance is just one of several areas of the performing arts featured in these works; still, there are enough dance posters here to provide a connection to the overarching theme. But this show also has an interesting connection to another topic: Western art. Alfred has mounted it in a space in the Western American art galleries on level two of the Hamilton Building; he explains that he made this call because Risbeck and Sorbie are Western artists, as they were/are based in Fort Collins. (Sorbie, who died in 1995, founded the graphic-arts department at Colorado State University in 1958; Risbeck joined the faculty in the â€™60s and still teaches there.) Working separately over the decades, the two created remarkable collections of posters announcing upcoming films, plays, concerts and, of course, dance performances on the campus. Though itâ€™s hard to make specific stylistic observations about either designer, both use the juxtaposition of eye-catching representational imagery and blocks of text.

880 / 1103 sold
It appears to be an Original Pastel by John Excerpt about John: ART REVIEW Review: Performance on Paper Dances Into the Denver Art Museum MICHAEL PAGLIA AUGUST 3, 2016 6:45AM This summer, the Denver Art Museum is presenting several exhibits devoted to dance; DAM curators are mounting shows within their specialties that somehow touch on that topic. Though it might seem like a stretch for Darrin Alfred, the curator of architecture, design and graphics, to come up with something relevant â€” the categories covered by his department are defined by their static quality, while dance is all about movement â€” heâ€™s done just that with the clever Performance on Paper: The Posters of Phil Risbeck and John Sorbie. Dance is just one of several areas of the performing arts featured in these works; still, there are enough dance posters here to provide a connection to the overarching theme. But this show also has an interesting connection to another topic: Western art. Alfred has mounted it in a space in the Western American art galleries on level two of the Hamilton Building; he explains that he made this call because Risbeck and Sorbie are Western artists, as they were/are based in Fort Collins. (Sorbie, who died in 1995, founded the graphic-arts department at Colorado State University in 1958; Risbeck joined the faculty in the â€™60s and still teaches there.) Working separately over the decades, the two created remarkable collections of posters announcing upcoming films, plays, concerts and, of course, dance performances on the campus. Though itâ€™s hard to make specific stylistic observations about either designer, both use the juxtaposition of eye-catching representational imagery and blocks of text.

881 / 1103 sold
It appears to be an Original Pastel by John Excerpt about John: ART REVIEW Review: Performance on Paper Dances Into the Denver Art Museum MICHAEL PAGLIA AUGUST 3, 2016 6:45AM This summer, the Denver Art Museum is presenting several exhibits devoted to dance; DAM curators are mounting shows within their specialties that somehow touch on that topic. Though it might seem like a stretch for Darrin Alfred, the curator of architecture, design and graphics, to come up with something relevant â€” the categories covered by his department are defined by their static quality, while dance is all about movement â€” heâ€™s done just that with the clever Performance on Paper: The Posters of Phil Risbeck and John Sorbie. Dance is just one of several areas of the performing arts featured in these works; still, there are enough dance posters here to provide a connection to the overarching theme. But this show also has an interesting connection to another topic: Western art. Alfred has mounted it in a space in the Western American art galleries on level two of the Hamilton Building; he explains that he made this call because Risbeck and Sorbie are Western artists, as they were/are based in Fort Collins. (Sorbie, who died in 1995, founded the graphic-arts department at Colorado State University in 1958; Risbeck joined the faculty in the â€™60s and still teaches there.) Working separately over the decades, the two created remarkable collections of posters announcing upcoming films, plays, concerts and, of course, dance performances on the campus. Though itâ€™s hard to make specific stylistic observations about either designer, both use the juxtaposition of eye-catching representational imagery and blocks of text.

882 / 1103 sold
It appears to be an Original Pastel by John Excerpt about John: ART REVIEW Review: Performance on Paper Dances Into the Denver Art Museum MICHAEL PAGLIA AUGUST 3, 2016 6:45AM This summer, the Denver Art Museum is presenting several exhibits devoted to dance; DAM curators are mounting shows within their specialties that somehow touch on that topic. Though it might seem like a stretch for Darrin Alfred, the curator of architecture, design and graphics, to come up with something relevant â€” the categories covered by his department are defined by their static quality, while dance is all about movement â€” heâ€™s done just that with the clever Performance on Paper: The Posters of Phil Risbeck and John Sorbie. Dance is just one of several areas of the performing arts featured in these works; still, there are enough dance posters here to provide a connection to the overarching theme. But this show also has an interesting connection to another topic: Western art. Alfred has mounted it in a space in the Western American art galleries on level two of the Hamilton Building; he explains that he made this call because Risbeck and Sorbie are Western artists, as they were/are based in Fort Collins. (Sorbie, who died in 1995, founded the graphic-arts department at Colorado State University in 1958; Risbeck joined the faculty in the â€™60s and still teaches there.) Working separately over the decades, the two created remarkable collections of posters announcing upcoming films, plays, concerts and, of course, dance performances on the campus. Though itâ€™s hard to make specific stylistic observations about either designer, both use the juxtaposition of eye-catching representational imagery and blocks of text.

883 / 1103 sold
It appears to be an Original Pastel by John Excerpt about John: ART REVIEW Review: Performance on Paper Dances Into the Denver Art Museum MICHAEL PAGLIA AUGUST 3, 2016 6:45AM This summer, the Denver Art Museum is presenting several exhibits devoted to dance; DAM curators are mounting shows within their specialties that somehow touch on that topic. Though it might seem like a stretch for Darrin Alfred, the curator of architecture, design and graphics, to come up with something relevant â€” the categories covered by his department are defined by their static quality, while dance is all about movement â€” heâ€™s done just that with the clever Performance on Paper: The Posters of Phil Risbeck and John Sorbie. Dance is just one of several areas of the performing arts featured in these works; still, there are enough dance posters here to provide a connection to the overarching theme. But this show also has an interesting connection to another topic: Western art. Alfred has mounted it in a space in the Western American art galleries on level two of the Hamilton Building; he explains that he made this call because Risbeck and Sorbie are Western artists, as they were/are based in Fort Collins. (Sorbie, who died in 1995, founded the graphic-arts department at Colorado State University in 1958; Risbeck joined the faculty in the â€™60s and still teaches there.) Working separately over the decades, the two created remarkable collections of posters announcing upcoming films, plays, concerts and, of course, dance performances on the campus. Though itâ€™s hard to make specific stylistic observations about either designer, both use the juxtaposition of eye-catching representational imagery and blocks of text.

884 / 1103 sold
It appears to be an Original Pastel by John Excerpt about John: ART REVIEW Review: Performance on Paper Dances Into the Denver Art Museum MICHAEL PAGLIA AUGUST 3, 2016 6:45AM This summer, the Denver Art Museum is presenting several exhibits devoted to dance; DAM curators are mounting shows within their specialties that somehow touch on that topic. Though it might seem like a stretch for Darrin Alfred, the curator of architecture, design and graphics, to come up with something relevant â€” the categories covered by his department are defined by their static quality, while dance is all about movement â€” heâ€™s done just that with the clever Performance on Paper: The Posters of Phil Risbeck and John Sorbie. Dance is just one of several areas of the performing arts featured in these works; still, there are enough dance posters here to provide a connection to the overarching theme. But this show also has an interesting connection to another topic: Western art. Alfred has mounted it in a space in the Western American art galleries on level two of the Hamilton Building; he explains that he made this call because Risbeck and Sorbie are Western artists, as they were/are based in Fort Collins. (Sorbie, who died in 1995, founded the graphic-arts department at Colorado State University in 1958; Risbeck joined the faculty in the â€™60s and still teaches there.) Working separately over the decades, the two created remarkable collections of posters announcing upcoming films, plays, concerts and, of course, dance performances on the campus. Though itâ€™s hard to make specific stylistic observations about either designer, both use the juxtaposition of eye-catching representational imagery and blocks of text.

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