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Liston and Barbara Leyendecker Collection Estate Auction LAST SALE!!!

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Sale Details
139 Online Auction Items

701 / 1103 sold
702 / 1103 sold
76.5" Ã— 53" Has damage throughout but still has a lot of life left. Excerpt about the Whirling Log: The swastika motif goes back thousands of years in human culture. One of the oldest symbols made by humans, the swastika dates back some 6,000 years to rock and cave paintings. Scholars generally agree it originated in India. In the Navajo culture the swastika or Whirling Log, represents well being, good luck and protection. It comes from tale of the Whirling Log. The Whirling Log The hero of the story sets out on a long journey. At first the gods try to persuade him against going, but seeing his determination, help him hollow out a log in which he will travel down the river. Along the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft are captured by the Water People who carry him down beneath the waters to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People. When he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two yeis seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to share these gifts with his people. Until the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the swastika solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs. In 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, "Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing."

703 / 1103 sold
76.5" Ã— 53" Has damage throughout but still has a lot of life left. Excerpt about the Whirling Log: The swastika motif goes back thousands of years in human culture. One of the oldest symbols made by humans, the swastika dates back some 6,000 years to rock and cave paintings. Scholars generally agree it originated in India. In the Navajo culture the swastika or Whirling Log, represents well being, good luck and protection. It comes from tale of the Whirling Log. The Whirling Log The hero of the story sets out on a long journey. At first the gods try to persuade him against going, but seeing his determination, help him hollow out a log in which he will travel down the river. Along the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft are captured by the Water People who carry him down beneath the waters to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People. When he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two yeis seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to share these gifts with his people. Until the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the swastika solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs. In 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, "Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing."

704 / 1103 sold
76.5" Ã— 53" Has damage throughout but still has a lot of life left. Excerpt about the Whirling Log: The swastika motif goes back thousands of years in human culture. One of the oldest symbols made by humans, the swastika dates back some 6,000 years to rock and cave paintings. Scholars generally agree it originated in India. In the Navajo culture the swastika or Whirling Log, represents well being, good luck and protection. It comes from tale of the Whirling Log. The Whirling Log The hero of the story sets out on a long journey. At first the gods try to persuade him against going, but seeing his determination, help him hollow out a log in which he will travel down the river. Along the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft are captured by the Water People who carry him down beneath the waters to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People. When he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two yeis seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to share these gifts with his people. Until the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the swastika solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs. In 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, "Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing."

705 / 1103 sold
76.5" Ã— 53" Has damage throughout but still has a lot of life left. Excerpt about the Whirling Log: The swastika motif goes back thousands of years in human culture. One of the oldest symbols made by humans, the swastika dates back some 6,000 years to rock and cave paintings. Scholars generally agree it originated in India. In the Navajo culture the swastika or Whirling Log, represents well being, good luck and protection. It comes from tale of the Whirling Log. The Whirling Log The hero of the story sets out on a long journey. At first the gods try to persuade him against going, but seeing his determination, help him hollow out a log in which he will travel down the river. Along the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft are captured by the Water People who carry him down beneath the waters to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People. When he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two yeis seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to share these gifts with his people. Until the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the swastika solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs. In 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, "Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing."

706 / 1103 sold
76.5" Ã— 53" Has damage throughout but still has a lot of life left. Excerpt about the Whirling Log: The swastika motif goes back thousands of years in human culture. One of the oldest symbols made by humans, the swastika dates back some 6,000 years to rock and cave paintings. Scholars generally agree it originated in India. In the Navajo culture the swastika or Whirling Log, represents well being, good luck and protection. It comes from tale of the Whirling Log. The Whirling Log The hero of the story sets out on a long journey. At first the gods try to persuade him against going, but seeing his determination, help him hollow out a log in which he will travel down the river. Along the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft are captured by the Water People who carry him down beneath the waters to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People. When he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two yeis seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to share these gifts with his people. Until the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the swastika solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs. In 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, "Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing."

707 / 1103 sold
76.5" Ã— 53" Has damage throughout but still has a lot of life left. Excerpt about the Whirling Log: The swastika motif goes back thousands of years in human culture. One of the oldest symbols made by humans, the swastika dates back some 6,000 years to rock and cave paintings. Scholars generally agree it originated in India. In the Navajo culture the swastika or Whirling Log, represents well being, good luck and protection. It comes from tale of the Whirling Log. The Whirling Log The hero of the story sets out on a long journey. At first the gods try to persuade him against going, but seeing his determination, help him hollow out a log in which he will travel down the river. Along the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft are captured by the Water People who carry him down beneath the waters to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People. When he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two yeis seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to share these gifts with his people. Until the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the swastika solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs. In 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, "Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing."

708 / 1103 sold
76.5" Ã— 53" Has damage throughout but still has a lot of life left. Excerpt about the Whirling Log: The swastika motif goes back thousands of years in human culture. One of the oldest symbols made by humans, the swastika dates back some 6,000 years to rock and cave paintings. Scholars generally agree it originated in India. In the Navajo culture the swastika or Whirling Log, represents well being, good luck and protection. It comes from tale of the Whirling Log. The Whirling Log The hero of the story sets out on a long journey. At first the gods try to persuade him against going, but seeing his determination, help him hollow out a log in which he will travel down the river. Along the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft are captured by the Water People who carry him down beneath the waters to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People. When he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two yeis seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to share these gifts with his people. Until the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the swastika solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs. In 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, "Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing."

709 / 1103 sold
76.5" Ã— 53" Has damage throughout but still has a lot of life left. Excerpt about the Whirling Log: The swastika motif goes back thousands of years in human culture. One of the oldest symbols made by humans, the swastika dates back some 6,000 years to rock and cave paintings. Scholars generally agree it originated in India. In the Navajo culture the swastika or Whirling Log, represents well being, good luck and protection. It comes from tale of the Whirling Log. The Whirling Log The hero of the story sets out on a long journey. At first the gods try to persuade him against going, but seeing his determination, help him hollow out a log in which he will travel down the river. Along the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft are captured by the Water People who carry him down beneath the waters to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People. When he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two yeis seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to share these gifts with his people. Until the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the swastika solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs. In 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, "Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing."

710 / 1103 sold
76.5" Ã— 53" Has damage throughout but still has a lot of life left. Excerpt about the Whirling Log: The swastika motif goes back thousands of years in human culture. One of the oldest symbols made by humans, the swastika dates back some 6,000 years to rock and cave paintings. Scholars generally agree it originated in India. In the Navajo culture the swastika or Whirling Log, represents well being, good luck and protection. It comes from tale of the Whirling Log. The Whirling Log The hero of the story sets out on a long journey. At first the gods try to persuade him against going, but seeing his determination, help him hollow out a log in which he will travel down the river. Along the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft are captured by the Water People who carry him down beneath the waters to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People. When he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two yeis seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to share these gifts with his people. Until the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the swastika solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs. In 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, "Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing."

711 / 1103 sold
76.5" Ã— 53" Has damage throughout but still has a lot of life left. Excerpt about the Whirling Log: The swastika motif goes back thousands of years in human culture. One of the oldest symbols made by humans, the swastika dates back some 6,000 years to rock and cave paintings. Scholars generally agree it originated in India. In the Navajo culture the swastika or Whirling Log, represents well being, good luck and protection. It comes from tale of the Whirling Log. The Whirling Log The hero of the story sets out on a long journey. At first the gods try to persuade him against going, but seeing his determination, help him hollow out a log in which he will travel down the river. Along the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft are captured by the Water People who carry him down beneath the waters to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People. When he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two yeis seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to share these gifts with his people. Until the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the swastika solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs. In 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, "Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing."

712 / 1103 sold
76.5" Ã— 53" Has damage throughout but still has a lot of life left. Excerpt about the Whirling Log: The swastika motif goes back thousands of years in human culture. One of the oldest symbols made by humans, the swastika dates back some 6,000 years to rock and cave paintings. Scholars generally agree it originated in India. In the Navajo culture the swastika or Whirling Log, represents well being, good luck and protection. It comes from tale of the Whirling Log. The Whirling Log The hero of the story sets out on a long journey. At first the gods try to persuade him against going, but seeing his determination, help him hollow out a log in which he will travel down the river. Along the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft are captured by the Water People who carry him down beneath the waters to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People. When he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two yeis seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to share these gifts with his people. Until the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the swastika solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs. In 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, "Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing."

713 / 1103 sold
76.5" Ã— 53" Has damage throughout but still has a lot of life left. Excerpt about the Whirling Log: The swastika motif goes back thousands of years in human culture. One of the oldest symbols made by humans, the swastika dates back some 6,000 years to rock and cave paintings. Scholars generally agree it originated in India. In the Navajo culture the swastika or Whirling Log, represents well being, good luck and protection. It comes from tale of the Whirling Log. The Whirling Log The hero of the story sets out on a long journey. At first the gods try to persuade him against going, but seeing his determination, help him hollow out a log in which he will travel down the river. Along the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft are captured by the Water People who carry him down beneath the waters to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People. When he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two yeis seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to share these gifts with his people. Until the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the swastika solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs. In 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, "Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing."

714 / 1103 sold
Cow has missing horns. This is a great piece even with the damage.

715 / 1103 sold
Cow has missing horns. This is a great piece even with the damage.

716 / 1103 sold
Cow has missing horns. This is a great piece even with the damage.

717 / 1103 sold
Cow has missing horns. This is a great piece even with the damage.

718 / 1103 sold
Cow has missing horns. This is a great piece even with the damage.

719 / 1103 sold
Cow has missing horns. This is a great piece even with the damage.

720 / 1103 sold
Cow has missing horns. This is a great piece even with the damage.

721 / 1103 sold
One has some unraveling

722 / 1103 sold
One has some unraveling

723 / 1103 sold
One has some unraveling

724 / 1103 sold
One has some unraveling

725 / 1103 sold
One has some unraveling

726 / 1103 sold
One has some unraveling

727 / 1103 sold
One has some unraveling

728 / 1103 sold
One has some unraveling

729 / 1103 sold
One has some unraveling

730 / 1103 sold
One has some unraveling

731 / 1103 sold
One has some unraveling

732 / 1103 sold
One has some unraveling

733 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

734 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

735 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

736 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

737 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

738 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

739 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

740 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

741 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

742 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

743 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

744 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

745 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

746 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

747 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

748 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

749 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

750 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

751 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

752 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

753 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

754 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

755 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

756 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

757 / 1103 sold
One has tiny speck spots and the other has some spots that are pebble size on backsides.

758 / 1103 sold
One has tiny speck spots and the other has some spots that are pebble size on backsides.

759 / 1103 sold
One has tiny speck spots and the other has some spots that are pebble size on backsides.

760 / 1103 sold
One has tiny speck spots and the other has some spots that are pebble size on backsides.

761 / 1103 sold
One has tiny speck spots and the other has some spots that are pebble size on backsides.

762 / 1103 sold
One has tiny speck spots and the other has some spots that are pebble size on backsides.

763 / 1103 sold
One has tiny speck spots and the other has some spots that are pebble size on backsides.

764 / 1103 sold
One has tiny speck spots and the other has some spots that are pebble size on backsides.

765 / 1103 sold
One has tiny speck spots and the other has some spots that are pebble size on backsides.

766 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

767 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

768 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

769 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

770 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

771 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

772 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

773 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

774 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

775 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

776 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

777 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

778 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

779 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

780 / 1103 sold
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbaraâ€™s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraftâ€™s white contrail moving far above the peak through the clear sky. I know itâ€™s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, â€œWhich medium (or media) should I use in order to express and communicate this experience?â€ The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic.

781 / 1103 sold
AUCTION 2 #235

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AUCTION 2 #235

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Go to Craigslist and find your city.
Under For Sale, click on the Garage Sale category.
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