-
this is a very beautiful work of art depicting a bouquet of flowers in a wicker basket Signed lower left Richard Kruger /artist unknown, there is a registered Richard Kruger of California did landscapes and western art the flowers are painted with texture and realism. soft hues of brown background accent the pastels of lilacs and wildflowers Measures: framed 38" by 19" framed in a quality dark oak stained wooden frame. ready to hang. 422 / 566 -
this is a very beautiful work of art depicting a bouquet of flowers in a wicker basket Signed lower left Richard Kruger /artist unknown, there is a registered Richard Kruger of California did landscapes and western art the flowers are painted with texture and realism. soft hues of brown background accent the pastels of lilacs and wildflowers Measures: framed 38" by 19" framed in a quality dark oak stained wooden frame. ready to hang. 423 / 566 -
this is a very beautiful work of art depicting a bouquet of flowers in a wicker basket Signed lower left Richard Kruger /artist unknown, there is a registered Richard Kruger of California did landscapes and western art the flowers are painted with texture and realism. soft hues of brown background accent the pastels of lilacs and wildflowers Measures: framed 38" by 19" framed in a quality dark oak stained wooden frame. ready to hang. 424 / 566 -
this is a very beautiful work of art depicting a bouquet of flowers in a wicker basket Signed lower left Richard Kruger /artist unknown, there is a registered Richard Kruger of California did landscapes and western art the flowers are painted with texture and realism. soft hues of brown background accent the pastels of lilacs and wildflowers Measures: framed 38" by 19" framed in a quality dark oak stained wooden frame. ready to hang. 425 / 566 -
this is a very beautiful work of art depicting a bouquet of flowers in a wicker basket Signed lower left Richard Kruger /artist unknown, there is a registered Richard Kruger of California did landscapes and western art the flowers are painted with texture and realism. soft hues of brown background accent the pastels of lilacs and wildflowers Measures: framed 38" by 19" framed in a quality dark oak stained wooden frame. ready to hang. 426 / 566 -
this is a very beautiful work of art depicting a bouquet of flowers in a wicker basket Signed lower left Richard Kruger /artist unknown, there is a registered Richard Kruger of California did landscapes and western art the flowers are painted with texture and realism. soft hues of brown background accent the pastels of lilacs and wildflowers Measures: framed 38" by 19" framed in a quality dark oak stained wooden frame. ready to hang. 427 / 566 -
this is a very beautiful work of art depicting a bouquet of flowers in a wicker basket Signed lower left Richard Kruger /artist unknown, there is a registered Richard Kruger of California did landscapes and western art the flowers are painted with texture and realism. soft hues of brown background accent the pastels of lilacs and wildflowers Measures: framed 38" by 19" framed in a quality dark oak stained wooden frame. ready to hang. 428 / 566 -
Theodore Hoffman. German - American Painter of the early 1900' 1886-1970's lived in Milwaukee and studied art at the Chicago Institute of Art He worked as an artist and illustrator of the early 1900's as did his brother. This painting is of a building by a small river. Note the model T cars and figures. trees and blue sky. It has an impressionist style. Framed in a quality wooden carved frame with light gold and a hint of bronze tones. Measures Framed: 24" by 20" unframed 291/2" by 25 1/2" the back may need to be recovered as the paper was torn and taped. 429 / 566 -
Theodore Hoffman. German - American Painter of the early 1900' 1886-1970's lived in Milwaukee and studied art at the Chicago Institute of Art He worked as an artist and illustrator of the early 1900's as did his brother. This painting is of a building by a small river. Note the model T cars and figures. trees and blue sky. It has an impressionist style. Framed in a quality wooden carved frame with light gold and a hint of bronze tones. Measures Framed: 24" by 20" unframed 291/2" by 25 1/2" the back may need to be recovered as the paper was torn and taped. 430 / 566 -
Theodore Hoffman. German - American Painter of the early 1900' 1886-1970's lived in Milwaukee and studied art at the Chicago Institute of Art He worked as an artist and illustrator of the early 1900's as did his brother. This painting is of a building by a small river. Note the model T cars and figures. trees and blue sky. It has an impressionist style. Framed in a quality wooden carved frame with light gold and a hint of bronze tones. Measures Framed: 24" by 20" unframed 291/2" by 25 1/2" the back may need to be recovered as the paper was torn and taped. 431 / 566 -
Theodore Hoffman. German - American Painter of the early 1900' 1886-1970's lived in Milwaukee and studied art at the Chicago Institute of Art He worked as an artist and illustrator of the early 1900's as did his brother. This painting is of a building by a small river. Note the model T cars and figures. trees and blue sky. It has an impressionist style. Framed in a quality wooden carved frame with light gold and a hint of bronze tones. Measures Framed: 24" by 20" unframed 291/2" by 25 1/2" the back may need to be recovered as the paper was torn and taped. 432 / 566 -
Theodore Hoffman. German - American Painter of the early 1900' 1886-1970's lived in Milwaukee and studied art at the Chicago Institute of Art He worked as an artist and illustrator of the early 1900's as did his brother. This painting is of a building by a small river. Note the model T cars and figures. trees and blue sky. It has an impressionist style. Framed in a quality wooden carved frame with light gold and a hint of bronze tones. Measures Framed: 24" by 20" unframed 291/2" by 25 1/2" the back may need to be recovered as the paper was torn and taped. 433 / 566 -
Theodore Hoffman. German - American Painter of the early 1900' 1886-1970's lived in Milwaukee and studied art at the Chicago Institute of Art He worked as an artist and illustrator of the early 1900's as did his brother. This painting is of a building by a small river. Note the model T cars and figures. trees and blue sky. It has an impressionist style. Framed in a quality wooden carved frame with light gold and a hint of bronze tones. Measures Framed: 24" by 20" unframed 291/2" by 25 1/2" the back may need to be recovered as the paper was torn and taped. 434 / 566 -
Theodore Hoffman. German - American Painter of the early 1900' 1886-1970's lived in Milwaukee and studied art at the Chicago Institute of Art He worked as an artist and illustrator of the early 1900's as did his brother. This painting is of a building by a small river. Note the model T cars and figures. trees and blue sky. It has an impressionist style. Framed in a quality wooden carved frame with light gold and a hint of bronze tones. Measures Framed: 24" by 20" unframed 291/2" by 25 1/2" the back may need to be recovered as the paper was torn and taped. 435 / 566 -
Theodore Hoffman. German - American Painter of the early 1900' 1886-1970's lived in Milwaukee and studied art at the Chicago Institute of Art He worked as an artist and illustrator of the early 1900's as did his brother. This painting is of a building by a small river. Note the model T cars and figures. trees and blue sky. It has an impressionist style. Framed in a quality wooden carved frame with light gold and a hint of bronze tones. Measures Framed: 24" by 20" unframed 291/2" by 25 1/2" the back may need to be recovered as the paper was torn and taped. 436 / 566 -
Theodore Hoffman. German - American Painter of the early 1900' 1886-1970's lived in Milwaukee and studied art at the Chicago Institute of Art He worked as an artist and illustrator of the early 1900's as did his brother. This painting is of a building by a small river. Note the model T cars and figures. trees and blue sky. It has an impressionist style. Framed in a quality wooden carved frame with light gold and a hint of bronze tones. Measures Framed: 24" by 20" unframed 291/2" by 25 1/2" the back may need to be recovered as the paper was torn and taped. 437 / 566 -
This late 19th century oil on canvas is of Lake Morey featuring the hill sides of Vermont. Very serene l the painting is not warped or damaged. The clouds in the photo may give it that look or warp, but it is not. Some may have the painting " cleaned due to the age but this painting was very well cared for and kept in a very clean and climate-controlled environment. The frame is excellent. No chipping or missing gesso . The frame is 3" wide and heavy gold painted gesso of the choice style of the 19th century. This was most likely a choice piece in an eastern estate. Unframed approximate 31" by 22" and framed measures" 37" by 28" If you like the look of antique landscapes, this will not disappoint 438 / 566 -
This late 19th century oil on canvas is of Lake Morey featuring the hill sides of Vermont. Very serene l the painting is not warped or damaged. The clouds in the photo may give it that look or warp, but it is not. Some may have the painting " cleaned due to the age but this painting was very well cared for and kept in a very clean and climate-controlled environment. The frame is excellent. No chipping or missing gesso . The frame is 3" wide and heavy gold painted gesso of the choice style of the 19th century. This was most likely a choice piece in an eastern estate. Unframed approximate 31" by 22" and framed measures" 37" by 28" If you like the look of antique landscapes, this will not disappoint 439 / 566 -
This late 19th century oil on canvas is of Lake Morey featuring the hill sides of Vermont. Very serene l the painting is not warped or damaged. The clouds in the photo may give it that look or warp, but it is not. Some may have the painting " cleaned due to the age but this painting was very well cared for and kept in a very clean and climate-controlled environment. The frame is excellent. No chipping or missing gesso . The frame is 3" wide and heavy gold painted gesso of the choice style of the 19th century. This was most likely a choice piece in an eastern estate. Unframed approximate 31" by 22" and framed measures" 37" by 28" If you like the look of antique landscapes, this will not disappoint 440 / 566 -
This late 19th century oil on canvas is of Lake Morey featuring the hill sides of Vermont. Very serene l the painting is not warped or damaged. The clouds in the photo may give it that look or warp, but it is not. Some may have the painting " cleaned due to the age but this painting was very well cared for and kept in a very clean and climate-controlled environment. The frame is excellent. No chipping or missing gesso . The frame is 3" wide and heavy gold painted gesso of the choice style of the 19th century. This was most likely a choice piece in an eastern estate. Unframed approximate 31" by 22" and framed measures" 37" by 28" If you like the look of antique landscapes, this will not disappoint 441 / 566 -
This late 19th century oil on canvas is of Lake Morey featuring the hill sides of Vermont. Very serene l the painting is not warped or damaged. The clouds in the photo may give it that look or warp, but it is not. Some may have the painting " cleaned due to the age but this painting was very well cared for and kept in a very clean and climate-controlled environment. The frame is excellent. No chipping or missing gesso . The frame is 3" wide and heavy gold painted gesso of the choice style of the 19th century. This was most likely a choice piece in an eastern estate. Unframed approximate 31" by 22" and framed measures" 37" by 28" If you like the look of antique landscapes, this will not disappoint 442 / 566 -
This late 19th century oil on canvas is of Lake Morey featuring the hill sides of Vermont. Very serene l the painting is not warped or damaged. The clouds in the photo may give it that look or warp, but it is not. Some may have the painting " cleaned due to the age but this painting was very well cared for and kept in a very clean and climate-controlled environment. The frame is excellent. No chipping or missing gesso . The frame is 3" wide and heavy gold painted gesso of the choice style of the 19th century. This was most likely a choice piece in an eastern estate. Unframed approximate 31" by 22" and framed measures" 37" by 28" If you like the look of antique landscapes, this will not disappoint 443 / 566 -
This late 19th century oil on canvas is of Lake Morey featuring the hill sides of Vermont. Very serene l the painting is not warped or damaged. The clouds in the photo may give it that look or warp, but it is not. Some may have the painting " cleaned due to the age but this painting was very well cared for and kept in a very clean and climate-controlled environment. The frame is excellent. No chipping or missing gesso . The frame is 3" wide and heavy gold painted gesso of the choice style of the 19th century. This was most likely a choice piece in an eastern estate. Unframed approximate 31" by 22" and framed measures" 37" by 28" If you like the look of antique landscapes, this will not disappoint 444 / 566 -
This late 19th century oil on canvas is of Lake Morey featuring the hill sides of Vermont. Very serene l the painting is not warped or damaged. The clouds in the photo may give it that look or warp, but it is not. Some may have the painting " cleaned due to the age but this painting was very well cared for and kept in a very clean and climate-controlled environment. The frame is excellent. No chipping or missing gesso . The frame is 3" wide and heavy gold painted gesso of the choice style of the 19th century. This was most likely a choice piece in an eastern estate. Unframed approximate 31" by 22" and framed measures" 37" by 28" If you like the look of antique landscapes, this will not disappoint 445 / 566 -
This late 19th century oil on canvas is of Lake Morey featuring the hill sides of Vermont. Very serene l the painting is not warped or damaged. The clouds in the photo may give it that look or warp, but it is not. Some may have the painting " cleaned due to the age but this painting was very well cared for and kept in a very clean and climate-controlled environment. The frame is excellent. No chipping or missing gesso . The frame is 3" wide and heavy gold painted gesso of the choice style of the 19th century. This was most likely a choice piece in an eastern estate. Unframed approximate 31" by 22" and framed measures" 37" by 28" If you like the look of antique landscapes, this will not disappoint 446 / 566 -
appears to be signed by Mildred Antoino this pot is most likely from the 60's--70's this is a larger size piece of 11" height :11" width at the center is 10" the base has spider hairline cracks, see photos. The cracks appear to be older and not detrimental to the structure of the pot. lighted signed with some wear to the base but can make out an M and Antonio from the signature. The pot has no cracks or chips to the body of the vessel and is in good condition. Please make sure you view the bottom of the pot to view the hairline cracks, 482 / 566 -
appears to be signed by Mildred Antoino this pot is most likely from the 60's--70's this is a larger size piece of 11" height :11" width at the center is 10" the base has spider hairline cracks, see photos. The cracks appear to be older and not detrimental to the structure of the pot. lighted signed with some wear to the base but can make out an M and Antonio from the signature. The pot has no cracks or chips to the body of the vessel and is in good condition. Please make sure you view the bottom of the pot to view the hairline cracks, 483 / 566 -
appears to be signed by Mildred Antoino this pot is most likely from the 60's--70's this is a larger size piece of 11" height :11" width at the center is 10" the base has spider hairline cracks, see photos. The cracks appear to be older and not detrimental to the structure of the pot. lighted signed with some wear to the base but can make out an M and Antonio from the signature. The pot has no cracks or chips to the body of the vessel and is in good condition. Please make sure you view the bottom of the pot to view the hairline cracks, 484 / 566 -
appears to be signed by Mildred Antoino this pot is most likely from the 60's--70's this is a larger size piece of 11" height :11" width at the center is 10" the base has spider hairline cracks, see photos. The cracks appear to be older and not detrimental to the structure of the pot. lighted signed with some wear to the base but can make out an M and Antonio from the signature. The pot has no cracks or chips to the body of the vessel and is in good condition. Please make sure you view the bottom of the pot to view the hairline cracks, 485 / 566 -
appears to be signed by Mildred Antoino this pot is most likely from the 60's--70's this is a larger size piece of 11" height :11" width at the center is 10" the base has spider hairline cracks, see photos. The cracks appear to be older and not detrimental to the structure of the pot. lighted signed with some wear to the base but can make out an M and Antonio from the signature. The pot has no cracks or chips to the body of the vessel and is in good condition. Please make sure you view the bottom of the pot to view the hairline cracks, 486 / 566 -
appears to be signed by Mildred Antoino this pot is most likely from the 60's--70's this is a larger size piece of 11" height :11" width at the center is 10" the base has spider hairline cracks, see photos. The cracks appear to be older and not detrimental to the structure of the pot. lighted signed with some wear to the base but can make out an M and Antonio from the signature. The pot has no cracks or chips to the body of the vessel and is in good condition. Please make sure you view the bottom of the pot to view the hairline cracks, 487 / 566 -
appears to be signed by Mildred Antoino this pot is most likely from the 60's--70's this is a larger size piece of 11" height :11" width at the center is 10" the base has spider hairline cracks, see photos. The cracks appear to be older and not detrimental to the structure of the pot. lighted signed with some wear to the base but can make out an M and Antonio from the signature. The pot has no cracks or chips to the body of the vessel and is in good condition. Please make sure you view the bottom of the pot to view the hairline cracks, 488 / 566 -
appears to be signed by Mildred Antoino this pot is most likely from the 60's--70's this is a larger size piece of 11" height :11" width at the center is 10" the base has spider hairline cracks, see photos. The cracks appear to be older and not detrimental to the structure of the pot. lighted signed with some wear to the base but can make out an M and Antonio from the signature. The pot has no cracks or chips to the body of the vessel and is in good condition. Please make sure you view the bottom of the pot to view the hairline cracks, 489 / 566
Photos 401 - 500 of 566
Per page: