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Original oil painting on canvas by Italian artist Antonietta Varallo, depicting an elderly man holding hands with a young girl outside a rustic doorway. Signed “Varallo A.” in the lower-left corner. The reverse retains an Italian-language biographical clipping discussing the artist and her participation in the “Rotonda” exhibition, sourced from Pittori ’75 by Loriano Domenici and dated May 1975. Presented in an ornate gold-tone frame with a blue velvet-style liner. The frame shows scattered surface wear, scratches, and finish loss consistent with age. Please review all photographs for condition. Measurements were not provided. 106 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, depicting an elderly man holding hands with a young girl outside a rustic doorway. Signed “Varallo A.” in the lower-left corner. The reverse retains an Italian-language biographical clipping discussing the artist and her participation in the “Rotonda” exhibition, sourced from Pittori ’75 by Loriano Domenici and dated May 1975. Presented in an ornate gold-tone frame with a blue velvet-style liner. The frame shows scattered surface wear, scratches, and finish loss consistent with age. Please review all photographs for condition. Measurements were not provided. 107 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, depicting an elderly man holding hands with a young girl outside a rustic doorway. Signed “Varallo A.” in the lower-left corner. The reverse retains an Italian-language biographical clipping discussing the artist and her participation in the “Rotonda” exhibition, sourced from Pittori ’75 by Loriano Domenici and dated May 1975. Presented in an ornate gold-tone frame with a blue velvet-style liner. The frame shows scattered surface wear, scratches, and finish loss consistent with age. Please review all photographs for condition. Measurements were not provided. 108 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, depicting an elderly man holding hands with a young girl outside a rustic doorway. Signed “Varallo A.” in the lower-left corner. The reverse retains an Italian-language biographical clipping discussing the artist and her participation in the “Rotonda” exhibition, sourced from Pittori ’75 by Loriano Domenici and dated May 1975. Presented in an ornate gold-tone frame with a blue velvet-style liner. The frame shows scattered surface wear, scratches, and finish loss consistent with age. Please review all photographs for condition. Measurements were not provided. 109 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, depicting an elderly man holding hands with a young girl outside a rustic doorway. Signed “Varallo A.” in the lower-left corner. The reverse retains an Italian-language biographical clipping discussing the artist and her participation in the “Rotonda” exhibition, sourced from Pittori ’75 by Loriano Domenici and dated May 1975. Presented in an ornate gold-tone frame with a blue velvet-style liner. The frame shows scattered surface wear, scratches, and finish loss consistent with age. Please review all photographs for condition. Measurements were not provided. 110 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, depicting an elderly man holding hands with a young girl outside a rustic doorway. Signed “Varallo A.” in the lower-left corner. The reverse retains an Italian-language biographical clipping discussing the artist and her participation in the “Rotonda” exhibition, sourced from Pittori ’75 by Loriano Domenici and dated May 1975. Presented in an ornate gold-tone frame with a blue velvet-style liner. The frame shows scattered surface wear, scratches, and finish loss consistent with age. Please review all photographs for condition. Measurements were not provided. 111 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, depicting an elderly man holding hands with a young girl outside a rustic doorway. Signed “Varallo A.” in the lower-left corner. The reverse retains an Italian-language biographical clipping discussing the artist and her participation in the “Rotonda” exhibition, sourced from Pittori ’75 by Loriano Domenici and dated May 1975. Presented in an ornate gold-tone frame with a blue velvet-style liner. The frame shows scattered surface wear, scratches, and finish loss consistent with age. Please review all photographs for condition. Measurements were not provided. 112 / 217 -
Colorful Haitian street scene depicting figures gathered outside “Chez Toto Borlette,” a neighborhood lottery shop. Executed in a lively folk-art style with watercolor-like color and bold ink outlines. Pencil-signed “Mari Betty Haiti” in the lower-right corner and numbered 28/120 in the lower-left. Presented under glass with layered yellow and black matting in a black frame. Artist attribution is based on the visible signature. Frame and artwork show light age-related wear. Please review all photographs for condition. 113 / 217 -
Colorful Haitian street scene depicting figures gathered outside “Chez Toto Borlette,” a neighborhood lottery shop. Executed in a lively folk-art style with watercolor-like color and bold ink outlines. Pencil-signed “Mari Betty Haiti” in the lower-right corner and numbered 28/120 in the lower-left. Presented under glass with layered yellow and black matting in a black frame. Artist attribution is based on the visible signature. Frame and artwork show light age-related wear. Please review all photographs for condition. 114 / 217 -
Colorful Haitian street scene depicting figures gathered outside “Chez Toto Borlette,” a neighborhood lottery shop. Executed in a lively folk-art style with watercolor-like color and bold ink outlines. Pencil-signed “Mari Betty Haiti” in the lower-right corner and numbered 28/120 in the lower-left. Presented under glass with layered yellow and black matting in a black frame. Artist attribution is based on the visible signature. Frame and artwork show light age-related wear. Please review all photographs for condition. 115 / 217 -
Colorful Haitian street scene depicting figures gathered outside “Chez Toto Borlette,” a neighborhood lottery shop. Executed in a lively folk-art style with watercolor-like color and bold ink outlines. Pencil-signed “Mari Betty Haiti” in the lower-right corner and numbered 28/120 in the lower-left. Presented under glass with layered yellow and black matting in a black frame. Artist attribution is based on the visible signature. Frame and artwork show light age-related wear. Please review all photographs for condition. 116 / 217 -
Colorful Haitian street scene depicting figures gathered outside “Chez Toto Borlette,” a neighborhood lottery shop. Executed in a lively folk-art style with watercolor-like color and bold ink outlines. Pencil-signed “Mari Betty Haiti” in the lower-right corner and numbered 28/120 in the lower-left. Presented under glass with layered yellow and black matting in a black frame. Artist attribution is based on the visible signature. Frame and artwork show light age-related wear. Please review all photographs for condition. 117 / 217 -
Colorful Haitian street scene depicting figures gathered outside “Chez Toto Borlette,” a neighborhood lottery shop. Executed in a lively folk-art style with watercolor-like color and bold ink outlines. Pencil-signed “Mari Betty Haiti” in the lower-right corner and numbered 28/120 in the lower-left. Presented under glass with layered yellow and black matting in a black frame. Artist attribution is based on the visible signature. Frame and artwork show light age-related wear. Please review all photographs for condition. 118 / 217 -
Colorful Haitian street scene depicting figures gathered outside “Chez Toto Borlette,” a neighborhood lottery shop. Executed in a lively folk-art style with watercolor-like color and bold ink outlines. Pencil-signed “Mari Betty Haiti” in the lower-right corner and numbered 28/120 in the lower-left. Presented under glass with layered yellow and black matting in a black frame. Artist attribution is based on the visible signature. Frame and artwork show light age-related wear. Please review all photographs for condition. 119 / 217 -
Mid century original oil painting on canvas board by Atlantic City artist M.J. Rahn, depicting the Owens cabin cruiser “See King” traveling through rough ocean waves with passengers aboard and an American flag flying from the stern. The vessel appears to be identified with Margate City, New Jersey, making this an appealing piece of local South Jersey maritime history. Signed “M.J. Rahn” and dated 1963 in the lower-left corner. The reverse is additionally signed and inscribed with the artist’s Atlantic City address and “Aug. 1963.” Presented in a substantial rustic wood frame with a linen liner and gold-tone inner trim. Painting exhibits scattered spotting, discoloration and general age-related wear. Frame shows surface wear. Please review all photographs for condition. 120 / 217 -
Mid century original oil painting on canvas board by Atlantic City artist M.J. Rahn, depicting the Owens cabin cruiser “See King” traveling through rough ocean waves with passengers aboard and an American flag flying from the stern. The vessel appears to be identified with Margate City, New Jersey, making this an appealing piece of local South Jersey maritime history. Signed “M.J. Rahn” and dated 1963 in the lower-left corner. The reverse is additionally signed and inscribed with the artist’s Atlantic City address and “Aug. 1963.” Presented in a substantial rustic wood frame with a linen liner and gold-tone inner trim. Painting exhibits scattered spotting, discoloration and general age-related wear. Frame shows surface wear. Please review all photographs for condition. 121 / 217 -
Mid century original oil painting on canvas board by Atlantic City artist M.J. Rahn, depicting the Owens cabin cruiser “See King” traveling through rough ocean waves with passengers aboard and an American flag flying from the stern. The vessel appears to be identified with Margate City, New Jersey, making this an appealing piece of local South Jersey maritime history. Signed “M.J. Rahn” and dated 1963 in the lower-left corner. The reverse is additionally signed and inscribed with the artist’s Atlantic City address and “Aug. 1963.” Presented in a substantial rustic wood frame with a linen liner and gold-tone inner trim. Painting exhibits scattered spotting, discoloration and general age-related wear. Frame shows surface wear. Please review all photographs for condition. 122 / 217 -
Mid century original oil painting on canvas board by Atlantic City artist M.J. Rahn, depicting the Owens cabin cruiser “See King” traveling through rough ocean waves with passengers aboard and an American flag flying from the stern. The vessel appears to be identified with Margate City, New Jersey, making this an appealing piece of local South Jersey maritime history. Signed “M.J. Rahn” and dated 1963 in the lower-left corner. The reverse is additionally signed and inscribed with the artist’s Atlantic City address and “Aug. 1963.” Presented in a substantial rustic wood frame with a linen liner and gold-tone inner trim. Painting exhibits scattered spotting, discoloration and general age-related wear. Frame shows surface wear. Please review all photographs for condition. 123 / 217 -
Mid century original oil painting on canvas board by Atlantic City artist M.J. Rahn, depicting the Owens cabin cruiser “See King” traveling through rough ocean waves with passengers aboard and an American flag flying from the stern. The vessel appears to be identified with Margate City, New Jersey, making this an appealing piece of local South Jersey maritime history. Signed “M.J. Rahn” and dated 1963 in the lower-left corner. The reverse is additionally signed and inscribed with the artist’s Atlantic City address and “Aug. 1963.” Presented in a substantial rustic wood frame with a linen liner and gold-tone inner trim. Painting exhibits scattered spotting, discoloration and general age-related wear. Frame shows surface wear. Please review all photographs for condition. 124 / 217 -
Mid century original oil painting on canvas board by Atlantic City artist M.J. Rahn, depicting the Owens cabin cruiser “See King” traveling through rough ocean waves with passengers aboard and an American flag flying from the stern. The vessel appears to be identified with Margate City, New Jersey, making this an appealing piece of local South Jersey maritime history. Signed “M.J. Rahn” and dated 1963 in the lower-left corner. The reverse is additionally signed and inscribed with the artist’s Atlantic City address and “Aug. 1963.” Presented in a substantial rustic wood frame with a linen liner and gold-tone inner trim. Painting exhibits scattered spotting, discoloration and general age-related wear. Frame shows surface wear. Please review all photographs for condition. 125 / 217 -
Mid century original oil painting on canvas board by Atlantic City artist M.J. Rahn, depicting the Owens cabin cruiser “See King” traveling through rough ocean waves with passengers aboard and an American flag flying from the stern. The vessel appears to be identified with Margate City, New Jersey, making this an appealing piece of local South Jersey maritime history. Signed “M.J. Rahn” and dated 1963 in the lower-left corner. The reverse is additionally signed and inscribed with the artist’s Atlantic City address and “Aug. 1963.” Presented in a substantial rustic wood frame with a linen liner and gold-tone inner trim. Painting exhibits scattered spotting, discoloration and general age-related wear. Frame shows surface wear. Please review all photographs for condition. 126 / 217 -
Mid century original oil painting on canvas board by Atlantic City artist M.J. Rahn, depicting the Owens cabin cruiser “See King” traveling through rough ocean waves with passengers aboard and an American flag flying from the stern. The vessel appears to be identified with Margate City, New Jersey, making this an appealing piece of local South Jersey maritime history. Signed “M.J. Rahn” and dated 1963 in the lower-left corner. The reverse is additionally signed and inscribed with the artist’s Atlantic City address and “Aug. 1963.” Presented in a substantial rustic wood frame with a linen liner and gold-tone inner trim. Painting exhibits scattered spotting, discoloration and general age-related wear. Frame shows surface wear. Please review all photographs for condition. 127 / 217 -
Limited-edition print titled “The Warning Shot: Buffalo Soldiers—9th U.S. Cavalry” by noted American military artist Don Stivers (1926–2009). The dramatic scene depicts mounted Buffalo Soldiers of the 9th U.S. Cavalry advancing through rugged Western terrain. Signed Don Stivers in pencil and individually numbered 2720/3000 along the lower margin. The image bears the artist’s printed “Stivers ’93” signature and copyright mark within the composition. Professionally presented under glass with layered matting and a dark wood-tone frame. Frame and print may exhibit minor age-related wear; please review all photographs. 128 / 217 -
Limited-edition print titled “The Warning Shot: Buffalo Soldiers—9th U.S. Cavalry” by noted American military artist Don Stivers (1926–2009). The dramatic scene depicts mounted Buffalo Soldiers of the 9th U.S. Cavalry advancing through rugged Western terrain. Signed Don Stivers in pencil and individually numbered 2720/3000 along the lower margin. The image bears the artist’s printed “Stivers ’93” signature and copyright mark within the composition. Professionally presented under glass with layered matting and a dark wood-tone frame. Frame and print may exhibit minor age-related wear; please review all photographs. 129 / 217 -
Limited-edition print titled “The Warning Shot: Buffalo Soldiers—9th U.S. Cavalry” by noted American military artist Don Stivers (1926–2009). The dramatic scene depicts mounted Buffalo Soldiers of the 9th U.S. Cavalry advancing through rugged Western terrain. Signed Don Stivers in pencil and individually numbered 2720/3000 along the lower margin. The image bears the artist’s printed “Stivers ’93” signature and copyright mark within the composition. Professionally presented under glass with layered matting and a dark wood-tone frame. Frame and print may exhibit minor age-related wear; please review all photographs. 130 / 217 -
Limited-edition print titled “The Warning Shot: Buffalo Soldiers—9th U.S. Cavalry” by noted American military artist Don Stivers (1926–2009). The dramatic scene depicts mounted Buffalo Soldiers of the 9th U.S. Cavalry advancing through rugged Western terrain. Signed Don Stivers in pencil and individually numbered 2720/3000 along the lower margin. The image bears the artist’s printed “Stivers ’93” signature and copyright mark within the composition. Professionally presented under glass with layered matting and a dark wood-tone frame. Frame and print may exhibit minor age-related wear; please review all photographs. 131 / 217 -
Limited-edition print titled “The Warning Shot: Buffalo Soldiers—9th U.S. Cavalry” by noted American military artist Don Stivers (1926–2009). The dramatic scene depicts mounted Buffalo Soldiers of the 9th U.S. Cavalry advancing through rugged Western terrain. Signed Don Stivers in pencil and individually numbered 2720/3000 along the lower margin. The image bears the artist’s printed “Stivers ’93” signature and copyright mark within the composition. Professionally presented under glass with layered matting and a dark wood-tone frame. Frame and print may exhibit minor age-related wear; please review all photographs. 132 / 217 -
Limited-edition print titled “The Warning Shot: Buffalo Soldiers—9th U.S. Cavalry” by noted American military artist Don Stivers (1926–2009). The dramatic scene depicts mounted Buffalo Soldiers of the 9th U.S. Cavalry advancing through rugged Western terrain. Signed Don Stivers in pencil and individually numbered 2720/3000 along the lower margin. The image bears the artist’s printed “Stivers ’93” signature and copyright mark within the composition. Professionally presented under glass with layered matting and a dark wood-tone frame. Frame and print may exhibit minor age-related wear; please review all photographs. 133 / 217 -
Limited-edition print titled “The Warning Shot: Buffalo Soldiers—9th U.S. Cavalry” by noted American military artist Don Stivers (1926–2009). The dramatic scene depicts mounted Buffalo Soldiers of the 9th U.S. Cavalry advancing through rugged Western terrain. Signed Don Stivers in pencil and individually numbered 2720/3000 along the lower margin. The image bears the artist’s printed “Stivers ’93” signature and copyright mark within the composition. Professionally presented under glass with layered matting and a dark wood-tone frame. Frame and print may exhibit minor age-related wear; please review all photographs. 134 / 217 -
Original oil painting on canvas by Filipino artist E. Lopez, depicting a colorful tropical fishing village with palm trees, waterfront huts, figures and traditional boats. Executed with prominent palette-knife work and thick impasto, giving the buildings, vegetation and water a highly textured, dimensional appearance. Signed “E. Lopez” in the lower-right corner. Presented in a wood-tone frame with dark inner trim. Painting exhibits scattered craquelure and age-related surface wear; frame shows minor wear. Please review all photographs for condition. 135 / 217 -
Original oil painting on canvas by Filipino artist E. Lopez, depicting a colorful tropical fishing village with palm trees, waterfront huts, figures and traditional boats. Executed with prominent palette-knife work and thick impasto, giving the buildings, vegetation and water a highly textured, dimensional appearance. Signed “E. Lopez” in the lower-right corner. Presented in a wood-tone frame with dark inner trim. Painting exhibits scattered craquelure and age-related surface wear; frame shows minor wear. Please review all photographs for condition. 136 / 217 -
Original oil painting on canvas by Filipino artist E. Lopez, depicting a colorful tropical fishing village with palm trees, waterfront huts, figures and traditional boats. Executed with prominent palette-knife work and thick impasto, giving the buildings, vegetation and water a highly textured, dimensional appearance. Signed “E. Lopez” in the lower-right corner. Presented in a wood-tone frame with dark inner trim. Painting exhibits scattered craquelure and age-related surface wear; frame shows minor wear. Please review all photographs for condition. 137 / 217 -
Original oil painting on canvas by Filipino artist E. Lopez, depicting a colorful tropical fishing village with palm trees, waterfront huts, figures and traditional boats. Executed with prominent palette-knife work and thick impasto, giving the buildings, vegetation and water a highly textured, dimensional appearance. Signed “E. Lopez” in the lower-right corner. Presented in a wood-tone frame with dark inner trim. Painting exhibits scattered craquelure and age-related surface wear; frame shows minor wear. Please review all photographs for condition. 138 / 217 -
Original oil painting on canvas by Filipino artist E. Lopez, depicting a colorful tropical fishing village with palm trees, waterfront huts, figures and traditional boats. Executed with prominent palette-knife work and thick impasto, giving the buildings, vegetation and water a highly textured, dimensional appearance. Signed “E. Lopez” in the lower-right corner. Presented in a wood-tone frame with dark inner trim. Painting exhibits scattered craquelure and age-related surface wear; frame shows minor wear. Please review all photographs for condition. 139 / 217 -
Original oil painting on canvas by Filipino artist E. Lopez, depicting a colorful tropical fishing village with palm trees, waterfront huts, figures and traditional boats. Executed with prominent palette-knife work and thick impasto, giving the buildings, vegetation and water a highly textured, dimensional appearance. Signed “E. Lopez” in the lower-right corner. Presented in a wood-tone frame with dark inner trim. Painting exhibits scattered craquelure and age-related surface wear; frame shows minor wear. Please review all photographs for condition. 140 / 217 -
Original oil painting on canvas by Filipino artist E. Lopez, depicting a colorful tropical fishing village with palm trees, waterfront huts, figures and traditional boats. Executed with prominent palette-knife work and thick impasto, giving the buildings, vegetation and water a highly textured, dimensional appearance. Signed “E. Lopez” in the lower-right corner. Presented in a wood-tone frame with dark inner trim. Painting exhibits scattered craquelure and age-related surface wear; frame shows minor wear. Please review all photographs for condition. 141 / 217 -
Original oil painting on canvas by Filipino artist E. Lopez, depicting a colorful tropical fishing village with palm trees, waterfront huts, figures and traditional boats. Executed with prominent palette-knife work and thick impasto, giving the buildings, vegetation and water a highly textured, dimensional appearance. Signed “E. Lopez” in the lower-right corner. Presented in a wood-tone frame with dark inner trim. Painting exhibits scattered craquelure and age-related surface wear; frame shows minor wear. Please review all photographs for condition. 142 / 217 -
Original oil painting on canvas by Filipino artist E. Lopez, depicting a colorful tropical fishing village with palm trees, waterfront huts, figures and traditional boats. Executed with prominent palette-knife work and thick impasto, giving the buildings, vegetation and water a highly textured, dimensional appearance. Signed “E. Lopez” in the lower-right corner. Presented in a wood-tone frame with dark inner trim. Painting exhibits scattered craquelure and age-related surface wear; frame shows minor wear. Please review all photographs for condition. 143 / 217 -
Original oil painting on canvas by Filipino artist E. Lopez, depicting a colorful tropical fishing village with palm trees, waterfront huts, figures and traditional boats. Executed with prominent palette-knife work and thick impasto, giving the buildings, vegetation and water a highly textured, dimensional appearance. Signed “E. Lopez” in the lower-right corner. Presented in a wood-tone frame with dark inner trim. Painting exhibits scattered craquelure and age-related surface wear; frame shows minor wear. Please review all photographs for condition. 144 / 217 -
Large decorative oval wall mirror featuring a wide, dimensional frame with carved-style floral and repeating arch details. Finished in black with antiqued gold highlights for an Old World or Baroque-inspired appearance. The central mirror has a beveled edge, and the reverse is fitted with mounting hardware for hanging. Measures approximately 48 inches wide x 36 inches tall The frame exhibits considerable intentional distressing along with scattered chips, scratches and finish loss. Mirror glass appears intact. This is a substantial, heavy piece; please review all photographs and plan accordingly for pickup. 145 / 217 -
Large decorative oval wall mirror featuring a wide, dimensional frame with carved-style floral and repeating arch details. Finished in black with antiqued gold highlights for an Old World or Baroque-inspired appearance. The central mirror has a beveled edge, and the reverse is fitted with mounting hardware for hanging. Measures approximately 48 inches wide x 36 inches tall The frame exhibits considerable intentional distressing along with scattered chips, scratches and finish loss. Mirror glass appears intact. This is a substantial, heavy piece; please review all photographs and plan accordingly for pickup. 146 / 217 -
Large decorative oval wall mirror featuring a wide, dimensional frame with carved-style floral and repeating arch details. Finished in black with antiqued gold highlights for an Old World or Baroque-inspired appearance. The central mirror has a beveled edge, and the reverse is fitted with mounting hardware for hanging. Measures approximately 48 inches wide x 36 inches tall The frame exhibits considerable intentional distressing along with scattered chips, scratches and finish loss. Mirror glass appears intact. This is a substantial, heavy piece; please review all photographs and plan accordingly for pickup. 147 / 217 -
Large decorative oval wall mirror featuring a wide, dimensional frame with carved-style floral and repeating arch details. Finished in black with antiqued gold highlights for an Old World or Baroque-inspired appearance. The central mirror has a beveled edge, and the reverse is fitted with mounting hardware for hanging. Measures approximately 48 inches wide x 36 inches tall The frame exhibits considerable intentional distressing along with scattered chips, scratches and finish loss. Mirror glass appears intact. This is a substantial, heavy piece; please review all photographs and plan accordingly for pickup. 148 / 217 -
Large decorative oval wall mirror featuring a wide, dimensional frame with carved-style floral and repeating arch details. Finished in black with antiqued gold highlights for an Old World or Baroque-inspired appearance. The central mirror has a beveled edge, and the reverse is fitted with mounting hardware for hanging. Measures approximately 48 inches wide x 36 inches tall The frame exhibits considerable intentional distressing along with scattered chips, scratches and finish loss. Mirror glass appears intact. This is a substantial, heavy piece; please review all photographs and plan accordingly for pickup. 149 / 217 -
Large decorative oval wall mirror featuring a wide, dimensional frame with carved-style floral and repeating arch details. Finished in black with antiqued gold highlights for an Old World or Baroque-inspired appearance. The central mirror has a beveled edge, and the reverse is fitted with mounting hardware for hanging. Measures approximately 48 inches wide x 36 inches tall The frame exhibits considerable intentional distressing along with scattered chips, scratches and finish loss. Mirror glass appears intact. This is a substantial, heavy piece; please review all photographs and plan accordingly for pickup. 150 / 217 -
Original oil painting on canvas by listed American artist Marian D. Harris (1904–1988), titled “West Atlantic City by Lakes Bay.” The impressionistic waterfront scene depicts small boats, docks and a marine building reflected in the calm waters of Lakes Bay near Atlantic City, New Jersey. Signed “M. D. Harris” in the lower-right corner. The reverse retains an early handwritten title label and a biographical label identifying Harris as a Philadelphia-born artist who lived in Wilmington, Delaware. She studied at the Pennsylvania Academy of the Fine Arts and under noted painters Hugh Breckenridge and Wayman Adams. Her work was exhibited at the National Academy of Design, Art Institute of Chicago and other prominent institutions. Presented in a wood frame with a linen liner and white inner molding. Frame and liner exhibit age-related wear, separation, staining and surface marks. Please review all photographs for condition. 151 / 217 -
Original oil painting on canvas by listed American artist Marian D. Harris (1904–1988), titled “West Atlantic City by Lakes Bay.” The impressionistic waterfront scene depicts small boats, docks and a marine building reflected in the calm waters of Lakes Bay near Atlantic City, New Jersey. Signed “M. D. Harris” in the lower-right corner. The reverse retains an early handwritten title label and a biographical label identifying Harris as a Philadelphia-born artist who lived in Wilmington, Delaware. She studied at the Pennsylvania Academy of the Fine Arts and under noted painters Hugh Breckenridge and Wayman Adams. Her work was exhibited at the National Academy of Design, Art Institute of Chicago and other prominent institutions. Presented in a wood frame with a linen liner and white inner molding. Frame and liner exhibit age-related wear, separation, staining and surface marks. Please review all photographs for condition. 152 / 217 -
Original oil painting on canvas by listed American artist Marian D. Harris (1904–1988), titled “West Atlantic City by Lakes Bay.” The impressionistic waterfront scene depicts small boats, docks and a marine building reflected in the calm waters of Lakes Bay near Atlantic City, New Jersey. Signed “M. D. Harris” in the lower-right corner. The reverse retains an early handwritten title label and a biographical label identifying Harris as a Philadelphia-born artist who lived in Wilmington, Delaware. She studied at the Pennsylvania Academy of the Fine Arts and under noted painters Hugh Breckenridge and Wayman Adams. Her work was exhibited at the National Academy of Design, Art Institute of Chicago and other prominent institutions. Presented in a wood frame with a linen liner and white inner molding. Frame and liner exhibit age-related wear, separation, staining and surface marks. Please review all photographs for condition. 153 / 217 -
Original oil painting on canvas by listed American artist Marian D. Harris (1904–1988), titled “West Atlantic City by Lakes Bay.” The impressionistic waterfront scene depicts small boats, docks and a marine building reflected in the calm waters of Lakes Bay near Atlantic City, New Jersey. Signed “M. D. Harris” in the lower-right corner. The reverse retains an early handwritten title label and a biographical label identifying Harris as a Philadelphia-born artist who lived in Wilmington, Delaware. She studied at the Pennsylvania Academy of the Fine Arts and under noted painters Hugh Breckenridge and Wayman Adams. Her work was exhibited at the National Academy of Design, Art Institute of Chicago and other prominent institutions. Presented in a wood frame with a linen liner and white inner molding. Frame and liner exhibit age-related wear, separation, staining and surface marks. Please review all photographs for condition. 154 / 217 -
Original oil painting on canvas by listed American artist Marian D. Harris (1904–1988), titled “West Atlantic City by Lakes Bay.” The impressionistic waterfront scene depicts small boats, docks and a marine building reflected in the calm waters of Lakes Bay near Atlantic City, New Jersey. Signed “M. D. Harris” in the lower-right corner. The reverse retains an early handwritten title label and a biographical label identifying Harris as a Philadelphia-born artist who lived in Wilmington, Delaware. She studied at the Pennsylvania Academy of the Fine Arts and under noted painters Hugh Breckenridge and Wayman Adams. Her work was exhibited at the National Academy of Design, Art Institute of Chicago and other prominent institutions. Presented in a wood frame with a linen liner and white inner molding. Frame and liner exhibit age-related wear, separation, staining and surface marks. Please review all photographs for condition. 155 / 217 -
Original oil painting on canvas by listed American artist Marian D. Harris (1904–1988), titled “West Atlantic City by Lakes Bay.” The impressionistic waterfront scene depicts small boats, docks and a marine building reflected in the calm waters of Lakes Bay near Atlantic City, New Jersey. Signed “M. D. Harris” in the lower-right corner. The reverse retains an early handwritten title label and a biographical label identifying Harris as a Philadelphia-born artist who lived in Wilmington, Delaware. She studied at the Pennsylvania Academy of the Fine Arts and under noted painters Hugh Breckenridge and Wayman Adams. Her work was exhibited at the National Academy of Design, Art Institute of Chicago and other prominent institutions. Presented in a wood frame with a linen liner and white inner molding. Frame and liner exhibit age-related wear, separation, staining and surface marks. Please review all photographs for condition. 156 / 217 -
Original oil painting on canvas by listed American artist Marian D. Harris (1904–1988), titled “West Atlantic City by Lakes Bay.” The impressionistic waterfront scene depicts small boats, docks and a marine building reflected in the calm waters of Lakes Bay near Atlantic City, New Jersey. Signed “M. D. Harris” in the lower-right corner. The reverse retains an early handwritten title label and a biographical label identifying Harris as a Philadelphia-born artist who lived in Wilmington, Delaware. She studied at the Pennsylvania Academy of the Fine Arts and under noted painters Hugh Breckenridge and Wayman Adams. Her work was exhibited at the National Academy of Design, Art Institute of Chicago and other prominent institutions. Presented in a wood frame with a linen liner and white inner molding. Frame and liner exhibit age-related wear, separation, staining and surface marks. Please review all photographs for condition. 157 / 217 -
Original oil painting on canvas by listed American artist Marian D. Harris (1904–1988), titled “West Atlantic City by Lakes Bay.” The impressionistic waterfront scene depicts small boats, docks and a marine building reflected in the calm waters of Lakes Bay near Atlantic City, New Jersey. Signed “M. D. Harris” in the lower-right corner. The reverse retains an early handwritten title label and a biographical label identifying Harris as a Philadelphia-born artist who lived in Wilmington, Delaware. She studied at the Pennsylvania Academy of the Fine Arts and under noted painters Hugh Breckenridge and Wayman Adams. Her work was exhibited at the National Academy of Design, Art Institute of Chicago and other prominent institutions. Presented in a wood frame with a linen liner and white inner molding. Frame and liner exhibit age-related wear, separation, staining and surface marks. Please review all photographs for condition. 158 / 217 -
Original oil painting on canvas by listed American artist Marian D. Harris (1904–1988), titled “West Atlantic City by Lakes Bay.” The impressionistic waterfront scene depicts small boats, docks and a marine building reflected in the calm waters of Lakes Bay near Atlantic City, New Jersey. Signed “M. D. Harris” in the lower-right corner. The reverse retains an early handwritten title label and a biographical label identifying Harris as a Philadelphia-born artist who lived in Wilmington, Delaware. She studied at the Pennsylvania Academy of the Fine Arts and under noted painters Hugh Breckenridge and Wayman Adams. Her work was exhibited at the National Academy of Design, Art Institute of Chicago and other prominent institutions. Presented in a wood frame with a linen liner and white inner molding. Frame and liner exhibit age-related wear, separation, staining and surface marks. Please review all photographs for condition. 159 / 217 -
Original oil painting on canvas by listed American artist Marian D. Harris (1904–1988), titled “West Atlantic City by Lakes Bay.” The impressionistic waterfront scene depicts small boats, docks and a marine building reflected in the calm waters of Lakes Bay near Atlantic City, New Jersey. Signed “M. D. Harris” in the lower-right corner. The reverse retains an early handwritten title label and a biographical label identifying Harris as a Philadelphia-born artist who lived in Wilmington, Delaware. She studied at the Pennsylvania Academy of the Fine Arts and under noted painters Hugh Breckenridge and Wayman Adams. Her work was exhibited at the National Academy of Design, Art Institute of Chicago and other prominent institutions. Presented in a wood frame with a linen liner and white inner molding. Frame and liner exhibit age-related wear, separation, staining and surface marks. Please review all photographs for condition. 160 / 217 -
Original oil painting on canvas by listed American artist Marian D. Harris (1904–1988), titled “West Atlantic City by Lakes Bay.” The impressionistic waterfront scene depicts small boats, docks and a marine building reflected in the calm waters of Lakes Bay near Atlantic City, New Jersey. Signed “M. D. Harris” in the lower-right corner. The reverse retains an early handwritten title label and a biographical label identifying Harris as a Philadelphia-born artist who lived in Wilmington, Delaware. She studied at the Pennsylvania Academy of the Fine Arts and under noted painters Hugh Breckenridge and Wayman Adams. Her work was exhibited at the National Academy of Design, Art Institute of Chicago and other prominent institutions. Presented in a wood frame with a linen liner and white inner molding. Frame and liner exhibit age-related wear, separation, staining and surface marks. Please review all photographs for condition. 161 / 217 -
Original watercolor still life by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The colorful composition features a blue-and-gray stoneware crock, covered pottery vessel, cobalt glass bottle, fruit and vegetables arranged across a draped cloth. Signed “Marian Harris” in the lower-right corner. Presented under glass with neutral matting in a silver-tone frame. The reverse retains a biographical label and the artist’s January 14, 1988 obituary, which notes her Pennsylvania Academy of the Fine Arts education, European travel scholarship and numerous exhibitions in Philadelphia and New York. Frame shows scattered scratches and finish wear. The reverse paper covering is torn and worn. Please review all photographs for condition. 162 / 217 -
Original watercolor still life by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The colorful composition features a blue-and-gray stoneware crock, covered pottery vessel, cobalt glass bottle, fruit and vegetables arranged across a draped cloth. Signed “Marian Harris” in the lower-right corner. Presented under glass with neutral matting in a silver-tone frame. The reverse retains a biographical label and the artist’s January 14, 1988 obituary, which notes her Pennsylvania Academy of the Fine Arts education, European travel scholarship and numerous exhibitions in Philadelphia and New York. Frame shows scattered scratches and finish wear. The reverse paper covering is torn and worn. Please review all photographs for condition. 163 / 217 -
Original watercolor still life by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The colorful composition features a blue-and-gray stoneware crock, covered pottery vessel, cobalt glass bottle, fruit and vegetables arranged across a draped cloth. Signed “Marian Harris” in the lower-right corner. Presented under glass with neutral matting in a silver-tone frame. The reverse retains a biographical label and the artist’s January 14, 1988 obituary, which notes her Pennsylvania Academy of the Fine Arts education, European travel scholarship and numerous exhibitions in Philadelphia and New York. Frame shows scattered scratches and finish wear. The reverse paper covering is torn and worn. Please review all photographs for condition. 164 / 217 -
Original watercolor still life by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The colorful composition features a blue-and-gray stoneware crock, covered pottery vessel, cobalt glass bottle, fruit and vegetables arranged across a draped cloth. Signed “Marian Harris” in the lower-right corner. Presented under glass with neutral matting in a silver-tone frame. The reverse retains a biographical label and the artist’s January 14, 1988 obituary, which notes her Pennsylvania Academy of the Fine Arts education, European travel scholarship and numerous exhibitions in Philadelphia and New York. Frame shows scattered scratches and finish wear. The reverse paper covering is torn and worn. Please review all photographs for condition. 165 / 217 -
Original watercolor still life by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The colorful composition features a blue-and-gray stoneware crock, covered pottery vessel, cobalt glass bottle, fruit and vegetables arranged across a draped cloth. Signed “Marian Harris” in the lower-right corner. Presented under glass with neutral matting in a silver-tone frame. The reverse retains a biographical label and the artist’s January 14, 1988 obituary, which notes her Pennsylvania Academy of the Fine Arts education, European travel scholarship and numerous exhibitions in Philadelphia and New York. Frame shows scattered scratches and finish wear. The reverse paper covering is torn and worn. Please review all photographs for condition. 166 / 217 -
Original watercolor still life by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The colorful composition features a blue-and-gray stoneware crock, covered pottery vessel, cobalt glass bottle, fruit and vegetables arranged across a draped cloth. Signed “Marian Harris” in the lower-right corner. Presented under glass with neutral matting in a silver-tone frame. The reverse retains a biographical label and the artist’s January 14, 1988 obituary, which notes her Pennsylvania Academy of the Fine Arts education, European travel scholarship and numerous exhibitions in Philadelphia and New York. Frame shows scattered scratches and finish wear. The reverse paper covering is torn and worn. Please review all photographs for condition. 167 / 217 -
Original watercolor still life by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The colorful composition features a blue-and-gray stoneware crock, covered pottery vessel, cobalt glass bottle, fruit and vegetables arranged across a draped cloth. Signed “Marian Harris” in the lower-right corner. Presented under glass with neutral matting in a silver-tone frame. The reverse retains a biographical label and the artist’s January 14, 1988 obituary, which notes her Pennsylvania Academy of the Fine Arts education, European travel scholarship and numerous exhibitions in Philadelphia and New York. Frame shows scattered scratches and finish wear. The reverse paper covering is torn and worn. Please review all photographs for condition. 168 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 169 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 170 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 171 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 172 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 173 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 174 / 217 -
Original oil painting on canvas by Italian artist Antonietta Varallo, titled “Paese Toscano” or “Tuscan Village.” The sunlit landscape depicts a hillside village with stone buildings, terracotta rooftops, a church tower and wildflowers overlooking the Tuscan countryside. Signed “Varallo A.” in the lower-right corner. The reverse is additionally signed, titled and dated 1976 by the artist. Also retains an Italian biographical excerpt from the 1976 Annuario degli Artisti Labronici, identifying Varallo as a painter working in Livorno. Presented in a layered metallic gold- and silver-tone frame with a fabric liner. Frame exhibits scratches, finish wear and minor separation consistent with age. Canvas shows scattered discoloration on the reverse. Please review all photographs for condition. 175 / 217 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 176 / 217 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 177 / 217 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 178 / 217 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 179 / 217 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 180 / 217 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 181 / 217 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 182 / 217 -
Original 1949 oil portrait on canvas by listed American artist Marian D. Harris, also known as Marian H. Barton (1904–1988). The painting depicts a poised woman seated in formal attire, wearing a dark jacket over a white blouse with her hands resting on the back of a chair. Signed “M.D. Harris” in red in the lower-right corner. A handwritten inscription on the reverse identifies the sitter as Joanne Kundell, attributes the painting to Marian D. Harris and dates it 1949. The reverse also retains the artist’s biographical label and January 14, 1988 obituary. Harris studied at the Pennsylvania Academy of the Fine Arts, received a European travel scholarship and became particularly well known for portraiture. Presented in a later natural wood frame with a fabric liner. Painting exhibits surface grime, scuffs, small abrasions and scattered paint loss. Frame shows minor wear. Please review all photographs carefully. 183 / 217 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 184 / 217 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 185 / 217 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 186 / 217 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 187 / 217 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 188 / 217 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 189 / 217 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 190 / 217 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 191 / 217 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 192 / 217 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 193 / 217 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 194 / 217 -
Antique sepia etching and mezzotint by British printmaker Richard Earlom (1743–1822), after an original landscape drawing by Claude Lorrain (1600–1682). Plate No. 77 depicts two seated figures overlooking cattle, water, trees, and distant architecture. In-plate inscriptions read “Claude delin.t,” “R. Earlom sculp.t,” and “No. 77.” Published December 1, 1810, by Boydell & Co., 90 Cheapside, London, and identified as being after the original drawing formerly in the collection of Benjamin West, P.R.A. The same plate is represented in the Courtauld Gallery collection. Courtauld Gallery. Presented under glass with a linen mat in an ornate gilt-finished Rococo-style frame. Paper exhibits age toning, scattered foxing, and discoloration; frame shows rubbing and finish wear. Reverse bears an old label reading “Lorrain Views.” Not examined outside the frame. Frame is damaged lower left side - see photo 195 / 217 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 196 / 217 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 197 / 217 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 198 / 217 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 199 / 217 -
Original 19th-century hand-colored aquatint titled A Practical Lesson, attributed to British coaching artist Charles Bentley Newhouse (circa 1805–1877). The lively scene depicts the “Singstoke” provincial coach traveling at speed, accompanied by another horse-drawn conveyance and numerous passengers. Published in London on June 2, 1834, by Thomas McLean, 26 Haymarket. Newhouse was particularly known for humorous and dramatic coaching scenes from the early Victorian period. Presented under glass with layered black-and-gold matting in a coordinating gilt and ebonized frame. Antique condition with overall paper toning, scattered spotting, and discoloration. Matting exhibits visible moisture staining along the lower edge. Frame has minor wear. Not examined outside the frame. Has water stain on matting. Doesn't impact the art 200 / 217
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