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Estate Sales
New Jersey
Collingswood

Gallery 225 - Estate Sale Services

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Ends 1/11/2026 Online Auction with Art, Coins and Vintage Finds!

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Online bidding starts on Mon. Dec 29 at 6:00AM US/Eastern

Sale Details
46 Online Auction Items

This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

12 / 252
This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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This gorgeous 2014 Cadillac CTS Coupe is finished in a striking red exterior with a luxurious Ebony interior, making it a true head-turner. With less than 6,000 original miles, this vehicle has been meticulously cared for and comes complete with the original factory window sticker documenting its options and specifications. NOTE: winning bidder must pay the 15% buyers’ premium, as a non refundable deposit, within 24 hours of auction ending. The remaining balance will need to be paid via cash, money, order, or wire transfer only. No exceptions. The balance can be paid when the car is picked up. It features a clean title, starts and runs great with no issues, and drives like new. This is a rare opportunity to own one of the last production-year CTS Coupes in near-showroom condition — a modern classic with bold styling, powerful 3.6L V6 performance, and premium luxury features. If you are serious about bidding and would like to inspect the car in person prior to the auction ending, please contact Gallery225 for arrangements. Low reserve — bid with confidence!

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A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

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A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

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A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

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A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

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A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

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A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

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A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

22 / 252
A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

23 / 252
A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

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A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

25 / 252
A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

26 / 252
A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

27 / 252
A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

28 / 252
A stunning pair of authentic 1950s-1960s Viko by Baumritter swivel bucket chairs – classic mid-century modern design with iconic four-star metal bases, ladder-style wooden backs, and original mustard yellow vinyl upholstery in great vintage condition (no major tears, just light age-appropriate wear that adds to the retro charm). These swivel smoothly, are super comfortable with that signature bucket seat hug, and are perfect as accent chairs, office seating, or in a living room setup. Highly sought-after MCM pieces from the short-lived Viko line (pre-Ethan Allen) – the bold yellow color is rare and pops in any space! Dimensions approx: 17”w x 16”d x 38”h, with 18” seat height

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Charming antique hand-colored lithograph from the late Victorian era (circa 1880-1900), featuring vibrant original coloring typical of the period's decorative prints. The piece is presented in its period-appropriate ornate giltwood frame with elaborate floral and foliate motifs, adding to its elegant appeal as wall decor. Condition: The print itself is in very good antique condition with no foxing, water stains, or significant damage noted. Colors remain bright and unfaded. There is some natural waviness to the paper (visible in photos), common in prints of this age due to historical mounting and environmental exposure. The frame shows minor wear commensurate with age, including light rubbing to the gilding and slight imperfections, but remains structurally sound and highly decorative. Dimensions: Overall framed size approximately 25½ inches wide by 17½ inches high. This piece evokes the romantic aesthetic of late 19th-century interiors and would make a lovely addition to traditional, cottagecore, or eclectic decor. Offered in as-found condition; ready to hang.

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Charming antique hand-colored lithograph from the late Victorian era (circa 1880-1900), featuring vibrant original coloring typical of the period's decorative prints. The piece is presented in its period-appropriate ornate giltwood frame with elaborate floral and foliate motifs, adding to its elegant appeal as wall decor. Condition: The print itself is in very good antique condition with no foxing, water stains, or significant damage noted. Colors remain bright and unfaded. There is some natural waviness to the paper (visible in photos), common in prints of this age due to historical mounting and environmental exposure. The frame shows minor wear commensurate with age, including light rubbing to the gilding and slight imperfections, but remains structurally sound and highly decorative. Dimensions: Overall framed size approximately 25½ inches wide by 17½ inches high. This piece evokes the romantic aesthetic of late 19th-century interiors and would make a lovely addition to traditional, cottagecore, or eclectic decor. Offered in as-found condition; ready to hang.

31 / 252
Charming antique hand-colored lithograph from the late Victorian era (circa 1880-1900), featuring vibrant original coloring typical of the period's decorative prints. The piece is presented in its period-appropriate ornate giltwood frame with elaborate floral and foliate motifs, adding to its elegant appeal as wall decor. Condition: The print itself is in very good antique condition with no foxing, water stains, or significant damage noted. Colors remain bright and unfaded. There is some natural waviness to the paper (visible in photos), common in prints of this age due to historical mounting and environmental exposure. The frame shows minor wear commensurate with age, including light rubbing to the gilding and slight imperfections, but remains structurally sound and highly decorative. Dimensions: Overall framed size approximately 25½ inches wide by 17½ inches high. This piece evokes the romantic aesthetic of late 19th-century interiors and would make a lovely addition to traditional, cottagecore, or eclectic decor. Offered in as-found condition; ready to hang.

32 / 252
Charming antique hand-colored lithograph from the late Victorian era (circa 1880-1900), featuring vibrant original coloring typical of the period's decorative prints. The piece is presented in its period-appropriate ornate giltwood frame with elaborate floral and foliate motifs, adding to its elegant appeal as wall decor. Condition: The print itself is in very good antique condition with no foxing, water stains, or significant damage noted. Colors remain bright and unfaded. There is some natural waviness to the paper (visible in photos), common in prints of this age due to historical mounting and environmental exposure. The frame shows minor wear commensurate with age, including light rubbing to the gilding and slight imperfections, but remains structurally sound and highly decorative. Dimensions: Overall framed size approximately 25½ inches wide by 17½ inches high. This piece evokes the romantic aesthetic of late 19th-century interiors and would make a lovely addition to traditional, cottagecore, or eclectic decor. Offered in as-found condition; ready to hang.

33 / 252
Charming antique hand-colored lithograph from the late Victorian era (circa 1880-1900), featuring vibrant original coloring typical of the period's decorative prints. The piece is presented in its period-appropriate ornate giltwood frame with elaborate floral and foliate motifs, adding to its elegant appeal as wall decor. Condition: The print itself is in very good antique condition with no foxing, water stains, or significant damage noted. Colors remain bright and unfaded. There is some natural waviness to the paper (visible in photos), common in prints of this age due to historical mounting and environmental exposure. The frame shows minor wear commensurate with age, including light rubbing to the gilding and slight imperfections, but remains structurally sound and highly decorative. Dimensions: Overall framed size approximately 25½ inches wide by 17½ inches high. This piece evokes the romantic aesthetic of late 19th-century interiors and would make a lovely addition to traditional, cottagecore, or eclectic decor. Offered in as-found condition; ready to hang.

34 / 252
Charming antique hand-colored lithograph from the late Victorian era (circa 1880-1900), featuring vibrant original coloring typical of the period's decorative prints. The piece is presented in its period-appropriate ornate giltwood frame with elaborate floral and foliate motifs, adding to its elegant appeal as wall decor. Condition: The print itself is in very good antique condition with no foxing, water stains, or significant damage noted. Colors remain bright and unfaded. There is some natural waviness to the paper (visible in photos), common in prints of this age due to historical mounting and environmental exposure. The frame shows minor wear commensurate with age, including light rubbing to the gilding and slight imperfections, but remains structurally sound and highly decorative. Dimensions: Overall framed size approximately 25½ inches wide by 17½ inches high. This piece evokes the romantic aesthetic of late 19th-century interiors and would make a lovely addition to traditional, cottagecore, or eclectic decor. Offered in as-found condition; ready to hang.

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This dynamic abstract expressionist painting by Dennis Sakelson exemplifies the artist's signature modernist style, characterized by bold, energetic drips and splatters in a vivid palette of greens, yellows, reds, blues, and blacks against a textured ground. Executed in oil (or mixed media) on cardboard—a nod to Sakelson's experimental approach to everyday supports—the composition evokes the raw, gestural energy of mid-20th-century abstraction, reminiscent of influences like Jackson Pollock while rooted in the Bucks County artistic tradition. Signed "D. Sakelson" in the lower right, this work measures approximately 23" x 23" overall, including the elegant matted gold-toned frame, with the visible artwork slightly smaller to accommodate the mat. Presented in excellent condition with vibrant color retention and no apparent restoration, it is ready to hang and adds a burst of contemporary vitality to modern, eclectic, or gallery-style interiors. This piece is one of five distinct works by Dennis Sakelson offered in this auction, forming a cohesive collection that highlights the breadth of his abstract oeuvre—from intimate, textured explorations to larger-scale color fields. Sakelson, a beloved Bucks County, Pennsylvania artist active in the late 20th and early 21st centuries, was known for his prolific output of colorful, impulsive abstractions often executed with impasto and drip techniques. His works have garnered consistent interest among regional collectors, appearing regularly in Pennsylvania and East Coast auctions.

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This dynamic abstract expressionist painting by Dennis Sakelson exemplifies the artist's signature modernist style, characterized by bold, energetic drips and splatters in a vivid palette of greens, yellows, reds, blues, and blacks against a textured ground. Executed in oil (or mixed media) on cardboard—a nod to Sakelson's experimental approach to everyday supports—the composition evokes the raw, gestural energy of mid-20th-century abstraction, reminiscent of influences like Jackson Pollock while rooted in the Bucks County artistic tradition. Signed "D. Sakelson" in the lower right, this work measures approximately 23" x 23" overall, including the elegant matted gold-toned frame, with the visible artwork slightly smaller to accommodate the mat. Presented in excellent condition with vibrant color retention and no apparent restoration, it is ready to hang and adds a burst of contemporary vitality to modern, eclectic, or gallery-style interiors. This piece is one of five distinct works by Dennis Sakelson offered in this auction, forming a cohesive collection that highlights the breadth of his abstract oeuvre—from intimate, textured explorations to larger-scale color fields. Sakelson, a beloved Bucks County, Pennsylvania artist active in the late 20th and early 21st centuries, was known for his prolific output of colorful, impulsive abstractions often executed with impasto and drip techniques. His works have garnered consistent interest among regional collectors, appearing regularly in Pennsylvania and East Coast auctions.

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This dynamic abstract expressionist painting by Dennis Sakelson exemplifies the artist's signature modernist style, characterized by bold, energetic drips and splatters in a vivid palette of greens, yellows, reds, blues, and blacks against a textured ground. Executed in oil (or mixed media) on cardboard—a nod to Sakelson's experimental approach to everyday supports—the composition evokes the raw, gestural energy of mid-20th-century abstraction, reminiscent of influences like Jackson Pollock while rooted in the Bucks County artistic tradition. Signed "D. Sakelson" in the lower right, this work measures approximately 23" x 23" overall, including the elegant matted gold-toned frame, with the visible artwork slightly smaller to accommodate the mat. Presented in excellent condition with vibrant color retention and no apparent restoration, it is ready to hang and adds a burst of contemporary vitality to modern, eclectic, or gallery-style interiors. This piece is one of five distinct works by Dennis Sakelson offered in this auction, forming a cohesive collection that highlights the breadth of his abstract oeuvre—from intimate, textured explorations to larger-scale color fields. Sakelson, a beloved Bucks County, Pennsylvania artist active in the late 20th and early 21st centuries, was known for his prolific output of colorful, impulsive abstractions often executed with impasto and drip techniques. His works have garnered consistent interest among regional collectors, appearing regularly in Pennsylvania and East Coast auctions.

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This dynamic abstract expressionist painting by Dennis Sakelson exemplifies the artist's signature modernist style, characterized by bold, energetic drips and splatters in a vivid palette of greens, yellows, reds, blues, and blacks against a textured ground. Executed in oil (or mixed media) on cardboard—a nod to Sakelson's experimental approach to everyday supports—the composition evokes the raw, gestural energy of mid-20th-century abstraction, reminiscent of influences like Jackson Pollock while rooted in the Bucks County artistic tradition. Signed "D. Sakelson" in the lower right, this work measures approximately 23" x 23" overall, including the elegant matted gold-toned frame, with the visible artwork slightly smaller to accommodate the mat. Presented in excellent condition with vibrant color retention and no apparent restoration, it is ready to hang and adds a burst of contemporary vitality to modern, eclectic, or gallery-style interiors. This piece is one of five distinct works by Dennis Sakelson offered in this auction, forming a cohesive collection that highlights the breadth of his abstract oeuvre—from intimate, textured explorations to larger-scale color fields. Sakelson, a beloved Bucks County, Pennsylvania artist active in the late 20th and early 21st centuries, was known for his prolific output of colorful, impulsive abstractions often executed with impasto and drip techniques. His works have garnered consistent interest among regional collectors, appearing regularly in Pennsylvania and East Coast auctions.

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This is a hand-signed and numbered limited edition giclée print titled Cottage at Dusk by the Filipino-American artist Sergon (born Ramon Sergon in Manila, Philippines, 1945). Known for his impressionistic depictions of serene landscapes, lush gardens, cottages, and still lifes influenced by Asian and European traditions, Sergon's works often evoke a tranquil, glowing atmosphere reminiscent of artists like Thomas Kinkade in their cozy, light-filled cottage scenes. The print depicts a charming English-style cottage at twilight, with warm lights glowing from the windows, a winding path through a flowering garden, misty trees, and a soft, atmospheric sky. It is a limited edition (typically out of 375, based on similar works in this series), pencil-signed by the artist in the lower right.

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This is a hand-signed and numbered limited edition giclée print titled Cottage at Dusk by the Filipino-American artist Sergon (born Ramon Sergon in Manila, Philippines, 1945). Known for his impressionistic depictions of serene landscapes, lush gardens, cottages, and still lifes influenced by Asian and European traditions, Sergon's works often evoke a tranquil, glowing atmosphere reminiscent of artists like Thomas Kinkade in their cozy, light-filled cottage scenes. The print depicts a charming English-style cottage at twilight, with warm lights glowing from the windows, a winding path through a flowering garden, misty trees, and a soft, atmospheric sky. It is a limited edition (typically out of 375, based on similar works in this series), pencil-signed by the artist in the lower right.

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This is a hand-signed and numbered limited edition giclée print titled Cottage at Dusk by the Filipino-American artist Sergon (born Ramon Sergon in Manila, Philippines, 1945). Known for his impressionistic depictions of serene landscapes, lush gardens, cottages, and still lifes influenced by Asian and European traditions, Sergon's works often evoke a tranquil, glowing atmosphere reminiscent of artists like Thomas Kinkade in their cozy, light-filled cottage scenes. The print depicts a charming English-style cottage at twilight, with warm lights glowing from the windows, a winding path through a flowering garden, misty trees, and a soft, atmospheric sky. It is a limited edition (typically out of 375, based on similar works in this series), pencil-signed by the artist in the lower right.

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This is a hand-signed and numbered limited edition giclée print titled Cottage at Dusk by the Filipino-American artist Sergon (born Ramon Sergon in Manila, Philippines, 1945). Known for his impressionistic depictions of serene landscapes, lush gardens, cottages, and still lifes influenced by Asian and European traditions, Sergon's works often evoke a tranquil, glowing atmosphere reminiscent of artists like Thomas Kinkade in their cozy, light-filled cottage scenes. The print depicts a charming English-style cottage at twilight, with warm lights glowing from the windows, a winding path through a flowering garden, misty trees, and a soft, atmospheric sky. It is a limited edition (typically out of 375, based on similar works in this series), pencil-signed by the artist in the lower right.

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This is a hand-signed and numbered limited edition giclée print titled Cottage at Dusk by the Filipino-American artist Sergon (born Ramon Sergon in Manila, Philippines, 1945). Known for his impressionistic depictions of serene landscapes, lush gardens, cottages, and still lifes influenced by Asian and European traditions, Sergon's works often evoke a tranquil, glowing atmosphere reminiscent of artists like Thomas Kinkade in their cozy, light-filled cottage scenes. The print depicts a charming English-style cottage at twilight, with warm lights glowing from the windows, a winding path through a flowering garden, misty trees, and a soft, atmospheric sky. It is a limited edition (typically out of 375, based on similar works in this series), pencil-signed by the artist in the lower right.

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This is a hand-signed and numbered limited edition giclée print titled Cottage at Dusk by the Filipino-American artist Sergon (born Ramon Sergon in Manila, Philippines, 1945). Known for his impressionistic depictions of serene landscapes, lush gardens, cottages, and still lifes influenced by Asian and European traditions, Sergon's works often evoke a tranquil, glowing atmosphere reminiscent of artists like Thomas Kinkade in their cozy, light-filled cottage scenes. The print depicts a charming English-style cottage at twilight, with warm lights glowing from the windows, a winding path through a flowering garden, misty trees, and a soft, atmospheric sky. It is a limited edition (typically out of 375, based on similar works in this series), pencil-signed by the artist in the lower right.

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This is a hand-signed and numbered limited edition giclée print titled Cottage at Dusk by the Filipino-American artist Sergon (born Ramon Sergon in Manila, Philippines, 1945). Known for his impressionistic depictions of serene landscapes, lush gardens, cottages, and still lifes influenced by Asian and European traditions, Sergon's works often evoke a tranquil, glowing atmosphere reminiscent of artists like Thomas Kinkade in their cozy, light-filled cottage scenes. The print depicts a charming English-style cottage at twilight, with warm lights glowing from the windows, a winding path through a flowering garden, misty trees, and a soft, atmospheric sky. It is a limited edition (typically out of 375, based on similar works in this series), pencil-signed by the artist in the lower right.

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This is a hand-signed and numbered limited edition giclée print titled Cottage at Dusk by the Filipino-American artist Sergon (born Ramon Sergon in Manila, Philippines, 1945). Known for his impressionistic depictions of serene landscapes, lush gardens, cottages, and still lifes influenced by Asian and European traditions, Sergon's works often evoke a tranquil, glowing atmosphere reminiscent of artists like Thomas Kinkade in their cozy, light-filled cottage scenes. The print depicts a charming English-style cottage at twilight, with warm lights glowing from the windows, a winding path through a flowering garden, misty trees, and a soft, atmospheric sky. It is a limited edition (typically out of 375, based on similar works in this series), pencil-signed by the artist in the lower right.

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This attractive vintage art pottery bowl measures approximately 10.5 inches in diameter and features a striking drip-glaze design in shades of soft seafoam green flowing into deeper teal and aqua tones at the center, contrasting beautifully against a rich brown exterior and rim. The organic, petal-like glaze pattern evokes mid-20th-century studio pottery aesthetics, with crystalline effects and subtle textural variations typical of handcrafted ceramic glazes. The interior bottom shows a deeper pooled glaze with minor speckling, adding to its artisanal character. The base is marked "KNOYWEN art ceramics, New York" (likely a studio or small production mark) and includes an embossed script signature that appears to read "GANTO," possibly the artist's name or pseudonym. The piece is in excellent overall condition with only minor crazing noted on the very bottom, consistent with age and typical for vintage glazed ceramics—no chips, cracks, or repairs visible. This bowl would make a stunning decorative centerpiece or serving dish, blending functionality with bold artistic appeal. Despite extensive research, no definitive records of the exact "KNOYWEN" studio or "GANTO" artist were found, suggesting it may be from a small, independent New York-based potter or limited production run from the mid-century period.

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This attractive vintage art pottery bowl measures approximately 10.5 inches in diameter and features a striking drip-glaze design in shades of soft seafoam green flowing into deeper teal and aqua tones at the center, contrasting beautifully against a rich brown exterior and rim. The organic, petal-like glaze pattern evokes mid-20th-century studio pottery aesthetics, with crystalline effects and subtle textural variations typical of handcrafted ceramic glazes. The interior bottom shows a deeper pooled glaze with minor speckling, adding to its artisanal character. The base is marked "KNOYWEN art ceramics, New York" (likely a studio or small production mark) and includes an embossed script signature that appears to read "GANTO," possibly the artist's name or pseudonym. The piece is in excellent overall condition with only minor crazing noted on the very bottom, consistent with age and typical for vintage glazed ceramics—no chips, cracks, or repairs visible. This bowl would make a stunning decorative centerpiece or serving dish, blending functionality with bold artistic appeal. Despite extensive research, no definitive records of the exact "KNOYWEN" studio or "GANTO" artist were found, suggesting it may be from a small, independent New York-based potter or limited production run from the mid-century period.

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This attractive vintage art pottery bowl measures approximately 10.5 inches in diameter and features a striking drip-glaze design in shades of soft seafoam green flowing into deeper teal and aqua tones at the center, contrasting beautifully against a rich brown exterior and rim. The organic, petal-like glaze pattern evokes mid-20th-century studio pottery aesthetics, with crystalline effects and subtle textural variations typical of handcrafted ceramic glazes. The interior bottom shows a deeper pooled glaze with minor speckling, adding to its artisanal character. The base is marked "KNOYWEN art ceramics, New York" (likely a studio or small production mark) and includes an embossed script signature that appears to read "GANTO," possibly the artist's name or pseudonym. The piece is in excellent overall condition with only minor crazing noted on the very bottom, consistent with age and typical for vintage glazed ceramics—no chips, cracks, or repairs visible. This bowl would make a stunning decorative centerpiece or serving dish, blending functionality with bold artistic appeal. Despite extensive research, no definitive records of the exact "KNOYWEN" studio or "GANTO" artist were found, suggesting it may be from a small, independent New York-based potter or limited production run from the mid-century period.

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This attractive vintage art pottery bowl measures approximately 10.5 inches in diameter and features a striking drip-glaze design in shades of soft seafoam green flowing into deeper teal and aqua tones at the center, contrasting beautifully against a rich brown exterior and rim. The organic, petal-like glaze pattern evokes mid-20th-century studio pottery aesthetics, with crystalline effects and subtle textural variations typical of handcrafted ceramic glazes. The interior bottom shows a deeper pooled glaze with minor speckling, adding to its artisanal character. The base is marked "KNOYWEN art ceramics, New York" (likely a studio or small production mark) and includes an embossed script signature that appears to read "GANTO," possibly the artist's name or pseudonym. The piece is in excellent overall condition with only minor crazing noted on the very bottom, consistent with age and typical for vintage glazed ceramics—no chips, cracks, or repairs visible. This bowl would make a stunning decorative centerpiece or serving dish, blending functionality with bold artistic appeal. Despite extensive research, no definitive records of the exact "KNOYWEN" studio or "GANTO" artist were found, suggesting it may be from a small, independent New York-based potter or limited production run from the mid-century period.

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This attractive vintage art pottery bowl measures approximately 10.5 inches in diameter and features a striking drip-glaze design in shades of soft seafoam green flowing into deeper teal and aqua tones at the center, contrasting beautifully against a rich brown exterior and rim. The organic, petal-like glaze pattern evokes mid-20th-century studio pottery aesthetics, with crystalline effects and subtle textural variations typical of handcrafted ceramic glazes. The interior bottom shows a deeper pooled glaze with minor speckling, adding to its artisanal character. The base is marked "KNOYWEN art ceramics, New York" (likely a studio or small production mark) and includes an embossed script signature that appears to read "GANTO," possibly the artist's name or pseudonym. The piece is in excellent overall condition with only minor crazing noted on the very bottom, consistent with age and typical for vintage glazed ceramics—no chips, cracks, or repairs visible. This bowl would make a stunning decorative centerpiece or serving dish, blending functionality with bold artistic appeal. Despite extensive research, no definitive records of the exact "KNOYWEN" studio or "GANTO" artist were found, suggesting it may be from a small, independent New York-based potter or limited production run from the mid-century period.

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This attractive vintage art pottery bowl measures approximately 10.5 inches in diameter and features a striking drip-glaze design in shades of soft seafoam green flowing into deeper teal and aqua tones at the center, contrasting beautifully against a rich brown exterior and rim. The organic, petal-like glaze pattern evokes mid-20th-century studio pottery aesthetics, with crystalline effects and subtle textural variations typical of handcrafted ceramic glazes. The interior bottom shows a deeper pooled glaze with minor speckling, adding to its artisanal character. The base is marked "KNOYWEN art ceramics, New York" (likely a studio or small production mark) and includes an embossed script signature that appears to read "GANTO," possibly the artist's name or pseudonym. The piece is in excellent overall condition with only minor crazing noted on the very bottom, consistent with age and typical for vintage glazed ceramics—no chips, cracks, or repairs visible. This bowl would make a stunning decorative centerpiece or serving dish, blending functionality with bold artistic appeal. Despite extensive research, no definitive records of the exact "KNOYWEN" studio or "GANTO" artist were found, suggesting it may be from a small, independent New York-based potter or limited production run from the mid-century period.

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This attractive vintage art pottery bowl measures approximately 10.5 inches in diameter and features a striking drip-glaze design in shades of soft seafoam green flowing into deeper teal and aqua tones at the center, contrasting beautifully against a rich brown exterior and rim. The organic, petal-like glaze pattern evokes mid-20th-century studio pottery aesthetics, with crystalline effects and subtle textural variations typical of handcrafted ceramic glazes. The interior bottom shows a deeper pooled glaze with minor speckling, adding to its artisanal character. The base is marked "KNOYWEN art ceramics, New York" (likely a studio or small production mark) and includes an embossed script signature that appears to read "GANTO," possibly the artist's name or pseudonym. The piece is in excellent overall condition with only minor crazing noted on the very bottom, consistent with age and typical for vintage glazed ceramics—no chips, cracks, or repairs visible. This bowl would make a stunning decorative centerpiece or serving dish, blending functionality with bold artistic appeal. Despite extensive research, no definitive records of the exact "KNOYWEN" studio or "GANTO" artist were found, suggesting it may be from a small, independent New York-based potter or limited production run from the mid-century period.

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This attractive vintage art pottery bowl measures approximately 10.5 inches in diameter and features a striking drip-glaze design in shades of soft seafoam green flowing into deeper teal and aqua tones at the center, contrasting beautifully against a rich brown exterior and rim. The organic, petal-like glaze pattern evokes mid-20th-century studio pottery aesthetics, with crystalline effects and subtle textural variations typical of handcrafted ceramic glazes. The interior bottom shows a deeper pooled glaze with minor speckling, adding to its artisanal character. The base is marked "KNOYWEN art ceramics, New York" (likely a studio or small production mark) and includes an embossed script signature that appears to read "GANTO," possibly the artist's name or pseudonym. The piece is in excellent overall condition with only minor crazing noted on the very bottom, consistent with age and typical for vintage glazed ceramics—no chips, cracks, or repairs visible. This bowl would make a stunning decorative centerpiece or serving dish, blending functionality with bold artistic appeal. Despite extensive research, no definitive records of the exact "KNOYWEN" studio or "GANTO" artist were found, suggesting it may be from a small, independent New York-based potter or limited production run from the mid-century period.

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This attractive vintage art pottery bowl measures approximately 10.5 inches in diameter and features a striking drip-glaze design in shades of soft seafoam green flowing into deeper teal and aqua tones at the center, contrasting beautifully against a rich brown exterior and rim. The organic, petal-like glaze pattern evokes mid-20th-century studio pottery aesthetics, with crystalline effects and subtle textural variations typical of handcrafted ceramic glazes. The interior bottom shows a deeper pooled glaze with minor speckling, adding to its artisanal character. The base is marked "KNOYWEN art ceramics, New York" (likely a studio or small production mark) and includes an embossed script signature that appears to read "GANTO," possibly the artist's name or pseudonym. The piece is in excellent overall condition with only minor crazing noted on the very bottom, consistent with age and typical for vintage glazed ceramics—no chips, cracks, or repairs visible. This bowl would make a stunning decorative centerpiece or serving dish, blending functionality with bold artistic appeal. Despite extensive research, no definitive records of the exact "KNOYWEN" studio or "GANTO" artist were found, suggesting it may be from a small, independent New York-based potter or limited production run from the mid-century period.

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2017-P Effigy Mounds National Monument Quarter, certified PCGS MS66 (Mint State 66). This gem uncirculated example from the America the Beautiful series features sharp details, full luster, and minimal marks — an excellent representative of this popular Iowa national monument design. - PCGS Certification: MS66 - Coin ID: 621700.66 / 8462626385 (as shown in slab) - Fresh, problem-free coin in original PCGS holder - Part of the America the Beautiful Quarters program honoring Effigy Mounds National Monument's ancient Native American earthworks High-grade modern ATB quarters like this make great additions to registry sets or type collections. No major errors or varieties — just strong eye appeal.

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2017-P Effigy Mounds National Monument Quarter, certified PCGS MS66 (Mint State 66). This gem uncirculated example from the America the Beautiful series features sharp details, full luster, and minimal marks — an excellent representative of this popular Iowa national monument design. - PCGS Certification: MS66 - Coin ID: 621700.66 / 8462626385 (as shown in slab) - Fresh, problem-free coin in original PCGS holder - Part of the America the Beautiful Quarters program honoring Effigy Mounds National Monument's ancient Native American earthworks High-grade modern ATB quarters like this make great additions to registry sets or type collections. No major errors or varieties — just strong eye appeal.

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This charming antique bust, standing approximately 6 inches tall, depicts a young woman with her eyes gently closed in a serene expression, her hair styled in an elegant updo with soft curls framing her face. She wears a low-cut draped garment adorned with stylized floral motifs (likely representing lilies or irises, common in Art Nouveau designs) cascading over her shoulders and chest. The sculpture is cast in spelter (a zinc-based white metal alloy popular in the late 19th to early 20th century for affordable decorative pieces), finished with a bronze-colored cold-painted patina that has developed natural wear and minor paint loss over time, revealing the underlying metal in places and adding to its authentic aged character. The bust is mounted on a circular base with floral detailing, appearing in an ebony-like dark finish (possibly painted wood or composition), secured with a flathead screw visible from the underside—a typical feature of period assemblies. This piece exemplifies the graceful, flowing lines and feminine motifs of the Art Nouveau or transitional Victorian/Edwardian era (circa 1890–1920), reminiscent of French decorative sculptures produced in large quantities for the home market. Unsigned, it aligns with mass-produced works inspired by prominent sculptors of the time, such as those featuring floral elements in the styles of Maurice Bouval or Emmanuel Villanis. Overall condition is good for its age, with the noted minor patina loss contributing to its vintage appeal.

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This charming antique bust, standing approximately 6 inches tall, depicts a young woman with her eyes gently closed in a serene expression, her hair styled in an elegant updo with soft curls framing her face. She wears a low-cut draped garment adorned with stylized floral motifs (likely representing lilies or irises, common in Art Nouveau designs) cascading over her shoulders and chest. The sculpture is cast in spelter (a zinc-based white metal alloy popular in the late 19th to early 20th century for affordable decorative pieces), finished with a bronze-colored cold-painted patina that has developed natural wear and minor paint loss over time, revealing the underlying metal in places and adding to its authentic aged character. The bust is mounted on a circular base with floral detailing, appearing in an ebony-like dark finish (possibly painted wood or composition), secured with a flathead screw visible from the underside—a typical feature of period assemblies. This piece exemplifies the graceful, flowing lines and feminine motifs of the Art Nouveau or transitional Victorian/Edwardian era (circa 1890–1920), reminiscent of French decorative sculptures produced in large quantities for the home market. Unsigned, it aligns with mass-produced works inspired by prominent sculptors of the time, such as those featuring floral elements in the styles of Maurice Bouval or Emmanuel Villanis. Overall condition is good for its age, with the noted minor patina loss contributing to its vintage appeal.

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This charming antique bust, standing approximately 6 inches tall, depicts a young woman with her eyes gently closed in a serene expression, her hair styled in an elegant updo with soft curls framing her face. She wears a low-cut draped garment adorned with stylized floral motifs (likely representing lilies or irises, common in Art Nouveau designs) cascading over her shoulders and chest. The sculpture is cast in spelter (a zinc-based white metal alloy popular in the late 19th to early 20th century for affordable decorative pieces), finished with a bronze-colored cold-painted patina that has developed natural wear and minor paint loss over time, revealing the underlying metal in places and adding to its authentic aged character. The bust is mounted on a circular base with floral detailing, appearing in an ebony-like dark finish (possibly painted wood or composition), secured with a flathead screw visible from the underside—a typical feature of period assemblies. This piece exemplifies the graceful, flowing lines and feminine motifs of the Art Nouveau or transitional Victorian/Edwardian era (circa 1890–1920), reminiscent of French decorative sculptures produced in large quantities for the home market. Unsigned, it aligns with mass-produced works inspired by prominent sculptors of the time, such as those featuring floral elements in the styles of Maurice Bouval or Emmanuel Villanis. Overall condition is good for its age, with the noted minor patina loss contributing to its vintage appeal.

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This charming antique bust, standing approximately 6 inches tall, depicts a young woman with her eyes gently closed in a serene expression, her hair styled in an elegant updo with soft curls framing her face. She wears a low-cut draped garment adorned with stylized floral motifs (likely representing lilies or irises, common in Art Nouveau designs) cascading over her shoulders and chest. The sculpture is cast in spelter (a zinc-based white metal alloy popular in the late 19th to early 20th century for affordable decorative pieces), finished with a bronze-colored cold-painted patina that has developed natural wear and minor paint loss over time, revealing the underlying metal in places and adding to its authentic aged character. The bust is mounted on a circular base with floral detailing, appearing in an ebony-like dark finish (possibly painted wood or composition), secured with a flathead screw visible from the underside—a typical feature of period assemblies. This piece exemplifies the graceful, flowing lines and feminine motifs of the Art Nouveau or transitional Victorian/Edwardian era (circa 1890–1920), reminiscent of French decorative sculptures produced in large quantities for the home market. Unsigned, it aligns with mass-produced works inspired by prominent sculptors of the time, such as those featuring floral elements in the styles of Maurice Bouval or Emmanuel Villanis. Overall condition is good for its age, with the noted minor patina loss contributing to its vintage appeal.

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This charming antique bust, standing approximately 6 inches tall, depicts a young woman with her eyes gently closed in a serene expression, her hair styled in an elegant updo with soft curls framing her face. She wears a low-cut draped garment adorned with stylized floral motifs (likely representing lilies or irises, common in Art Nouveau designs) cascading over her shoulders and chest. The sculpture is cast in spelter (a zinc-based white metal alloy popular in the late 19th to early 20th century for affordable decorative pieces), finished with a bronze-colored cold-painted patina that has developed natural wear and minor paint loss over time, revealing the underlying metal in places and adding to its authentic aged character. The bust is mounted on a circular base with floral detailing, appearing in an ebony-like dark finish (possibly painted wood or composition), secured with a flathead screw visible from the underside—a typical feature of period assemblies. This piece exemplifies the graceful, flowing lines and feminine motifs of the Art Nouveau or transitional Victorian/Edwardian era (circa 1890–1920), reminiscent of French decorative sculptures produced in large quantities for the home market. Unsigned, it aligns with mass-produced works inspired by prominent sculptors of the time, such as those featuring floral elements in the styles of Maurice Bouval or Emmanuel Villanis. Overall condition is good for its age, with the noted minor patina loss contributing to its vintage appeal.

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This charming antique bust, standing approximately 6 inches tall, depicts a young woman with her eyes gently closed in a serene expression, her hair styled in an elegant updo with soft curls framing her face. She wears a low-cut draped garment adorned with stylized floral motifs (likely representing lilies or irises, common in Art Nouveau designs) cascading over her shoulders and chest. The sculpture is cast in spelter (a zinc-based white metal alloy popular in the late 19th to early 20th century for affordable decorative pieces), finished with a bronze-colored cold-painted patina that has developed natural wear and minor paint loss over time, revealing the underlying metal in places and adding to its authentic aged character. The bust is mounted on a circular base with floral detailing, appearing in an ebony-like dark finish (possibly painted wood or composition), secured with a flathead screw visible from the underside—a typical feature of period assemblies. This piece exemplifies the graceful, flowing lines and feminine motifs of the Art Nouveau or transitional Victorian/Edwardian era (circa 1890–1920), reminiscent of French decorative sculptures produced in large quantities for the home market. Unsigned, it aligns with mass-produced works inspired by prominent sculptors of the time, such as those featuring floral elements in the styles of Maurice Bouval or Emmanuel Villanis. Overall condition is good for its age, with the noted minor patina loss contributing to its vintage appeal.

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This charming antique bust, standing approximately 6 inches tall, depicts a young woman with her eyes gently closed in a serene expression, her hair styled in an elegant updo with soft curls framing her face. She wears a low-cut draped garment adorned with stylized floral motifs (likely representing lilies or irises, common in Art Nouveau designs) cascading over her shoulders and chest. The sculpture is cast in spelter (a zinc-based white metal alloy popular in the late 19th to early 20th century for affordable decorative pieces), finished with a bronze-colored cold-painted patina that has developed natural wear and minor paint loss over time, revealing the underlying metal in places and adding to its authentic aged character. The bust is mounted on a circular base with floral detailing, appearing in an ebony-like dark finish (possibly painted wood or composition), secured with a flathead screw visible from the underside—a typical feature of period assemblies. This piece exemplifies the graceful, flowing lines and feminine motifs of the Art Nouveau or transitional Victorian/Edwardian era (circa 1890–1920), reminiscent of French decorative sculptures produced in large quantities for the home market. Unsigned, it aligns with mass-produced works inspired by prominent sculptors of the time, such as those featuring floral elements in the styles of Maurice Bouval or Emmanuel Villanis. Overall condition is good for its age, with the noted minor patina loss contributing to its vintage appeal.

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This attractive antique terracotta vessel, measuring approximately 11 inches in height and 7 inches at its widest point, features a piriform (pear-shaped) body with a short cylindrical neck and everted rim for filling, a prominent curved side spout for controlled pouring, and a sturdy strap handle connecting the neck to the shoulder. The plain reddish-orange terracotta body exhibits a natural earthy patina with areas of lighter encrustation and mineralization, consistent with age and burial or long-term soil exposure, while the interior of the neck shows authentic aged buildup. Remarkably well-preserved for its era, the piece displays no major cracks, repairs, or significant chipping—only minor surface wear and small rim nicks typical of functional pottery. This form is characteristic of traditional Mediterranean or Middle Eastern utilitarian ewers used for pouring water, oil, or wine, drawing from ancient prototypes (such as Roman/Byzantine pitchers or Near Eastern spouted vessels) but produced in the 19th to early 20th century across regions like France (Provence), Spain, Italy, North Africa, or the Ottoman territories. Such vessels were handmade on the wheel, often unglazed to allow evaporative cooling for water storage, and remain popular in folk pottery traditions. The excellent condition and genuine patina enhance its rustic decorative appeal.

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This attractive antique terracotta vessel, measuring approximately 11 inches in height and 7 inches at its widest point, features a piriform (pear-shaped) body with a short cylindrical neck and everted rim for filling, a prominent curved side spout for controlled pouring, and a sturdy strap handle connecting the neck to the shoulder. The plain reddish-orange terracotta body exhibits a natural earthy patina with areas of lighter encrustation and mineralization, consistent with age and burial or long-term soil exposure, while the interior of the neck shows authentic aged buildup. Remarkably well-preserved for its era, the piece displays no major cracks, repairs, or significant chipping—only minor surface wear and small rim nicks typical of functional pottery. This form is characteristic of traditional Mediterranean or Middle Eastern utilitarian ewers used for pouring water, oil, or wine, drawing from ancient prototypes (such as Roman/Byzantine pitchers or Near Eastern spouted vessels) but produced in the 19th to early 20th century across regions like France (Provence), Spain, Italy, North Africa, or the Ottoman territories. Such vessels were handmade on the wheel, often unglazed to allow evaporative cooling for water storage, and remain popular in folk pottery traditions. The excellent condition and genuine patina enhance its rustic decorative appeal.

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This attractive antique terracotta vessel, measuring approximately 11 inches in height and 7 inches at its widest point, features a piriform (pear-shaped) body with a short cylindrical neck and everted rim for filling, a prominent curved side spout for controlled pouring, and a sturdy strap handle connecting the neck to the shoulder. The plain reddish-orange terracotta body exhibits a natural earthy patina with areas of lighter encrustation and mineralization, consistent with age and burial or long-term soil exposure, while the interior of the neck shows authentic aged buildup. Remarkably well-preserved for its era, the piece displays no major cracks, repairs, or significant chipping—only minor surface wear and small rim nicks typical of functional pottery. This form is characteristic of traditional Mediterranean or Middle Eastern utilitarian ewers used for pouring water, oil, or wine, drawing from ancient prototypes (such as Roman/Byzantine pitchers or Near Eastern spouted vessels) but produced in the 19th to early 20th century across regions like France (Provence), Spain, Italy, North Africa, or the Ottoman territories. Such vessels were handmade on the wheel, often unglazed to allow evaporative cooling for water storage, and remain popular in folk pottery traditions. The excellent condition and genuine patina enhance its rustic decorative appeal.

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This attractive antique terracotta vessel, measuring approximately 11 inches in height and 7 inches at its widest point, features a piriform (pear-shaped) body with a short cylindrical neck and everted rim for filling, a prominent curved side spout for controlled pouring, and a sturdy strap handle connecting the neck to the shoulder. The plain reddish-orange terracotta body exhibits a natural earthy patina with areas of lighter encrustation and mineralization, consistent with age and burial or long-term soil exposure, while the interior of the neck shows authentic aged buildup. Remarkably well-preserved for its era, the piece displays no major cracks, repairs, or significant chipping—only minor surface wear and small rim nicks typical of functional pottery. This form is characteristic of traditional Mediterranean or Middle Eastern utilitarian ewers used for pouring water, oil, or wine, drawing from ancient prototypes (such as Roman/Byzantine pitchers or Near Eastern spouted vessels) but produced in the 19th to early 20th century across regions like France (Provence), Spain, Italy, North Africa, or the Ottoman territories. Such vessels were handmade on the wheel, often unglazed to allow evaporative cooling for water storage, and remain popular in folk pottery traditions. The excellent condition and genuine patina enhance its rustic decorative appeal.

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This attractive antique terracotta vessel, measuring approximately 11 inches in height and 7 inches at its widest point, features a piriform (pear-shaped) body with a short cylindrical neck and everted rim for filling, a prominent curved side spout for controlled pouring, and a sturdy strap handle connecting the neck to the shoulder. The plain reddish-orange terracotta body exhibits a natural earthy patina with areas of lighter encrustation and mineralization, consistent with age and burial or long-term soil exposure, while the interior of the neck shows authentic aged buildup. Remarkably well-preserved for its era, the piece displays no major cracks, repairs, or significant chipping—only minor surface wear and small rim nicks typical of functional pottery. This form is characteristic of traditional Mediterranean or Middle Eastern utilitarian ewers used for pouring water, oil, or wine, drawing from ancient prototypes (such as Roman/Byzantine pitchers or Near Eastern spouted vessels) but produced in the 19th to early 20th century across regions like France (Provence), Spain, Italy, North Africa, or the Ottoman territories. Such vessels were handmade on the wheel, often unglazed to allow evaporative cooling for water storage, and remain popular in folk pottery traditions. The excellent condition and genuine patina enhance its rustic decorative appeal.

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This attractive antique terracotta vessel, measuring approximately 11 inches in height and 7 inches at its widest point, features a piriform (pear-shaped) body with a short cylindrical neck and everted rim for filling, a prominent curved side spout for controlled pouring, and a sturdy strap handle connecting the neck to the shoulder. The plain reddish-orange terracotta body exhibits a natural earthy patina with areas of lighter encrustation and mineralization, consistent with age and burial or long-term soil exposure, while the interior of the neck shows authentic aged buildup. Remarkably well-preserved for its era, the piece displays no major cracks, repairs, or significant chipping—only minor surface wear and small rim nicks typical of functional pottery. This form is characteristic of traditional Mediterranean or Middle Eastern utilitarian ewers used for pouring water, oil, or wine, drawing from ancient prototypes (such as Roman/Byzantine pitchers or Near Eastern spouted vessels) but produced in the 19th to early 20th century across regions like France (Provence), Spain, Italy, North Africa, or the Ottoman territories. Such vessels were handmade on the wheel, often unglazed to allow evaporative cooling for water storage, and remain popular in folk pottery traditions. The excellent condition and genuine patina enhance its rustic decorative appeal.

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This attractive antique terracotta vessel, measuring approximately 11 inches in height and 7 inches at its widest point, features a piriform (pear-shaped) body with a short cylindrical neck and everted rim for filling, a prominent curved side spout for controlled pouring, and a sturdy strap handle connecting the neck to the shoulder. The plain reddish-orange terracotta body exhibits a natural earthy patina with areas of lighter encrustation and mineralization, consistent with age and burial or long-term soil exposure, while the interior of the neck shows authentic aged buildup. Remarkably well-preserved for its era, the piece displays no major cracks, repairs, or significant chipping—only minor surface wear and small rim nicks typical of functional pottery. This form is characteristic of traditional Mediterranean or Middle Eastern utilitarian ewers used for pouring water, oil, or wine, drawing from ancient prototypes (such as Roman/Byzantine pitchers or Near Eastern spouted vessels) but produced in the 19th to early 20th century across regions like France (Provence), Spain, Italy, North Africa, or the Ottoman territories. Such vessels were handmade on the wheel, often unglazed to allow evaporative cooling for water storage, and remain popular in folk pottery traditions. The excellent condition and genuine patina enhance its rustic decorative appeal.

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This attractive antique terracotta vessel, measuring approximately 11 inches in height and 7 inches at its widest point, features a piriform (pear-shaped) body with a short cylindrical neck and everted rim for filling, a prominent curved side spout for controlled pouring, and a sturdy strap handle connecting the neck to the shoulder. The plain reddish-orange terracotta body exhibits a natural earthy patina with areas of lighter encrustation and mineralization, consistent with age and burial or long-term soil exposure, while the interior of the neck shows authentic aged buildup. Remarkably well-preserved for its era, the piece displays no major cracks, repairs, or significant chipping—only minor surface wear and small rim nicks typical of functional pottery. This form is characteristic of traditional Mediterranean or Middle Eastern utilitarian ewers used for pouring water, oil, or wine, drawing from ancient prototypes (such as Roman/Byzantine pitchers or Near Eastern spouted vessels) but produced in the 19th to early 20th century across regions like France (Provence), Spain, Italy, North Africa, or the Ottoman territories. Such vessels were handmade on the wheel, often unglazed to allow evaporative cooling for water storage, and remain popular in folk pottery traditions. The excellent condition and genuine patina enhance its rustic decorative appeal.

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This attractive antique terracotta vessel, measuring approximately 11 inches in height and 7 inches at its widest point, features a piriform (pear-shaped) body with a short cylindrical neck and everted rim for filling, a prominent curved side spout for controlled pouring, and a sturdy strap handle connecting the neck to the shoulder. The plain reddish-orange terracotta body exhibits a natural earthy patina with areas of lighter encrustation and mineralization, consistent with age and burial or long-term soil exposure, while the interior of the neck shows authentic aged buildup. Remarkably well-preserved for its era, the piece displays no major cracks, repairs, or significant chipping—only minor surface wear and small rim nicks typical of functional pottery. This form is characteristic of traditional Mediterranean or Middle Eastern utilitarian ewers used for pouring water, oil, or wine, drawing from ancient prototypes (such as Roman/Byzantine pitchers or Near Eastern spouted vessels) but produced in the 19th to early 20th century across regions like France (Provence), Spain, Italy, North Africa, or the Ottoman territories. Such vessels were handmade on the wheel, often unglazed to allow evaporative cooling for water storage, and remain popular in folk pottery traditions. The excellent condition and genuine patina enhance its rustic decorative appeal.

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This attractive antique terracotta vessel, measuring approximately 11 inches in height and 7 inches at its widest point, features a piriform (pear-shaped) body with a short cylindrical neck and everted rim for filling, a prominent curved side spout for controlled pouring, and a sturdy strap handle connecting the neck to the shoulder. The plain reddish-orange terracotta body exhibits a natural earthy patina with areas of lighter encrustation and mineralization, consistent with age and burial or long-term soil exposure, while the interior of the neck shows authentic aged buildup. Remarkably well-preserved for its era, the piece displays no major cracks, repairs, or significant chipping—only minor surface wear and small rim nicks typical of functional pottery. This form is characteristic of traditional Mediterranean or Middle Eastern utilitarian ewers used for pouring water, oil, or wine, drawing from ancient prototypes (such as Roman/Byzantine pitchers or Near Eastern spouted vessels) but produced in the 19th to early 20th century across regions like France (Provence), Spain, Italy, North Africa, or the Ottoman territories. Such vessels were handmade on the wheel, often unglazed to allow evaporative cooling for water storage, and remain popular in folk pottery traditions. The excellent condition and genuine patina enhance its rustic decorative appeal.

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Step back into mid-century novelty with this charming and rare Timelite electric clock and cigarette lighter combo, cleverly disguised as a classic rotary dial telephone! Manufactured by Alba Art Studios, Chicago, USA (original label on underside marked "Pat. Pending"), this Art Deco-inspired piece dates to the 1940s-1950s era. Key features: - The "dial" is actually a self-starting synchronous electric clock face with luminous numerals for easy reading, even in low light. A small decorative star above the 6 spins when running – a delightful signature detail! - The handset receiver doubles as an electric cigarette/cigar lighter (press the button on one end to activate the glowing filament in the mouthpiece – perfect for lighting up in style back in the day). - Finished in a metallic copper/bronze tone with a heavy cast metal construction (likely aluminum or similar non-magnetic alloy). - Original power cord included; plugged in briefly and fully functional – clock runs smoothly and keeps accurate time. This is not a functional telephone – it's a whimsical desk accessory blending timekeeping with the once-popular electric lighter trend. In excellent vintage condition with minimal wear, no major damage, and full working order. A fantastic conversation piece for collectors of tobacciana, mid-century decor, Art Deco items, or vintage telephones/clocks. Dimensions approx.: 8" wide (with handset) x 6" deep x 4.5" tall.

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Step back into mid-century novelty with this charming and rare Timelite electric clock and cigarette lighter combo, cleverly disguised as a classic rotary dial telephone! Manufactured by Alba Art Studios, Chicago, USA (original label on underside marked "Pat. Pending"), this Art Deco-inspired piece dates to the 1940s-1950s era. Key features: - The "dial" is actually a self-starting synchronous electric clock face with luminous numerals for easy reading, even in low light. A small decorative star above the 6 spins when running – a delightful signature detail! - The handset receiver doubles as an electric cigarette/cigar lighter (press the button on one end to activate the glowing filament in the mouthpiece – perfect for lighting up in style back in the day). - Finished in a metallic copper/bronze tone with a heavy cast metal construction (likely aluminum or similar non-magnetic alloy). - Original power cord included; plugged in briefly and fully functional – clock runs smoothly and keeps accurate time. This is not a functional telephone – it's a whimsical desk accessory blending timekeeping with the once-popular electric lighter trend. In excellent vintage condition with minimal wear, no major damage, and full working order. A fantastic conversation piece for collectors of tobacciana, mid-century decor, Art Deco items, or vintage telephones/clocks. Dimensions approx.: 8" wide (with handset) x 6" deep x 4.5" tall.

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Step back into mid-century novelty with this charming and rare Timelite electric clock and cigarette lighter combo, cleverly disguised as a classic rotary dial telephone! Manufactured by Alba Art Studios, Chicago, USA (original label on underside marked "Pat. Pending"), this Art Deco-inspired piece dates to the 1940s-1950s era. Key features: - The "dial" is actually a self-starting synchronous electric clock face with luminous numerals for easy reading, even in low light. A small decorative star above the 6 spins when running – a delightful signature detail! - The handset receiver doubles as an electric cigarette/cigar lighter (press the button on one end to activate the glowing filament in the mouthpiece – perfect for lighting up in style back in the day). - Finished in a metallic copper/bronze tone with a heavy cast metal construction (likely aluminum or similar non-magnetic alloy). - Original power cord included; plugged in briefly and fully functional – clock runs smoothly and keeps accurate time. This is not a functional telephone – it's a whimsical desk accessory blending timekeeping with the once-popular electric lighter trend. In excellent vintage condition with minimal wear, no major damage, and full working order. A fantastic conversation piece for collectors of tobacciana, mid-century decor, Art Deco items, or vintage telephones/clocks. Dimensions approx.: 8" wide (with handset) x 6" deep x 4.5" tall.

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Step back into mid-century novelty with this charming and rare Timelite electric clock and cigarette lighter combo, cleverly disguised as a classic rotary dial telephone! Manufactured by Alba Art Studios, Chicago, USA (original label on underside marked "Pat. Pending"), this Art Deco-inspired piece dates to the 1940s-1950s era. Key features: - The "dial" is actually a self-starting synchronous electric clock face with luminous numerals for easy reading, even in low light. A small decorative star above the 6 spins when running – a delightful signature detail! - The handset receiver doubles as an electric cigarette/cigar lighter (press the button on one end to activate the glowing filament in the mouthpiece – perfect for lighting up in style back in the day). - Finished in a metallic copper/bronze tone with a heavy cast metal construction (likely aluminum or similar non-magnetic alloy). - Original power cord included; plugged in briefly and fully functional – clock runs smoothly and keeps accurate time. This is not a functional telephone – it's a whimsical desk accessory blending timekeeping with the once-popular electric lighter trend. In excellent vintage condition with minimal wear, no major damage, and full working order. A fantastic conversation piece for collectors of tobacciana, mid-century decor, Art Deco items, or vintage telephones/clocks. Dimensions approx.: 8" wide (with handset) x 6" deep x 4.5" tall.

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Step back into mid-century novelty with this charming and rare Timelite electric clock and cigarette lighter combo, cleverly disguised as a classic rotary dial telephone! Manufactured by Alba Art Studios, Chicago, USA (original label on underside marked "Pat. Pending"), this Art Deco-inspired piece dates to the 1940s-1950s era. Key features: - The "dial" is actually a self-starting synchronous electric clock face with luminous numerals for easy reading, even in low light. A small decorative star above the 6 spins when running – a delightful signature detail! - The handset receiver doubles as an electric cigarette/cigar lighter (press the button on one end to activate the glowing filament in the mouthpiece – perfect for lighting up in style back in the day). - Finished in a metallic copper/bronze tone with a heavy cast metal construction (likely aluminum or similar non-magnetic alloy). - Original power cord included; plugged in briefly and fully functional – clock runs smoothly and keeps accurate time. This is not a functional telephone – it's a whimsical desk accessory blending timekeeping with the once-popular electric lighter trend. In excellent vintage condition with minimal wear, no major damage, and full working order. A fantastic conversation piece for collectors of tobacciana, mid-century decor, Art Deco items, or vintage telephones/clocks. Dimensions approx.: 8" wide (with handset) x 6" deep x 4.5" tall.

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Step back into mid-century novelty with this charming and rare Timelite electric clock and cigarette lighter combo, cleverly disguised as a classic rotary dial telephone! Manufactured by Alba Art Studios, Chicago, USA (original label on underside marked "Pat. Pending"), this Art Deco-inspired piece dates to the 1940s-1950s era. Key features: - The "dial" is actually a self-starting synchronous electric clock face with luminous numerals for easy reading, even in low light. A small decorative star above the 6 spins when running – a delightful signature detail! - The handset receiver doubles as an electric cigarette/cigar lighter (press the button on one end to activate the glowing filament in the mouthpiece – perfect for lighting up in style back in the day). - Finished in a metallic copper/bronze tone with a heavy cast metal construction (likely aluminum or similar non-magnetic alloy). - Original power cord included; plugged in briefly and fully functional – clock runs smoothly and keeps accurate time. This is not a functional telephone – it's a whimsical desk accessory blending timekeeping with the once-popular electric lighter trend. In excellent vintage condition with minimal wear, no major damage, and full working order. A fantastic conversation piece for collectors of tobacciana, mid-century decor, Art Deco items, or vintage telephones/clocks. Dimensions approx.: 8" wide (with handset) x 6" deep x 4.5" tall.

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Step back into mid-century novelty with this charming and rare Timelite electric clock and cigarette lighter combo, cleverly disguised as a classic rotary dial telephone! Manufactured by Alba Art Studios, Chicago, USA (original label on underside marked "Pat. Pending"), this Art Deco-inspired piece dates to the 1940s-1950s era. Key features: - The "dial" is actually a self-starting synchronous electric clock face with luminous numerals for easy reading, even in low light. A small decorative star above the 6 spins when running – a delightful signature detail! - The handset receiver doubles as an electric cigarette/cigar lighter (press the button on one end to activate the glowing filament in the mouthpiece – perfect for lighting up in style back in the day). - Finished in a metallic copper/bronze tone with a heavy cast metal construction (likely aluminum or similar non-magnetic alloy). - Original power cord included; plugged in briefly and fully functional – clock runs smoothly and keeps accurate time. This is not a functional telephone – it's a whimsical desk accessory blending timekeeping with the once-popular electric lighter trend. In excellent vintage condition with minimal wear, no major damage, and full working order. A fantastic conversation piece for collectors of tobacciana, mid-century decor, Art Deco items, or vintage telephones/clocks. Dimensions approx.: 8" wide (with handset) x 6" deep x 4.5" tall.

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Step back into mid-century novelty with this charming and rare Timelite electric clock and cigarette lighter combo, cleverly disguised as a classic rotary dial telephone! Manufactured by Alba Art Studios, Chicago, USA (original label on underside marked "Pat. Pending"), this Art Deco-inspired piece dates to the 1940s-1950s era. Key features: - The "dial" is actually a self-starting synchronous electric clock face with luminous numerals for easy reading, even in low light. A small decorative star above the 6 spins when running – a delightful signature detail! - The handset receiver doubles as an electric cigarette/cigar lighter (press the button on one end to activate the glowing filament in the mouthpiece – perfect for lighting up in style back in the day). - Finished in a metallic copper/bronze tone with a heavy cast metal construction (likely aluminum or similar non-magnetic alloy). - Original power cord included; plugged in briefly and fully functional – clock runs smoothly and keeps accurate time. This is not a functional telephone – it's a whimsical desk accessory blending timekeeping with the once-popular electric lighter trend. In excellent vintage condition with minimal wear, no major damage, and full working order. A fantastic conversation piece for collectors of tobacciana, mid-century decor, Art Deco items, or vintage telephones/clocks. Dimensions approx.: 8" wide (with handset) x 6" deep x 4.5" tall.

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Step back into mid-century novelty with this charming and rare Timelite electric clock and cigarette lighter combo, cleverly disguised as a classic rotary dial telephone! Manufactured by Alba Art Studios, Chicago, USA (original label on underside marked "Pat. Pending"), this Art Deco-inspired piece dates to the 1940s-1950s era. Key features: - The "dial" is actually a self-starting synchronous electric clock face with luminous numerals for easy reading, even in low light. A small decorative star above the 6 spins when running – a delightful signature detail! - The handset receiver doubles as an electric cigarette/cigar lighter (press the button on one end to activate the glowing filament in the mouthpiece – perfect for lighting up in style back in the day). - Finished in a metallic copper/bronze tone with a heavy cast metal construction (likely aluminum or similar non-magnetic alloy). - Original power cord included; plugged in briefly and fully functional – clock runs smoothly and keeps accurate time. This is not a functional telephone – it's a whimsical desk accessory blending timekeeping with the once-popular electric lighter trend. In excellent vintage condition with minimal wear, no major damage, and full working order. A fantastic conversation piece for collectors of tobacciana, mid-century decor, Art Deco items, or vintage telephones/clocks. Dimensions approx.: 8" wide (with handset) x 6" deep x 4.5" tall.

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Step back into mid-century novelty with this charming and rare Timelite electric clock and cigarette lighter combo, cleverly disguised as a classic rotary dial telephone! Manufactured by Alba Art Studios, Chicago, USA (original label on underside marked "Pat. Pending"), this Art Deco-inspired piece dates to the 1940s-1950s era. Key features: - The "dial" is actually a self-starting synchronous electric clock face with luminous numerals for easy reading, even in low light. A small decorative star above the 6 spins when running – a delightful signature detail! - The handset receiver doubles as an electric cigarette/cigar lighter (press the button on one end to activate the glowing filament in the mouthpiece – perfect for lighting up in style back in the day). - Finished in a metallic copper/bronze tone with a heavy cast metal construction (likely aluminum or similar non-magnetic alloy). - Original power cord included; plugged in briefly and fully functional – clock runs smoothly and keeps accurate time. This is not a functional telephone – it's a whimsical desk accessory blending timekeeping with the once-popular electric lighter trend. In excellent vintage condition with minimal wear, no major damage, and full working order. A fantastic conversation piece for collectors of tobacciana, mid-century decor, Art Deco items, or vintage telephones/clocks. Dimensions approx.: 8" wide (with handset) x 6" deep x 4.5" tall.

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Artist: Rossmary Val Verde (Peruvian, b. 1960s) Title: Cargador Year: 2005 Medium: Oil and acrylic on canvas Dimensions: 36 × 36 in (91 × 91 cm) Signed: Lower right, R. Val Verde ? Description Rossmary Val Verde is celebrated for her vibrant portrayals of Andean village life—scenes alive with color, movement, and cultural symbolism. In Cargador, she transforms a simple highland street into a rhythmic celebration of Peruvian identity: figures in traditional ponchos and bowler hats carry bundles through a glowing hillside town, framed by the Andean peaks and a luminous night sky. Val Verde’s distinctive folk-expressionist style blends saturated hues and bold geometric forms, reflecting both the warmth of community and the dramatic landscape of the Andes. The interplay of crimson roofs, emerald hills, and cobalt sky evokes a sense of unity and festivity that has made her work a favorite among collectors of Latin American art.

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Artist: Rossmary Val Verde (Peruvian, b. 1960s) Title: Cargador Year: 2005 Medium: Oil and acrylic on canvas Dimensions: 36 × 36 in (91 × 91 cm) Signed: Lower right, R. Val Verde ? Description Rossmary Val Verde is celebrated for her vibrant portrayals of Andean village life—scenes alive with color, movement, and cultural symbolism. In Cargador, she transforms a simple highland street into a rhythmic celebration of Peruvian identity: figures in traditional ponchos and bowler hats carry bundles through a glowing hillside town, framed by the Andean peaks and a luminous night sky. Val Verde’s distinctive folk-expressionist style blends saturated hues and bold geometric forms, reflecting both the warmth of community and the dramatic landscape of the Andes. The interplay of crimson roofs, emerald hills, and cobalt sky evokes a sense of unity and festivity that has made her work a favorite among collectors of Latin American art.

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Artist: Rossmary Val Verde (Peruvian, b. 1960s) Title: Cargador Year: 2005 Medium: Oil and acrylic on canvas Dimensions: 36 × 36 in (91 × 91 cm) Signed: Lower right, R. Val Verde ? Description Rossmary Val Verde is celebrated for her vibrant portrayals of Andean village life—scenes alive with color, movement, and cultural symbolism. In Cargador, she transforms a simple highland street into a rhythmic celebration of Peruvian identity: figures in traditional ponchos and bowler hats carry bundles through a glowing hillside town, framed by the Andean peaks and a luminous night sky. Val Verde’s distinctive folk-expressionist style blends saturated hues and bold geometric forms, reflecting both the warmth of community and the dramatic landscape of the Andes. The interplay of crimson roofs, emerald hills, and cobalt sky evokes a sense of unity and festivity that has made her work a favorite among collectors of Latin American art.

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Artist: Rossmary Val Verde (Peruvian, b. 1960s) Title: Cargador Year: 2005 Medium: Oil and acrylic on canvas Dimensions: 36 × 36 in (91 × 91 cm) Signed: Lower right, R. Val Verde ? Description Rossmary Val Verde is celebrated for her vibrant portrayals of Andean village life—scenes alive with color, movement, and cultural symbolism. In Cargador, she transforms a simple highland street into a rhythmic celebration of Peruvian identity: figures in traditional ponchos and bowler hats carry bundles through a glowing hillside town, framed by the Andean peaks and a luminous night sky. Val Verde’s distinctive folk-expressionist style blends saturated hues and bold geometric forms, reflecting both the warmth of community and the dramatic landscape of the Andes. The interplay of crimson roofs, emerald hills, and cobalt sky evokes a sense of unity and festivity that has made her work a favorite among collectors of Latin American art.

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Artist: Rossmary Val Verde (Peruvian, b. 1960s) Title: Tiñendo Lana (“Dyeing Wool”) Year: 2005 Medium: Oil and Acrylic on Canvas Dimensions: 17 ½ × 36 ½ in (44.5 × 92.7 cm) Signed: Lower right, R. Val Verde Provenance: Gallery 444, San Francisco, California — original gallery label on verso, inventory #C11974, retail price $2,900 ? Description A brilliant, story-rich example of Rossmary Val Verde’s celebrated depictions of Andean village life. In Tiñendo Lana, Val Verde captures an everyday moment in a mountain village where women prepare and dye wool under a glowing yellow sky. Brightly dressed figures, terracotta rooftops, and lush green hills form a joyful narrative of color and tradition. The snow-capped Andes rise beyond, uniting daily labor and natural grandeur in a distinctly Peruvian rhythm of life. Executed in Val Verde’s signature style—bold color blocking, curving pathways, and geometric architecture—the work radiates warmth and cultural pride. The artist’s distinctive hand-layered oil and acrylic technique produces a richly textured surface that comes alive under light. ? Condition Excellent original condition. Canvas remains tight with vivid pigment and no evidence of fading, abrasions, or repairs. Professionally stretched and wired, ready to hang.

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Artist: Rossmary Val Verde (Peruvian, b. 1960s) Title: Tiñendo Lana (“Dyeing Wool”) Year: 2005 Medium: Oil and Acrylic on Canvas Dimensions: 17 ½ × 36 ½ in (44.5 × 92.7 cm) Signed: Lower right, R. Val Verde Provenance: Gallery 444, San Francisco, California — original gallery label on verso, inventory #C11974, retail price $2,900 ? Description A brilliant, story-rich example of Rossmary Val Verde’s celebrated depictions of Andean village life. In Tiñendo Lana, Val Verde captures an everyday moment in a mountain village where women prepare and dye wool under a glowing yellow sky. Brightly dressed figures, terracotta rooftops, and lush green hills form a joyful narrative of color and tradition. The snow-capped Andes rise beyond, uniting daily labor and natural grandeur in a distinctly Peruvian rhythm of life. Executed in Val Verde’s signature style—bold color blocking, curving pathways, and geometric architecture—the work radiates warmth and cultural pride. The artist’s distinctive hand-layered oil and acrylic technique produces a richly textured surface that comes alive under light. ? Condition Excellent original condition. Canvas remains tight with vivid pigment and no evidence of fading, abrasions, or repairs. Professionally stretched and wired, ready to hang.

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Artist: Rossmary Val Verde (Peruvian, b. 1960s) Title: Tiñendo Lana (“Dyeing Wool”) Year: 2005 Medium: Oil and Acrylic on Canvas Dimensions: 17 ½ × 36 ½ in (44.5 × 92.7 cm) Signed: Lower right, R. Val Verde Provenance: Gallery 444, San Francisco, California — original gallery label on verso, inventory #C11974, retail price $2,900 ? Description A brilliant, story-rich example of Rossmary Val Verde’s celebrated depictions of Andean village life. In Tiñendo Lana, Val Verde captures an everyday moment in a mountain village where women prepare and dye wool under a glowing yellow sky. Brightly dressed figures, terracotta rooftops, and lush green hills form a joyful narrative of color and tradition. The snow-capped Andes rise beyond, uniting daily labor and natural grandeur in a distinctly Peruvian rhythm of life. Executed in Val Verde’s signature style—bold color blocking, curving pathways, and geometric architecture—the work radiates warmth and cultural pride. The artist’s distinctive hand-layered oil and acrylic technique produces a richly textured surface that comes alive under light. ? Condition Excellent original condition. Canvas remains tight with vivid pigment and no evidence of fading, abrasions, or repairs. Professionally stretched and wired, ready to hang.

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This beautiful vintage handwoven coiled basket plate measures 14 inches across and is an authentic example of traditional Pakistani basketry craftsmanship. It features a striking radiating sunburst spiral pattern in natural beige and warm brown tones, created by wrapping dried date palm leaves around a core of wild reeds or grasses. Handcrafted in rural villages of Pakistan (likely Sindh or Punjab regions), these labor-intensive pieces embody centuries-old techniques passed down through generations, often by women artisans. The tight coiled construction and geometric design evoke symbolic motifs of life and nature, while the "Pakistan" mark on the back indicates it was made for export. In excellent vintage condition with minor signs of age adding to its character—no major damage, tears, or repairs visible. Perfect as a decorative wall hanging, boho tray for fruit/bread, or eclectic home accent. A genuine fair-trade style artifact blending utility and artistry.

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This beautiful vintage handwoven coiled basket plate measures 14 inches across and is an authentic example of traditional Pakistani basketry craftsmanship. It features a striking radiating sunburst spiral pattern in natural beige and warm brown tones, created by wrapping dried date palm leaves around a core of wild reeds or grasses. Handcrafted in rural villages of Pakistan (likely Sindh or Punjab regions), these labor-intensive pieces embody centuries-old techniques passed down through generations, often by women artisans. The tight coiled construction and geometric design evoke symbolic motifs of life and nature, while the "Pakistan" mark on the back indicates it was made for export. In excellent vintage condition with minor signs of age adding to its character—no major damage, tears, or repairs visible. Perfect as a decorative wall hanging, boho tray for fruit/bread, or eclectic home accent. A genuine fair-trade style artifact blending utility and artistry.

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This beautiful vintage handwoven coiled basket plate measures 14 inches across and is an authentic example of traditional Pakistani basketry craftsmanship. It features a striking radiating sunburst spiral pattern in natural beige and warm brown tones, created by wrapping dried date palm leaves around a core of wild reeds or grasses. Handcrafted in rural villages of Pakistan (likely Sindh or Punjab regions), these labor-intensive pieces embody centuries-old techniques passed down through generations, often by women artisans. The tight coiled construction and geometric design evoke symbolic motifs of life and nature, while the "Pakistan" mark on the back indicates it was made for export. In excellent vintage condition with minor signs of age adding to its character—no major damage, tears, or repairs visible. Perfect as a decorative wall hanging, boho tray for fruit/bread, or eclectic home accent. A genuine fair-trade style artifact blending utility and artistry.

95 / 252
This beautiful vintage handwoven coiled basket plate measures 14 inches across and is an authentic example of traditional Pakistani basketry craftsmanship. It features a striking radiating sunburst spiral pattern in natural beige and warm brown tones, created by wrapping dried date palm leaves around a core of wild reeds or grasses. Handcrafted in rural villages of Pakistan (likely Sindh or Punjab regions), these labor-intensive pieces embody centuries-old techniques passed down through generations, often by women artisans. The tight coiled construction and geometric design evoke symbolic motifs of life and nature, while the "Pakistan" mark on the back indicates it was made for export. In excellent vintage condition with minor signs of age adding to its character—no major damage, tears, or repairs visible. Perfect as a decorative wall hanging, boho tray for fruit/bread, or eclectic home accent. A genuine fair-trade style artifact blending utility and artistry.

96 / 252
This beautiful vintage handwoven coiled basket plate measures 14 inches across and is an authentic example of traditional Pakistani basketry craftsmanship. It features a striking radiating sunburst spiral pattern in natural beige and warm brown tones, created by wrapping dried date palm leaves around a core of wild reeds or grasses. Handcrafted in rural villages of Pakistan (likely Sindh or Punjab regions), these labor-intensive pieces embody centuries-old techniques passed down through generations, often by women artisans. The tight coiled construction and geometric design evoke symbolic motifs of life and nature, while the "Pakistan" mark on the back indicates it was made for export. In excellent vintage condition with minor signs of age adding to its character—no major damage, tears, or repairs visible. Perfect as a decorative wall hanging, boho tray for fruit/bread, or eclectic home accent. A genuine fair-trade style artifact blending utility and artistry.

97 / 252
This beautiful vintage handwoven coiled basket plate measures 14 inches across and is an authentic example of traditional Pakistani basketry craftsmanship. It features a striking radiating sunburst spiral pattern in natural beige and warm brown tones, created by wrapping dried date palm leaves around a core of wild reeds or grasses. Handcrafted in rural villages of Pakistan (likely Sindh or Punjab regions), these labor-intensive pieces embody centuries-old techniques passed down through generations, often by women artisans. The tight coiled construction and geometric design evoke symbolic motifs of life and nature, while the "Pakistan" mark on the back indicates it was made for export. In excellent vintage condition with minor signs of age adding to its character—no major damage, tears, or repairs visible. Perfect as a decorative wall hanging, boho tray for fruit/bread, or eclectic home accent. A genuine fair-trade style artifact blending utility and artistry.

98 / 252
This beautiful vintage handwoven coiled basket plate measures 14 inches across and is an authentic example of traditional Pakistani basketry craftsmanship. It features a striking radiating sunburst spiral pattern in natural beige and warm brown tones, created by wrapping dried date palm leaves around a core of wild reeds or grasses. Handcrafted in rural villages of Pakistan (likely Sindh or Punjab regions), these labor-intensive pieces embody centuries-old techniques passed down through generations, often by women artisans. The tight coiled construction and geometric design evoke symbolic motifs of life and nature, while the "Pakistan" mark on the back indicates it was made for export. In excellent vintage condition with minor signs of age adding to its character—no major damage, tears, or repairs visible. Perfect as a decorative wall hanging, boho tray for fruit/bread, or eclectic home accent. A genuine fair-trade style artifact blending utility and artistry.

99 / 252
This beautiful vintage handwoven coiled basket plate measures 14 inches across and is an authentic example of traditional Pakistani basketry craftsmanship. It features a striking radiating sunburst spiral pattern in natural beige and warm brown tones, created by wrapping dried date palm leaves around a core of wild reeds or grasses. Handcrafted in rural villages of Pakistan (likely Sindh or Punjab regions), these labor-intensive pieces embody centuries-old techniques passed down through generations, often by women artisans. The tight coiled construction and geometric design evoke symbolic motifs of life and nature, while the "Pakistan" mark on the back indicates it was made for export. In excellent vintage condition with minor signs of age adding to its character—no major damage, tears, or repairs visible. Perfect as a decorative wall hanging, boho tray for fruit/bread, or eclectic home accent. A genuine fair-trade style artifact blending utility and artistry.

100 / 252

Photos 1 - 100 of 252

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Craigslist Code

Please note that Craigslist has stopped allowing external images as well as most html tags in their "for sale" listings. Your template will still have a full link to your sale and your sale photo gallery.

Preview your Craigslist template

Go to Craigslist and find your city.
Under For Sale, click on the Garage Sale category.
Click on the Post link in the upper right corner of the page.
Choose the Garage Sale category and then select your area. Craigslist doesn't have an Estate Sale category and this is the closest match.
Add the title of your sale and the location.
Add your email address and keep it anonymous to prevent spam.
Copy & Paste the html code below into the Posting Description text box.
Click Continue to add photos and publish your sale. You will receive a confirmation email from Craigslist to verify the sale. Activate your sale by clicking the link in your email and your done!
Craigslist allows you to re-post your ad every 48 hours. Re-post any sooner and your ad may be subject to removal.

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