-
After John Everett Millais (British, 1829–1896) The Huguenot, on the Eve of St. Bartholomew’s Day, 1572 Large Victorian steel engraving after the celebrated Pre-Raphaelite painting by John Everett Millais, depicting a Catholic woman imploring her Huguenot lover to wear a white armband for protection on the eve of the St. Bartholomew’s Day Massacre. Engraved by Thomas Oldham Barlow and published in London on June 1, 1857. Plate text at lower margin reads “Painted by John Everett Millais A.R.A.” and “Engraved by Thos. Oldham Barlow.” Presented in a period giltwood frame. Visible toning, foxing, and surface wear consistent with age. Frame with scattered losses and wear. Overall an authentic mid-19th-century engraving with strong historical and decorative appeal. Measures: 35.5" high x 26.5" wide x 2.5" deep 498 / 1767 -
After John Everett Millais (British, 1829–1896) The Huguenot, on the Eve of St. Bartholomew’s Day, 1572 Large Victorian steel engraving after the celebrated Pre-Raphaelite painting by John Everett Millais, depicting a Catholic woman imploring her Huguenot lover to wear a white armband for protection on the eve of the St. Bartholomew’s Day Massacre. Engraved by Thomas Oldham Barlow and published in London on June 1, 1857. Plate text at lower margin reads “Painted by John Everett Millais A.R.A.” and “Engraved by Thos. Oldham Barlow.” Presented in a period giltwood frame. Visible toning, foxing, and surface wear consistent with age. Frame with scattered losses and wear. Overall an authentic mid-19th-century engraving with strong historical and decorative appeal. Measures: 35.5" high x 26.5" wide x 2.5" deep 499 / 1767 -
After John Everett Millais (British, 1829–1896) The Huguenot, on the Eve of St. Bartholomew’s Day, 1572 Large Victorian steel engraving after the celebrated Pre-Raphaelite painting by John Everett Millais, depicting a Catholic woman imploring her Huguenot lover to wear a white armband for protection on the eve of the St. Bartholomew’s Day Massacre. Engraved by Thomas Oldham Barlow and published in London on June 1, 1857. Plate text at lower margin reads “Painted by John Everett Millais A.R.A.” and “Engraved by Thos. Oldham Barlow.” Presented in a period giltwood frame. Visible toning, foxing, and surface wear consistent with age. Frame with scattered losses and wear. Overall an authentic mid-19th-century engraving with strong historical and decorative appeal. Measures: 35.5" high x 26.5" wide x 2.5" deep 500 / 1767
Photos 401 - 500 of 1767
Per page: