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Large round decorative drum constructed with a wood frame and stretched hide surface, featuring a bold hand-painted geometric sunburst/floral design in earthy cream and reddish-brown tones. The hide is secured around the wood frame with traditional-style rawhide lacing visible along the sides. Fitted with a hanging strap and currently displayed as wall décor. Shows age-related wear, surface marks, discoloration and natural irregularities to the hide and wood. Please review photos for condition. Measures approximately 22.5" diameter × 3.5" deep. 201 / 2241 -
Decorative table lamp featuring a slender wood-tone column accented with silver-tone metal fittings and set on a square green marble or stone base. Includes a distinctive green tapered shade decorated with a colorful long-tailed bird perched among leafy branches, accented by floral and geometric motifs. Finished with a decorative leaf-form finial. Measures approximately 28" high overall. Condition appears good with light wear consistent with use. Untested unless otherwise noted; please review photos for condition. 202 / 2241 -
Decorative table lamp featuring a slender wood-tone column accented with silver-tone metal fittings and set on a square green marble or stone base. Includes a distinctive green tapered shade decorated with a colorful long-tailed bird perched among leafy branches, accented by floral and geometric motifs. Finished with a decorative leaf-form finial. Measures approximately 28" high overall. Condition appears good with light wear consistent with use. Untested unless otherwise noted; please review photos for condition. 203 / 2241 -
Decorative table lamp featuring a slender wood-tone column accented with silver-tone metal fittings and set on a square green marble or stone base. Includes a distinctive green tapered shade decorated with a colorful long-tailed bird perched among leafy branches, accented by floral and geometric motifs. Finished with a decorative leaf-form finial. Measures approximately 28" high overall. Condition appears good with light wear consistent with use. Untested unless otherwise noted; please review photos for condition. 204 / 2241 -
Decorative table lamp featuring a slender wood-tone column accented with silver-tone metal fittings and set on a square green marble or stone base. Includes a distinctive green tapered shade decorated with a colorful long-tailed bird perched among leafy branches, accented by floral and geometric motifs. Finished with a decorative leaf-form finial. Measures approximately 28" high overall. Condition appears good with light wear consistent with use. Untested unless otherwise noted; please review photos for condition. 205 / 2241 -
Rustic decorative table lamp featuring a wrought iron frame with an open twisted-cage center and scrolling tripod-style feet. Topped with a coordinating distressed metal shade featuring pierced geometric designs that allow light to shine through for added visual interest. Warm rust and bronze-tone finish gives the lamp a Southwestern, lodge or rustic-inspired appearance. Measures approximately 29" high. Shows light surface wear and variations to the distressed finish consistent with the intended rustic appearance. Please review photos for condition. Untested unless otherwise noted. 206 / 2241 -
Rustic decorative table lamp featuring a wrought iron frame with an open twisted-cage center and scrolling tripod-style feet. Topped with a coordinating distressed metal shade featuring pierced geometric designs that allow light to shine through for added visual interest. Warm rust and bronze-tone finish gives the lamp a Southwestern, lodge or rustic-inspired appearance. Measures approximately 29" high. Shows light surface wear and variations to the distressed finish consistent with the intended rustic appearance. Please review photos for condition. Untested unless otherwise noted. 207 / 2241 -
Rustic decorative table lamp featuring a wrought iron frame with an open twisted-cage center and scrolling tripod-style feet. Topped with a coordinating distressed metal shade featuring pierced geometric designs that allow light to shine through for added visual interest. Warm rust and bronze-tone finish gives the lamp a Southwestern, lodge or rustic-inspired appearance. Measures approximately 29" high. Shows light surface wear and variations to the distressed finish consistent with the intended rustic appearance. Please review photos for condition. Untested unless otherwise noted. 208 / 2241 -
Rustic decorative table lamp featuring a wrought iron frame with an open twisted-cage center and scrolling tripod-style feet. Topped with a coordinating distressed metal shade featuring pierced geometric designs that allow light to shine through for added visual interest. Warm rust and bronze-tone finish gives the lamp a Southwestern, lodge or rustic-inspired appearance. Measures approximately 29" high. Shows light surface wear and variations to the distressed finish consistent with the intended rustic appearance. Please review photos for condition. Untested unless otherwise noted. 209 / 2241 -
Handwoven flatweave Kilim-style runner featuring bold geometric motifs in shades of red, ivory, blue and muted teal. Central repeating geometric design surrounded by a contrasting patterned border, with fringed ends. Attractive Southwestern, tribal and global-inspired aesthetic. Measures approximately 93" long × 31" wide (7'9" × 2'7"). Pre-owned condition with visible wear and some irregularity/fraying to the fringe and edges consistent with age and use. Please review photos for condition. 210 / 2241 -
Handwoven flatweave Kilim-style runner featuring bold geometric motifs in shades of red, ivory, blue and muted teal. Central repeating geometric design surrounded by a contrasting patterned border, with fringed ends. Attractive Southwestern, tribal and global-inspired aesthetic. Measures approximately 93" long × 31" wide (7'9" × 2'7"). Pre-owned condition with visible wear and some irregularity/fraying to the fringe and edges consistent with age and use. Please review photos for condition. 211 / 2241 -
Kate Spade New York black zip-around laptop or tablet sleeve featuring an allover floral cutout/perforated design and gold-tone Kate Spade New York logo plaque. Structured rectangular design with rounded corners and zip closure. Measures approximately 14" wide x 10" high. Pre-owned condition with light wear consistent with use. Please review photos for condition. 212 / 2241 -
Kate Spade New York black zip-around laptop or tablet sleeve featuring an allover floral cutout/perforated design and gold-tone Kate Spade New York logo plaque. Structured rectangular design with rounded corners and zip closure. Measures approximately 14" wide x 10" high. Pre-owned condition with light wear consistent with use. Please review photos for condition. 213 / 2241 -
Kate Spade New York black zip-around laptop or tablet sleeve featuring an allover floral cutout/perforated design and gold-tone Kate Spade New York logo plaque. Structured rectangular design with rounded corners and zip closure. Measures approximately 14" wide x 10" high. Pre-owned condition with light wear consistent with use. Please review photos for condition. 214 / 2241 -
Framed exhibition poster featuring artwork by American artist Jasper Johns (b. 1930), depicting his recognizable Savarin coffee can filled with paintbrushes against a colorful patterned background. Produced for the “Jasper Johns – L’Oeuvre Graphique” exhibition at Fondation Maeght, held May 17–June 30, 1986. Presented under glass in a simple gray frame. Overall measurements approximately 33" high × 17.75" wide. Pre-owned condition with possible age-related wear; please review photos for condition. This is being offered as an exhibition poster, not as a signed or limited-edition print. 215 / 2241 -
Framed exhibition poster featuring artwork by American artist Jasper Johns (b. 1930), depicting his recognizable Savarin coffee can filled with paintbrushes against a colorful patterned background. Produced for the “Jasper Johns – L’Oeuvre Graphique” exhibition at Fondation Maeght, held May 17–June 30, 1986. Presented under glass in a simple gray frame. Overall measurements approximately 33" high × 17.75" wide. Pre-owned condition with possible age-related wear; please review photos for condition. This is being offered as an exhibition poster, not as a signed or limited-edition print. 216 / 2241 -
Framed maritime artwork depicting the American sailing vessel Mary A. Davis underway at sea, flying an American flag and a masthead pennant bearing the vessel's name. The composition includes additional sailing vessels in the distance and detailed rigging and sails. Appears to be watercolor/gouache with drawn detailing on paper; medium should be confirmed through direct examination. No artist signature observed in the areas photographed. Presented under glass in a wide mat and wood frame. Historical shipping records document a 19th-century vessel named Mary A. Davis, although the vessel depicted in this artwork has not been definitively connected to those records. Overall size: 34.5" H × 44.25" W. 217 / 2241 -
Framed maritime artwork depicting the American sailing vessel Mary A. Davis underway at sea, flying an American flag and a masthead pennant bearing the vessel's name. The composition includes additional sailing vessels in the distance and detailed rigging and sails. Appears to be watercolor/gouache with drawn detailing on paper; medium should be confirmed through direct examination. No artist signature observed in the areas photographed. Presented under glass in a wide mat and wood frame. Historical shipping records document a 19th-century vessel named Mary A. Davis, although the vessel depicted in this artwork has not been definitively connected to those records. Overall size: 34.5" H × 44.25" W. 218 / 2241 -
Framed maritime artwork depicting the American sailing vessel Mary A. Davis underway at sea, flying an American flag and a masthead pennant bearing the vessel's name. The composition includes additional sailing vessels in the distance and detailed rigging and sails. Appears to be watercolor/gouache with drawn detailing on paper; medium should be confirmed through direct examination. No artist signature observed in the areas photographed. Presented under glass in a wide mat and wood frame. Historical shipping records document a 19th-century vessel named Mary A. Davis, although the vessel depicted in this artwork has not been definitively connected to those records. Overall size: 34.5" H × 44.25" W. 219 / 2241 -
Framed maritime artwork depicting the American sailing vessel Mary A. Davis underway at sea, flying an American flag and a masthead pennant bearing the vessel's name. The composition includes additional sailing vessels in the distance and detailed rigging and sails. Appears to be watercolor/gouache with drawn detailing on paper; medium should be confirmed through direct examination. No artist signature observed in the areas photographed. Presented under glass in a wide mat and wood frame. Historical shipping records document a 19th-century vessel named Mary A. Davis, although the vessel depicted in this artwork has not been definitively connected to those records. Overall size: 34.5" H × 44.25" W. 220 / 2241 -
Framed maritime artwork depicting the American sailing vessel Mary A. Davis underway at sea, flying an American flag and a masthead pennant bearing the vessel's name. The composition includes additional sailing vessels in the distance and detailed rigging and sails. Appears to be watercolor/gouache with drawn detailing on paper; medium should be confirmed through direct examination. No artist signature observed in the areas photographed. Presented under glass in a wide mat and wood frame. Historical shipping records document a 19th-century vessel named Mary A. Davis, although the vessel depicted in this artwork has not been definitively connected to those records. Overall size: 34.5" H × 44.25" W. 221 / 2241 -
Framed maritime artwork depicting the American sailing vessel Mary A. Davis underway at sea, flying an American flag and a masthead pennant bearing the vessel's name. The composition includes additional sailing vessels in the distance and detailed rigging and sails. Appears to be watercolor/gouache with drawn detailing on paper; medium should be confirmed through direct examination. No artist signature observed in the areas photographed. Presented under glass in a wide mat and wood frame. Historical shipping records document a 19th-century vessel named Mary A. Davis, although the vessel depicted in this artwork has not been definitively connected to those records. Overall size: 34.5" H × 44.25" W. 222 / 2241 -
Framed maritime artwork depicting the American sailing vessel Mary A. Davis underway at sea, flying an American flag and a masthead pennant bearing the vessel's name. The composition includes additional sailing vessels in the distance and detailed rigging and sails. Appears to be watercolor/gouache with drawn detailing on paper; medium should be confirmed through direct examination. No artist signature observed in the areas photographed. Presented under glass in a wide mat and wood frame. Historical shipping records document a 19th-century vessel named Mary A. Davis, although the vessel depicted in this artwork has not been definitively connected to those records. Overall size: 34.5" H × 44.25" W. 223 / 2241 -
Framed maritime artwork depicting the American sailing vessel Mary A. Davis underway at sea, flying an American flag and a masthead pennant bearing the vessel's name. The composition includes additional sailing vessels in the distance and detailed rigging and sails. Appears to be watercolor/gouache with drawn detailing on paper; medium should be confirmed through direct examination. No artist signature observed in the areas photographed. Presented under glass in a wide mat and wood frame. Historical shipping records document a 19th-century vessel named Mary A. Davis, although the vessel depicted in this artwork has not been definitively connected to those records. Overall size: 34.5" H × 44.25" W. 224 / 2241 -
Framed maritime artwork depicting the American sailing vessel Mary A. Davis underway at sea, flying an American flag and a masthead pennant bearing the vessel's name. The composition includes additional sailing vessels in the distance and detailed rigging and sails. Appears to be watercolor/gouache with drawn detailing on paper; medium should be confirmed through direct examination. No artist signature observed in the areas photographed. Presented under glass in a wide mat and wood frame. Historical shipping records document a 19th-century vessel named Mary A. Davis, although the vessel depicted in this artwork has not been definitively connected to those records. Overall size: 34.5" H × 44.25" W. 225 / 2241 -
Framed maritime artwork depicting the American sailing vessel Mary A. Davis underway at sea, flying an American flag and a masthead pennant bearing the vessel's name. The composition includes additional sailing vessels in the distance and detailed rigging and sails. Appears to be watercolor/gouache with drawn detailing on paper; medium should be confirmed through direct examination. No artist signature observed in the areas photographed. Presented under glass in a wide mat and wood frame. Historical shipping records document a 19th-century vessel named Mary A. Davis, although the vessel depicted in this artwork has not been definitively connected to those records. Overall size: 34.5" H × 44.25" W. 226 / 2241 -
Framed maritime artwork depicting the American sailing vessel Mary A. Davis underway at sea, flying an American flag and a masthead pennant bearing the vessel's name. The composition includes additional sailing vessels in the distance and detailed rigging and sails. Appears to be watercolor/gouache with drawn detailing on paper; medium should be confirmed through direct examination. No artist signature observed in the areas photographed. Presented under glass in a wide mat and wood frame. Historical shipping records document a 19th-century vessel named Mary A. Davis, although the vessel depicted in this artwork has not been definitively connected to those records. Overall size: 34.5" H × 44.25" W. 227 / 2241 -
Framed coastal landscape photograph titled “Reflections” by Russ Orme, depicting a weathered waterfront building, dock pilings and marsh grasses overlooking calm water. Signed Russ Orme in the lower right and titled “Reflections” in the lower left. Presented under glass with a wide white mat and white frame. A nice Eastern Shore/coastal subject with a subdued, atmospheric composition. Measures approximately 17.5" high × 19.5" wide overall. Pre-owned condition with light wear to the frame consistent with age and display. Please review photos. 228 / 2241 -
Framed coastal landscape photograph titled “Reflections” by Russ Orme, depicting a weathered waterfront building, dock pilings and marsh grasses overlooking calm water. Signed Russ Orme in the lower right and titled “Reflections” in the lower left. Presented under glass with a wide white mat and white frame. A nice Eastern Shore/coastal subject with a subdued, atmospheric composition. Measures approximately 17.5" high × 19.5" wide overall. Pre-owned condition with light wear to the frame consistent with age and display. Please review photos. 229 / 2241 -
Framed coastal landscape photograph titled “Reflections” by Russ Orme, depicting a weathered waterfront building, dock pilings and marsh grasses overlooking calm water. Signed Russ Orme in the lower right and titled “Reflections” in the lower left. Presented under glass with a wide white mat and white frame. A nice Eastern Shore/coastal subject with a subdued, atmospheric composition. Measures approximately 17.5" high × 19.5" wide overall. Pre-owned condition with light wear to the frame consistent with age and display. Please review photos. 230 / 2241 -
Framed coastal landscape photograph titled “Reflections” by Russ Orme, depicting a weathered waterfront building, dock pilings and marsh grasses overlooking calm water. Signed Russ Orme in the lower right and titled “Reflections” in the lower left. Presented under glass with a wide white mat and white frame. A nice Eastern Shore/coastal subject with a subdued, atmospheric composition. Measures approximately 17.5" high × 19.5" wide overall. Pre-owned condition with light wear to the frame consistent with age and display. Please review photos. 231 / 2241 -
Vintage Fritz Scholder poster titled “Indian 1976,” depicting a Native American figure wearing a blue shirt and draped in an American flag. Published by Jack O’Grady Galleries, Inc., with printed copyright © 1975 along the lower margin. The title and artist's name are printed beneath the image. Scholder became particularly known for challenging stereotypical representations of Native Americans. Museum collections also document this image/title; a museum reference describes Indian 1976 as a poster after a lithograph. 232 / 2241 -
Vintage Fritz Scholder poster titled “Indian 1976,” depicting a Native American figure wearing a blue shirt and draped in an American flag. Published by Jack O’Grady Galleries, Inc., with printed copyright © 1975 along the lower margin. The title and artist's name are printed beneath the image. Scholder became particularly known for challenging stereotypical representations of Native Americans. Museum collections also document this image/title; a museum reference describes Indian 1976 as a poster after a lithograph. 233 / 2241 -
Vintage Fritz Scholder poster titled “Indian 1976,” depicting a Native American figure wearing a blue shirt and draped in an American flag. Published by Jack O’Grady Galleries, Inc., with printed copyright © 1975 along the lower margin. The title and artist's name are printed beneath the image. Scholder became particularly known for challenging stereotypical representations of Native Americans. Museum collections also document this image/title; a museum reference describes Indian 1976 as a poster after a lithograph. 234 / 2241 -
Vintage Fritz Scholder poster titled “Indian 1976,” depicting a Native American figure wearing a blue shirt and draped in an American flag. Published by Jack O’Grady Galleries, Inc., with printed copyright © 1975 along the lower margin. The title and artist's name are printed beneath the image. Scholder became particularly known for challenging stereotypical representations of Native Americans. Museum collections also document this image/title; a museum reference describes Indian 1976 as a poster after a lithograph. 235 / 2241 -
Vintage Fritz Scholder poster titled “Indian 1976,” depicting a Native American figure wearing a blue shirt and draped in an American flag. Published by Jack O’Grady Galleries, Inc., with printed copyright © 1975 along the lower margin. The title and artist's name are printed beneath the image. Scholder became particularly known for challenging stereotypical representations of Native Americans. Museum collections also document this image/title; a museum reference describes Indian 1976 as a poster after a lithograph. 236 / 2241 -
Vintage 1980 Fritz Scholder (1937–2005) exhibition poster featuring his painting “Sunset Indian.” Produced for the “Fritz Scholder: New Work” exhibition held March 9–26, 1980 at The Elaine Horwitch Galleries, Scottsdale, Arizona. The image is identified along the right margin as Sunset Indian, 1980 © Fritz Scholder. The poster itself is documented as a first-printing exhibition poster measuring approximately 24" × 34.5". 237 / 2241 -
Vintage 1980 Fritz Scholder (1937–2005) exhibition poster featuring his painting “Sunset Indian.” Produced for the “Fritz Scholder: New Work” exhibition held March 9–26, 1980 at The Elaine Horwitch Galleries, Scottsdale, Arizona. The image is identified along the right margin as Sunset Indian, 1980 © Fritz Scholder. The poster itself is documented as a first-printing exhibition poster measuring approximately 24" × 34.5". 238 / 2241 -
Vintage 1980 Fritz Scholder (1937–2005) exhibition poster featuring his painting “Sunset Indian.” Produced for the “Fritz Scholder: New Work” exhibition held March 9–26, 1980 at The Elaine Horwitch Galleries, Scottsdale, Arizona. The image is identified along the right margin as Sunset Indian, 1980 © Fritz Scholder. The poster itself is documented as a first-printing exhibition poster measuring approximately 24" × 34.5". 239 / 2241 -
Vintage 1980 Fritz Scholder (1937–2005) exhibition poster featuring his painting “Sunset Indian.” Produced for the “Fritz Scholder: New Work” exhibition held March 9–26, 1980 at The Elaine Horwitch Galleries, Scottsdale, Arizona. The image is identified along the right margin as Sunset Indian, 1980 © Fritz Scholder. The poster itself is documented as a first-printing exhibition poster measuring approximately 24" × 34.5". 240 / 2241 -
Antique folk-art textile believed to be a decorative show towel, hand embroidered on natural linen with repeating architectural, floral and geometric motifs in muted green, blue, peach and cream threads. The design features stylized houses or buildings, tall trees and flowering forms arranged in repeating bands, with original fringed edges. The textile has been folded for display, allowing two embroidered sections to be viewed simultaneously, and is mounted against a pale pink fabric backing within a clear acrylic shadow-box frame. Show towels were decorative household textiles particularly associated with 19th-century Pennsylvania German communities and were used to demonstrate needlework skill and for display rather than ordinary household use. 241 / 2241 -
Antique folk-art textile believed to be a decorative show towel, hand embroidered on natural linen with repeating architectural, floral and geometric motifs in muted green, blue, peach and cream threads. The design features stylized houses or buildings, tall trees and flowering forms arranged in repeating bands, with original fringed edges. The textile has been folded for display, allowing two embroidered sections to be viewed simultaneously, and is mounted against a pale pink fabric backing within a clear acrylic shadow-box frame. Show towels were decorative household textiles particularly associated with 19th-century Pennsylvania German communities and were used to demonstrate needlework skill and for display rather than ordinary household use. 242 / 2241 -
Antique folk-art textile believed to be a decorative show towel, hand embroidered on natural linen with repeating architectural, floral and geometric motifs in muted green, blue, peach and cream threads. The design features stylized houses or buildings, tall trees and flowering forms arranged in repeating bands, with original fringed edges. The textile has been folded for display, allowing two embroidered sections to be viewed simultaneously, and is mounted against a pale pink fabric backing within a clear acrylic shadow-box frame. Show towels were decorative household textiles particularly associated with 19th-century Pennsylvania German communities and were used to demonstrate needlework skill and for display rather than ordinary household use. 243 / 2241 -
Antique folk-art textile believed to be a decorative show towel, hand embroidered on natural linen with repeating architectural, floral and geometric motifs in muted green, blue, peach and cream threads. The design features stylized houses or buildings, tall trees and flowering forms arranged in repeating bands, with original fringed edges. The textile has been folded for display, allowing two embroidered sections to be viewed simultaneously, and is mounted against a pale pink fabric backing within a clear acrylic shadow-box frame. Show towels were decorative household textiles particularly associated with 19th-century Pennsylvania German communities and were used to demonstrate needlework skill and for display rather than ordinary household use. 244 / 2241 -
Framed hand-colored lithograph after George Catlin (1796–1872) titled “Wi-Jun-Jon, An Assinneboin Chief,” Plate No. 25, from Catlin’s celebrated North American Indian Portfolio. The composition depicts Wi-Jun-Jon before and after his journey to Washington, with the printed captions “Going to Washington” and “Returning to his home.” The lower margins read “Catlin, del. on Stone by McGahey” and “Day & Haghe Lithrs. to the Queen.” Measures: 28" × 22" framed dimensions are also remarkably close to documented examples 245 / 2241 -
Framed hand-colored lithograph after George Catlin (1796–1872) titled “Wi-Jun-Jon, An Assinneboin Chief,” Plate No. 25, from Catlin’s celebrated North American Indian Portfolio. The composition depicts Wi-Jun-Jon before and after his journey to Washington, with the printed captions “Going to Washington” and “Returning to his home.” The lower margins read “Catlin, del. on Stone by McGahey” and “Day & Haghe Lithrs. to the Queen.” Measures: 28" × 22" framed dimensions are also remarkably close to documented examples 246 / 2241 -
Framed hand-colored lithograph after George Catlin (1796–1872) titled “Wi-Jun-Jon, An Assinneboin Chief,” Plate No. 25, from Catlin’s celebrated North American Indian Portfolio. The composition depicts Wi-Jun-Jon before and after his journey to Washington, with the printed captions “Going to Washington” and “Returning to his home.” The lower margins read “Catlin, del. on Stone by McGahey” and “Day & Haghe Lithrs. to the Queen.” Measures: 28" × 22" framed dimensions are also remarkably close to documented examples 247 / 2241 -
Framed hand-colored lithograph after George Catlin (1796–1872) titled “Wi-Jun-Jon, An Assinneboin Chief,” Plate No. 25, from Catlin’s celebrated North American Indian Portfolio. The composition depicts Wi-Jun-Jon before and after his journey to Washington, with the printed captions “Going to Washington” and “Returning to his home.” The lower margins read “Catlin, del. on Stone by McGahey” and “Day & Haghe Lithrs. to the Queen.” Measures: 28" × 22" framed dimensions are also remarkably close to documented examples 248 / 2241 -
Framed hand-colored lithograph after George Catlin (1796–1872) titled “Wi-Jun-Jon, An Assinneboin Chief,” Plate No. 25, from Catlin’s celebrated North American Indian Portfolio. The composition depicts Wi-Jun-Jon before and after his journey to Washington, with the printed captions “Going to Washington” and “Returning to his home.” The lower margins read “Catlin, del. on Stone by McGahey” and “Day & Haghe Lithrs. to the Queen.” Measures: 28" × 22" framed dimensions are also remarkably close to documented examples 249 / 2241 -
Framed hand-colored lithograph after George Catlin (1796–1872) titled “Wi-Jun-Jon, An Assinneboin Chief,” Plate No. 25, from Catlin’s celebrated North American Indian Portfolio. The composition depicts Wi-Jun-Jon before and after his journey to Washington, with the printed captions “Going to Washington” and “Returning to his home.” The lower margins read “Catlin, del. on Stone by McGahey” and “Day & Haghe Lithrs. to the Queen.” Measures: 28" × 22" framed dimensions are also remarkably close to documented examples 250 / 2241 -
Framed hand-colored lithograph after George Catlin (1796–1872) titled “Wi-Jun-Jon, An Assinneboin Chief,” Plate No. 25, from Catlin’s celebrated North American Indian Portfolio. The composition depicts Wi-Jun-Jon before and after his journey to Washington, with the printed captions “Going to Washington” and “Returning to his home.” The lower margins read “Catlin, del. on Stone by McGahey” and “Day & Haghe Lithrs. to the Queen.” Measures: 28" × 22" framed dimensions are also remarkably close to documented examples 251 / 2241 -
Framed hand-colored lithograph after George Catlin (1796–1872) titled “Wi-Jun-Jon, An Assinneboin Chief,” Plate No. 25, from Catlin’s celebrated North American Indian Portfolio. The composition depicts Wi-Jun-Jon before and after his journey to Washington, with the printed captions “Going to Washington” and “Returning to his home.” The lower margins read “Catlin, del. on Stone by McGahey” and “Day & Haghe Lithrs. to the Queen.” Measures: 28" × 22" framed dimensions are also remarkably close to documented examples 252 / 2241 -
Vintage exhibition poster after Gérard Gasiorowski (French, 1930–1986) featuring four expressive floral and vessel compositions from the artist's Fleurs series. Bold painterly forms in pink, lavender, green, gray and black are arranged in a four-panel composition. Printed beneath the image: “GASIOROWSKI – Galerie Adrien Maeght, 42–46 Rue du Bac, Paris 7.” Gasiorowski began exhibiting with Galerie Adrien Maeght in 1982, and Les Fleurs became one of the important series from this period. 253 / 2241 -
Vintage exhibition poster after Gérard Gasiorowski (French, 1930–1986) featuring four expressive floral and vessel compositions from the artist's Fleurs series. Bold painterly forms in pink, lavender, green, gray and black are arranged in a four-panel composition. Printed beneath the image: “GASIOROWSKI – Galerie Adrien Maeght, 42–46 Rue du Bac, Paris 7.” Gasiorowski began exhibiting with Galerie Adrien Maeght in 1982, and Les Fleurs became one of the important series from this period. 254 / 2241 -
Vintage exhibition poster after Gérard Gasiorowski (French, 1930–1986) featuring four expressive floral and vessel compositions from the artist's Fleurs series. Bold painterly forms in pink, lavender, green, gray and black are arranged in a four-panel composition. Printed beneath the image: “GASIOROWSKI – Galerie Adrien Maeght, 42–46 Rue du Bac, Paris 7.” Gasiorowski began exhibiting with Galerie Adrien Maeght in 1982, and Les Fleurs became one of the important series from this period. 255 / 2241 -
Signed limited-edition color photograph by Iva Spitzer, titled “Sunset on the Delta, Botswana,” dated 2000. Atmospheric panoramic view captures a vivid purple, crimson and orange sunset above the silhouetted landscape and palms of Botswana's Okavango Delta. Pencil signed by Iva Spitzer at lower right and numbered 2/150 at lower left. Original gallery/retail label remains on the reverse identifying the photographer, title, Botswana 2000 date, and an original price of $1,200. Spitzer is documented as a photographer who has traveled extensively in Africa; biographical information describes her as having exhibited photography in New York galleries and having her work published. Presented under glass with white matting and black frame. Overall: 19" H × 31" W. Light wear to frame consistent with display. 256 / 2241 -
Signed limited-edition color photograph by Iva Spitzer, titled “Sunset on the Delta, Botswana,” dated 2000. Atmospheric panoramic view captures a vivid purple, crimson and orange sunset above the silhouetted landscape and palms of Botswana's Okavango Delta. Pencil signed by Iva Spitzer at lower right and numbered 2/150 at lower left. Original gallery/retail label remains on the reverse identifying the photographer, title, Botswana 2000 date, and an original price of $1,200. Spitzer is documented as a photographer who has traveled extensively in Africa; biographical information describes her as having exhibited photography in New York galleries and having her work published. Presented under glass with white matting and black frame. Overall: 19" H × 31" W. Light wear to frame consistent with display. 257 / 2241 -
Signed limited-edition color photograph by Iva Spitzer, titled “Sunset on the Delta, Botswana,” dated 2000. Atmospheric panoramic view captures a vivid purple, crimson and orange sunset above the silhouetted landscape and palms of Botswana's Okavango Delta. Pencil signed by Iva Spitzer at lower right and numbered 2/150 at lower left. Original gallery/retail label remains on the reverse identifying the photographer, title, Botswana 2000 date, and an original price of $1,200. Spitzer is documented as a photographer who has traveled extensively in Africa; biographical information describes her as having exhibited photography in New York galleries and having her work published. Presented under glass with white matting and black frame. Overall: 19" H × 31" W. Light wear to frame consistent with display. 258 / 2241 -
Signed limited-edition color photograph by Iva Spitzer, titled “Sunset on the Delta, Botswana,” dated 2000. Atmospheric panoramic view captures a vivid purple, crimson and orange sunset above the silhouetted landscape and palms of Botswana's Okavango Delta. Pencil signed by Iva Spitzer at lower right and numbered 2/150 at lower left. Original gallery/retail label remains on the reverse identifying the photographer, title, Botswana 2000 date, and an original price of $1,200. Spitzer is documented as a photographer who has traveled extensively in Africa; biographical information describes her as having exhibited photography in New York galleries and having her work published. Presented under glass with white matting and black frame. Overall: 19" H × 31" W. Light wear to frame consistent with display. 259 / 2241 -
Signed limited-edition color photograph by Iva Spitzer, titled “Sunset on the Delta, Botswana,” dated 2000. Atmospheric panoramic view captures a vivid purple, crimson and orange sunset above the silhouetted landscape and palms of Botswana's Okavango Delta. Pencil signed by Iva Spitzer at lower right and numbered 2/150 at lower left. Original gallery/retail label remains on the reverse identifying the photographer, title, Botswana 2000 date, and an original price of $1,200. Spitzer is documented as a photographer who has traveled extensively in Africa; biographical information describes her as having exhibited photography in New York galleries and having her work published. Presented under glass with white matting and black frame. Overall: 19" H × 31" W. Light wear to frame consistent with display. 260 / 2241 -
Signed limited-edition color photograph by Iva Spitzer, titled “Sunset on the Delta, Botswana,” dated 2000. Atmospheric panoramic view captures a vivid purple, crimson and orange sunset above the silhouetted landscape and palms of Botswana's Okavango Delta. Pencil signed by Iva Spitzer at lower right and numbered 2/150 at lower left. Original gallery/retail label remains on the reverse identifying the photographer, title, Botswana 2000 date, and an original price of $1,200. Spitzer is documented as a photographer who has traveled extensively in Africa; biographical information describes her as having exhibited photography in New York galleries and having her work published. Presented under glass with white matting and black frame. Overall: 19" H × 31" W. Light wear to frame consistent with display. 261 / 2241 -
Signed limited-edition color photograph by Iva Spitzer, titled “Sunset on the Delta, Botswana,” dated 2000. Atmospheric panoramic view captures a vivid purple, crimson and orange sunset above the silhouetted landscape and palms of Botswana's Okavango Delta. Pencil signed by Iva Spitzer at lower right and numbered 2/150 at lower left. Original gallery/retail label remains on the reverse identifying the photographer, title, Botswana 2000 date, and an original price of $1,200. Spitzer is documented as a photographer who has traveled extensively in Africa; biographical information describes her as having exhibited photography in New York galleries and having her work published. Presented under glass with white matting and black frame. Overall: 19" H × 31" W. Light wear to frame consistent with display. 262 / 2241 -
Original oil painting by Eastern Shore artist Karen Mathis, titled “Fall Canna.” The intimate garden composition depicts colorful canna foliage and blossoms beside a stone pathway and garden wall, rendered in expressive, impressionistic brushwork in burgundy, purple, yellow, green and coral tones. Artist's Cove Light Studio / Mathis Fine Art label is affixed to the reverse, with the title Fall Canna handwritten above. Mathis studied Design at George Washington University and has painted extensively in plein-air settings throughout the United States, Canada and France. Her Eastern Shore exhibition history includes Plein Air–Easton and the Academy Art Museum. Artwork: 8" H × 10" W Overall framed: 17" H × 14.75" W 263 / 2241 -
Original oil painting by Eastern Shore artist Karen Mathis, titled “Fall Canna.” The intimate garden composition depicts colorful canna foliage and blossoms beside a stone pathway and garden wall, rendered in expressive, impressionistic brushwork in burgundy, purple, yellow, green and coral tones. Artist's Cove Light Studio / Mathis Fine Art label is affixed to the reverse, with the title Fall Canna handwritten above. Mathis studied Design at George Washington University and has painted extensively in plein-air settings throughout the United States, Canada and France. Her Eastern Shore exhibition history includes Plein Air–Easton and the Academy Art Museum. Artwork: 8" H × 10" W Overall framed: 17" H × 14.75" W 264 / 2241 -
Original oil painting by Eastern Shore artist Karen Mathis, titled “Fall Canna.” The intimate garden composition depicts colorful canna foliage and blossoms beside a stone pathway and garden wall, rendered in expressive, impressionistic brushwork in burgundy, purple, yellow, green and coral tones. Artist's Cove Light Studio / Mathis Fine Art label is affixed to the reverse, with the title Fall Canna handwritten above. Mathis studied Design at George Washington University and has painted extensively in plein-air settings throughout the United States, Canada and France. Her Eastern Shore exhibition history includes Plein Air–Easton and the Academy Art Museum. Artwork: 8" H × 10" W Overall framed: 17" H × 14.75" W 265 / 2241 -
Original oil painting by Eastern Shore artist Karen Mathis, titled “Fall Canna.” The intimate garden composition depicts colorful canna foliage and blossoms beside a stone pathway and garden wall, rendered in expressive, impressionistic brushwork in burgundy, purple, yellow, green and coral tones. Artist's Cove Light Studio / Mathis Fine Art label is affixed to the reverse, with the title Fall Canna handwritten above. Mathis studied Design at George Washington University and has painted extensively in plein-air settings throughout the United States, Canada and France. Her Eastern Shore exhibition history includes Plein Air–Easton and the Academy Art Museum. Artwork: 8" H × 10" W Overall framed: 17" H × 14.75" W 266 / 2241 -
Original oil painting by Eastern Shore artist Karen Mathis, titled “Fall Canna.” The intimate garden composition depicts colorful canna foliage and blossoms beside a stone pathway and garden wall, rendered in expressive, impressionistic brushwork in burgundy, purple, yellow, green and coral tones. Artist's Cove Light Studio / Mathis Fine Art label is affixed to the reverse, with the title Fall Canna handwritten above. Mathis studied Design at George Washington University and has painted extensively in plein-air settings throughout the United States, Canada and France. Her Eastern Shore exhibition history includes Plein Air–Easton and the Academy Art Museum. Artwork: 8" H × 10" W Overall framed: 17" H × 14.75" W 267 / 2241 -
Large framed poster featuring “Solitary Row Boat” by Gwen Cameron, a Wittman, Maryland photographer known for creating digitally manipulated photographic “PhotoArt.” The image depicts a solitary white and red wooden rowboat tied alongside weathered pilings on calm water. Produced for The Arts in Easton Banner Auction, held December 12, 2009 at the Waterfowl Festival Building in Easton, Maryland. The original artist information label remains affixed to the reverse and identifies Cameron, the title Solitary Row Boat, and describes her photographic process. The Arts in Easton Banner Program was a longstanding local public-art project showcasing work by area artists on downtown Easton lampposts; Gwen Cameron is documented as a participating artist in the program. Overall framed size: 39" H × 32" W. Presented in a wood-tone frame. Backing shows some wear/damage; frame shows light wear consistent with age and display. 268 / 2241 -
Large framed poster featuring “Solitary Row Boat” by Gwen Cameron, a Wittman, Maryland photographer known for creating digitally manipulated photographic “PhotoArt.” The image depicts a solitary white and red wooden rowboat tied alongside weathered pilings on calm water. Produced for The Arts in Easton Banner Auction, held December 12, 2009 at the Waterfowl Festival Building in Easton, Maryland. The original artist information label remains affixed to the reverse and identifies Cameron, the title Solitary Row Boat, and describes her photographic process. The Arts in Easton Banner Program was a longstanding local public-art project showcasing work by area artists on downtown Easton lampposts; Gwen Cameron is documented as a participating artist in the program. Overall framed size: 39" H × 32" W. Presented in a wood-tone frame. Backing shows some wear/damage; frame shows light wear consistent with age and display. 269 / 2241 -
Large framed poster featuring “Solitary Row Boat” by Gwen Cameron, a Wittman, Maryland photographer known for creating digitally manipulated photographic “PhotoArt.” The image depicts a solitary white and red wooden rowboat tied alongside weathered pilings on calm water. Produced for The Arts in Easton Banner Auction, held December 12, 2009 at the Waterfowl Festival Building in Easton, Maryland. The original artist information label remains affixed to the reverse and identifies Cameron, the title Solitary Row Boat, and describes her photographic process. The Arts in Easton Banner Program was a longstanding local public-art project showcasing work by area artists on downtown Easton lampposts; Gwen Cameron is documented as a participating artist in the program. Overall framed size: 39" H × 32" W. Presented in a wood-tone frame. Backing shows some wear/damage; frame shows light wear consistent with age and display. 270 / 2241 -
Large framed poster featuring “Solitary Row Boat” by Gwen Cameron, a Wittman, Maryland photographer known for creating digitally manipulated photographic “PhotoArt.” The image depicts a solitary white and red wooden rowboat tied alongside weathered pilings on calm water. Produced for The Arts in Easton Banner Auction, held December 12, 2009 at the Waterfowl Festival Building in Easton, Maryland. The original artist information label remains affixed to the reverse and identifies Cameron, the title Solitary Row Boat, and describes her photographic process. The Arts in Easton Banner Program was a longstanding local public-art project showcasing work by area artists on downtown Easton lampposts; Gwen Cameron is documented as a participating artist in the program. Overall framed size: 39" H × 32" W. Presented in a wood-tone frame. Backing shows some wear/damage; frame shows light wear consistent with age and display. 271 / 2241 -
Large framed poster featuring “Solitary Row Boat” by Gwen Cameron, a Wittman, Maryland photographer known for creating digitally manipulated photographic “PhotoArt.” The image depicts a solitary white and red wooden rowboat tied alongside weathered pilings on calm water. Produced for The Arts in Easton Banner Auction, held December 12, 2009 at the Waterfowl Festival Building in Easton, Maryland. The original artist information label remains affixed to the reverse and identifies Cameron, the title Solitary Row Boat, and describes her photographic process. The Arts in Easton Banner Program was a longstanding local public-art project showcasing work by area artists on downtown Easton lampposts; Gwen Cameron is documented as a participating artist in the program. Overall framed size: 39" H × 32" W. Presented in a wood-tone frame. Backing shows some wear/damage; frame shows light wear consistent with age and display. 272 / 2241 -
Large sculptural mixed-media wall artwork featuring an abstract central panel surrounded by contrasting natural and dark raffia/fiber fringe. The central section appears constructed from textured handmade or bark-like material and incorporates small applied elements, cord and bead-like accents. The dimensional work is mounted against a neutral fabric backing and displayed within a substantial gold-tone shadow-box frame. The combination of organic fibers, layered surfaces and substantial depth gives the piece a strong contemporary/ethnographic-inspired appearance. Artist and origin are presently unidentified. Overall: 37" H × 49" W × 6" D. Condition appears generally good with natural irregularities, loose/frayed fibers and variations inherent to the materials; please review photos. 273 / 2241 -
Large sculptural mixed-media wall artwork featuring an abstract central panel surrounded by contrasting natural and dark raffia/fiber fringe. The central section appears constructed from textured handmade or bark-like material and incorporates small applied elements, cord and bead-like accents. The dimensional work is mounted against a neutral fabric backing and displayed within a substantial gold-tone shadow-box frame. The combination of organic fibers, layered surfaces and substantial depth gives the piece a strong contemporary/ethnographic-inspired appearance. Artist and origin are presently unidentified. Overall: 37" H × 49" W × 6" D. Condition appears generally good with natural irregularities, loose/frayed fibers and variations inherent to the materials; please review photos. 274 / 2241 -
Large sculptural mixed-media wall artwork featuring an abstract central panel surrounded by contrasting natural and dark raffia/fiber fringe. The central section appears constructed from textured handmade or bark-like material and incorporates small applied elements, cord and bead-like accents. The dimensional work is mounted against a neutral fabric backing and displayed within a substantial gold-tone shadow-box frame. The combination of organic fibers, layered surfaces and substantial depth gives the piece a strong contemporary/ethnographic-inspired appearance. Artist and origin are presently unidentified. Overall: 37" H × 49" W × 6" D. Condition appears generally good with natural irregularities, loose/frayed fibers and variations inherent to the materials; please review photos. 275 / 2241 -
Large sculptural mixed-media wall artwork featuring an abstract central panel surrounded by contrasting natural and dark raffia/fiber fringe. The central section appears constructed from textured handmade or bark-like material and incorporates small applied elements, cord and bead-like accents. The dimensional work is mounted against a neutral fabric backing and displayed within a substantial gold-tone shadow-box frame. The combination of organic fibers, layered surfaces and substantial depth gives the piece a strong contemporary/ethnographic-inspired appearance. Artist and origin are presently unidentified. Overall: 37" H × 49" W × 6" D. Condition appears generally good with natural irregularities, loose/frayed fibers and variations inherent to the materials; please review photos. 276 / 2241 -
Large sculptural mixed-media wall artwork featuring an abstract central panel surrounded by contrasting natural and dark raffia/fiber fringe. The central section appears constructed from textured handmade or bark-like material and incorporates small applied elements, cord and bead-like accents. The dimensional work is mounted against a neutral fabric backing and displayed within a substantial gold-tone shadow-box frame. The combination of organic fibers, layered surfaces and substantial depth gives the piece a strong contemporary/ethnographic-inspired appearance. Artist and origin are presently unidentified. Overall: 37" H × 49" W × 6" D. Condition appears generally good with natural irregularities, loose/frayed fibers and variations inherent to the materials; please review photos. 277 / 2241 -
Large sculptural mixed-media wall artwork featuring an abstract central panel surrounded by contrasting natural and dark raffia/fiber fringe. The central section appears constructed from textured handmade or bark-like material and incorporates small applied elements, cord and bead-like accents. The dimensional work is mounted against a neutral fabric backing and displayed within a substantial gold-tone shadow-box frame. The combination of organic fibers, layered surfaces and substantial depth gives the piece a strong contemporary/ethnographic-inspired appearance. Artist and origin are presently unidentified. Overall: 37" H × 49" W × 6" D. Condition appears generally good with natural irregularities, loose/frayed fibers and variations inherent to the materials; please review photos. 278 / 2241 -
Large original mixed-media work by American artist Harold E. “Hal” Larsen, depicting a stylized figure with dramatic horn-like forms against a vibrant pink field, accompanied by a large watermelon motif. Executed in an expressive combination of bold black-and-white passages with vivid pink, turquoise, red and yellow accents. Hand-signed “Harold E. Larsen” at lower left. Larsen moved to Santa Fe, New Mexico in the 1970s and became known for highly expressive acrylic and mixed-media compositions influenced by the colors and forms of the Southwest. Presented under glass with a wide white mat and slender light-tone frame. Overall: 48" H × 38" W. Condition appears good overall with light wear consistent with age and display; not examined outside frame. 279 / 2241 -
Large original mixed-media work by American artist Harold E. “Hal” Larsen, depicting a stylized figure with dramatic horn-like forms against a vibrant pink field, accompanied by a large watermelon motif. Executed in an expressive combination of bold black-and-white passages with vivid pink, turquoise, red and yellow accents. Hand-signed “Harold E. Larsen” at lower left. Larsen moved to Santa Fe, New Mexico in the 1970s and became known for highly expressive acrylic and mixed-media compositions influenced by the colors and forms of the Southwest. Presented under glass with a wide white mat and slender light-tone frame. Overall: 48" H × 38" W. Condition appears good overall with light wear consistent with age and display; not examined outside frame. 280 / 2241 -
Large original mixed-media work by American artist Harold E. “Hal” Larsen, depicting a stylized figure with dramatic horn-like forms against a vibrant pink field, accompanied by a large watermelon motif. Executed in an expressive combination of bold black-and-white passages with vivid pink, turquoise, red and yellow accents. Hand-signed “Harold E. Larsen” at lower left. Larsen moved to Santa Fe, New Mexico in the 1970s and became known for highly expressive acrylic and mixed-media compositions influenced by the colors and forms of the Southwest. Presented under glass with a wide white mat and slender light-tone frame. Overall: 48" H × 38" W. Condition appears good overall with light wear consistent with age and display; not examined outside frame. 281 / 2241 -
Large original mixed-media work by American artist Harold E. “Hal” Larsen, depicting a stylized figure with dramatic horn-like forms against a vibrant pink field, accompanied by a large watermelon motif. Executed in an expressive combination of bold black-and-white passages with vivid pink, turquoise, red and yellow accents. Hand-signed “Harold E. Larsen” at lower left. Larsen moved to Santa Fe, New Mexico in the 1970s and became known for highly expressive acrylic and mixed-media compositions influenced by the colors and forms of the Southwest. Presented under glass with a wide white mat and slender light-tone frame. Overall: 48" H × 38" W. Condition appears good overall with light wear consistent with age and display; not examined outside frame. 282 / 2241 -
Large original mixed-media work by American artist Harold E. “Hal” Larsen, depicting a stylized figure with dramatic horn-like forms against a vibrant pink field, accompanied by a large watermelon motif. Executed in an expressive combination of bold black-and-white passages with vivid pink, turquoise, red and yellow accents. Hand-signed “Harold E. Larsen” at lower left. Larsen moved to Santa Fe, New Mexico in the 1970s and became known for highly expressive acrylic and mixed-media compositions influenced by the colors and forms of the Southwest. Presented under glass with a wide white mat and slender light-tone frame. Overall: 48" H × 38" W. Condition appears good overall with light wear consistent with age and display; not examined outside frame. 283 / 2241 -
Large original mixed-media work by American artist Harold E. “Hal” Larsen, depicting a stylized figure with dramatic horn-like forms against a vibrant pink field, accompanied by a large watermelon motif. Executed in an expressive combination of bold black-and-white passages with vivid pink, turquoise, red and yellow accents. Hand-signed “Harold E. Larsen” at lower left. Larsen moved to Santa Fe, New Mexico in the 1970s and became known for highly expressive acrylic and mixed-media compositions influenced by the colors and forms of the Southwest. Presented under glass with a wide white mat and slender light-tone frame. Overall: 48" H × 38" W. Condition appears good overall with light wear consistent with age and display; not examined outside frame. 284 / 2241 -
Large original mixed-media work by American artist Harold E. “Hal” Larsen, depicting a stylized figure with dramatic horn-like forms against a vibrant pink field, accompanied by a large watermelon motif. Executed in an expressive combination of bold black-and-white passages with vivid pink, turquoise, red and yellow accents. Hand-signed “Harold E. Larsen” at lower left. Larsen moved to Santa Fe, New Mexico in the 1970s and became known for highly expressive acrylic and mixed-media compositions influenced by the colors and forms of the Southwest. Presented under glass with a wide white mat and slender light-tone frame. Overall: 48" H × 38" W. Condition appears good overall with light wear consistent with age and display; not examined outside frame. 285 / 2241 -
Vintage Benny Linden Design Mid-Century Modern / Scandinavian Modern dining set, made in Thailand. Set includes an expandable teak dining table, four matching Benny Linden teak dining chairs, and two 18" extension leaves. Chairs feature sculptural curved backs with vertical slats, tapered legs and neutral upholstered seats. Original “Benny Linden Design – Made in Thailand” maker's labels remain present. The rectangular table features a warm teak finish, softly rounded edges and tapered legs. Two removable extension leaves allow the table to transition from a compact four-person configuration to a substantially longer dining table. Table: 29" H × 47" D × 23.5" W when closed Extension leaves: two at 18" each Fully extended length: approximately 59.5" if the 23.5" measurement is the closed length. 286 / 2241 -
Vintage Benny Linden Design Mid-Century Modern / Scandinavian Modern dining set, made in Thailand. Set includes an expandable teak dining table, four matching Benny Linden teak dining chairs, and two 18" extension leaves. Chairs feature sculptural curved backs with vertical slats, tapered legs and neutral upholstered seats. Original “Benny Linden Design – Made in Thailand” maker's labels remain present. The rectangular table features a warm teak finish, softly rounded edges and tapered legs. Two removable extension leaves allow the table to transition from a compact four-person configuration to a substantially longer dining table. Table: 29" H × 47" D × 23.5" W when closed Extension leaves: two at 18" each Fully extended length: approximately 59.5" if the 23.5" measurement is the closed length. 287 / 2241 -
Vintage Benny Linden Design Mid-Century Modern / Scandinavian Modern dining set, made in Thailand. Set includes an expandable teak dining table, four matching Benny Linden teak dining chairs, and two 18" extension leaves. Chairs feature sculptural curved backs with vertical slats, tapered legs and neutral upholstered seats. Original “Benny Linden Design – Made in Thailand” maker's labels remain present. The rectangular table features a warm teak finish, softly rounded edges and tapered legs. Two removable extension leaves allow the table to transition from a compact four-person configuration to a substantially longer dining table. Table: 29" H × 47" D × 23.5" W when closed Extension leaves: two at 18" each Fully extended length: approximately 59.5" if the 23.5" measurement is the closed length. 288 / 2241 -
Vintage Benny Linden Design Mid-Century Modern / Scandinavian Modern dining set, made in Thailand. Set includes an expandable teak dining table, four matching Benny Linden teak dining chairs, and two 18" extension leaves. Chairs feature sculptural curved backs with vertical slats, tapered legs and neutral upholstered seats. Original “Benny Linden Design – Made in Thailand” maker's labels remain present. The rectangular table features a warm teak finish, softly rounded edges and tapered legs. Two removable extension leaves allow the table to transition from a compact four-person configuration to a substantially longer dining table. Table: 29" H × 47" D × 23.5" W when closed Extension leaves: two at 18" each Fully extended length: approximately 59.5" if the 23.5" measurement is the closed length. 289 / 2241 -
Vintage Benny Linden Design Mid-Century Modern / Scandinavian Modern dining set, made in Thailand. Set includes an expandable teak dining table, four matching Benny Linden teak dining chairs, and two 18" extension leaves. Chairs feature sculptural curved backs with vertical slats, tapered legs and neutral upholstered seats. Original “Benny Linden Design – Made in Thailand” maker's labels remain present. The rectangular table features a warm teak finish, softly rounded edges and tapered legs. Two removable extension leaves allow the table to transition from a compact four-person configuration to a substantially longer dining table. Table: 29" H × 47" D × 23.5" W when closed Extension leaves: two at 18" each Fully extended length: approximately 59.5" if the 23.5" measurement is the closed length. 290 / 2241 -
Vintage Benny Linden Design Mid-Century Modern / Scandinavian Modern dining set, made in Thailand. Set includes an expandable teak dining table, four matching Benny Linden teak dining chairs, and two 18" extension leaves. Chairs feature sculptural curved backs with vertical slats, tapered legs and neutral upholstered seats. Original “Benny Linden Design – Made in Thailand” maker's labels remain present. The rectangular table features a warm teak finish, softly rounded edges and tapered legs. Two removable extension leaves allow the table to transition from a compact four-person configuration to a substantially longer dining table. Table: 29" H × 47" D × 23.5" W when closed Extension leaves: two at 18" each Fully extended length: approximately 59.5" if the 23.5" measurement is the closed length. 291 / 2241 -
Vintage Mid-Century Modern nesting tables featuring warm teak-toned rectangular tops, clean squared aprons and slender tapered legs. Three graduated tables nest neatly beneath one another for compact storage and can be separated for use as side, end or occasional tables. Largest: 19.5" H × 16" W × 24" D Smallest: 15.5" H × 15" W × 17.25" D Shows light surface wear consistent with age and use; please review photos. Maker presently unidentified. 292 / 2241 -
Vintage Mid-Century Modern nesting tables featuring warm teak-toned rectangular tops, clean squared aprons and slender tapered legs. Three graduated tables nest neatly beneath one another for compact storage and can be separated for use as side, end or occasional tables. Largest: 19.5" H × 16" W × 24" D Smallest: 15.5" H × 15" W × 17.25" D Shows light surface wear consistent with age and use; please review photos. Maker presently unidentified. 293 / 2241 -
Vintage Mid-Century Modern nesting tables featuring warm teak-toned rectangular tops, clean squared aprons and slender tapered legs. Three graduated tables nest neatly beneath one another for compact storage and can be separated for use as side, end or occasional tables. Largest: 19.5" H × 16" W × 24" D Smallest: 15.5" H × 15" W × 17.25" D Shows light surface wear consistent with age and use; please review photos. Maker presently unidentified. 294 / 2241 -
Vintage Mid-Century Modern nesting tables featuring warm teak-toned rectangular tops, clean squared aprons and slender tapered legs. Three graduated tables nest neatly beneath one another for compact storage and can be separated for use as side, end or occasional tables. Largest: 19.5" H × 16" W × 24" D Smallest: 15.5" H × 15" W × 17.25" D Shows light surface wear consistent with age and use; please review photos. Maker presently unidentified. 295 / 2241 -
Vintage Mid-Century Modern Danish-style two-drawer end table or nightstand featuring a warm teak finish, clean rectangular form, slender tapered legs and distinctive sculpted wooden drawer pulls. Two wide drawers provide generous storage while maintaining a streamlined Scandinavian Modern profile. Measures 24.5" H × 30" W × 20" D. Vintage condition with age-appropriate wear. Top has several areas of discoloration/spots and surface wear, as shown in photos. Additional minor marks and wear consistent with age and use. Maker presently unidentified. 296 / 2241 -
Vintage Mid-Century Modern Danish-style two-drawer end table or nightstand featuring a warm teak finish, clean rectangular form, slender tapered legs and distinctive sculpted wooden drawer pulls. Two wide drawers provide generous storage while maintaining a streamlined Scandinavian Modern profile. Measures 24.5" H × 30" W × 20" D. Vintage condition with age-appropriate wear. Top has several areas of discoloration/spots and surface wear, as shown in photos. Additional minor marks and wear consistent with age and use. Maker presently unidentified. 297 / 2241 -
Vintage Mid-Century Modern Danish-style two-drawer end table or nightstand featuring a warm teak finish, clean rectangular form, slender tapered legs and distinctive sculpted wooden drawer pulls. Two wide drawers provide generous storage while maintaining a streamlined Scandinavian Modern profile. Measures 24.5" H × 30" W × 20" D. Vintage condition with age-appropriate wear. Top has several areas of discoloration/spots and surface wear, as shown in photos. Additional minor marks and wear consistent with age and use. Maker presently unidentified. 298 / 2241 -
Vintage Mid-Century Modern Danish-style two-drawer end table or nightstand featuring a warm teak finish, clean rectangular form, slender tapered legs and distinctive sculpted wooden drawer pulls. Two wide drawers provide generous storage while maintaining a streamlined Scandinavian Modern profile. Measures 24.5" H × 30" W × 20" D. Vintage condition with age-appropriate wear. Top has several areas of discoloration/spots and surface wear, as shown in photos. Additional minor marks and wear consistent with age and use. Maker presently unidentified. 299 / 2241 -
Large vintage Taylor, Smith & Taylor Taylorstone “Corinthian” dinnerware service featuring an ivory/cream ground with repeating blue-gray and black geometric floral/starburst border. Classic Mid-Century Modern design with a strong atomic-era aesthetic. The collection appears to include a substantial assortment of dinner plates, smaller plates, rimmed soup/cereal bowls, bread/butter plates and serving pieces. Sold as one large assembled lot; please review photos for exact piece count. Marked on underside Taylorstone “Corinthian.” The pattern is discontinued and included numerous dinnerware and serving forms. Vintage condition with signs of previous use. Some pieces may exhibit utensil marks, minor discoloration, crazing or other age-related wear. 300 / 2241
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