Bye Gones Estate & Moving Sales

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STERLING, GOLD, VINTAGE & COSTUME JEWELRY AMONG A WHOLE HOUSE FULL IN THIS GREELEY ONLINE AUCTION

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THE BELLOW IS IN ROUGH SHAPE

1601 / 3577 sold
THE BELLOW IS IN ROUGH SHAPE

1602 / 3577 sold
THE BELLOW IS IN ROUGH SHAPE

1603 / 3577 sold
Painting 13x16 12” Clock 12” Plate

1604 / 3577 sold
Painting 13x16 12” Clock 12” Plate

1605 / 3577 sold
Painting 13x16 12” Clock 12” Plate

1606 / 3577 sold
Painting 13x16 12” Clock 12” Plate

1607 / 3577 sold
Painting 13x16 12” Clock 12” Plate

1608 / 3577 sold
Painting 13x16 12” Clock 12” Plate

1609 / 3577 sold
Painting 13x16 12” Clock 12” Plate

1610 / 3577 sold
Painting 13x16 12” Clock 12” Plate

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Painting 13x16 12” Clock 12” Plate

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Painting 13x16 12” Clock 12” Plate

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Painting 13x16 12” Clock 12” Plate

1614 / 3577 sold
25”x31” The picture is the "The Gleaners" by Jean-François Millet, completed in 1857. It portrays three peasant women gleaning stray stalks of wheat after the harvest. This was a traditional practice for poor women and children, allowing them to collect leftover grain. Subject: The painting depicts the hard labor of peasant women, bending over to collect grain. Millet aimed to portray the dignity and spirituality of their work. Reception: While now considered a masterpiece, "The Gleaners" was initially met with scorn from the French upper class who feared its glorification of the lower ranks of society. They saw it as a reminder of the working class and the growing movement of socialism. Symbolism: The painting's size, typically reserved for religious or mythological themes, was considered unusual for a depiction of labor. The artist used a soft, golden light to convey the sanctity of the gleaners' relationship to the land. Influence: "The Gleaners" inspired numerous artists, including Seurat, Renoir, and van Gogh, and introduced a new theme in mid-century art. The painting is housed at the Musée d'Orsay in Paris.

1615 / 3577 sold
25”x31” The picture is the "The Gleaners" by Jean-François Millet, completed in 1857. It portrays three peasant women gleaning stray stalks of wheat after the harvest. This was a traditional practice for poor women and children, allowing them to collect leftover grain. Subject: The painting depicts the hard labor of peasant women, bending over to collect grain. Millet aimed to portray the dignity and spirituality of their work. Reception: While now considered a masterpiece, "The Gleaners" was initially met with scorn from the French upper class who feared its glorification of the lower ranks of society. They saw it as a reminder of the working class and the growing movement of socialism. Symbolism: The painting's size, typically reserved for religious or mythological themes, was considered unusual for a depiction of labor. The artist used a soft, golden light to convey the sanctity of the gleaners' relationship to the land. Influence: "The Gleaners" inspired numerous artists, including Seurat, Renoir, and van Gogh, and introduced a new theme in mid-century art. The painting is housed at the Musée d'Orsay in Paris.

1616 / 3577 sold
25”x31” The picture is the "The Gleaners" by Jean-François Millet, completed in 1857. It portrays three peasant women gleaning stray stalks of wheat after the harvest. This was a traditional practice for poor women and children, allowing them to collect leftover grain. Subject: The painting depicts the hard labor of peasant women, bending over to collect grain. Millet aimed to portray the dignity and spirituality of their work. Reception: While now considered a masterpiece, "The Gleaners" was initially met with scorn from the French upper class who feared its glorification of the lower ranks of society. They saw it as a reminder of the working class and the growing movement of socialism. Symbolism: The painting's size, typically reserved for religious or mythological themes, was considered unusual for a depiction of labor. The artist used a soft, golden light to convey the sanctity of the gleaners' relationship to the land. Influence: "The Gleaners" inspired numerous artists, including Seurat, Renoir, and van Gogh, and introduced a new theme in mid-century art. The painting is housed at the Musée d'Orsay in Paris.

1617 / 3577 sold
.23” x 27-1/2 2@ 14” rd

1618 / 3577 sold
.23” x 27-1/2 2@ 14” rd

1619 / 3577 sold
.23” x 27-1/2 2@ 14” rd

1620 / 3577 sold
.23” x 27-1/2 2@ 14” rd

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.23” x 27-1/2 2@ 14” rd

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FROM LEFT TO RIGHT, FRONT ROW THERE ARE 6 - 4 - 11 LINEN NAPKINS

1679 / 3577 sold
FROM LEFT TO RIGHT, FRONT ROW THERE ARE 6 - 4 - 11 LINEN NAPKINS

1680 / 3577 sold
FROM LEFT TO RIGHT, FRONT ROW THERE ARE 6 - 4 - 11 LINEN NAPKINS

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FROM LEFT TO RIGHT, FRONT ROW THERE ARE 6 - 4 - 11 LINEN NAPKINS

1682 / 3577 sold
FROM LEFT TO RIGHT, FRONT ROW THERE ARE 6 - 4 - 11 LINEN NAPKINS

1683 / 3577 sold
FROM LEFT TO RIGHT, FRONT ROW THERE ARE 6 - 4 - 11 LINEN NAPKINS

1684 / 3577 sold
FROM LEFT TO RIGHT, FRONT ROW THERE ARE 6 - 4 - 11 LINEN NAPKINS

1685 / 3577 sold
FROM LEFT TO RIGHT, FRONT ROW THERE ARE 6 - 4 - 11 LINEN NAPKINS

1686 / 3577 sold
FROM LEFT TO RIGHT, FRONT ROW THERE ARE 6 - 4 - 11 LINEN NAPKINS

1687 / 3577 sold
FROM LEFT TO RIGHT, FRONT ROW THERE ARE 6 - 4 - 11 LINEN NAPKINS

1688 / 3577 sold
12 & 7 LINEN NAPKINS, THERE ARE SOME AGING SPOTS

1689 / 3577
12 & 7 LINEN NAPKINS, THERE ARE SOME AGING SPOTS

1690 / 3577
12 & 7 LINEN NAPKINS, THERE ARE SOME AGING SPOTS

1691 / 3577
12 & 7 LINEN NAPKINS, THERE ARE SOME AGING SPOTS

1692 / 3577
12 & 7 LINEN NAPKINS, THERE ARE SOME AGING SPOTS

1693 / 3577
12 & 7 LINEN NAPKINS, THERE ARE SOME AGING SPOTS

1694 / 3577
12 & 7 LINEN NAPKINS, THERE ARE SOME AGING SPOTS

1695 / 3577
12 & 7 LINEN NAPKINS, THERE ARE SOME AGING SPOTS

1696 / 3577
12 & 7 LINEN NAPKINS, THERE ARE SOME AGING SPOTS

1697 / 3577
12 & 7 LINEN NAPKINS, THERE ARE SOME AGING SPOTS

1698 / 3577
FROM LEFT TO RIGHT 4 - 4 - 4 - 6 - 8 LINEN NAPKINS

1699 / 3577
FROM LEFT TO RIGHT 4 - 4 - 4 - 6 - 8 LINEN NAPKINS

1700 / 3577

Photos 1601 - 1700 of 3577

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