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Celebrate the rhythm of African heritage with this stunning 2008 oil on canvas by acclaimed Nigerian-born, Pennsylvania-based multimedia artist Kayode Malomo. Titled implicitly through its dynamic scene of a drummer and dancing figures in flowing, colorful robes and headwraps, this piece bursts with Malomo's signature vibrancy—layers of turquoise, crimson, gold, and emerald evoking happiness, hope, and cultural beauty. The central male figure, adorned in intricate patterns, plays a traditional drum while ethereal female dancers swirl in motion, their beaded necklaces and skirts alive with energy against a dreamlike, swirling background. Measuring 28 inches high by 30 inches wide including the elegant gold frame (canvas approx. 24x20 inches), this signed lower-right original 2 / 228 -
Celebrate the rhythm of African heritage with this stunning 2008 oil on canvas by acclaimed Nigerian-born, Pennsylvania-based multimedia artist Kayode Malomo. Titled implicitly through its dynamic scene of a drummer and dancing figures in flowing, colorful robes and headwraps, this piece bursts with Malomo's signature vibrancy—layers of turquoise, crimson, gold, and emerald evoking happiness, hope, and cultural beauty. The central male figure, adorned in intricate patterns, plays a traditional drum while ethereal female dancers swirl in motion, their beaded necklaces and skirts alive with energy against a dreamlike, swirling background. Measuring 28 inches high by 30 inches wide including the elegant gold frame (canvas approx. 24x20 inches), this signed lower-right original 3 / 228 -
Celebrate the rhythm of African heritage with this stunning 2008 oil on canvas by acclaimed Nigerian-born, Pennsylvania-based multimedia artist Kayode Malomo. Titled implicitly through its dynamic scene of a drummer and dancing figures in flowing, colorful robes and headwraps, this piece bursts with Malomo's signature vibrancy—layers of turquoise, crimson, gold, and emerald evoking happiness, hope, and cultural beauty. The central male figure, adorned in intricate patterns, plays a traditional drum while ethereal female dancers swirl in motion, their beaded necklaces and skirts alive with energy against a dreamlike, swirling background. Measuring 28 inches high by 30 inches wide including the elegant gold frame (canvas approx. 24x20 inches), this signed lower-right original 4 / 228 -
Celebrate the rhythm of African heritage with this stunning 2008 oil on canvas by acclaimed Nigerian-born, Pennsylvania-based multimedia artist Kayode Malomo. Titled implicitly through its dynamic scene of a drummer and dancing figures in flowing, colorful robes and headwraps, this piece bursts with Malomo's signature vibrancy—layers of turquoise, crimson, gold, and emerald evoking happiness, hope, and cultural beauty. The central male figure, adorned in intricate patterns, plays a traditional drum while ethereal female dancers swirl in motion, their beaded necklaces and skirts alive with energy against a dreamlike, swirling background. Measuring 28 inches high by 30 inches wide including the elegant gold frame (canvas approx. 24x20 inches), this signed lower-right original 5 / 228 -
Celebrate the rhythm of African heritage with this stunning 2008 oil on canvas by acclaimed Nigerian-born, Pennsylvania-based multimedia artist Kayode Malomo. Titled implicitly through its dynamic scene of a drummer and dancing figures in flowing, colorful robes and headwraps, this piece bursts with Malomo's signature vibrancy—layers of turquoise, crimson, gold, and emerald evoking happiness, hope, and cultural beauty. The central male figure, adorned in intricate patterns, plays a traditional drum while ethereal female dancers swirl in motion, their beaded necklaces and skirts alive with energy against a dreamlike, swirling background. Measuring 28 inches high by 30 inches wide including the elegant gold frame (canvas approx. 24x20 inches), this signed lower-right original 6 / 228 -
Celebrate the rhythm of African heritage with this stunning 2008 oil on canvas by acclaimed Nigerian-born, Pennsylvania-based multimedia artist Kayode Malomo. Titled implicitly through its dynamic scene of a drummer and dancing figures in flowing, colorful robes and headwraps, this piece bursts with Malomo's signature vibrancy—layers of turquoise, crimson, gold, and emerald evoking happiness, hope, and cultural beauty. The central male figure, adorned in intricate patterns, plays a traditional drum while ethereal female dancers swirl in motion, their beaded necklaces and skirts alive with energy against a dreamlike, swirling background. Measuring 28 inches high by 30 inches wide including the elegant gold frame (canvas approx. 24x20 inches), this signed lower-right original 7 / 228 -
For sale is a beautiful vintage oil on canvas landscape painting, likely from the mid-20th century. This piece features a serene winter scene with a snow-covered path, a cozy house, and figures walking, framed by trees under a dramatic sky. The painting is housed in a classic wooden frame, adding to its charm. Overall dimensions are 22.5 inches wide by 26.5 inches high, including the frame. The signature in the lower right is illegible, making it an intriguing piece by an unknown artist. Perfect for adding a touch of vintage elegance to your home decor. Condition is good, with some minor wear consistent with age. 8 / 228 -
For sale is a beautiful vintage oil on canvas landscape painting, likely from the mid-20th century. This piece features a serene winter scene with a snow-covered path, a cozy house, and figures walking, framed by trees under a dramatic sky. The painting is housed in a classic wooden frame, adding to its charm. Overall dimensions are 22.5 inches wide by 26.5 inches high, including the frame. The signature in the lower right is illegible, making it an intriguing piece by an unknown artist. Perfect for adding a touch of vintage elegance to your home decor. Condition is good, with some minor wear consistent with age. 9 / 228 -
For sale is a beautiful vintage oil on canvas landscape painting, likely from the mid-20th century. This piece features a serene winter scene with a snow-covered path, a cozy house, and figures walking, framed by trees under a dramatic sky. The painting is housed in a classic wooden frame, adding to its charm. Overall dimensions are 22.5 inches wide by 26.5 inches high, including the frame. The signature in the lower right is illegible, making it an intriguing piece by an unknown artist. Perfect for adding a touch of vintage elegance to your home decor. Condition is good, with some minor wear consistent with age. 10 / 228 -
For sale is a beautiful vintage oil on canvas landscape painting, likely from the mid-20th century. This piece features a serene winter scene with a snow-covered path, a cozy house, and figures walking, framed by trees under a dramatic sky. The painting is housed in a classic wooden frame, adding to its charm. Overall dimensions are 22.5 inches wide by 26.5 inches high, including the frame. The signature in the lower right is illegible, making it an intriguing piece by an unknown artist. Perfect for adding a touch of vintage elegance to your home decor. Condition is good, with some minor wear consistent with age. 11 / 228 -
For sale is a beautiful vintage oil on canvas landscape painting, likely from the mid-20th century. This piece features a serene winter scene with a snow-covered path, a cozy house, and figures walking, framed by trees under a dramatic sky. The painting is housed in a classic wooden frame, adding to its charm. Overall dimensions are 22.5 inches wide by 26.5 inches high, including the frame. The signature in the lower right is illegible, making it an intriguing piece by an unknown artist. Perfect for adding a touch of vintage elegance to your home decor. Condition is good, with some minor wear consistent with age. 12 / 228 -
For sale is a beautiful vintage oil on canvas landscape painting, likely from the mid-20th century. This piece features a serene winter scene with a snow-covered path, a cozy house, and figures walking, framed by trees under a dramatic sky. The painting is housed in a classic wooden frame, adding to its charm. Overall dimensions are 22.5 inches wide by 26.5 inches high, including the frame. The signature in the lower right is illegible, making it an intriguing piece by an unknown artist. Perfect for adding a touch of vintage elegance to your home decor. Condition is good, with some minor wear consistent with age. 13 / 228 -
For sale is a beautiful vintage oil on canvas landscape painting, likely from the mid-20th century. This piece features a serene winter scene with a snow-covered path, a cozy house, and figures walking, framed by trees under a dramatic sky. The painting is housed in a classic wooden frame, adding to its charm. Overall dimensions are 22.5 inches wide by 26.5 inches high, including the frame. The signature in the lower right is illegible, making it an intriguing piece by an unknown artist. Perfect for adding a touch of vintage elegance to your home decor. Condition is good, with some minor wear consistent with age. 14 / 228 -
Cameos have a rich history dating back to ancient Greece and Rome, where they were carved from gemstones like onyx and sardonyx to depict mythological scenes, rulers, and deities. During the Victorian era, cameos experienced a significant revival, becoming immensely popular as jewelry, particularly brooches and pendants. They were often carved from shell or agate, featuring profiles of women, mythological figures, or allegorical scenes, symbolizing love, beauty, and virtue. The motif of the Three Graces, representing charm, beauty, and creativity, was a common subject in classical art and was frequently depicted in Victorian cameos. These pieces were not only decorative but also carried symbolic meaning, making them cherished personal adornments. The intricate carving and the use of contrasting layers in shell allowed for detailed and lifelike representations, contributing to their enduring appeal among collectors. 15 / 228 -
Cameos have a rich history dating back to ancient Greece and Rome, where they were carved from gemstones like onyx and sardonyx to depict mythological scenes, rulers, and deities. During the Victorian era, cameos experienced a significant revival, becoming immensely popular as jewelry, particularly brooches and pendants. They were often carved from shell or agate, featuring profiles of women, mythological figures, or allegorical scenes, symbolizing love, beauty, and virtue. The motif of the Three Graces, representing charm, beauty, and creativity, was a common subject in classical art and was frequently depicted in Victorian cameos. These pieces were not only decorative but also carried symbolic meaning, making them cherished personal adornments. The intricate carving and the use of contrasting layers in shell allowed for detailed and lifelike representations, contributing to their enduring appeal among collectors. 16 / 228 -
Cameos have a rich history dating back to ancient Greece and Rome, where they were carved from gemstones like onyx and sardonyx to depict mythological scenes, rulers, and deities. During the Victorian era, cameos experienced a significant revival, becoming immensely popular as jewelry, particularly brooches and pendants. They were often carved from shell or agate, featuring profiles of women, mythological figures, or allegorical scenes, symbolizing love, beauty, and virtue. The motif of the Three Graces, representing charm, beauty, and creativity, was a common subject in classical art and was frequently depicted in Victorian cameos. These pieces were not only decorative but also carried symbolic meaning, making them cherished personal adornments. The intricate carving and the use of contrasting layers in shell allowed for detailed and lifelike representations, contributing to their enduring appeal among collectors. 17 / 228 -
Cameos have a rich history dating back to ancient Greece and Rome, where they were carved from gemstones like onyx and sardonyx to depict mythological scenes, rulers, and deities. During the Victorian era, cameos experienced a significant revival, becoming immensely popular as jewelry, particularly brooches and pendants. They were often carved from shell or agate, featuring profiles of women, mythological figures, or allegorical scenes, symbolizing love, beauty, and virtue. The motif of the Three Graces, representing charm, beauty, and creativity, was a common subject in classical art and was frequently depicted in Victorian cameos. These pieces were not only decorative but also carried symbolic meaning, making them cherished personal adornments. The intricate carving and the use of contrasting layers in shell allowed for detailed and lifelike representations, contributing to their enduring appeal among collectors. 18 / 228 -
Cameos have a rich history dating back to ancient Greece and Rome, where they were carved from gemstones like onyx and sardonyx to depict mythological scenes, rulers, and deities. During the Victorian era, cameos experienced a significant revival, becoming immensely popular as jewelry, particularly brooches and pendants. They were often carved from shell or agate, featuring profiles of women, mythological figures, or allegorical scenes, symbolizing love, beauty, and virtue. The motif of the Three Graces, representing charm, beauty, and creativity, was a common subject in classical art and was frequently depicted in Victorian cameos. These pieces were not only decorative but also carried symbolic meaning, making them cherished personal adornments. The intricate carving and the use of contrasting layers in shell allowed for detailed and lifelike representations, contributing to their enduring appeal among collectors. 19 / 228 -
Cameos have a rich history dating back to ancient Greece and Rome, where they were carved from gemstones like onyx and sardonyx to depict mythological scenes, rulers, and deities. During the Victorian era, cameos experienced a significant revival, becoming immensely popular as jewelry, particularly brooches and pendants. They were often carved from shell or agate, featuring profiles of women, mythological figures, or allegorical scenes, symbolizing love, beauty, and virtue. The motif of the Three Graces, representing charm, beauty, and creativity, was a common subject in classical art and was frequently depicted in Victorian cameos. These pieces were not only decorative but also carried symbolic meaning, making them cherished personal adornments. The intricate carving and the use of contrasting layers in shell allowed for detailed and lifelike representations, contributing to their enduring appeal among collectors. 20 / 228 -
Elegant mid-century Swiss ladies' wristwatch, circa 1950s, with a stunning radial "mandala" patterned dial in black and gold featuring intricate radiating spokes and diamond-like accents for a hypnotic Art Deco vibe. The 17-jewel manual-wind movement keeps excellent time in good running condition—no timing issues noted, though professional servicing recommended for longevity. Housed in a polished gold-tone round case (approx. 28mm diameter) with curved lugs and a subtle red cabochon gem at center for added sparkle. Paired with a supple black leather strap (fits 6-7" wrist; easy to resize or replace). Minor patina on case adds authentic vintage charm, but overall very good condition with no major scratches or dents. Perfect for collectors or as a unique everyday heirloom. 21 / 228 -
Elegant mid-century Swiss ladies' wristwatch, circa 1950s, with a stunning radial "mandala" patterned dial in black and gold featuring intricate radiating spokes and diamond-like accents for a hypnotic Art Deco vibe. The 17-jewel manual-wind movement keeps excellent time in good running condition—no timing issues noted, though professional servicing recommended for longevity. Housed in a polished gold-tone round case (approx. 28mm diameter) with curved lugs and a subtle red cabochon gem at center for added sparkle. Paired with a supple black leather strap (fits 6-7" wrist; easy to resize or replace). Minor patina on case adds authentic vintage charm, but overall very good condition with no major scratches or dents. Perfect for collectors or as a unique everyday heirloom. 22 / 228 -
Elegant mid-century Swiss ladies' wristwatch, circa 1950s, with a stunning radial "mandala" patterned dial in black and gold featuring intricate radiating spokes and diamond-like accents for a hypnotic Art Deco vibe. The 17-jewel manual-wind movement keeps excellent time in good running condition—no timing issues noted, though professional servicing recommended for longevity. Housed in a polished gold-tone round case (approx. 28mm diameter) with curved lugs and a subtle red cabochon gem at center for added sparkle. Paired with a supple black leather strap (fits 6-7" wrist; easy to resize or replace). Minor patina on case adds authentic vintage charm, but overall very good condition with no major scratches or dents. Perfect for collectors or as a unique everyday heirloom. 23 / 228 -
Elegant mid-century Swiss ladies' wristwatch, circa 1950s, with a stunning radial "mandala" patterned dial in black and gold featuring intricate radiating spokes and diamond-like accents for a hypnotic Art Deco vibe. The 17-jewel manual-wind movement keeps excellent time in good running condition—no timing issues noted, though professional servicing recommended for longevity. Housed in a polished gold-tone round case (approx. 28mm diameter) with curved lugs and a subtle red cabochon gem at center for added sparkle. Paired with a supple black leather strap (fits 6-7" wrist; easy to resize or replace). Minor patina on case adds authentic vintage charm, but overall very good condition with no major scratches or dents. Perfect for collectors or as a unique everyday heirloom. 24 / 228 -
Elegant mid-century Swiss ladies' wristwatch, circa 1950s, with a stunning radial "mandala" patterned dial in black and gold featuring intricate radiating spokes and diamond-like accents for a hypnotic Art Deco vibe. The 17-jewel manual-wind movement keeps excellent time in good running condition—no timing issues noted, though professional servicing recommended for longevity. Housed in a polished gold-tone round case (approx. 28mm diameter) with curved lugs and a subtle red cabochon gem at center for added sparkle. Paired with a supple black leather strap (fits 6-7" wrist; easy to resize or replace). Minor patina on case adds authentic vintage charm, but overall very good condition with no major scratches or dents. Perfect for collectors or as a unique everyday heirloom. 25 / 228 -
Elegant mid-century Swiss ladies' wristwatch, circa 1950s, with a stunning radial "mandala" patterned dial in black and gold featuring intricate radiating spokes and diamond-like accents for a hypnotic Art Deco vibe. The 17-jewel manual-wind movement keeps excellent time in good running condition—no timing issues noted, though professional servicing recommended for longevity. Housed in a polished gold-tone round case (approx. 28mm diameter) with curved lugs and a subtle red cabochon gem at center for added sparkle. Paired with a supple black leather strap (fits 6-7" wrist; easy to resize or replace). Minor patina on case adds authentic vintage charm, but overall very good condition with no major scratches or dents. Perfect for collectors or as a unique everyday heirloom. 26 / 228 -
Woven baskets have been utilized by humans for millennia, serving essential roles in storage, transport, and even as decorative items. Materials vary widely by region and available resources, including grasses, reeds, straw, willow, and bamboo. The craftsmanship often reflects cultural traditions and the intended use of the basket. This particular basket, likely made from river reeds, showcases a traditional weaving technique common in many cultures. Its substantial size and sturdy handles suggest it was designed for carrying goods, perhaps for market or agricultural purposes. The mid-20th century dating places it in an era where handmade items were still prevalent before the widespread adoption of mass production. 27 / 228 -
Woven baskets have been utilized by humans for millennia, serving essential roles in storage, transport, and even as decorative items. Materials vary widely by region and available resources, including grasses, reeds, straw, willow, and bamboo. The craftsmanship often reflects cultural traditions and the intended use of the basket. This particular basket, likely made from river reeds, showcases a traditional weaving technique common in many cultures. Its substantial size and sturdy handles suggest it was designed for carrying goods, perhaps for market or agricultural purposes. The mid-20th century dating places it in an era where handmade items were still prevalent before the widespread adoption of mass production. 28 / 228 -
Woven baskets have been utilized by humans for millennia, serving essential roles in storage, transport, and even as decorative items. Materials vary widely by region and available resources, including grasses, reeds, straw, willow, and bamboo. The craftsmanship often reflects cultural traditions and the intended use of the basket. This particular basket, likely made from river reeds, showcases a traditional weaving technique common in many cultures. Its substantial size and sturdy handles suggest it was designed for carrying goods, perhaps for market or agricultural purposes. The mid-20th century dating places it in an era where handmade items were still prevalent before the widespread adoption of mass production. 29 / 228 -
Woven baskets have been utilized by humans for millennia, serving essential roles in storage, transport, and even as decorative items. Materials vary widely by region and available resources, including grasses, reeds, straw, willow, and bamboo. The craftsmanship often reflects cultural traditions and the intended use of the basket. This particular basket, likely made from river reeds, showcases a traditional weaving technique common in many cultures. Its substantial size and sturdy handles suggest it was designed for carrying goods, perhaps for market or agricultural purposes. The mid-20th century dating places it in an era where handmade items were still prevalent before the widespread adoption of mass production. 30 / 228 -
Woven baskets have been utilized by humans for millennia, serving essential roles in storage, transport, and even as decorative items. Materials vary widely by region and available resources, including grasses, reeds, straw, willow, and bamboo. The craftsmanship often reflects cultural traditions and the intended use of the basket. This particular basket, likely made from river reeds, showcases a traditional weaving technique common in many cultures. Its substantial size and sturdy handles suggest it was designed for carrying goods, perhaps for market or agricultural purposes. The mid-20th century dating places it in an era where handmade items were still prevalent before the widespread adoption of mass production. 31 / 228 -
Woven baskets have been utilized by humans for millennia, serving essential roles in storage, transport, and even as decorative items. Materials vary widely by region and available resources, including grasses, reeds, straw, willow, and bamboo. The craftsmanship often reflects cultural traditions and the intended use of the basket. This particular basket, likely made from river reeds, showcases a traditional weaving technique common in many cultures. Its substantial size and sturdy handles suggest it was designed for carrying goods, perhaps for market or agricultural purposes. The mid-20th century dating places it in an era where handmade items were still prevalent before the widespread adoption of mass production. 32 / 228 -
This is a framed print of Vincent van Gogh's drawing, "Bank of the Rhone at Arles," created in 1888. The drawing depicts a view of the city of Arles from the bank of the Rhône river. The drawing is a study for the painting Starry Night Over the Rhône, which Van Gogh painted later the same year. The drawing and the painting were both created during Van Gogh's time in Arles, France, where he was inspired by the local scenery and the effects of light on the water. Van Gogh's works from this period, including this drawing, often feature the night sky and the reflections of city lights on the river. The drawing is part of a series of works Van Gogh created on the banks of the Rhône, a location he found to be a great source of inspiration. 33 / 228 -
This is a framed print of Vincent van Gogh's drawing, "Bank of the Rhone at Arles," created in 1888. The drawing depicts a view of the city of Arles from the bank of the Rhône river. The drawing is a study for the painting Starry Night Over the Rhône, which Van Gogh painted later the same year. The drawing and the painting were both created during Van Gogh's time in Arles, France, where he was inspired by the local scenery and the effects of light on the water. Van Gogh's works from this period, including this drawing, often feature the night sky and the reflections of city lights on the river. The drawing is part of a series of works Van Gogh created on the banks of the Rhône, a location he found to be a great source of inspiration. 34 / 228 -
This is a framed print of Vincent van Gogh's drawing, "Bank of the Rhone at Arles," created in 1888. The drawing depicts a view of the city of Arles from the bank of the Rhône river. The drawing is a study for the painting Starry Night Over the Rhône, which Van Gogh painted later the same year. The drawing and the painting were both created during Van Gogh's time in Arles, France, where he was inspired by the local scenery and the effects of light on the water. Van Gogh's works from this period, including this drawing, often feature the night sky and the reflections of city lights on the river. The drawing is part of a series of works Van Gogh created on the banks of the Rhône, a location he found to be a great source of inspiration. 35 / 228 -
This is a framed print of Vincent van Gogh's drawing, "Bank of the Rhone at Arles," created in 1888. The drawing depicts a view of the city of Arles from the bank of the Rhône river. The drawing is a study for the painting Starry Night Over the Rhône, which Van Gogh painted later the same year. The drawing and the painting were both created during Van Gogh's time in Arles, France, where he was inspired by the local scenery and the effects of light on the water. Van Gogh's works from this period, including this drawing, often feature the night sky and the reflections of city lights on the river. The drawing is part of a series of works Van Gogh created on the banks of the Rhône, a location he found to be a great source of inspiration. 36 / 228 -
This is a framed print of Vincent van Gogh's drawing, "Bank of the Rhone at Arles," created in 1888. The drawing depicts a view of the city of Arles from the bank of the Rhône river. The drawing is a study for the painting Starry Night Over the Rhône, which Van Gogh painted later the same year. The drawing and the painting were both created during Van Gogh's time in Arles, France, where he was inspired by the local scenery and the effects of light on the water. Van Gogh's works from this period, including this drawing, often feature the night sky and the reflections of city lights on the river. The drawing is part of a series of works Van Gogh created on the banks of the Rhône, a location he found to be a great source of inspiration. 37 / 228 -
This is a framed print of Vincent van Gogh's drawing, "Bank of the Rhone at Arles," created in 1888. The drawing depicts a view of the city of Arles from the bank of the Rhône river. The drawing is a study for the painting Starry Night Over the Rhône, which Van Gogh painted later the same year. The drawing and the painting were both created during Van Gogh's time in Arles, France, where he was inspired by the local scenery and the effects of light on the water. Van Gogh's works from this period, including this drawing, often feature the night sky and the reflections of city lights on the river. The drawing is part of a series of works Van Gogh created on the banks of the Rhône, a location he found to be a great source of inspiration. 38 / 228 -
This is a framed print of Vincent van Gogh's drawing, "Bank of the Rhone at Arles," created in 1888. The drawing depicts a view of the city of Arles from the bank of the Rhône river. The drawing is a study for the painting Starry Night Over the Rhône, which Van Gogh painted later the same year. The drawing and the painting were both created during Van Gogh's time in Arles, France, where he was inspired by the local scenery and the effects of light on the water. Van Gogh's works from this period, including this drawing, often feature the night sky and the reflections of city lights on the river. The drawing is part of a series of works Van Gogh created on the banks of the Rhône, a location he found to be a great source of inspiration. 39 / 228 -
Eastlake-style mantle clock, crafted by the renowned E. Ingraham Clock Company of Bristol, Connecticut, circa 1880–1890. Measuring a substantial 14 inches wide by 14 inches high (and about 5.5 inches deep), this square-form shelf clock commands attention with its richly carved solid oak case—featuring a dramatic scalloped crest, swirling floral motifs, and geometric spandrels that exemplify the bold, angular Eastlake design inspired by architect Charles Eastlake's reform movement. The clock boasts a classic brass dial with crisp Roman numerals, ornate gold bezel, and visible escapement for that authentic mechanical charm. Inside, it's powered by Ingraham's signature 8-day time-and-strike movement, complete with all original components, including the decorative brass pendulum and brass winding key. It currently winds smoothly and runs briefly (ticks and chimes softly), but stops after a short time—likely just needs a professional cleaning and oiling (a quick $50–$100 fix for full reliability). No major damage, cracks, or missing parts; the glass is intact, and the case shows honest patina from age, with minor wear to edges that adds to its character. 40 / 228 -
Eastlake-style mantle clock, crafted by the renowned E. Ingraham Clock Company of Bristol, Connecticut, circa 1880–1890. Measuring a substantial 14 inches wide by 14 inches high (and about 5.5 inches deep), this square-form shelf clock commands attention with its richly carved solid oak case—featuring a dramatic scalloped crest, swirling floral motifs, and geometric spandrels that exemplify the bold, angular Eastlake design inspired by architect Charles Eastlake's reform movement. The clock boasts a classic brass dial with crisp Roman numerals, ornate gold bezel, and visible escapement for that authentic mechanical charm. Inside, it's powered by Ingraham's signature 8-day time-and-strike movement, complete with all original components, including the decorative brass pendulum and brass winding key. It currently winds smoothly and runs briefly (ticks and chimes softly), but stops after a short time—likely just needs a professional cleaning and oiling (a quick $50–$100 fix for full reliability). No major damage, cracks, or missing parts; the glass is intact, and the case shows honest patina from age, with minor wear to edges that adds to its character. 41 / 228 -
Eastlake-style mantle clock, crafted by the renowned E. Ingraham Clock Company of Bristol, Connecticut, circa 1880–1890. Measuring a substantial 14 inches wide by 14 inches high (and about 5.5 inches deep), this square-form shelf clock commands attention with its richly carved solid oak case—featuring a dramatic scalloped crest, swirling floral motifs, and geometric spandrels that exemplify the bold, angular Eastlake design inspired by architect Charles Eastlake's reform movement. The clock boasts a classic brass dial with crisp Roman numerals, ornate gold bezel, and visible escapement for that authentic mechanical charm. Inside, it's powered by Ingraham's signature 8-day time-and-strike movement, complete with all original components, including the decorative brass pendulum and brass winding key. It currently winds smoothly and runs briefly (ticks and chimes softly), but stops after a short time—likely just needs a professional cleaning and oiling (a quick $50–$100 fix for full reliability). No major damage, cracks, or missing parts; the glass is intact, and the case shows honest patina from age, with minor wear to edges that adds to its character. 42 / 228 -
Eastlake-style mantle clock, crafted by the renowned E. Ingraham Clock Company of Bristol, Connecticut, circa 1880–1890. Measuring a substantial 14 inches wide by 14 inches high (and about 5.5 inches deep), this square-form shelf clock commands attention with its richly carved solid oak case—featuring a dramatic scalloped crest, swirling floral motifs, and geometric spandrels that exemplify the bold, angular Eastlake design inspired by architect Charles Eastlake's reform movement. The clock boasts a classic brass dial with crisp Roman numerals, ornate gold bezel, and visible escapement for that authentic mechanical charm. Inside, it's powered by Ingraham's signature 8-day time-and-strike movement, complete with all original components, including the decorative brass pendulum and brass winding key. It currently winds smoothly and runs briefly (ticks and chimes softly), but stops after a short time—likely just needs a professional cleaning and oiling (a quick $50–$100 fix for full reliability). No major damage, cracks, or missing parts; the glass is intact, and the case shows honest patina from age, with minor wear to edges that adds to its character. 43 / 228 -
Eastlake-style mantle clock, crafted by the renowned E. Ingraham Clock Company of Bristol, Connecticut, circa 1880–1890. Measuring a substantial 14 inches wide by 14 inches high (and about 5.5 inches deep), this square-form shelf clock commands attention with its richly carved solid oak case—featuring a dramatic scalloped crest, swirling floral motifs, and geometric spandrels that exemplify the bold, angular Eastlake design inspired by architect Charles Eastlake's reform movement. The clock boasts a classic brass dial with crisp Roman numerals, ornate gold bezel, and visible escapement for that authentic mechanical charm. Inside, it's powered by Ingraham's signature 8-day time-and-strike movement, complete with all original components, including the decorative brass pendulum and brass winding key. It currently winds smoothly and runs briefly (ticks and chimes softly), but stops after a short time—likely just needs a professional cleaning and oiling (a quick $50–$100 fix for full reliability). No major damage, cracks, or missing parts; the glass is intact, and the case shows honest patina from age, with minor wear to edges that adds to its character. 44 / 228 -
Eastlake-style mantle clock, crafted by the renowned E. Ingraham Clock Company of Bristol, Connecticut, circa 1880–1890. Measuring a substantial 14 inches wide by 14 inches high (and about 5.5 inches deep), this square-form shelf clock commands attention with its richly carved solid oak case—featuring a dramatic scalloped crest, swirling floral motifs, and geometric spandrels that exemplify the bold, angular Eastlake design inspired by architect Charles Eastlake's reform movement. The clock boasts a classic brass dial with crisp Roman numerals, ornate gold bezel, and visible escapement for that authentic mechanical charm. Inside, it's powered by Ingraham's signature 8-day time-and-strike movement, complete with all original components, including the decorative brass pendulum and brass winding key. It currently winds smoothly and runs briefly (ticks and chimes softly), but stops after a short time—likely just needs a professional cleaning and oiling (a quick $50–$100 fix for full reliability). No major damage, cracks, or missing parts; the glass is intact, and the case shows honest patina from age, with minor wear to edges that adds to its character. 45 / 228 -
Eastlake-style mantle clock, crafted by the renowned E. Ingraham Clock Company of Bristol, Connecticut, circa 1880–1890. Measuring a substantial 14 inches wide by 14 inches high (and about 5.5 inches deep), this square-form shelf clock commands attention with its richly carved solid oak case—featuring a dramatic scalloped crest, swirling floral motifs, and geometric spandrels that exemplify the bold, angular Eastlake design inspired by architect Charles Eastlake's reform movement. The clock boasts a classic brass dial with crisp Roman numerals, ornate gold bezel, and visible escapement for that authentic mechanical charm. Inside, it's powered by Ingraham's signature 8-day time-and-strike movement, complete with all original components, including the decorative brass pendulum and brass winding key. It currently winds smoothly and runs briefly (ticks and chimes softly), but stops after a short time—likely just needs a professional cleaning and oiling (a quick $50–$100 fix for full reliability). No major damage, cracks, or missing parts; the glass is intact, and the case shows honest patina from age, with minor wear to edges that adds to its character. 46 / 228 -
Eastlake-style mantle clock, crafted by the renowned E. Ingraham Clock Company of Bristol, Connecticut, circa 1880–1890. Measuring a substantial 14 inches wide by 14 inches high (and about 5.5 inches deep), this square-form shelf clock commands attention with its richly carved solid oak case—featuring a dramatic scalloped crest, swirling floral motifs, and geometric spandrels that exemplify the bold, angular Eastlake design inspired by architect Charles Eastlake's reform movement. The clock boasts a classic brass dial with crisp Roman numerals, ornate gold bezel, and visible escapement for that authentic mechanical charm. Inside, it's powered by Ingraham's signature 8-day time-and-strike movement, complete with all original components, including the decorative brass pendulum and brass winding key. It currently winds smoothly and runs briefly (ticks and chimes softly), but stops after a short time—likely just needs a professional cleaning and oiling (a quick $50–$100 fix for full reliability). No major damage, cracks, or missing parts; the glass is intact, and the case shows honest patina from age, with minor wear to edges that adds to its character. 47 / 228 -
Eastlake-style mantle clock, crafted by the renowned E. Ingraham Clock Company of Bristol, Connecticut, circa 1880–1890. Measuring a substantial 14 inches wide by 14 inches high (and about 5.5 inches deep), this square-form shelf clock commands attention with its richly carved solid oak case—featuring a dramatic scalloped crest, swirling floral motifs, and geometric spandrels that exemplify the bold, angular Eastlake design inspired by architect Charles Eastlake's reform movement. The clock boasts a classic brass dial with crisp Roman numerals, ornate gold bezel, and visible escapement for that authentic mechanical charm. Inside, it's powered by Ingraham's signature 8-day time-and-strike movement, complete with all original components, including the decorative brass pendulum and brass winding key. It currently winds smoothly and runs briefly (ticks and chimes softly), but stops after a short time—likely just needs a professional cleaning and oiling (a quick $50–$100 fix for full reliability). No major damage, cracks, or missing parts; the glass is intact, and the case shows honest patina from age, with minor wear to edges that adds to its character. 48 / 228 -
Step back to the elegance of the Victorian era with this stunning antique E. Ingraham & Company gingerbread mantel clock from Bristol, CT (circa 1885–1895). This 8-day key-wind beauty features an intricately carved oak case (15" wide x 22" tall x 5" deep) with elaborate floral scrolls, arched pediment, and a romantic reverse-painted palm-tree glass panel—perfect for a parlor or kitchen display. The white porcelain dial boasts crisp Roman numerals and brass hands, while the original brass pendulum and winding key ensure authentic operation. Fully serviced and in excellent running condition: Winds smoothly, keeps accurate time, and strikes hourly on its resonant gong. No major repairs needed—minor patina adds to its charming 130+ year history. Original label intact inside. A collector's gem from the golden age of American clockmaking! 49 / 228 -
Step back to the elegance of the Victorian era with this stunning antique E. Ingraham & Company gingerbread mantel clock from Bristol, CT (circa 1885–1895). This 8-day key-wind beauty features an intricately carved oak case (15" wide x 22" tall x 5" deep) with elaborate floral scrolls, arched pediment, and a romantic reverse-painted palm-tree glass panel—perfect for a parlor or kitchen display. The white porcelain dial boasts crisp Roman numerals and brass hands, while the original brass pendulum and winding key ensure authentic operation. Fully serviced and in excellent running condition: Winds smoothly, keeps accurate time, and strikes hourly on its resonant gong. No major repairs needed—minor patina adds to its charming 130+ year history. Original label intact inside. A collector's gem from the golden age of American clockmaking! 50 / 228 -
Step back to the elegance of the Victorian era with this stunning antique E. Ingraham & Company gingerbread mantel clock from Bristol, CT (circa 1885–1895). This 8-day key-wind beauty features an intricately carved oak case (15" wide x 22" tall x 5" deep) with elaborate floral scrolls, arched pediment, and a romantic reverse-painted palm-tree glass panel—perfect for a parlor or kitchen display. The white porcelain dial boasts crisp Roman numerals and brass hands, while the original brass pendulum and winding key ensure authentic operation. Fully serviced and in excellent running condition: Winds smoothly, keeps accurate time, and strikes hourly on its resonant gong. No major repairs needed—minor patina adds to its charming 130+ year history. Original label intact inside. A collector's gem from the golden age of American clockmaking! 51 / 228 -
Step back to the elegance of the Victorian era with this stunning antique E. Ingraham & Company gingerbread mantel clock from Bristol, CT (circa 1885–1895). This 8-day key-wind beauty features an intricately carved oak case (15" wide x 22" tall x 5" deep) with elaborate floral scrolls, arched pediment, and a romantic reverse-painted palm-tree glass panel—perfect for a parlor or kitchen display. The white porcelain dial boasts crisp Roman numerals and brass hands, while the original brass pendulum and winding key ensure authentic operation. Fully serviced and in excellent running condition: Winds smoothly, keeps accurate time, and strikes hourly on its resonant gong. No major repairs needed—minor patina adds to its charming 130+ year history. Original label intact inside. A collector's gem from the golden age of American clockmaking! 52 / 228 -
Step back to the elegance of the Victorian era with this stunning antique E. Ingraham & Company gingerbread mantel clock from Bristol, CT (circa 1885–1895). This 8-day key-wind beauty features an intricately carved oak case (15" wide x 22" tall x 5" deep) with elaborate floral scrolls, arched pediment, and a romantic reverse-painted palm-tree glass panel—perfect for a parlor or kitchen display. The white porcelain dial boasts crisp Roman numerals and brass hands, while the original brass pendulum and winding key ensure authentic operation. Fully serviced and in excellent running condition: Winds smoothly, keeps accurate time, and strikes hourly on its resonant gong. No major repairs needed—minor patina adds to its charming 130+ year history. Original label intact inside. A collector's gem from the golden age of American clockmaking! 53 / 228 -
Step back to the elegance of the Victorian era with this stunning antique E. Ingraham & Company gingerbread mantel clock from Bristol, CT (circa 1885–1895). This 8-day key-wind beauty features an intricately carved oak case (15" wide x 22" tall x 5" deep) with elaborate floral scrolls, arched pediment, and a romantic reverse-painted palm-tree glass panel—perfect for a parlor or kitchen display. The white porcelain dial boasts crisp Roman numerals and brass hands, while the original brass pendulum and winding key ensure authentic operation. Fully serviced and in excellent running condition: Winds smoothly, keeps accurate time, and strikes hourly on its resonant gong. No major repairs needed—minor patina adds to its charming 130+ year history. Original label intact inside. A collector's gem from the golden age of American clockmaking! 54 / 228 -
Step back to the elegance of the Victorian era with this stunning antique E. Ingraham & Company gingerbread mantel clock from Bristol, CT (circa 1885–1895). This 8-day key-wind beauty features an intricately carved oak case (15" wide x 22" tall x 5" deep) with elaborate floral scrolls, arched pediment, and a romantic reverse-painted palm-tree glass panel—perfect for a parlor or kitchen display. The white porcelain dial boasts crisp Roman numerals and brass hands, while the original brass pendulum and winding key ensure authentic operation. Fully serviced and in excellent running condition: Winds smoothly, keeps accurate time, and strikes hourly on its resonant gong. No major repairs needed—minor patina adds to its charming 130+ year history. Original label intact inside. A collector's gem from the golden age of American clockmaking! 55 / 228 -
Step back to the elegance of the Victorian era with this stunning antique E. Ingraham & Company gingerbread mantel clock from Bristol, CT (circa 1885–1895). This 8-day key-wind beauty features an intricately carved oak case (15" wide x 22" tall x 5" deep) with elaborate floral scrolls, arched pediment, and a romantic reverse-painted palm-tree glass panel—perfect for a parlor or kitchen display. The white porcelain dial boasts crisp Roman numerals and brass hands, while the original brass pendulum and winding key ensure authentic operation. Fully serviced and in excellent running condition: Winds smoothly, keeps accurate time, and strikes hourly on its resonant gong. No major repairs needed—minor patina adds to its charming 130+ year history. Original label intact inside. A collector's gem from the golden age of American clockmaking! 56 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 57 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 58 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 59 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 60 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 61 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 62 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 63 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 64 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 65 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 66 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 67 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 68 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 69 / 228 -
Step back in time with this stunning antique German oak wall clock, a true piece of early 20th-century craftsmanship that's both functional and a focal point for any room. Crafted from solid oak with a rich, warm patina, this ornate beauty features a classic arched pediment topped with carved acanthus leaf and grapevine motifs, adding an elegant touch of Old World charm. The brass dial gleams with Roman numerals and ornate hands, framed by a convex glass bezel that protects the mechanism while showcasing its precision. Measuring 13 inches wide by 23 inches high (approximately 4 inches deep), it's perfectly sized for a mantel, shelf, or wall mount—hang it vertically for that timeless pendulum swing visible through the lower glass panel. The brass bob pendulum sways smoothly, powered by a reliable key-wind movement that's been keeping perfect time (tested and running strong—no skips or hesitations). It includes the original brass winding key and pendulum, so it's ready to display right out of the box. 70 / 228 -
Douglas Stewart (fl. ca. 1900–1920). This painting captures a sun-dappled barnyard idyll: a poised young girl in a flowing red-and-blue dress scatters feed to a gaggle of plump white geese, their shadows dancing on the warm earth. To the right, a yellow-arched stone doorway hints at hidden farmstead secrets, while fluffy clouds drift above lush green trees. Adding a touch of sly mischief, a man's curious face peers from the foliage in the upper left. 71 / 228 -
Douglas Stewart (fl. ca. 1900–1920). This painting captures a sun-dappled barnyard idyll: a poised young girl in a flowing red-and-blue dress scatters feed to a gaggle of plump white geese, their shadows dancing on the warm earth. To the right, a yellow-arched stone doorway hints at hidden farmstead secrets, while fluffy clouds drift above lush green trees. Adding a touch of sly mischief, a man's curious face peers from the foliage in the upper left. 72 / 228 -
Douglas Stewart (fl. ca. 1900–1920). This painting captures a sun-dappled barnyard idyll: a poised young girl in a flowing red-and-blue dress scatters feed to a gaggle of plump white geese, their shadows dancing on the warm earth. To the right, a yellow-arched stone doorway hints at hidden farmstead secrets, while fluffy clouds drift above lush green trees. Adding a touch of sly mischief, a man's curious face peers from the foliage in the upper left. 73 / 228 -
Douglas Stewart (fl. ca. 1900–1920). This painting captures a sun-dappled barnyard idyll: a poised young girl in a flowing red-and-blue dress scatters feed to a gaggle of plump white geese, their shadows dancing on the warm earth. To the right, a yellow-arched stone doorway hints at hidden farmstead secrets, while fluffy clouds drift above lush green trees. Adding a touch of sly mischief, a man's curious face peers from the foliage in the upper left. 74 / 228 -
Douglas Stewart (fl. ca. 1900–1920). This painting captures a sun-dappled barnyard idyll: a poised young girl in a flowing red-and-blue dress scatters feed to a gaggle of plump white geese, their shadows dancing on the warm earth. To the right, a yellow-arched stone doorway hints at hidden farmstead secrets, while fluffy clouds drift above lush green trees. Adding a touch of sly mischief, a man's curious face peers from the foliage in the upper left. 75 / 228 -
Douglas Stewart (fl. ca. 1900–1920). This painting captures a sun-dappled barnyard idyll: a poised young girl in a flowing red-and-blue dress scatters feed to a gaggle of plump white geese, their shadows dancing on the warm earth. To the right, a yellow-arched stone doorway hints at hidden farmstead secrets, while fluffy clouds drift above lush green trees. Adding a touch of sly mischief, a man's curious face peers from the foliage in the upper left. 76 / 228 -
Douglas Stewart (fl. ca. 1900–1920). This painting captures a sun-dappled barnyard idyll: a poised young girl in a flowing red-and-blue dress scatters feed to a gaggle of plump white geese, their shadows dancing on the warm earth. To the right, a yellow-arched stone doorway hints at hidden farmstead secrets, while fluffy clouds drift above lush green trees. Adding a touch of sly mischief, a man's curious face peers from the foliage in the upper left. 77 / 228 -
Douglas Stewart (fl. ca. 1900–1920). This painting captures a sun-dappled barnyard idyll: a poised young girl in a flowing red-and-blue dress scatters feed to a gaggle of plump white geese, their shadows dancing on the warm earth. To the right, a yellow-arched stone doorway hints at hidden farmstead secrets, while fluffy clouds drift above lush green trees. Adding a touch of sly mischief, a man's curious face peers from the foliage in the upper left. 78 / 228 -
### Evaluation of the Three Pieces These three small-scale mixed media paintings on canvas, created in the early 2000s, embody the raw, intuitive spirit of outsider art through their bold, expressive female figures, vibrant color palettes, and textured layering of oils, collage elements (such as patterned papers and metallic accents), and symbolic motifs. Outsider art, by its nature, often emerges from self-taught creators outside mainstream art institutions, prioritizing personal vision over formal technique—qualities evident here in the stylized faces, dreamlike compositions, and folkloric symbolism (e.g., birds, nests, butterflies, and cards evoking themes of femininity, introspection, and transformation). The works' modest sizes—5" x 7" (largest), 4" x 6" (medium), and 5" x 5" (smallest)—enhance their intimate, talismanic appeal, suitable for personal collections or as a cohesive trio on a shelf or wall. - Left Piece (5" x 5", by ANNEMIRAO): This square composition features a crowned young girl in a folkloric dress, perched dynamically with arms outstretched, surrounded by vivid blue grounds and golden framing. Adorned with red birds, a woven nest atop her head, and bluebirds in flight, it radiates childlike wonder and nurturing symbolism—the nest suggesting fertility or protection, the birds freedom or omens. The polka-dotted apron and sturdy black shoes ground the figure in a whimsical, storybook narrative, with textured oils adding depth to the fabrics and feathers. Its playful yet poignant energy evokes fairy tales reimagined through an outsider lens, celebrating innocence amid surreal elements. - Middle Piece (4" x 6", by P. Turner, titled Poker Face): A contemplative portrait of a dark-haired woman in emerald green, seated with a lit cigarette and fanned playing cards held close to her chest, against a serene blue backdrop. The elongated face, with almond eyes and subtle blush, conveys quiet resolve and hidden depths—the "poker face" title wittily alluding to emotional guardedness or life's gambles. Mixed media details, like the shadowy smoke trails and card edges, create a tactile, noir-ish intimacy, blending vulnerability with stoicism. This piece stands out for its narrative subtlety, inviting viewers to ponder the woman's unspoken story in a compact, evocative format. - Right Piece (5" x 7", by ANNEMIRAO): The largest of the trio, this vertical portrait depicts a wide-eyed woman with collaged features—blue eyes pieced from printed paper, rosy cheeks, and a red-lipped mouth—emerging from a purple void. A yellow collar frames her, accented by a butterfly wing motif and a baseball glove (perhaps symbolizing readiness or Americana quirkiness). The mixed media layering, including newsprint textures on the face and metallic edging, lends a fragmented, mosaic-like quality, suggesting identity as a patchwork of experiences. Its exaggerated gaze and eclectic symbols infuse the work with eccentric vitality, a hallmark of outsider expression. Collectively, the pieces harmonize through recurring motifs of avian and transformative imagery (birds, butterflies) and archetypal femininity, while contrasting moods—from youthful exuberance to guarded poise to bold fragmentation—create a dynamic dialogue. The early-2000s origin aligns with a burgeoning interest in outsider art during that era, when self-taught works gained traction in alternative galleries and fairs. Condition appears excellent based on the images, with no visible damage to the vibrant oils or canvas supports. As unsigned or minimally documented works by lesser-known creators (no major auction records found for P. Turner or ANNEMIRAO), their value lies in aesthetic charm and collectible novelty rather than provenance. Conservative Auction Estimate: For the set of three sold together, $300–$500. This reflects current market comparables for similar small-scale, early-2000s outsider mixed media pieces (e.g., unsigned folk portraits or symbolic assemblages often fetch $100–$300 each at regional auctions or online sales via platforms like 1stDibs or eBay). Factors tempering value include the artists' obscurity and lack of exhibition history, but the thematic cohesion and fresh appeal could attract folk art enthusiasts, potentially exceeding the low end in a strong sale. ### Proposed Listing for Sale as a Set Title: Whispers of Wings: A Triad of Enigmatic Portraits Description: Discover the captivating allure of outsider art in this intimate trio of early-2000s mixed media paintings on canvas, blending oils, collage, and symbolic whimsy to portray feminine archetypes in flux. From the nest-crowned maiden summoning birds in flight (Bird Maiden's Call, 5" x 5", by ANNEMIRAO), to the enigmatic card-player guarding her secrets (Poker Face, 4" x 6", signed P. Turner), and the butterfly-kissed visionary with her patchwork gaze (Metamorphic Muse, 5" x 7", by ANNEMIRAO), these works weave a tapestry of introspection, folklore, and quiet rebellion. Vibrant hues—emerald greens, sapphire blues, and gilded accents—pulse with raw energy, evoking the untamed spirit of self-taught creation. Perfect for collectors of folkloric or visionary art, this set invites endless interpretation, a portal to the artists' unfiltered worlds. Excellent condition; ready to perch on your shelf or inspire a nook of wonder. Sold as a complete ensemble for harmonious display. 79 / 228 -
### Evaluation of the Three Pieces These three small-scale mixed media paintings on canvas, created in the early 2000s, embody the raw, intuitive spirit of outsider art through their bold, expressive female figures, vibrant color palettes, and textured layering of oils, collage elements (such as patterned papers and metallic accents), and symbolic motifs. Outsider art, by its nature, often emerges from self-taught creators outside mainstream art institutions, prioritizing personal vision over formal technique—qualities evident here in the stylized faces, dreamlike compositions, and folkloric symbolism (e.g., birds, nests, butterflies, and cards evoking themes of femininity, introspection, and transformation). The works' modest sizes—5" x 7" (largest), 4" x 6" (medium), and 5" x 5" (smallest)—enhance their intimate, talismanic appeal, suitable for personal collections or as a cohesive trio on a shelf or wall. - Left Piece (5" x 5", by ANNEMIRAO): This square composition features a crowned young girl in a folkloric dress, perched dynamically with arms outstretched, surrounded by vivid blue grounds and golden framing. Adorned with red birds, a woven nest atop her head, and bluebirds in flight, it radiates childlike wonder and nurturing symbolism—the nest suggesting fertility or protection, the birds freedom or omens. The polka-dotted apron and sturdy black shoes ground the figure in a whimsical, storybook narrative, with textured oils adding depth to the fabrics and feathers. Its playful yet poignant energy evokes fairy tales reimagined through an outsider lens, celebrating innocence amid surreal elements. - Middle Piece (4" x 6", by P. Turner, titled Poker Face): A contemplative portrait of a dark-haired woman in emerald green, seated with a lit cigarette and fanned playing cards held close to her chest, against a serene blue backdrop. The elongated face, with almond eyes and subtle blush, conveys quiet resolve and hidden depths—the "poker face" title wittily alluding to emotional guardedness or life's gambles. Mixed media details, like the shadowy smoke trails and card edges, create a tactile, noir-ish intimacy, blending vulnerability with stoicism. This piece stands out for its narrative subtlety, inviting viewers to ponder the woman's unspoken story in a compact, evocative format. - Right Piece (5" x 7", by ANNEMIRAO): The largest of the trio, this vertical portrait depicts a wide-eyed woman with collaged features—blue eyes pieced from printed paper, rosy cheeks, and a red-lipped mouth—emerging from a purple void. A yellow collar frames her, accented by a butterfly wing motif and a baseball glove (perhaps symbolizing readiness or Americana quirkiness). The mixed media layering, including newsprint textures on the face and metallic edging, lends a fragmented, mosaic-like quality, suggesting identity as a patchwork of experiences. Its exaggerated gaze and eclectic symbols infuse the work with eccentric vitality, a hallmark of outsider expression. Collectively, the pieces harmonize through recurring motifs of avian and transformative imagery (birds, butterflies) and archetypal femininity, while contrasting moods—from youthful exuberance to guarded poise to bold fragmentation—create a dynamic dialogue. The early-2000s origin aligns with a burgeoning interest in outsider art during that era, when self-taught works gained traction in alternative galleries and fairs. Condition appears excellent based on the images, with no visible damage to the vibrant oils or canvas supports. As unsigned or minimally documented works by lesser-known creators (no major auction records found for P. Turner or ANNEMIRAO), their value lies in aesthetic charm and collectible novelty rather than provenance. Conservative Auction Estimate: For the set of three sold together, $300–$500. This reflects current market comparables for similar small-scale, early-2000s outsider mixed media pieces (e.g., unsigned folk portraits or symbolic assemblages often fetch $100–$300 each at regional auctions or online sales via platforms like 1stDibs or eBay). Factors tempering value include the artists' obscurity and lack of exhibition history, but the thematic cohesion and fresh appeal could attract folk art enthusiasts, potentially exceeding the low end in a strong sale. ### Proposed Listing for Sale as a Set Title: Whispers of Wings: A Triad of Enigmatic Portraits Description: Discover the captivating allure of outsider art in this intimate trio of early-2000s mixed media paintings on canvas, blending oils, collage, and symbolic whimsy to portray feminine archetypes in flux. From the nest-crowned maiden summoning birds in flight (Bird Maiden's Call, 5" x 5", by ANNEMIRAO), to the enigmatic card-player guarding her secrets (Poker Face, 4" x 6", signed P. Turner), and the butterfly-kissed visionary with her patchwork gaze (Metamorphic Muse, 5" x 7", by ANNEMIRAO), these works weave a tapestry of introspection, folklore, and quiet rebellion. Vibrant hues—emerald greens, sapphire blues, and gilded accents—pulse with raw energy, evoking the untamed spirit of self-taught creation. Perfect for collectors of folkloric or visionary art, this set invites endless interpretation, a portal to the artists' unfiltered worlds. Excellent condition; ready to perch on your shelf or inspire a nook of wonder. Sold as a complete ensemble for harmonious display. 80 / 228 -
### Evaluation of the Three Pieces These three small-scale mixed media paintings on canvas, created in the early 2000s, embody the raw, intuitive spirit of outsider art through their bold, expressive female figures, vibrant color palettes, and textured layering of oils, collage elements (such as patterned papers and metallic accents), and symbolic motifs. Outsider art, by its nature, often emerges from self-taught creators outside mainstream art institutions, prioritizing personal vision over formal technique—qualities evident here in the stylized faces, dreamlike compositions, and folkloric symbolism (e.g., birds, nests, butterflies, and cards evoking themes of femininity, introspection, and transformation). The works' modest sizes—5" x 7" (largest), 4" x 6" (medium), and 5" x 5" (smallest)—enhance their intimate, talismanic appeal, suitable for personal collections or as a cohesive trio on a shelf or wall. - Left Piece (5" x 5", by ANNEMIRAO): This square composition features a crowned young girl in a folkloric dress, perched dynamically with arms outstretched, surrounded by vivid blue grounds and golden framing. Adorned with red birds, a woven nest atop her head, and bluebirds in flight, it radiates childlike wonder and nurturing symbolism—the nest suggesting fertility or protection, the birds freedom or omens. The polka-dotted apron and sturdy black shoes ground the figure in a whimsical, storybook narrative, with textured oils adding depth to the fabrics and feathers. Its playful yet poignant energy evokes fairy tales reimagined through an outsider lens, celebrating innocence amid surreal elements. - Middle Piece (4" x 6", by P. Turner, titled Poker Face): A contemplative portrait of a dark-haired woman in emerald green, seated with a lit cigarette and fanned playing cards held close to her chest, against a serene blue backdrop. The elongated face, with almond eyes and subtle blush, conveys quiet resolve and hidden depths—the "poker face" title wittily alluding to emotional guardedness or life's gambles. Mixed media details, like the shadowy smoke trails and card edges, create a tactile, noir-ish intimacy, blending vulnerability with stoicism. This piece stands out for its narrative subtlety, inviting viewers to ponder the woman's unspoken story in a compact, evocative format. - Right Piece (5" x 7", by ANNEMIRAO): The largest of the trio, this vertical portrait depicts a wide-eyed woman with collaged features—blue eyes pieced from printed paper, rosy cheeks, and a red-lipped mouth—emerging from a purple void. A yellow collar frames her, accented by a butterfly wing motif and a baseball glove (perhaps symbolizing readiness or Americana quirkiness). The mixed media layering, including newsprint textures on the face and metallic edging, lends a fragmented, mosaic-like quality, suggesting identity as a patchwork of experiences. Its exaggerated gaze and eclectic symbols infuse the work with eccentric vitality, a hallmark of outsider expression. Collectively, the pieces harmonize through recurring motifs of avian and transformative imagery (birds, butterflies) and archetypal femininity, while contrasting moods—from youthful exuberance to guarded poise to bold fragmentation—create a dynamic dialogue. The early-2000s origin aligns with a burgeoning interest in outsider art during that era, when self-taught works gained traction in alternative galleries and fairs. Condition appears excellent based on the images, with no visible damage to the vibrant oils or canvas supports. As unsigned or minimally documented works by lesser-known creators (no major auction records found for P. Turner or ANNEMIRAO), their value lies in aesthetic charm and collectible novelty rather than provenance. Conservative Auction Estimate: For the set of three sold together, $300–$500. This reflects current market comparables for similar small-scale, early-2000s outsider mixed media pieces (e.g., unsigned folk portraits or symbolic assemblages often fetch $100–$300 each at regional auctions or online sales via platforms like 1stDibs or eBay). Factors tempering value include the artists' obscurity and lack of exhibition history, but the thematic cohesion and fresh appeal could attract folk art enthusiasts, potentially exceeding the low end in a strong sale. ### Proposed Listing for Sale as a Set Title: Whispers of Wings: A Triad of Enigmatic Portraits Description: Discover the captivating allure of outsider art in this intimate trio of early-2000s mixed media paintings on canvas, blending oils, collage, and symbolic whimsy to portray feminine archetypes in flux. From the nest-crowned maiden summoning birds in flight (Bird Maiden's Call, 5" x 5", by ANNEMIRAO), to the enigmatic card-player guarding her secrets (Poker Face, 4" x 6", signed P. Turner), and the butterfly-kissed visionary with her patchwork gaze (Metamorphic Muse, 5" x 7", by ANNEMIRAO), these works weave a tapestry of introspection, folklore, and quiet rebellion. Vibrant hues—emerald greens, sapphire blues, and gilded accents—pulse with raw energy, evoking the untamed spirit of self-taught creation. Perfect for collectors of folkloric or visionary art, this set invites endless interpretation, a portal to the artists' unfiltered worlds. Excellent condition; ready to perch on your shelf or inspire a nook of wonder. Sold as a complete ensemble for harmonious display. 81 / 228 -
### Evaluation of the Three Pieces These three small-scale mixed media paintings on canvas, created in the early 2000s, embody the raw, intuitive spirit of outsider art through their bold, expressive female figures, vibrant color palettes, and textured layering of oils, collage elements (such as patterned papers and metallic accents), and symbolic motifs. Outsider art, by its nature, often emerges from self-taught creators outside mainstream art institutions, prioritizing personal vision over formal technique—qualities evident here in the stylized faces, dreamlike compositions, and folkloric symbolism (e.g., birds, nests, butterflies, and cards evoking themes of femininity, introspection, and transformation). The works' modest sizes—5" x 7" (largest), 4" x 6" (medium), and 5" x 5" (smallest)—enhance their intimate, talismanic appeal, suitable for personal collections or as a cohesive trio on a shelf or wall. - Left Piece (5" x 5", by ANNEMIRAO): This square composition features a crowned young girl in a folkloric dress, perched dynamically with arms outstretched, surrounded by vivid blue grounds and golden framing. Adorned with red birds, a woven nest atop her head, and bluebirds in flight, it radiates childlike wonder and nurturing symbolism—the nest suggesting fertility or protection, the birds freedom or omens. The polka-dotted apron and sturdy black shoes ground the figure in a whimsical, storybook narrative, with textured oils adding depth to the fabrics and feathers. Its playful yet poignant energy evokes fairy tales reimagined through an outsider lens, celebrating innocence amid surreal elements. - Middle Piece (4" x 6", by P. Turner, titled Poker Face): A contemplative portrait of a dark-haired woman in emerald green, seated with a lit cigarette and fanned playing cards held close to her chest, against a serene blue backdrop. The elongated face, with almond eyes and subtle blush, conveys quiet resolve and hidden depths—the "poker face" title wittily alluding to emotional guardedness or life's gambles. Mixed media details, like the shadowy smoke trails and card edges, create a tactile, noir-ish intimacy, blending vulnerability with stoicism. This piece stands out for its narrative subtlety, inviting viewers to ponder the woman's unspoken story in a compact, evocative format. - Right Piece (5" x 7", by ANNEMIRAO): The largest of the trio, this vertical portrait depicts a wide-eyed woman with collaged features—blue eyes pieced from printed paper, rosy cheeks, and a red-lipped mouth—emerging from a purple void. A yellow collar frames her, accented by a butterfly wing motif and a baseball glove (perhaps symbolizing readiness or Americana quirkiness). The mixed media layering, including newsprint textures on the face and metallic edging, lends a fragmented, mosaic-like quality, suggesting identity as a patchwork of experiences. Its exaggerated gaze and eclectic symbols infuse the work with eccentric vitality, a hallmark of outsider expression. Collectively, the pieces harmonize through recurring motifs of avian and transformative imagery (birds, butterflies) and archetypal femininity, while contrasting moods—from youthful exuberance to guarded poise to bold fragmentation—create a dynamic dialogue. The early-2000s origin aligns with a burgeoning interest in outsider art during that era, when self-taught works gained traction in alternative galleries and fairs. Condition appears excellent based on the images, with no visible damage to the vibrant oils or canvas supports. As unsigned or minimally documented works by lesser-known creators (no major auction records found for P. Turner or ANNEMIRAO), their value lies in aesthetic charm and collectible novelty rather than provenance. Conservative Auction Estimate: For the set of three sold together, $300–$500. This reflects current market comparables for similar small-scale, early-2000s outsider mixed media pieces (e.g., unsigned folk portraits or symbolic assemblages often fetch $100–$300 each at regional auctions or online sales via platforms like 1stDibs or eBay). Factors tempering value include the artists' obscurity and lack of exhibition history, but the thematic cohesion and fresh appeal could attract folk art enthusiasts, potentially exceeding the low end in a strong sale. ### Proposed Listing for Sale as a Set Title: Whispers of Wings: A Triad of Enigmatic Portraits Description: Discover the captivating allure of outsider art in this intimate trio of early-2000s mixed media paintings on canvas, blending oils, collage, and symbolic whimsy to portray feminine archetypes in flux. From the nest-crowned maiden summoning birds in flight (Bird Maiden's Call, 5" x 5", by ANNEMIRAO), to the enigmatic card-player guarding her secrets (Poker Face, 4" x 6", signed P. Turner), and the butterfly-kissed visionary with her patchwork gaze (Metamorphic Muse, 5" x 7", by ANNEMIRAO), these works weave a tapestry of introspection, folklore, and quiet rebellion. Vibrant hues—emerald greens, sapphire blues, and gilded accents—pulse with raw energy, evoking the untamed spirit of self-taught creation. Perfect for collectors of folkloric or visionary art, this set invites endless interpretation, a portal to the artists' unfiltered worlds. Excellent condition; ready to perch on your shelf or inspire a nook of wonder. Sold as a complete ensemble for harmonious display. 82 / 228 -
### Evaluation of the Three Pieces These three small-scale mixed media paintings on canvas, created in the early 2000s, embody the raw, intuitive spirit of outsider art through their bold, expressive female figures, vibrant color palettes, and textured layering of oils, collage elements (such as patterned papers and metallic accents), and symbolic motifs. Outsider art, by its nature, often emerges from self-taught creators outside mainstream art institutions, prioritizing personal vision over formal technique—qualities evident here in the stylized faces, dreamlike compositions, and folkloric symbolism (e.g., birds, nests, butterflies, and cards evoking themes of femininity, introspection, and transformation). The works' modest sizes—5" x 7" (largest), 4" x 6" (medium), and 5" x 5" (smallest)—enhance their intimate, talismanic appeal, suitable for personal collections or as a cohesive trio on a shelf or wall. - Left Piece (5" x 5", by ANNEMIRAO): This square composition features a crowned young girl in a folkloric dress, perched dynamically with arms outstretched, surrounded by vivid blue grounds and golden framing. Adorned with red birds, a woven nest atop her head, and bluebirds in flight, it radiates childlike wonder and nurturing symbolism—the nest suggesting fertility or protection, the birds freedom or omens. The polka-dotted apron and sturdy black shoes ground the figure in a whimsical, storybook narrative, with textured oils adding depth to the fabrics and feathers. Its playful yet poignant energy evokes fairy tales reimagined through an outsider lens, celebrating innocence amid surreal elements. - Middle Piece (4" x 6", by P. Turner, titled Poker Face): A contemplative portrait of a dark-haired woman in emerald green, seated with a lit cigarette and fanned playing cards held close to her chest, against a serene blue backdrop. The elongated face, with almond eyes and subtle blush, conveys quiet resolve and hidden depths—the "poker face" title wittily alluding to emotional guardedness or life's gambles. Mixed media details, like the shadowy smoke trails and card edges, create a tactile, noir-ish intimacy, blending vulnerability with stoicism. This piece stands out for its narrative subtlety, inviting viewers to ponder the woman's unspoken story in a compact, evocative format. - Right Piece (5" x 7", by ANNEMIRAO): The largest of the trio, this vertical portrait depicts a wide-eyed woman with collaged features—blue eyes pieced from printed paper, rosy cheeks, and a red-lipped mouth—emerging from a purple void. A yellow collar frames her, accented by a butterfly wing motif and a baseball glove (perhaps symbolizing readiness or Americana quirkiness). The mixed media layering, including newsprint textures on the face and metallic edging, lends a fragmented, mosaic-like quality, suggesting identity as a patchwork of experiences. Its exaggerated gaze and eclectic symbols infuse the work with eccentric vitality, a hallmark of outsider expression. Collectively, the pieces harmonize through recurring motifs of avian and transformative imagery (birds, butterflies) and archetypal femininity, while contrasting moods—from youthful exuberance to guarded poise to bold fragmentation—create a dynamic dialogue. The early-2000s origin aligns with a burgeoning interest in outsider art during that era, when self-taught works gained traction in alternative galleries and fairs. Condition appears excellent based on the images, with no visible damage to the vibrant oils or canvas supports. As unsigned or minimally documented works by lesser-known creators (no major auction records found for P. Turner or ANNEMIRAO), their value lies in aesthetic charm and collectible novelty rather than provenance. Conservative Auction Estimate: For the set of three sold together, $300–$500. This reflects current market comparables for similar small-scale, early-2000s outsider mixed media pieces (e.g., unsigned folk portraits or symbolic assemblages often fetch $100–$300 each at regional auctions or online sales via platforms like 1stDibs or eBay). Factors tempering value include the artists' obscurity and lack of exhibition history, but the thematic cohesion and fresh appeal could attract folk art enthusiasts, potentially exceeding the low end in a strong sale. ### Proposed Listing for Sale as a Set Title: Whispers of Wings: A Triad of Enigmatic Portraits Description: Discover the captivating allure of outsider art in this intimate trio of early-2000s mixed media paintings on canvas, blending oils, collage, and symbolic whimsy to portray feminine archetypes in flux. From the nest-crowned maiden summoning birds in flight (Bird Maiden's Call, 5" x 5", by ANNEMIRAO), to the enigmatic card-player guarding her secrets (Poker Face, 4" x 6", signed P. Turner), and the butterfly-kissed visionary with her patchwork gaze (Metamorphic Muse, 5" x 7", by ANNEMIRAO), these works weave a tapestry of introspection, folklore, and quiet rebellion. Vibrant hues—emerald greens, sapphire blues, and gilded accents—pulse with raw energy, evoking the untamed spirit of self-taught creation. Perfect for collectors of folkloric or visionary art, this set invites endless interpretation, a portal to the artists' unfiltered worlds. Excellent condition; ready to perch on your shelf or inspire a nook of wonder. Sold as a complete ensemble for harmonious display. 83 / 228 -
### Evaluation of the Three Pieces These three small-scale mixed media paintings on canvas, created in the early 2000s, embody the raw, intuitive spirit of outsider art through their bold, expressive female figures, vibrant color palettes, and textured layering of oils, collage elements (such as patterned papers and metallic accents), and symbolic motifs. Outsider art, by its nature, often emerges from self-taught creators outside mainstream art institutions, prioritizing personal vision over formal technique—qualities evident here in the stylized faces, dreamlike compositions, and folkloric symbolism (e.g., birds, nests, butterflies, and cards evoking themes of femininity, introspection, and transformation). The works' modest sizes—5" x 7" (largest), 4" x 6" (medium), and 5" x 5" (smallest)—enhance their intimate, talismanic appeal, suitable for personal collections or as a cohesive trio on a shelf or wall. - Left Piece (5" x 5", by ANNEMIRAO): This square composition features a crowned young girl in a folkloric dress, perched dynamically with arms outstretched, surrounded by vivid blue grounds and golden framing. Adorned with red birds, a woven nest atop her head, and bluebirds in flight, it radiates childlike wonder and nurturing symbolism—the nest suggesting fertility or protection, the birds freedom or omens. The polka-dotted apron and sturdy black shoes ground the figure in a whimsical, storybook narrative, with textured oils adding depth to the fabrics and feathers. Its playful yet poignant energy evokes fairy tales reimagined through an outsider lens, celebrating innocence amid surreal elements. - Middle Piece (4" x 6", by P. Turner, titled Poker Face): A contemplative portrait of a dark-haired woman in emerald green, seated with a lit cigarette and fanned playing cards held close to her chest, against a serene blue backdrop. The elongated face, with almond eyes and subtle blush, conveys quiet resolve and hidden depths—the "poker face" title wittily alluding to emotional guardedness or life's gambles. Mixed media details, like the shadowy smoke trails and card edges, create a tactile, noir-ish intimacy, blending vulnerability with stoicism. This piece stands out for its narrative subtlety, inviting viewers to ponder the woman's unspoken story in a compact, evocative format. - Right Piece (5" x 7", by ANNEMIRAO): The largest of the trio, this vertical portrait depicts a wide-eyed woman with collaged features—blue eyes pieced from printed paper, rosy cheeks, and a red-lipped mouth—emerging from a purple void. A yellow collar frames her, accented by a butterfly wing motif and a baseball glove (perhaps symbolizing readiness or Americana quirkiness). The mixed media layering, including newsprint textures on the face and metallic edging, lends a fragmented, mosaic-like quality, suggesting identity as a patchwork of experiences. Its exaggerated gaze and eclectic symbols infuse the work with eccentric vitality, a hallmark of outsider expression. Collectively, the pieces harmonize through recurring motifs of avian and transformative imagery (birds, butterflies) and archetypal femininity, while contrasting moods—from youthful exuberance to guarded poise to bold fragmentation—create a dynamic dialogue. The early-2000s origin aligns with a burgeoning interest in outsider art during that era, when self-taught works gained traction in alternative galleries and fairs. Condition appears excellent based on the images, with no visible damage to the vibrant oils or canvas supports. As unsigned or minimally documented works by lesser-known creators (no major auction records found for P. Turner or ANNEMIRAO), their value lies in aesthetic charm and collectible novelty rather than provenance. Conservative Auction Estimate: For the set of three sold together, $300–$500. This reflects current market comparables for similar small-scale, early-2000s outsider mixed media pieces (e.g., unsigned folk portraits or symbolic assemblages often fetch $100–$300 each at regional auctions or online sales via platforms like 1stDibs or eBay). Factors tempering value include the artists' obscurity and lack of exhibition history, but the thematic cohesion and fresh appeal could attract folk art enthusiasts, potentially exceeding the low end in a strong sale. ### Proposed Listing for Sale as a Set Title: Whispers of Wings: A Triad of Enigmatic Portraits Description: Discover the captivating allure of outsider art in this intimate trio of early-2000s mixed media paintings on canvas, blending oils, collage, and symbolic whimsy to portray feminine archetypes in flux. From the nest-crowned maiden summoning birds in flight (Bird Maiden's Call, 5" x 5", by ANNEMIRAO), to the enigmatic card-player guarding her secrets (Poker Face, 4" x 6", signed P. Turner), and the butterfly-kissed visionary with her patchwork gaze (Metamorphic Muse, 5" x 7", by ANNEMIRAO), these works weave a tapestry of introspection, folklore, and quiet rebellion. Vibrant hues—emerald greens, sapphire blues, and gilded accents—pulse with raw energy, evoking the untamed spirit of self-taught creation. Perfect for collectors of folkloric or visionary art, this set invites endless interpretation, a portal to the artists' unfiltered worlds. Excellent condition; ready to perch on your shelf or inspire a nook of wonder. Sold as a complete ensemble for harmonious display. 84 / 228 -
### Evaluation of the Three Pieces These three small-scale mixed media paintings on canvas, created in the early 2000s, embody the raw, intuitive spirit of outsider art through their bold, expressive female figures, vibrant color palettes, and textured layering of oils, collage elements (such as patterned papers and metallic accents), and symbolic motifs. Outsider art, by its nature, often emerges from self-taught creators outside mainstream art institutions, prioritizing personal vision over formal technique—qualities evident here in the stylized faces, dreamlike compositions, and folkloric symbolism (e.g., birds, nests, butterflies, and cards evoking themes of femininity, introspection, and transformation). The works' modest sizes—5" x 7" (largest), 4" x 6" (medium), and 5" x 5" (smallest)—enhance their intimate, talismanic appeal, suitable for personal collections or as a cohesive trio on a shelf or wall. - Left Piece (5" x 5", by ANNEMIRAO): This square composition features a crowned young girl in a folkloric dress, perched dynamically with arms outstretched, surrounded by vivid blue grounds and golden framing. Adorned with red birds, a woven nest atop her head, and bluebirds in flight, it radiates childlike wonder and nurturing symbolism—the nest suggesting fertility or protection, the birds freedom or omens. The polka-dotted apron and sturdy black shoes ground the figure in a whimsical, storybook narrative, with textured oils adding depth to the fabrics and feathers. Its playful yet poignant energy evokes fairy tales reimagined through an outsider lens, celebrating innocence amid surreal elements. - Middle Piece (4" x 6", by P. Turner, titled Poker Face): A contemplative portrait of a dark-haired woman in emerald green, seated with a lit cigarette and fanned playing cards held close to her chest, against a serene blue backdrop. The elongated face, with almond eyes and subtle blush, conveys quiet resolve and hidden depths—the "poker face" title wittily alluding to emotional guardedness or life's gambles. Mixed media details, like the shadowy smoke trails and card edges, create a tactile, noir-ish intimacy, blending vulnerability with stoicism. This piece stands out for its narrative subtlety, inviting viewers to ponder the woman's unspoken story in a compact, evocative format. - Right Piece (5" x 7", by ANNEMIRAO): The largest of the trio, this vertical portrait depicts a wide-eyed woman with collaged features—blue eyes pieced from printed paper, rosy cheeks, and a red-lipped mouth—emerging from a purple void. A yellow collar frames her, accented by a butterfly wing motif and a baseball glove (perhaps symbolizing readiness or Americana quirkiness). The mixed media layering, including newsprint textures on the face and metallic edging, lends a fragmented, mosaic-like quality, suggesting identity as a patchwork of experiences. Its exaggerated gaze and eclectic symbols infuse the work with eccentric vitality, a hallmark of outsider expression. Collectively, the pieces harmonize through recurring motifs of avian and transformative imagery (birds, butterflies) and archetypal femininity, while contrasting moods—from youthful exuberance to guarded poise to bold fragmentation—create a dynamic dialogue. The early-2000s origin aligns with a burgeoning interest in outsider art during that era, when self-taught works gained traction in alternative galleries and fairs. Condition appears excellent based on the images, with no visible damage to the vibrant oils or canvas supports. As unsigned or minimally documented works by lesser-known creators (no major auction records found for P. Turner or ANNEMIRAO), their value lies in aesthetic charm and collectible novelty rather than provenance. Conservative Auction Estimate: For the set of three sold together, $300–$500. This reflects current market comparables for similar small-scale, early-2000s outsider mixed media pieces (e.g., unsigned folk portraits or symbolic assemblages often fetch $100–$300 each at regional auctions or online sales via platforms like 1stDibs or eBay). Factors tempering value include the artists' obscurity and lack of exhibition history, but the thematic cohesion and fresh appeal could attract folk art enthusiasts, potentially exceeding the low end in a strong sale. ### Proposed Listing for Sale as a Set Title: Whispers of Wings: A Triad of Enigmatic Portraits Description: Discover the captivating allure of outsider art in this intimate trio of early-2000s mixed media paintings on canvas, blending oils, collage, and symbolic whimsy to portray feminine archetypes in flux. From the nest-crowned maiden summoning birds in flight (Bird Maiden's Call, 5" x 5", by ANNEMIRAO), to the enigmatic card-player guarding her secrets (Poker Face, 4" x 6", signed P. Turner), and the butterfly-kissed visionary with her patchwork gaze (Metamorphic Muse, 5" x 7", by ANNEMIRAO), these works weave a tapestry of introspection, folklore, and quiet rebellion. Vibrant hues—emerald greens, sapphire blues, and gilded accents—pulse with raw energy, evoking the untamed spirit of self-taught creation. Perfect for collectors of folkloric or visionary art, this set invites endless interpretation, a portal to the artists' unfiltered worlds. Excellent condition; ready to perch on your shelf or inspire a nook of wonder. Sold as a complete ensemble for harmonious display. 85 / 228 -
Elevate your space with this enchanting trio of vintage framed miniature paintings, handcrafted in the timeless Mughal style from mid-20th century India. Rendered in vibrant gouache on delicate rice paper, these reproductions capture the opulent essence of 16th-18th century royal court life—think processions of elegant figures on horseback, lively courtyard gatherings under arched pavilions, and intimate storytelling scenes with richly robed attendants. Each piece bursts with intricate details: gold-leaf accents, floral borders, and harmonious jewel tones of crimson, sapphire, emerald, and saffron against soft terracotta grounds. Measuring a generous 17 inches wide by 21 inches high overall (including ornate gold-gilt wood frames with subtle patina for authentic vintage charm). 86 / 228 -
Elevate your space with this enchanting trio of vintage framed miniature paintings, handcrafted in the timeless Mughal style from mid-20th century India. Rendered in vibrant gouache on delicate rice paper, these reproductions capture the opulent essence of 16th-18th century royal court life—think processions of elegant figures on horseback, lively courtyard gatherings under arched pavilions, and intimate storytelling scenes with richly robed attendants. Each piece bursts with intricate details: gold-leaf accents, floral borders, and harmonious jewel tones of crimson, sapphire, emerald, and saffron against soft terracotta grounds. Measuring a generous 17 inches wide by 21 inches high overall (including ornate gold-gilt wood frames with subtle patina for authentic vintage charm). 87 / 228 -
Elevate your space with this enchanting trio of vintage framed miniature paintings, handcrafted in the timeless Mughal style from mid-20th century India. Rendered in vibrant gouache on delicate rice paper, these reproductions capture the opulent essence of 16th-18th century royal court life—think processions of elegant figures on horseback, lively courtyard gatherings under arched pavilions, and intimate storytelling scenes with richly robed attendants. Each piece bursts with intricate details: gold-leaf accents, floral borders, and harmonious jewel tones of crimson, sapphire, emerald, and saffron against soft terracotta grounds. Measuring a generous 17 inches wide by 21 inches high overall (including ornate gold-gilt wood frames with subtle patina for authentic vintage charm). 88 / 228 -
Elevate your space with this enchanting trio of vintage framed miniature paintings, handcrafted in the timeless Mughal style from mid-20th century India. Rendered in vibrant gouache on delicate rice paper, these reproductions capture the opulent essence of 16th-18th century royal court life—think processions of elegant figures on horseback, lively courtyard gatherings under arched pavilions, and intimate storytelling scenes with richly robed attendants. Each piece bursts with intricate details: gold-leaf accents, floral borders, and harmonious jewel tones of crimson, sapphire, emerald, and saffron against soft terracotta grounds. Measuring a generous 17 inches wide by 21 inches high overall (including ornate gold-gilt wood frames with subtle patina for authentic vintage charm). 89 / 228 -
Elevate your space with this enchanting trio of vintage framed miniature paintings, handcrafted in the timeless Mughal style from mid-20th century India. Rendered in vibrant gouache on delicate rice paper, these reproductions capture the opulent essence of 16th-18th century royal court life—think processions of elegant figures on horseback, lively courtyard gatherings under arched pavilions, and intimate storytelling scenes with richly robed attendants. Each piece bursts with intricate details: gold-leaf accents, floral borders, and harmonious jewel tones of crimson, sapphire, emerald, and saffron against soft terracotta grounds. Measuring a generous 17 inches wide by 21 inches high overall (including ornate gold-gilt wood frames with subtle patina for authentic vintage charm). 90 / 228 -
Elevate your space with this enchanting trio of vintage framed miniature paintings, handcrafted in the timeless Mughal style from mid-20th century India. Rendered in vibrant gouache on delicate rice paper, these reproductions capture the opulent essence of 16th-18th century royal court life—think processions of elegant figures on horseback, lively courtyard gatherings under arched pavilions, and intimate storytelling scenes with richly robed attendants. Each piece bursts with intricate details: gold-leaf accents, floral borders, and harmonious jewel tones of crimson, sapphire, emerald, and saffron against soft terracotta grounds. Measuring a generous 17 inches wide by 21 inches high overall (including ornate gold-gilt wood frames with subtle patina for authentic vintage charm). 91 / 228 -
Elevate your space with this enchanting trio of vintage framed miniature paintings, handcrafted in the timeless Mughal style from mid-20th century India. Rendered in vibrant gouache on delicate rice paper, these reproductions capture the opulent essence of 16th-18th century royal court life—think processions of elegant figures on horseback, lively courtyard gatherings under arched pavilions, and intimate storytelling scenes with richly robed attendants. Each piece bursts with intricate details: gold-leaf accents, floral borders, and harmonious jewel tones of crimson, sapphire, emerald, and saffron against soft terracotta grounds. Measuring a generous 17 inches wide by 21 inches high overall (including ornate gold-gilt wood frames with subtle patina for authentic vintage charm). 92 / 228 -
Elevate your space with this enchanting trio of vintage framed miniature paintings, handcrafted in the timeless Mughal style from mid-20th century India. Rendered in vibrant gouache on delicate rice paper, these reproductions capture the opulent essence of 16th-18th century royal court life—think processions of elegant figures on horseback, lively courtyard gatherings under arched pavilions, and intimate storytelling scenes with richly robed attendants. Each piece bursts with intricate details: gold-leaf accents, floral borders, and harmonious jewel tones of crimson, sapphire, emerald, and saffron against soft terracotta grounds. Measuring a generous 17 inches wide by 21 inches high overall (including ornate gold-gilt wood frames with subtle patina for authentic vintage charm). 93 / 228 -
Discover the quiet elegance of everyday abundance in this captivating mid-20th-century oil on canvas still life, signed "ALC" lower right. Titled Rustic Harvest Still Life, it beautifully captures a sunlit kitchen vignette: a generous slice of crusty bread draped in soft white linen, three vibrant lemons with fresh stems and leaves, a gleaming copper pot brimming with warmth, a humble terracotta mortar and pestle, a graceful white jug, and wooden spoons at rest—evoking the simple joys of baking and harvest. Rendered in rich, layered oils with masterful attention to texture—the lemons' dimpled skins, the bread's golden crumb, the pot's subtle sheen—this painting glows with intimate realism against a shadowed backdrop, reminiscent of Chardin's domestic poetry. Housed in a custom distressed wood frame with a weathered, reclaimed oak finish that enhances its vintage charm, the piece measures a display-ready 27.5" wide x 21.5" high (canvas approx. 24" x 18"). In pristine condition, with no restoration needed, it's a versatile heirloom for farmhouse kitchens, cozy dining nooks, or eclectic living spaces—perfect for adding warmth and character without formality. A rare find for collectors of regional modernism or lovers of tactile, narrative art. Ships securely insured and ready to hang. 94 / 228 -
Discover the quiet elegance of everyday abundance in this captivating mid-20th-century oil on canvas still life, signed "ALC" lower right. Titled Rustic Harvest Still Life, it beautifully captures a sunlit kitchen vignette: a generous slice of crusty bread draped in soft white linen, three vibrant lemons with fresh stems and leaves, a gleaming copper pot brimming with warmth, a humble terracotta mortar and pestle, a graceful white jug, and wooden spoons at rest—evoking the simple joys of baking and harvest. Rendered in rich, layered oils with masterful attention to texture—the lemons' dimpled skins, the bread's golden crumb, the pot's subtle sheen—this painting glows with intimate realism against a shadowed backdrop, reminiscent of Chardin's domestic poetry. Housed in a custom distressed wood frame with a weathered, reclaimed oak finish that enhances its vintage charm, the piece measures a display-ready 27.5" wide x 21.5" high (canvas approx. 24" x 18"). In pristine condition, with no restoration needed, it's a versatile heirloom for farmhouse kitchens, cozy dining nooks, or eclectic living spaces—perfect for adding warmth and character without formality. A rare find for collectors of regional modernism or lovers of tactile, narrative art. Ships securely insured and ready to hang. 95 / 228 -
Discover the quiet elegance of everyday abundance in this captivating mid-20th-century oil on canvas still life, signed "ALC" lower right. Titled Rustic Harvest Still Life, it beautifully captures a sunlit kitchen vignette: a generous slice of crusty bread draped in soft white linen, three vibrant lemons with fresh stems and leaves, a gleaming copper pot brimming with warmth, a humble terracotta mortar and pestle, a graceful white jug, and wooden spoons at rest—evoking the simple joys of baking and harvest. Rendered in rich, layered oils with masterful attention to texture—the lemons' dimpled skins, the bread's golden crumb, the pot's subtle sheen—this painting glows with intimate realism against a shadowed backdrop, reminiscent of Chardin's domestic poetry. Housed in a custom distressed wood frame with a weathered, reclaimed oak finish that enhances its vintage charm, the piece measures a display-ready 27.5" wide x 21.5" high (canvas approx. 24" x 18"). In pristine condition, with no restoration needed, it's a versatile heirloom for farmhouse kitchens, cozy dining nooks, or eclectic living spaces—perfect for adding warmth and character without formality. A rare find for collectors of regional modernism or lovers of tactile, narrative art. Ships securely insured and ready to hang. 96 / 228 -
Discover the quiet elegance of everyday abundance in this captivating mid-20th-century oil on canvas still life, signed "ALC" lower right. Titled Rustic Harvest Still Life, it beautifully captures a sunlit kitchen vignette: a generous slice of crusty bread draped in soft white linen, three vibrant lemons with fresh stems and leaves, a gleaming copper pot brimming with warmth, a humble terracotta mortar and pestle, a graceful white jug, and wooden spoons at rest—evoking the simple joys of baking and harvest. Rendered in rich, layered oils with masterful attention to texture—the lemons' dimpled skins, the bread's golden crumb, the pot's subtle sheen—this painting glows with intimate realism against a shadowed backdrop, reminiscent of Chardin's domestic poetry. Housed in a custom distressed wood frame with a weathered, reclaimed oak finish that enhances its vintage charm, the piece measures a display-ready 27.5" wide x 21.5" high (canvas approx. 24" x 18"). In pristine condition, with no restoration needed, it's a versatile heirloom for farmhouse kitchens, cozy dining nooks, or eclectic living spaces—perfect for adding warmth and character without formality. A rare find for collectors of regional modernism or lovers of tactile, narrative art. Ships securely insured and ready to hang. 97 / 228 -
Discover the quiet elegance of everyday abundance in this captivating mid-20th-century oil on canvas still life, signed "ALC" lower right. Titled Rustic Harvest Still Life, it beautifully captures a sunlit kitchen vignette: a generous slice of crusty bread draped in soft white linen, three vibrant lemons with fresh stems and leaves, a gleaming copper pot brimming with warmth, a humble terracotta mortar and pestle, a graceful white jug, and wooden spoons at rest—evoking the simple joys of baking and harvest. Rendered in rich, layered oils with masterful attention to texture—the lemons' dimpled skins, the bread's golden crumb, the pot's subtle sheen—this painting glows with intimate realism against a shadowed backdrop, reminiscent of Chardin's domestic poetry. Housed in a custom distressed wood frame with a weathered, reclaimed oak finish that enhances its vintage charm, the piece measures a display-ready 27.5" wide x 21.5" high (canvas approx. 24" x 18"). In pristine condition, with no restoration needed, it's a versatile heirloom for farmhouse kitchens, cozy dining nooks, or eclectic living spaces—perfect for adding warmth and character without formality. A rare find for collectors of regional modernism or lovers of tactile, narrative art. Ships securely insured and ready to hang. 98 / 228 -
Discover the quiet elegance of everyday abundance in this captivating mid-20th-century oil on canvas still life, signed "ALC" lower right. Titled Rustic Harvest Still Life, it beautifully captures a sunlit kitchen vignette: a generous slice of crusty bread draped in soft white linen, three vibrant lemons with fresh stems and leaves, a gleaming copper pot brimming with warmth, a humble terracotta mortar and pestle, a graceful white jug, and wooden spoons at rest—evoking the simple joys of baking and harvest. Rendered in rich, layered oils with masterful attention to texture—the lemons' dimpled skins, the bread's golden crumb, the pot's subtle sheen—this painting glows with intimate realism against a shadowed backdrop, reminiscent of Chardin's domestic poetry. Housed in a custom distressed wood frame with a weathered, reclaimed oak finish that enhances its vintage charm, the piece measures a display-ready 27.5" wide x 21.5" high (canvas approx. 24" x 18"). In pristine condition, with no restoration needed, it's a versatile heirloom for farmhouse kitchens, cozy dining nooks, or eclectic living spaces—perfect for adding warmth and character without formality. A rare find for collectors of regional modernism or lovers of tactile, narrative art. Ships securely insured and ready to hang. 99 / 228 -
Discover the quiet elegance of everyday abundance in this captivating mid-20th-century oil on canvas still life, signed "ALC" lower right. Titled Rustic Harvest Still Life, it beautifully captures a sunlit kitchen vignette: a generous slice of crusty bread draped in soft white linen, three vibrant lemons with fresh stems and leaves, a gleaming copper pot brimming with warmth, a humble terracotta mortar and pestle, a graceful white jug, and wooden spoons at rest—evoking the simple joys of baking and harvest. Rendered in rich, layered oils with masterful attention to texture—the lemons' dimpled skins, the bread's golden crumb, the pot's subtle sheen—this painting glows with intimate realism against a shadowed backdrop, reminiscent of Chardin's domestic poetry. Housed in a custom distressed wood frame with a weathered, reclaimed oak finish that enhances its vintage charm, the piece measures a display-ready 27.5" wide x 21.5" high (canvas approx. 24" x 18"). In pristine condition, with no restoration needed, it's a versatile heirloom for farmhouse kitchens, cozy dining nooks, or eclectic living spaces—perfect for adding warmth and character without formality. A rare find for collectors of regional modernism or lovers of tactile, narrative art. Ships securely insured and ready to hang. 100 / 228
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