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Estate Sale Photo(s) Around Lithonia, GA
6,184 estate sale photo(s) currently listed near Lithonia, Georgia.
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low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height -
low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height -
low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height -
low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height -
low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height -
low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height -
low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. -
low reserve and offers welcome 404-431-7249 Vintage Mid-Century Modern Piano-Shaped Table. Formica table with a beveled bottom tier that adds an attractive design feature. The Brass Legs and middle structural pieces between the tiers are also brass. The sturdy table is in excellent condition. This table was purchased new in the 1960s and remained with the original owner. She is downsizing and is now available for purchase. Disclosures: This table is in excellent condition with normal signs of wear for a piece of this age. See pictures for details. Measurements: Table 30 in.² x 22” tall Second tier distance to base tier 6.75” The top tier measurements on the sides are 28” square -
low reserve and offers welcome 404-431-7249 Vintage Mid-Century Modern Piano-Shaped Table. Formica table with a beveled bottom tier that adds an attractive design feature. The Brass Legs and middle structural pieces between the tiers are also brass. The sturdy table is in excellent condition. This table was purchased new in the 1960s and remained with the original owner. She is downsizing and is now available for purchase. Disclosures: This table is in excellent condition with normal signs of wear for a piece of this age. See pictures for details. Measurements: Table 30 in.² x 22” tall Second tier distance to base tier 6.75” The top tier measurements on the sides are 28” square -
low reserve and offers welcome 404-431-7249 Vintage Mid-Century Modern Piano-Shaped Table. Formica table with a beveled bottom tier that adds an attractive design feature. The Brass Legs and middle structural pieces between the tiers are also brass. The sturdy table is in excellent condition. This table was purchased new in the 1960s and remained with the original owner. She is downsizing and is now available for purchase. Disclosures: This table is in excellent condition with normal signs of wear for a piece of this age. See pictures for details. Measurements: Table 30 in.² x 22” tall Second tier distance to base tier 6.75” The top tier measurements on the sides are 28” square -
low reserve and offers welcome 404-431-7249 Vintage Mid-Century Modern Piano-Shaped Table. Formica table with a beveled bottom tier that adds an attractive design feature. The Brass Legs and middle structural pieces between the tiers are also brass. The sturdy table is in excellent condition. This table was purchased new in the 1960s and remained with the original owner. She is downsizing and is now available for purchase. Disclosures: This table is in excellent condition with normal signs of wear for a piece of this age. See pictures for details. Measurements: Table 30 in.² x 22” tall Second tier distance to base tier 6.75” The top tier measurements on the sides are 28” square -
low reserve and offers welcome 404-431-7249 Vintage Mid-Century Modern Piano-Shaped Table. Formica table with a beveled bottom tier that adds an attractive design feature. The Brass Legs and middle structural pieces between the tiers are also brass. The sturdy table is in excellent condition. This table was purchased new in the 1960s and remained with the original owner. She is downsizing and is now available for purchase. Disclosures: This table is in excellent condition with normal signs of wear for a piece of this age. See pictures for details. Measurements: Table 30 in.² x 22” tall Second tier distance to base tier 6.75” The top tier measurements on the sides are 28” square -
low reserve and offers welcome 404-431-7249 Vintage Mid-Century Modern Piano-Shaped Table. Formica table with a beveled bottom tier that adds an attractive design feature. The Brass Legs and middle structural pieces between the tiers are also brass. The sturdy table is in excellent condition. This table was purchased new in the 1960s and remained with the original owner. She is downsizing and is now available for purchase. Disclosures: This table is in excellent condition with normal signs of wear for a piece of this age. See pictures for details. Measurements: Table 30 in.² x 22” tall Second tier distance to base tier 6.75” The top tier measurements on the sides are 28” square -
low reserve and offers welcome 404-431-7249 Vintage Mid-Century Modern Piano-Shaped Table. Formica table with a beveled bottom tier that adds an attractive design feature. The Brass Legs and middle structural pieces between the tiers are also brass. The sturdy table is in excellent condition. This table was purchased new in the 1960s and remained with the original owner. She is downsizing and is now available for purchase. Disclosures: This table is in excellent condition with normal signs of wear for a piece of this age. See pictures for details. Measurements: Table 30 in.² x 22” tall Second tier distance to base tier 6.75” The top tier measurements on the sides are 28” square -
low reserve and offers welcome 404-431-7249 Vintage Mid-Century Modern Piano-Shaped Table. Formica table with a beveled bottom tier that adds an attractive design feature. The Brass Legs and middle structural pieces between the tiers are also brass. The sturdy table is in excellent condition. This table was purchased new in the 1960s and remained with the original owner. She is downsizing and is now available for purchase. Disclosures: This table is in excellent condition with normal signs of wear for a piece of this age. See pictures for details. Measurements: Table 30 in.² x 22” tall Second tier distance to base tier 6.75” The top tier measurements on the sides are 28” square -
low reserve and offers welcome 404-431-7249 Vintage Mid-Century Modern Piano-Shaped Table. Formica table with a beveled bottom tier that adds an attractive design feature. The Brass Legs and middle structural pieces between the tiers are also brass. The sturdy table is in excellent condition. This table was purchased new in the 1960s and remained with the original owner. She is downsizing and is now available for purchase. Disclosures: This table is in excellent condition with normal signs of wear for a piece of this age. See pictures for details. Measurements: Table 30 in.² x 22” tall Second tier distance to base tier 6.75” The top tier measurements on the sides are 28” square -
low reserve and offers welcome 404-431-7249 Vintage Mid-Century Modern Piano-Shaped Table. Formica table with a beveled bottom tier that adds an attractive design feature. The Brass Legs and middle structural pieces between the tiers are also brass. The sturdy table is in excellent condition. This table was purchased new in the 1960s and remained with the original owner. She is downsizing and is now available for purchase. Disclosures: This table is in excellent condition with normal signs of wear for a piece of this age. See pictures for details. Measurements: Table 30 in.² x 22” tall Second tier distance to base tier 6.75” The top tier measurements on the sides are 28” square -
low reserve and offers welcome 404-431-7249 Vintage Wooden with Black Leather, Wooden Adjustable Piano Stool 16" with Steel Coil Spring Disclosure: This beautiful stool had one owner! The wood has a few scratches from loving use; however, the leather remains perfectly intact with no rips or tears. The mechanism works perfectly. These stools date back to pre WW2 Era. Dimensions: Height Adjustable x 16" Seat Circumference -
low reserve and offers welcome 404-431-7249 Vintage Wooden with Black Leather, Wooden Adjustable Piano Stool 16" with Steel Coil Spring Disclosure: This beautiful stool had one owner! The wood has a few scratches from loving use; however, the leather remains perfectly intact with no rips or tears. The mechanism works perfectly. These stools date back to pre WW2 Era. Dimensions: Height Adjustable x 16" Seat Circumference -
low reserve and offers welcome 404-431-7249 Vintage Wooden with Black Leather, Wooden Adjustable Piano Stool 16" with Steel Coil Spring Disclosure: This beautiful stool had one owner! The wood has a few scratches from loving use; however, the leather remains perfectly intact with no rips or tears. The mechanism works perfectly. These stools date back to pre WW2 Era. Dimensions: Height Adjustable x 16" Seat Circumference -
low reserve and offers welcome 404-431-7249 Vintage Steel Age Cory Jamestown Circa mid-1900s Mint Green Filing Cabinet You are bidding on ONE unit - there are three available If you would like more than one, please text 404-431-7249, and no reasonable offer will be refused. Dimensions: 29" Width x 15" Depth x 52" Height Disclosures: These cabinets are in excellent condition with normal signs of wear for a piece of this age. (Please see the pictures for details.) -
low reserve and offers welcome 404-431-7249 Vintage Steel Age Cory Jamestown Circa mid-1900s Mint Green Filing Cabinet You are bidding on ONE unit - there are three available If you would like more than one, please text 404-431-7249, and no reasonable offer will be refused. Dimensions: 29" Width x 15" Depth x 52" Height Disclosures: These cabinets are in excellent condition with normal signs of wear for a piece of this age. (Please see the pictures for details.) -
low reserve and offers welcome 404-431-7249 Vintage Steel Age Cory Jamestown Circa mid-1900s Mint Green Filing Cabinet You are bidding on ONE unit - there are three available If you would like more than one, please text 404-431-7249, and no reasonable offer will be refused. Dimensions: 29" Width x 15" Depth x 52" Height Disclosures: These cabinets are in excellent condition with normal signs of wear for a piece of this age. (Please see the pictures for details.) -
low reserve and offers welcome 404-431-7249 Vintage Steel Age Cory Jamestown Circa mid-1900s Mint Green Filing Cabinet You are bidding on ONE unit - there are three available If you would like more than one, please text 404-431-7249, and no reasonable offer will be refused. Dimensions: 29" Width x 15" Depth x 52" Height Disclosures: These cabinets are in excellent condition with normal signs of wear for a piece of this age. (Please see the pictures for details.) -
low reserve and offers welcome 404-431-7249 Vintage Steel Age Cory Jamestown Circa mid-1900s Mint Green Filing Cabinet You are bidding on ONE unit - there are three available If you would like more than one, please text 404-431-7249, and no reasonable offer will be refused. Dimensions: 29" Width x 15" Depth x 52" Height Disclosures: These cabinets are in excellent condition with normal signs of wear for a piece of this age. (Please see the pictures for details.) -
low reserve and offers welcome 404-431-7249 Vintage Steel Age Cory Jamestown Circa mid-1900s Mint Green Filing Cabinet You are bidding on ONE unit - there are three available If you would like more than one, please text 404-431-7249, and no reasonable offer will be refused. Dimensions: 29" Width x 15" Depth x 52" Height Disclosures: These cabinets are in excellent condition with normal signs of wear for a piece of this age. (Please see the pictures for details.) -
low reserve and offers welcome 404-431-7249 Vintage Steel Age Cory Jamestown Circa mid-1900s Mint Green Filing Cabinet You are bidding on ONE unit - there are three available If you would like more than one, please text 404-431-7249, and no reasonable offer will be refused. Dimensions: 29" Width x 15" Depth x 52" Height Disclosures: These cabinets are in excellent condition with normal signs of wear for a piece of this age. (Please see the pictures for details.) -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open
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