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Late 1970s based on tag Cotton eyelet blouse Suede skirt Looks like it's never been worn (1936-1989) Giorgio di Sant’Angelo shot to fame in 1968, when Diana Vreeland chose him to create clothing for the model Veruschka on a fashion shoot in the Arizona desert. He continued to create rich, unstructured clothing, influenced by ethnic cultures. In the 1970s, Sant’Angelo designed leotards, bodysuits, and wrap dresses in bright, boldly-patterned stretch jersey. The sophisticated business wear he later produced is less desirable to collectors. In 1976, Sant’ Angelo dropped the “di†from his name and his label, so labels with the “di†date to 1976 or earlier. This does not apply to licensed labels such as Sant Angelo Knits, Sant Angelo for Samuel Roberts, and Sant Angelo for 4 U 2, which date from the early 1970s. “American women were wearing stiff boxes with zippers up the back as dresses. I thought it was time for them to loosen up. Why not be gypsies?†Giorgio Sant’Angelo, 1978. 2 / 84 -
Late 1970s based on tag Cotton eyelet blouse Suede skirt Looks like it's never been worn (1936-1989) Giorgio di Sant’Angelo shot to fame in 1968, when Diana Vreeland chose him to create clothing for the model Veruschka on a fashion shoot in the Arizona desert. He continued to create rich, unstructured clothing, influenced by ethnic cultures. In the 1970s, Sant’Angelo designed leotards, bodysuits, and wrap dresses in bright, boldly-patterned stretch jersey. The sophisticated business wear he later produced is less desirable to collectors. In 1976, Sant’ Angelo dropped the “di†from his name and his label, so labels with the “di†date to 1976 or earlier. This does not apply to licensed labels such as Sant Angelo Knits, Sant Angelo for Samuel Roberts, and Sant Angelo for 4 U 2, which date from the early 1970s. “American women were wearing stiff boxes with zippers up the back as dresses. I thought it was time for them to loosen up. Why not be gypsies?†Giorgio Sant’Angelo, 1978. 3 / 84 -
Late 1970s based on tag Cotton eyelet blouse Suede skirt Looks like it's never been worn (1936-1989) Giorgio di Sant’Angelo shot to fame in 1968, when Diana Vreeland chose him to create clothing for the model Veruschka on a fashion shoot in the Arizona desert. He continued to create rich, unstructured clothing, influenced by ethnic cultures. In the 1970s, Sant’Angelo designed leotards, bodysuits, and wrap dresses in bright, boldly-patterned stretch jersey. The sophisticated business wear he later produced is less desirable to collectors. In 1976, Sant’ Angelo dropped the “di†from his name and his label, so labels with the “di†date to 1976 or earlier. This does not apply to licensed labels such as Sant Angelo Knits, Sant Angelo for Samuel Roberts, and Sant Angelo for 4 U 2, which date from the early 1970s. “American women were wearing stiff boxes with zippers up the back as dresses. I thought it was time for them to loosen up. Why not be gypsies?†Giorgio Sant’Angelo, 1978. 4 / 84 -
Late 1970s based on tag Cotton eyelet blouse Suede skirt Looks like it's never been worn (1936-1989) Giorgio di Sant’Angelo shot to fame in 1968, when Diana Vreeland chose him to create clothing for the model Veruschka on a fashion shoot in the Arizona desert. He continued to create rich, unstructured clothing, influenced by ethnic cultures. In the 1970s, Sant’Angelo designed leotards, bodysuits, and wrap dresses in bright, boldly-patterned stretch jersey. The sophisticated business wear he later produced is less desirable to collectors. In 1976, Sant’ Angelo dropped the “di†from his name and his label, so labels with the “di†date to 1976 or earlier. This does not apply to licensed labels such as Sant Angelo Knits, Sant Angelo for Samuel Roberts, and Sant Angelo for 4 U 2, which date from the early 1970s. “American women were wearing stiff boxes with zippers up the back as dresses. I thought it was time for them to loosen up. Why not be gypsies?†Giorgio Sant’Angelo, 1978. 5 / 84 -
Size 4 Evan Picone Feels like satin but 100% polyester V neck front and back, flowy layered skirt, empire waist with satin banding and tie trim. 46 inches from shoulder. Sash can be worn tied or left to drape loose. Double v neck satin trim Dressy night out dance wedding church formal after five cocktail fit and flare empire waist 14 / 84 -
Grey with faux front pockets 28 / 84 -
St. John Basics Santana knit skirt set. Vintage designer skirt set. I think these are actually strong on their own, the jacket is very 90’s and pairs well with high rise denim. The skirt with its elastic waist is super classic and versatile. Both feature tight Santana knit. Jacket has strong removable shoulder pads, gold emblem buttons and side slits. Material has a great slink to it. Skirt size 10. 29 / 84 -
St. John Basics Santana knit skirt set. Vintage designer skirt set. I think these are actually strong on their own, the jacket is very 90’s and pairs well with high rise denim. The skirt with its elastic waist is super classic and versatile. Both feature tight Santana knit. Jacket has strong removable shoulder pads, gold emblem buttons and side slits. Material has a great slink to it. Skirt size 10. 30 / 84 -
Navy with Sheer Overlay Size M 43 / 84 -
Tadashi Collection Dress Size 14 56 / 84
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