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This mask is believed to be from the middle Sepik Region of Papua, New Guinea, and is constructed of wood. These oversized, stylized ancestral faces were traditionally attached to the triangular gables of family homes in the area. They embody clan-specific ancestral spirits. This mask measures 29 inches high, by 12 inches wide. [CB] 17 / 945 -
This mask is believed to be from the middle Sepik Region of Papua, New Guinea, and is constructed of wood. These oversized, stylized ancestral faces were traditionally attached to the triangular gables of family homes in the area. They embody clan-specific ancestral spirits. This mask measures 29 inches high, by 12 inches wide. [CB] 18 / 945 -
This mask is believed to be from the middle Sepik Region of Papua, New Guinea, and is constructed of wood. These oversized, stylized ancestral faces were traditionally attached to the triangular gables of family homes in the area. They embody clan-specific ancestral spirits. This mask measures 29 inches high, by 12 inches wide. [CB] 19 / 945 -
These manuscripts describe the Japanese Smaradahana epic poem composed in the early 12th century. The story centers around the Hindu god and goddess of love. They are crafted from smoke treated and dried leaves of the Palmyra palm tree. Each “palm” piece measures approximately 12 inches long. [CB] 26 / 945 -
These manuscripts describe the Japanese Smaradahana epic poem composed in the early 12th century. The story centers around the Hindu god and goddess of love. They are crafted from smoke treated and dried leaves of the Palmyra palm tree. Each “palm” piece measures approximately 12 inches long. [CB] 27 / 945 -
These manuscripts describe the Japanese Smaradahana epic poem composed in the early 12th century. The story centers around the Hindu god and goddess of love. They are crafted from smoke treated and dried leaves of the Palmyra palm tree. Each “palm” piece measures approximately 12 inches long. [CB] 28 / 945 -
These manuscripts describe the Japanese Smaradahana epic poem composed in the early 12th century. The story centers around the Hindu god and goddess of love. They are crafted from smoke treated and dried leaves of the Palmyra palm tree. Each “palm” piece measures approximately 12 inches long. [CB] 29 / 945 -
This mid-19th century piece is indicative of the Empire Period, with a three-tier design. The upper portion features a dial; the middle section contains a reverse painting on glass; and the lower tier feature a mirror. These typically house an eight-day brass weight-driven movement. Not tested. There is age related wear. Measurement: 32.5”H x 17”W x 5”D. [VY] 39 / 945 -
This mid-19th century piece is indicative of the Empire Period, with a three-tier design. The upper portion features a dial; the middle section contains a reverse painting on glass; and the lower tier feature a mirror. These typically house an eight-day brass weight-driven movement. Not tested. There is age related wear. Measurement: 32.5”H x 17”W x 5”D. [VY] 40 / 945 -
This mid-19th century piece is indicative of the Empire Period, with a three-tier design. The upper portion features a dial; the middle section contains a reverse painting on glass; and the lower tier feature a mirror. These typically house an eight-day brass weight-driven movement. Not tested. There is age related wear. Measurement: 32.5”H x 17”W x 5”D. [VY] 41 / 945 -
This mid-19th century piece is indicative of the Empire Period, with a three-tier design. The upper portion features a dial; the middle section contains a reverse painting on glass; and the lower tier feature a mirror. These typically house an eight-day brass weight-driven movement. Not tested. There is age related wear. Measurement: 32.5”H x 17”W x 5”D. [VY] 42 / 945 -
This mid-19th century piece is indicative of the Empire Period, with a three-tier design. The upper portion features a dial; the middle section contains a reverse painting on glass; and the lower tier feature a mirror. These typically house an eight-day brass weight-driven movement. Not tested. There is age related wear. Measurement: 32.5”H x 17”W x 5”D. [VY] 43 / 945 -
This mid-19th century piece is indicative of the Empire Period, with a three-tier design. The upper portion features a dial; the middle section contains a reverse painting on glass; and the lower tier feature a mirror. These typically house an eight-day brass weight-driven movement. Not tested. There is age related wear. Measurement: 32.5”H x 17”W x 5”D. [VY] 44 / 945 -
This mid-19th century piece is indicative of the Empire Period, with a three-tier design. The upper portion features a dial; the middle section contains a reverse painting on glass; and the lower tier feature a mirror. These typically house an eight-day brass weight-driven movement. Not tested. There is age related wear. Measurement: 32.5”H x 17”W x 5”D. [VY] 45 / 945 -
This assortment includes Dean McStratley & Co., J & MP Bell & Co. Ltd., Petrus Regout & Co., W&T Adams, and more. Total of nine pieces. Each piece features intricate stylized floral, geometric, and oriental motifs executed in transferware. Each plate has age related crazing, and some plates have minor chips. The largest plate measures 10.5 inches in diameter. [CB] 83 / 945 -
This assortment includes Dean McStratley & Co., J & MP Bell & Co. Ltd., Petrus Regout & Co., W&T Adams, and more. Total of nine pieces. Each piece features intricate stylized floral, geometric, and oriental motifs executed in transferware. Each plate has age related crazing, and some plates have minor chips. The largest plate measures 10.5 inches in diameter. [CB] 84 / 945 -
This assortment includes Dean McStratley & Co., J & MP Bell & Co. Ltd., Petrus Regout & Co., W&T Adams, and more. Total of nine pieces. Each piece features intricate stylized floral, geometric, and oriental motifs executed in transferware. Each plate has age related crazing, and some plates have minor chips. The largest plate measures 10.5 inches in diameter. [CB] 85 / 945 -
This assortment includes Dean McStratley & Co., J & MP Bell & Co. Ltd., Petrus Regout & Co., W&T Adams, and more. Total of nine pieces. Each piece features intricate stylized floral, geometric, and oriental motifs executed in transferware. Each plate has age related crazing, and some plates have minor chips. The largest plate measures 10.5 inches in diameter. [CB] 86 / 945 -
This assortment includes Dean McStratley & Co., J & MP Bell & Co. Ltd., Petrus Regout & Co., W&T Adams, and more. Total of nine pieces. Each piece features intricate stylized floral, geometric, and oriental motifs executed in transferware. Each plate has age related crazing, and some plates have minor chips. The largest plate measures 10.5 inches in diameter. [CB] 87 / 945 -
These pieces are commonly referred to as “Owan” in Japan. Each piece is lidded, and features designs which are applied using a classical decorative technique where metallic powders are delicately sprinkled onto a wet lacquer before it hardens. These pieces have a mid-century Shibata China mark on their bases. The lot includes two lidded bowls. Measurement: 4.5”H x 5.5”W (each). [CB] 88 / 945 -
These pieces are commonly referred to as “Owan” in Japan. Each piece is lidded, and features designs which are applied using a classical decorative technique where metallic powders are delicately sprinkled onto a wet lacquer before it hardens. These pieces have a mid-century Shibata China mark on their bases. The lot includes two lidded bowls. Measurement: 4.5”H x 5.5”W (each). [CB] 89 / 945 -
These pieces are commonly referred to as “Owan” in Japan. Each piece is lidded, and features designs which are applied using a classical decorative technique where metallic powders are delicately sprinkled onto a wet lacquer before it hardens. These pieces have a mid-century Shibata China mark on their bases. The lot includes two lidded bowls. Measurement: 4.5”H x 5.5”W (each). [CB] 90 / 945 -
These pieces are commonly referred to as “Owan” in Japan. Each piece is lidded, and features designs which are applied using a classical decorative technique where metallic powders are delicately sprinkled onto a wet lacquer before it hardens. These pieces have a mid-century Shibata China mark on their bases. The lot includes two lidded bowls. Measurement: 4.5”H x 5.5”W (each). [CB] 91 / 945 -
Under magnification, this piece shows Schreger lines. The piece is believed to be a Guanyin, or graceful lady deity. It stands on a mahogany base. There is patina to the ivory in some areas, especially on the reverse. Measurement: 13”H x 4”W x 4”D (at base). This has been re-glued to the base. Pre-auction estimate: $650-$1250. LOCAL PICKUP ONLY. WINNING BIDDER MUST PRESENT VALID FLORIDA ID. [VF] 98 / 945 -
Under magnification, this piece shows Schreger lines. The piece is believed to be a Guanyin, or graceful lady deity. It stands on a mahogany base. There is patina to the ivory in some areas, especially on the reverse. Measurement: 13”H x 4”W x 4”D (at base). This has been re-glued to the base. Pre-auction estimate: $650-$1250. LOCAL PICKUP ONLY. WINNING BIDDER MUST PRESENT VALID FLORIDA ID. [VF] 99 / 945 -
Under magnification, this piece shows Schreger lines. The piece is believed to be a Guanyin, or graceful lady deity. It stands on a mahogany base. There is patina to the ivory in some areas, especially on the reverse. Measurement: 13”H x 4”W x 4”D (at base). This has been re-glued to the base. Pre-auction estimate: $650-$1250. LOCAL PICKUP ONLY. WINNING BIDDER MUST PRESENT VALID FLORIDA ID. [VF] 100 / 945
Photos 1 - 100 of 945
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