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This is a fabulous piece and one of the nicest examples of this engraving I've ever seen. Produced by subscription in 1873 - The Last Meeting of Lee and Jackson....right before the Battle of Chancellorsville. Double matted, 33.5" x 42". This is from the original run - not a copy. Apparently this hung in my client's framing shop as a testament to his skill - note on piece reads that this piece is not for sale and hung in the home of George Soule (founder of Soule Business College and a Mayflower descendent, noted New Orleanian. There is a reasonable reserve on this piece. 603 / 847 -
This is a fabulous piece and one of the nicest examples of this engraving I've ever seen. Produced by subscription in 1873 - The Last Meeting of Lee and Jackson....right before the Battle of Chancellorsville. Double matted, 33.5" x 42". This is from the original run - not a copy. Apparently this hung in my client's framing shop as a testament to his skill - note on piece reads that this piece is not for sale and hung in the home of George Soule (founder of Soule Business College and a Mayflower descendent, noted New Orleanian. There is a reasonable reserve on this piece. 604 / 847 -
This is a fabulous piece and one of the nicest examples of this engraving I've ever seen. Produced by subscription in 1873 - The Last Meeting of Lee and Jackson....right before the Battle of Chancellorsville. Double matted, 33.5" x 42". This is from the original run - not a copy. Apparently this hung in my client's framing shop as a testament to his skill - note on piece reads that this piece is not for sale and hung in the home of George Soule (founder of Soule Business College and a Mayflower descendent, noted New Orleanian. There is a reasonable reserve on this piece. 605 / 847 -
This is a fabulous piece and one of the nicest examples of this engraving I've ever seen. Produced by subscription in 1873 - The Last Meeting of Lee and Jackson....right before the Battle of Chancellorsville. Double matted, 33.5" x 42". This is from the original run - not a copy. Apparently this hung in my client's framing shop as a testament to his skill - note on piece reads that this piece is not for sale and hung in the home of George Soule (founder of Soule Business College and a Mayflower descendent, noted New Orleanian. There is a reasonable reserve on this piece. 606 / 847 -
This is a fabulous piece and one of the nicest examples of this engraving I've ever seen. Produced by subscription in 1873 - The Last Meeting of Lee and Jackson....right before the Battle of Chancellorsville. Double matted, 33.5" x 42". This is from the original run - not a copy. Apparently this hung in my client's framing shop as a testament to his skill - note on piece reads that this piece is not for sale and hung in the home of George Soule (founder of Soule Business College and a Mayflower descendent, noted New Orleanian. There is a reasonable reserve on this piece. 607 / 847 -
This was considered high entertainment from about 1870 - 1915. The earlier ones were lit by candlelight - this one is electric, so itls a bit later. Metal Magic Lantern - appears to be in working order - warning: heats up fast - hahahahah. You place the glass slides in the slot and project onto a well or sheet. Slides were usually displayed to a piano accompaniment, like in the silent films. This one is made by Bausch and Lomb (!) Optical Co, Model B. Somewhat scarce. You usually find the slides much for often than the lanterns themselves. 620 / 847 sold -
This was considered high entertainment from about 1870 - 1915. The earlier ones were lit by candlelight - this one is electric, so itls a bit later. Metal Magic Lantern - appears to be in working order - warning: heats up fast - hahahahah. You place the glass slides in the slot and project onto a well or sheet. Slides were usually displayed to a piano accompaniment, like in the silent films. This one is made by Bausch and Lomb (!) Optical Co, Model B. Somewhat scarce. You usually find the slides much for often than the lanterns themselves. 621 / 847 sold -
This was considered high entertainment from about 1870 - 1915. The earlier ones were lit by candlelight - this one is electric, so itls a bit later. Metal Magic Lantern - appears to be in working order - warning: heats up fast - hahahahah. You place the glass slides in the slot and project onto a well or sheet. Slides were usually displayed to a piano accompaniment, like in the silent films. This one is made by Bausch and Lomb (!) Optical Co, Model B. Somewhat scarce. You usually find the slides much for often than the lanterns themselves. 622 / 847 sold -
This was considered high entertainment from about 1870 - 1915. The earlier ones were lit by candlelight - this one is electric, so itls a bit later. Metal Magic Lantern - appears to be in working order - warning: heats up fast - hahahahah. You place the glass slides in the slot and project onto a well or sheet. Slides were usually displayed to a piano accompaniment, like in the silent films. This one is made by Bausch and Lomb (!) Optical Co, Model B. Somewhat scarce. You usually find the slides much for often than the lanterns themselves. 623 / 847 sold -
This is a lovely vintage mink coat from Kreegers (New Orleans) - on the small side - likely to fit a lady who is a 8-10, perhaps smaller. Pit to pit: 18", Length: back or neck to hem 42" long. Beautiful lining (shown) - the pelts are in EXCELLENT condition. Winter is coming - treat yourself! 638 / 847 -
This is a lovely vintage mink coat from Kreegers (New Orleans) - on the small side - likely to fit a lady who is a 8-10, perhaps smaller. Pit to pit: 18", Length: back or neck to hem 42" long. Beautiful lining (shown) - the pelts are in EXCELLENT condition. Winter is coming - treat yourself! 639 / 847 -
This is a lovely vintage mink coat from Kreegers (New Orleans) - on the small side - likely to fit a lady who is a 8-10, perhaps smaller. Pit to pit: 18", Length: back or neck to hem 42" long. Beautiful lining (shown) - the pelts are in EXCELLENT condition. Winter is coming - treat yourself! 640 / 847 -
This is a lovely vintage mink coat from Kreegers (New Orleans) - on the small side - likely to fit a lady who is a 8-10, perhaps smaller. Pit to pit: 18", Length: back or neck to hem 42" long. Beautiful lining (shown) - the pelts are in EXCELLENT condition. Winter is coming - treat yourself! 641 / 847 -
This is a lovely vintage mink coat from Kreegers (New Orleans) - on the small side - likely to fit a lady who is a 8-10, perhaps smaller. Pit to pit: 18", Length: back or neck to hem 42" long. Beautiful lining (shown) - the pelts are in EXCELLENT condition. Winter is coming - treat yourself! 642 / 847 -
This is a lovely vintage mink coat from Kreegers (New Orleans) - on the small side - likely to fit a lady who is a 8-10, perhaps smaller. Pit to pit: 18", Length: back or neck to hem 42" long. Beautiful lining (shown) - the pelts are in EXCELLENT condition. Winter is coming - treat yourself! 643 / 847 -
This fantastic Sterling necklace was executed by Navajo artist Thomas Singer before his death in 2013. He was a well known artist know for his turquoise "chip" jewelry. The necklace bears his mark of a crescent moon topped by an "S." Earrings are in the same style, but not by Singer. Singer pieces routinely sell at auction for good prices. Note: One screwback missing (easy repair). There is a very reasonable reserve on this piece. Necklace measures 9" long from the back of the neck. Earrings are 2" long. 649 / 847 -
This fantastic Sterling necklace was executed by Navajo artist Thomas Singer before his death in 2013. He was a well known artist know for his turquoise "chip" jewelry. The necklace bears his mark of a crescent moon topped by an "S." Earrings are in the same style, but not by Singer. Singer pieces routinely sell at auction for good prices. Note: One screwback missing (easy repair). There is a very reasonable reserve on this piece. Necklace measures 9" long from the back of the neck. Earrings are 2" long. 650 / 847 -
This fantastic Sterling necklace was executed by Navajo artist Thomas Singer before his death in 2013. He was a well known artist know for his turquoise "chip" jewelry. The necklace bears his mark of a crescent moon topped by an "S." Earrings are in the same style, but not by Singer. Singer pieces routinely sell at auction for good prices. Note: One screwback missing (easy repair). There is a very reasonable reserve on this piece. Necklace measures 9" long from the back of the neck. Earrings are 2" long. 651 / 847 -
This fantastic Sterling necklace was executed by Navajo artist Thomas Singer before his death in 2013. He was a well known artist know for his turquoise "chip" jewelry. The necklace bears his mark of a crescent moon topped by an "S." Earrings are in the same style, but not by Singer. Singer pieces routinely sell at auction for good prices. Note: One screwback missing (easy repair). There is a very reasonable reserve on this piece. Necklace measures 9" long from the back of the neck. Earrings are 2" long. 652 / 847 -
19th century black memorabilia - Lot of 3 hand-colored prints from 1878 Harper's Weekley that tell a story. First is "New Year's Day in Blackville - The Twins Receive" - next, "Love in Blackville: The wooing of the Twins", finally "Social Event at Blackville - The Wedding of the Twins." All by artist W.H. Redding - 18.5" x 14". 658 / 847 -
19th century black memorabilia - Lot of 3 hand-colored prints from 1878 Harper's Weekley that tell a story. First is "New Year's Day in Blackville - The Twins Receive" - next, "Love in Blackville: The wooing of the Twins", finally "Social Event at Blackville - The Wedding of the Twins." All by artist W.H. Redding - 18.5" x 14". 659 / 847 -
19th century black memorabilia - Lot of 3 hand-colored prints from 1878 Harper's Weekley that tell a story. First is "New Year's Day in Blackville - The Twins Receive" - next, "Love in Blackville: The wooing of the Twins", finally "Social Event at Blackville - The Wedding of the Twins." All by artist W.H. Redding - 18.5" x 14". 660 / 847 -
19th century black memorabilia - Lot of 3 hand-colored prints from 1878 Harper's Weekley that tell a story. First is "New Year's Day in Blackville - The Twins Receive" - next, "Love in Blackville: The wooing of the Twins", finally "Social Event at Blackville - The Wedding of the Twins." All by artist W.H. Redding - 18.5" x 14". 661 / 847 -
Painted in 1885, Briton Rivière's "Ulysses and Argus" captures a poignant moment from Homer's epic, "The Odyssey." The painting depicts the touching reunion between Ulysses, the hero, and his faithful dog Argus. Despite being in disguise after his long journey home, Ulysses is recognized by his loyal dog, who has been waiting for him for years. Engraved by F. Stackpoole, Royal Academy. Original antique frame - an English piece - framed by Charles Nicholls & Sons, Manchester, England. 37" x 33". 669 / 847 -
Painted in 1885, Briton Rivière's "Ulysses and Argus" captures a poignant moment from Homer's epic, "The Odyssey." The painting depicts the touching reunion between Ulysses, the hero, and his faithful dog Argus. Despite being in disguise after his long journey home, Ulysses is recognized by his loyal dog, who has been waiting for him for years. Engraved by F. Stackpoole, Royal Academy. Original antique frame - an English piece - framed by Charles Nicholls & Sons, Manchester, England. 37" x 33". 670 / 847 -
Painted in 1885, Briton Rivière's "Ulysses and Argus" captures a poignant moment from Homer's epic, "The Odyssey." The painting depicts the touching reunion between Ulysses, the hero, and his faithful dog Argus. Despite being in disguise after his long journey home, Ulysses is recognized by his loyal dog, who has been waiting for him for years. Engraved by F. Stackpoole, Royal Academy. Original antique frame - an English piece - framed by Charles Nicholls & Sons, Manchester, England. 37" x 33". 671 / 847 -
Painted in 1885, Briton Rivière's "Ulysses and Argus" captures a poignant moment from Homer's epic, "The Odyssey." The painting depicts the touching reunion between Ulysses, the hero, and his faithful dog Argus. Despite being in disguise after his long journey home, Ulysses is recognized by his loyal dog, who has been waiting for him for years. Engraved by F. Stackpoole, Royal Academy. Original antique frame - an English piece - framed by Charles Nicholls & Sons, Manchester, England. 37" x 33". 672 / 847 -
There seems to be 84 different views - many of places that no longer exist. These were part of a photographic series - each was numbered. These look like prints from the original. I have not been able to find much information about these, but you will really enjoy looking through these 19th century images of Old New Orleans. 682 / 847 sold -
There seems to be 84 different views - many of places that no longer exist. These were part of a photographic series - each was numbered. These look like prints from the original. I have not been able to find much information about these, but you will really enjoy looking through these 19th century images of Old New Orleans. 683 / 847 sold -
There seems to be 84 different views - many of places that no longer exist. These were part of a photographic series - each was numbered. These look like prints from the original. I have not been able to find much information about these, but you will really enjoy looking through these 19th century images of Old New Orleans. 684 / 847 sold -
There seems to be 84 different views - many of places that no longer exist. These were part of a photographic series - each was numbered. These look like prints from the original. I have not been able to find much information about these, but you will really enjoy looking through these 19th century images of Old New Orleans. 685 / 847 sold -
There seems to be 84 different views - many of places that no longer exist. These were part of a photographic series - each was numbered. These look like prints from the original. I have not been able to find much information about these, but you will really enjoy looking through these 19th century images of Old New Orleans. 686 / 847 sold -
There seems to be 84 different views - many of places that no longer exist. These were part of a photographic series - each was numbered. These look like prints from the original. I have not been able to find much information about these, but you will really enjoy looking through these 19th century images of Old New Orleans. 687 / 847 sold -
There seems to be 84 different views - many of places that no longer exist. These were part of a photographic series - each was numbered. These look like prints from the original. I have not been able to find much information about these, but you will really enjoy looking through these 19th century images of Old New Orleans. 688 / 847 sold -
Frank Leslie's The American Soldier in the Civil War - 536 pages, published in 1895. Oversized hardcover, 12" x 17". Full of battle descriptions, maps, illustrations. As you can imagine, it leans HEAVILY to the Union side of things (unlike the period right after the War when both sides agreed to present unbiased accounts of the conflict). They let a couple of Confederate contribute to this tome, such as Fitzhugh Lee, but the truth is that the Southern side of things is practically non-existent in this book. You've been warned. However, it's still a very interesting book, and was produced on a subscription basis, which means not many copies were printed. 694 / 847 -
Frank Leslie's The American Soldier in the Civil War - 536 pages, published in 1895. Oversized hardcover, 12" x 17". Full of battle descriptions, maps, illustrations. As you can imagine, it leans HEAVILY to the Union side of things (unlike the period right after the War when both sides agreed to present unbiased accounts of the conflict). They let a couple of Confederate contribute to this tome, such as Fitzhugh Lee, but the truth is that the Southern side of things is practically non-existent in this book. You've been warned. However, it's still a very interesting book, and was produced on a subscription basis, which means not many copies were printed. 695 / 847 -
Frank Leslie's The American Soldier in the Civil War - 536 pages, published in 1895. Oversized hardcover, 12" x 17". Full of battle descriptions, maps, illustrations. As you can imagine, it leans HEAVILY to the Union side of things (unlike the period right after the War when both sides agreed to present unbiased accounts of the conflict). They let a couple of Confederate contribute to this tome, such as Fitzhugh Lee, but the truth is that the Southern side of things is practically non-existent in this book. You've been warned. However, it's still a very interesting book, and was produced on a subscription basis, which means not many copies were printed. 696 / 847 -
Frank Leslie's The American Soldier in the Civil War - 536 pages, published in 1895. Oversized hardcover, 12" x 17". Full of battle descriptions, maps, illustrations. As you can imagine, it leans HEAVILY to the Union side of things (unlike the period right after the War when both sides agreed to present unbiased accounts of the conflict). They let a couple of Confederate contribute to this tome, such as Fitzhugh Lee, but the truth is that the Southern side of things is practically non-existent in this book. You've been warned. However, it's still a very interesting book, and was produced on a subscription basis, which means not many copies were printed. 697 / 847 -
Frank Leslie's The American Soldier in the Civil War - 536 pages, published in 1895. Oversized hardcover, 12" x 17". Full of battle descriptions, maps, illustrations. As you can imagine, it leans HEAVILY to the Union side of things (unlike the period right after the War when both sides agreed to present unbiased accounts of the conflict). They let a couple of Confederate contribute to this tome, such as Fitzhugh Lee, but the truth is that the Southern side of things is practically non-existent in this book. You've been warned. However, it's still a very interesting book, and was produced on a subscription basis, which means not many copies were printed. 698 / 847 -
Frank Leslie's The American Soldier in the Civil War - 536 pages, published in 1895. Oversized hardcover, 12" x 17". Full of battle descriptions, maps, illustrations. As you can imagine, it leans HEAVILY to the Union side of things (unlike the period right after the War when both sides agreed to present unbiased accounts of the conflict). They let a couple of Confederate contribute to this tome, such as Fitzhugh Lee, but the truth is that the Southern side of things is practically non-existent in this book. You've been warned. However, it's still a very interesting book, and was produced on a subscription basis, which means not many copies were printed. 699 / 847
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