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Nice condition 601 / 1995 -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 602 / 1995 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 603 / 1995 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 604 / 1995 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 605 / 1995 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 606 / 1995 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 607 / 1995 sold -
Earrings (2) Sets ☆☆ Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 608 / 1995 -
Earrings (2) Sets ☆☆ Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 609 / 1995 -
Earrings (2) Sets ☆☆ Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 610 / 1995 -
Earrings (2) Sets ☆☆ Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 611 / 1995 -
Earrings (2) Sets ☆☆ Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 612 / 1995 -
Necklace and Earrings 613 / 1995 sold -
Necklace and Earrings 614 / 1995 sold -
Necklace and Earrings 615 / 1995 sold -
Necklace and Earrings 616 / 1995 sold -
Necklace and Earrings 617 / 1995 sold -
Necklace and Earrings 618 / 1995 sold -
Necklace and Earrings 619 / 1995 sold -
2 Brooches 620 / 1995 -
2 Brooches 621 / 1995 -
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2 Brooches 624 / 1995 -
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Earrings and a Brooch 628 / 1995 sold -
Earrings and a Brooch 629 / 1995 sold -
Earrings and a Brooch 630 / 1995 sold -
Earrings and a Brooch 631 / 1995 sold -
Earrings and a Brooch 632 / 1995 sold -
Earrings and a Brooch 633 / 1995 sold -
2 Brooches 634 / 1995 sold -
2 Brooches 635 / 1995 sold -
2 Brooches 636 / 1995 sold -
2 Brooches 637 / 1995 sold -
2 Brooches 638 / 1995 sold -
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2 Brooches 640 / 1995 sold -
Brooch and Earrings 641 / 1995 -
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Brooch and Earrings 644 / 1995 -
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Brooch and Earrings 646 / 1995 -
3 Brooches 647 / 1995 -
3 Brooches 648 / 1995 -
3 Brooches 649 / 1995 -
3 Brooches 650 / 1995 -
3 Brooches 651 / 1995 -
3 Brooches 652 / 1995 -
3 Brooches 653 / 1995 -
3 Brooches 654 / 1995 -
Brooch and Earrings 655 / 1995 sold -
Brooch and Earrings 656 / 1995 sold -
Brooch and Earrings 657 / 1995 sold -
Brooch and Earrings 658 / 1995 sold -
Brooch and Earrings 659 / 1995 sold -
2 Pairs of Earrings 660 / 1995 -
2 Pairs of Earrings 661 / 1995 -
2 Pairs of Earrings 662 / 1995 -
2 Pairs of Earrings 663 / 1995 -
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2 Pairs of Earrings 666 / 1995 -
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2 Pairs of Earrings 671 / 1995 -
2 Brooches 672 / 1995 sold -
2 Brooches 673 / 1995 sold -
2 Brooches 674 / 1995 sold -
2 Brooches 675 / 1995 sold -
2 Brooches 676 / 1995 sold -
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2 Brooches 678 / 1995 sold -
2 Brooches 679 / 1995 sold -
2 Pairs of Earrings 680 / 1995 -
2 Pairs of Earrings 681 / 1995 -
2 Pairs of Earrings 682 / 1995 -
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(2) Earrings 687 / 1995 -
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(2) Earrings 690 / 1995 -
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2 Brooches 693 / 1995 sold -
2 Brooches 694 / 1995 sold -
2 Brooches 695 / 1995 sold -
2 Brooches 696 / 1995 sold -
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2 Brooches 700 / 1995
Photos 601 - 700 of 1995
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