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Excerpt: Tlaxcala ("place of maize tortillas") was a pre-Columbian city and state in central Mexico. During the Spanish conquest of the Aztec Empire, Tlaxcala allied with the Spaniards against the Aztecs, supplying a large contingent for and sometimes most of the Spanish-led army that eventually destroyed the Aztec Empire. As a result of their alliance with the Spaniards, Tlaxcala had hidalgo privileged status within Spanish colonial Mexico. After the Spanish conquered Tenochtitlan and the rest of Mexico, Tlaxcala was allowed to survive and preserve its pre-Columbian culture. In addition, as a reward to the Tlaxcalans unyielding loyalty to the Spanish, the city and its inhabitants largely escaped the pillaging and destruction following the Spanish conquest. 401 / 1857 sold -
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Collage. Commentary on Fashion Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 422 / 1857 sold -
Collage. Commentary on Fashion Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 423 / 1857 sold -
Collage. Commentary on Fashion Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 424 / 1857 sold -
Collage. Commentary on Fashion Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 425 / 1857 sold -
Collage. Commentary on Fashion Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 426 / 1857 sold -
Collage. Commentary on Fashion Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 427 / 1857 sold -
Collage. Commentary on Fashion Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 428 / 1857 sold -
Collage. Commentary on Fashion Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. Excerpt from Art Lab Fort Collins Past Exhibition: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 429 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 430 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 431 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 432 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 433 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 434 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 435 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 436 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 437 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 438 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 439 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 440 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 441 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 442 / 1857 sold -
The Artwork was cataloged as "Freeway Fred". Based on my research I found an artist from New Orleans named Fred Haines. Due to the very limited amount of his work available for comparison, I am not certain this is his work. 2 very limited excepts: ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and a French Quarter street artist. ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and was a French Quarter street artist. The Historic New Orleans Collection has two pastels by him. 443 / 1857 sold -
The Artwork was cataloged as "Freeway Fred". Based on my research I found an artist from New Orleans named Fred Haines. Due to the very limited amount of his work available for comparison, I am not certain this is his work. 2 very limited excepts: ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and a French Quarter street artist. ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and was a French Quarter street artist. The Historic New Orleans Collection has two pastels by him. 444 / 1857 sold -
The Artwork was cataloged as "Freeway Fred". Based on my research I found an artist from New Orleans named Fred Haines. Due to the very limited amount of his work available for comparison, I am not certain this is his work. 2 very limited excepts: ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and a French Quarter street artist. ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and was a French Quarter street artist. The Historic New Orleans Collection has two pastels by him. 445 / 1857 sold -
The Artwork was cataloged as "Freeway Fred". Based on my research I found an artist from New Orleans named Fred Haines. Due to the very limited amount of his work available for comparison, I am not certain this is his work. 2 very limited excepts: ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and a French Quarter street artist. ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and was a French Quarter street artist. The Historic New Orleans Collection has two pastels by him. 446 / 1857 sold -
The Artwork was cataloged as "Freeway Fred". Based on my research I found an artist from New Orleans named Fred Haines. Due to the very limited amount of his work available for comparison, I am not certain this is his work. 2 very limited excepts: ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and a French Quarter street artist. ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and was a French Quarter street artist. The Historic New Orleans Collection has two pastels by him. 447 / 1857 sold -
The Artwork was cataloged as "Freeway Fred". Based on my research I found an artist from New Orleans named Fred Haines. Due to the very limited amount of his work available for comparison, I am not certain this is his work. 2 very limited excepts: ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and a French Quarter street artist. ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and was a French Quarter street artist. The Historic New Orleans Collection has two pastels by him. 448 / 1857 sold -
The Artwork was cataloged as "Freeway Fred". Based on my research I found an artist from New Orleans named Fred Haines. Due to the very limited amount of his work available for comparison, I am not certain this is his work. 2 very limited excepts: ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and a French Quarter street artist. ☆☆Fred Haines was a graduate of the New Orleans Academy of Fine Arts and was a French Quarter street artist. The Historic New Orleans Collection has two pastels by him. 449 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 450 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 451 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 452 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 453 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 454 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 455 / 1857 sold -
Barbara was a Professional Artist that exuded talent. She taught at the School of the Art Institute of Chicago and also at Front Range. She exhibited all over the United States. A collection of her work will be listed in the auctions we are hosting. She worked in and mastered several different mediums. Find a piece that you enjoy and get one of Barbara's artworks for your own collection. ☆Excerpt from Barbara's Participation at Art Lab Fort Collins: In Barbara’s own words: I always like to experiment with and change how I express myself in my art. This process involves not only which medium I choose but also how I use it, andI often select more than one medium at a time. Whether I paint on paper or canvas, draw, etch, or collage photographs depends upon the idea or energy of my particular prevailing muse. My drawing is always a pivotal point for me, especially when I am working from the human figure. Regardless of the sujet, though, I use life experiences that have both emotionally and visually impacted me. I am always tempted to mix abstract thought with quasi identifiable subject matter. As I am writing this statement I am looking closely at the mountain that is directly across from my house, and as I watch, I see a jet aircraft’s white contrail moving far above the peak through the clear sky. I know it’s going hundreds of miles an hour, but the cottony contrail seems to be developing so very slowly. If I were to draw or paing this scene, I would need to make many decisions, starting with the desire not to render it only as I see it now but also to represent it as an experience that shows how t his kinetic and emotional vision has affected me. A major question would be, “Which medium (or media) should I use in order to express and communicate this experience?†The artists whom I have admired and learned from throughout history are those who get inside themselves and allow their thoughts and emotions to dominate their works. I believe it necessary that in order to create honesty, one needs to show how presenting the mess of things that constitute our lives can be seen in art that is essentially stable, coherent and believe it or not, realistic. 456 / 1857 sold -
Signed, Titled and Dated 457 / 1857 sold -
Signed, Titled and Dated 458 / 1857 sold -
Signed, Titled and Dated 459 / 1857 sold -
Signed, Titled and Dated 460 / 1857 sold -
Signed, Titled and Dated 461 / 1857 sold -
Signed, Titled and Dated 462 / 1857 sold -
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, Teotihuacán, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time. 463 / 1857 sold -
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, Teotihuacán, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time. 464 / 1857 sold -
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, Teotihuacán, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time. 465 / 1857 sold -
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, Teotihuacán, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time. 466 / 1857 sold -
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, Teotihuacán, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time. 467 / 1857 sold -
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, Teotihuacán, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time. 468 / 1857 sold -
Mexican folk art has a long and rich history. Around 1500 BCE, great civilizations began to form. For over 3,000 years, the Olmec, Maya, Teotihuacán, Toltec, and Aztec ruled over the lands and peoples of what is now Mexico. Craft production such as weaving, wood carving, and pottery flourished during this time. 469 / 1857 sold -
6 total paintings on wood Signed Samantha on backsides 477 / 1857 sold -
6 total paintings on wood Signed Samantha on backsides 478 / 1857 sold -
6 total paintings on wood Signed Samantha on backsides 479 / 1857 sold -
6 total paintings on wood Signed Samantha on backsides 480 / 1857 sold -
6 total paintings on wood Signed Samantha on backsides 481 / 1857 sold -
6 total paintings on wood Signed Samantha on backsides 482 / 1857 sold -
6 total paintings on wood Signed Samantha on backsides 483 / 1857 sold -
6 total paintings on wood Signed Samantha on backsides 484 / 1857 sold -
6 total paintings on wood Signed Samantha on backsides 485 / 1857 sold -
6 total paintings on wood Signed Samantha on backsides 486 / 1857 sold -
☆Has been personalized by Artist on backside Evalyn Prouty Hickman Colorado Artist and Professor. She was born Nov. 25, 1918, in Elryia, Ohio. Her husband, Lewis Hickman, preceded her in death. She was an East High School graduate. She earned a fine arts degree from the University of Colorado and a master's degree in education from the University of Northern Colorado. She was professor of art for 35 years at Colorado State University before retiring as professor emeritus. She was an artist whose specialty was handmade paper embossing 487 / 1857 sold -
☆Has been personalized by Artist on backside Evalyn Prouty Hickman Colorado Artist and Professor. She was born Nov. 25, 1918, in Elryia, Ohio. Her husband, Lewis Hickman, preceded her in death. She was an East High School graduate. She earned a fine arts degree from the University of Colorado and a master's degree in education from the University of Northern Colorado. She was professor of art for 35 years at Colorado State University before retiring as professor emeritus. She was an artist whose specialty was handmade paper embossing 488 / 1857 sold -
☆Has been personalized by Artist on backside Evalyn Prouty Hickman Colorado Artist and Professor. She was born Nov. 25, 1918, in Elryia, Ohio. Her husband, Lewis Hickman, preceded her in death. She was an East High School graduate. She earned a fine arts degree from the University of Colorado and a master's degree in education from the University of Northern Colorado. She was professor of art for 35 years at Colorado State University before retiring as professor emeritus. She was an artist whose specialty was handmade paper embossing 489 / 1857 sold -
☆Has been personalized by Artist on backside Evalyn Prouty Hickman Colorado Artist and Professor. She was born Nov. 25, 1918, in Elryia, Ohio. Her husband, Lewis Hickman, preceded her in death. She was an East High School graduate. She earned a fine arts degree from the University of Colorado and a master's degree in education from the University of Northern Colorado. She was professor of art for 35 years at Colorado State University before retiring as professor emeritus. She was an artist whose specialty was handmade paper embossing 490 / 1857 sold -
☆Has been personalized by Artist on backside Evalyn Prouty Hickman Colorado Artist and Professor. She was born Nov. 25, 1918, in Elryia, Ohio. Her husband, Lewis Hickman, preceded her in death. She was an East High School graduate. She earned a fine arts degree from the University of Colorado and a master's degree in education from the University of Northern Colorado. She was professor of art for 35 years at Colorado State University before retiring as professor emeritus. She was an artist whose specialty was handmade paper embossing 491 / 1857 sold -
☆Has been personalized by Artist on backside Evalyn Prouty Hickman Colorado Artist and Professor. She was born Nov. 25, 1918, in Elryia, Ohio. Her husband, Lewis Hickman, preceded her in death. She was an East High School graduate. She earned a fine arts degree from the University of Colorado and a master's degree in education from the University of Northern Colorado. She was professor of art for 35 years at Colorado State University before retiring as professor emeritus. She was an artist whose specialty was handmade paper embossing 492 / 1857 sold -
☆Has been personalized by Artist on backside Evalyn Prouty Hickman Colorado Artist and Professor. She was born Nov. 25, 1918, in Elryia, Ohio. Her husband, Lewis Hickman, preceded her in death. She was an East High School graduate. She earned a fine arts degree from the University of Colorado and a master's degree in education from the University of Northern Colorado. She was professor of art for 35 years at Colorado State University before retiring as professor emeritus. She was an artist whose specialty was handmade paper embossing 493 / 1857 sold -
☆Has been personalized by Artist on backside Evalyn Prouty Hickman Colorado Artist and Professor. She was born Nov. 25, 1918, in Elryia, Ohio. Her husband, Lewis Hickman, preceded her in death. She was an East High School graduate. She earned a fine arts degree from the University of Colorado and a master's degree in education from the University of Northern Colorado. She was professor of art for 35 years at Colorado State University before retiring as professor emeritus. She was an artist whose specialty was handmade paper embossing 494 / 1857 sold -
Excerpt: THE ART OF JEFF GARDNER (1947-2020) He was the artist and ambassador of Woodrow Wilson Court. At Open Studios he entertained hundreds there, strumming on his old Martin guitar, making conversation, and, of course, sharing his paintings. He used the arts and the Red Sox to connect with the world. While Mr. Gardner’s prolific collection of paintings sometimes use humble materials–reclaimed cardboard, a detached cabinet door–they vibrantly showcase his inspirations: the luminous light of Edward Hopper, the landscapes of the Cape and of Cambridge, a passion for baseball and for the progressive possibilities of America. 495 / 1857 sold -
Excerpt: THE ART OF JEFF GARDNER (1947-2020) He was the artist and ambassador of Woodrow Wilson Court. At Open Studios he entertained hundreds there, strumming on his old Martin guitar, making conversation, and, of course, sharing his paintings. He used the arts and the Red Sox to connect with the world. While Mr. Gardner’s prolific collection of paintings sometimes use humble materials–reclaimed cardboard, a detached cabinet door–they vibrantly showcase his inspirations: the luminous light of Edward Hopper, the landscapes of the Cape and of Cambridge, a passion for baseball and for the progressive possibilities of America. 496 / 1857 sold -
Excerpt: THE ART OF JEFF GARDNER (1947-2020) He was the artist and ambassador of Woodrow Wilson Court. At Open Studios he entertained hundreds there, strumming on his old Martin guitar, making conversation, and, of course, sharing his paintings. He used the arts and the Red Sox to connect with the world. While Mr. Gardner’s prolific collection of paintings sometimes use humble materials–reclaimed cardboard, a detached cabinet door–they vibrantly showcase his inspirations: the luminous light of Edward Hopper, the landscapes of the Cape and of Cambridge, a passion for baseball and for the progressive possibilities of America. 497 / 1857 sold -
Excerpt: THE ART OF JEFF GARDNER (1947-2020) He was the artist and ambassador of Woodrow Wilson Court. At Open Studios he entertained hundreds there, strumming on his old Martin guitar, making conversation, and, of course, sharing his paintings. He used the arts and the Red Sox to connect with the world. While Mr. Gardner’s prolific collection of paintings sometimes use humble materials–reclaimed cardboard, a detached cabinet door–they vibrantly showcase his inspirations: the luminous light of Edward Hopper, the landscapes of the Cape and of Cambridge, a passion for baseball and for the progressive possibilities of America. 498 / 1857 sold -
Excerpt: THE ART OF JEFF GARDNER (1947-2020) He was the artist and ambassador of Woodrow Wilson Court. At Open Studios he entertained hundreds there, strumming on his old Martin guitar, making conversation, and, of course, sharing his paintings. He used the arts and the Red Sox to connect with the world. While Mr. Gardner’s prolific collection of paintings sometimes use humble materials–reclaimed cardboard, a detached cabinet door–they vibrantly showcase his inspirations: the luminous light of Edward Hopper, the landscapes of the Cape and of Cambridge, a passion for baseball and for the progressive possibilities of America. 499 / 1857 sold -
Excerpt: THE ART OF JEFF GARDNER (1947-2020) He was the artist and ambassador of Woodrow Wilson Court. At Open Studios he entertained hundreds there, strumming on his old Martin guitar, making conversation, and, of course, sharing his paintings. He used the arts and the Red Sox to connect with the world. While Mr. Gardner’s prolific collection of paintings sometimes use humble materials–reclaimed cardboard, a detached cabinet door–they vibrantly showcase his inspirations: the luminous light of Edward Hopper, the landscapes of the Cape and of Cambridge, a passion for baseball and for the progressive possibilities of America. 500 / 1857 sold
Photos 401 - 500 of 1857
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